[Billie Holiday, from March 23, 1949. Photographer: Carl Van Vechten. from the Yale University Archives at Beinecke Rare Book and Manuscript Library]
by Lori Lakin Hutcherson (@lakinhutcherson)
In continued celebration of #JazzAppreciationMonth, today we drop in on Billie Holiday, the singer and artist who not only influenced peers and progeny alike with her innovative interpretation of and phrasing in songs, but also composed several of her signature songs which became jazz and blues standards in the decades that followed.
To read about Holiday, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 19th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Billie Holiday famously said she styled her singing after two major influences – blues empress Bessie Smith and jazz trumpeter and legend Louis Armstrong.
The alchemy Holiday found by combining her favorites inspired many of her contemporaries as well as subsequent generations of singers, who were impressed with her pioneering phrasing and improvisation.
What is less often praised about Holiday is her songwriting skill. She wrote several signature songs that are now standards. Let’s start with “Fine and Mellow,” which Holiday first recorded in 1939:
[Excerpt of “Fine and Mellow”]
