article by Scott Mendelson via forbes.com
With the always present caveat that “rank doesn’t matter,” it turns out that Hidden Figures was the top movie of the weekend, not Rogue One: A Star Wars Story. As you probably know, the weekend box office that everyone reports on Sunday is comprised of estimates and when the rankings are close the order can sometimes shift when the final numbers drop. So yeah, Hidden Figures earned a terrific $22.8 million, about $1m more than estimated, which is a sign that the film is building on its buzz and word-of-mouth.
Meanwhile, Rogue One had to settle for a $22m fourth weekend, bringing its domestic total to $477.3m. The story though, isn’t necessarily that Hidden Figures, which stars Taraji P. Henson, Octavia Spencer, Janelle Monáe, Mahershala Ali, Kirsten Dunst, Jim Parsons and Kevin Costner, bested the fourth weekend of Star Wars (or the third weekend of Sing) in its wide release debut. No, it’s that Hidden Figures, a historical drama about female African-American NASA mathematicians whose skills were essential to putting Americans into space, earned $22.8 million on its opening weekend, bringing the domestic total for the $25m Fox 2000/Chermin release to $24.7m.
At the risk of stating the painfully obvious, the triumph of said Allison Schroeder/Ted Melfi-written studio programmer, based on Margot Lee Shetterly’s book, is a huge win for the notion that movies about women, women of color no less, can be not just critically acclaimed and award-worthy but also multiplex-friendly box office hits. This shouldn’t be a surprise. We should know this by now. The Help earned $169 million domestic in 2011, more than X-Men: First Class ($146m), and earned about as much worldwide ($216m) as the 3D/$200m+ Green Lantern ($219m).
Back in 1995, Waiting to Exhale made about as much domestically ($67.4m) as Bad Boys, Outbreak and Heat. The entire Tyler Perry media empire is built on audiences (black women and otherwise) going to movie theaters to see mainstream melodramas about African-American women. Hell, we forget about it now, but Steven Spielberg’s The Color Purple earned $94.1 million domestic in 1985 ($216m in 2017 dollars). That doesn’t mean every Baggage Claim is going to break out, but if you treat movies like Hidden Figures like an event, the audience will show up.
To read more, go to: Box Office: ‘Hidden Figures’ Topped ‘Rogue One,’ But Its Real Victory Was That $22.8M Debut
Posts tagged as “Jim Parsons”
article by Seth Kelley via Variety.com
Heading into the weekend, a tight race was projected between “Rogue One: A Star Wars Story,” “Sing” and “Hidden Figures,” the latter of which showed a strong expansion judging by early estimates. Sure enough, Fox’s “Hidden Figures” earned $7.6 million at 2,471 locations to win Friday, on its way to an estimated $21 million for the weekend.
“Rogue One,” meanwhile tacked on an additional $6.1 million at 4,157 theaters, shooting to a potential $24 million this weekend. Illumination-Universal’s animated comedy “Sing” made $5.1 million on Friday from 3,955 theaters and should make about $23 million by the weekend’s end.
Taraji P. Henson stars in “Hidden Figures” as Katherine Johnson, an African-American mathematician who, along with her colleagues Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monae), helped NASA advance in the Space Race. Kevin Costner, Kirsten Dunst and Jim Parsons also star. Fox 2000 Pictures, Chernin Entertainment, Levantine Films and TSG Entertainment produced the film distributed by Fox. The awards season contender also performed well in limited release with $2.9 million from 25 locations since Dec. 25.
To read full article, go to: Box Office: ‘Hidden Figures,’ ‘Rogue One,’ ‘Sing’ Fight for First | Variety
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
The trailer for “Hidden Figures”, the Fox 2000 drama starring Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Kirsten Dunst and Jim Parsons, directed by Theodore Melfi, with original music from Pharrell Williams, debuted last night on NBC during the women’s gymnastics individual event finals at the Rio Olympics. In case you missed it – watch it here and mark your calendars – the movie will go into wide release on January 13, 2017.
The film, based on the upcoming book by Margot Lee Shetterly, is the true story of the black female mathematicians who worked at NASA in the 1960s and helped put John Glenn into orbit. To learn more about the movie and the history, click here.
article by Dave McNary via Variety.com*
Pharrell Williams will produce Taraji P. Henson’s mathematics drama “Hidden Figures” and write original songs for the soundtrack.
Donna Gigliotti, Peter Chernin, Jenno Topping and Ted Melfi are also producing, and Melfi is directing. Williams will oversee all musical elements for the motion picture and its soundtrack.
Henson stars along with Octavia Spencer and Janelle Monáe as a trio of brilliant African-American women working at NASA, who served as the brains behind the 1962 launch of astronaut John Glenn into orbit — a key milestone in the space race against the Soviet Union to land a man on the moon before the end of the decade.
“After my producing partner Mimi Valdés and I heard about this project, we basically begged the producers and studio to allow us to participate,” Williams said. “This is an extraordinary story about black women with genius mathematical minds who contributed to American history. It takes place in Virginia, my home state, and at NASA, a place I’ve been obsessed with since childhood.”
Fox will release “Hidden Figures” on Jan. 13. Also starring are Kirsten Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge and Kevin Costner. The screenplay is by Alison Schroeder, Melfi and Lori Lakin Hutcherson.
Williams has won 10 Grammy Awards. He’s also known for his musical contributions to the “Despicable Me” films as well as his judging stint on NBC’s “The Voice.”
*(GBN disclosure from Editor-in-Chief Lori Lakin Hutcherson: the above is an article in which I am mentioned, as I am primarily a writer in television and film, and was fortunate enough to work on “Hidden Figures.” It may be a conflict of interest to have published this, but so be it – it’s an awesome film and Good Black News regardless!)