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Posts tagged as “Jermaine Jackson”

MUSIC MONDAY: “Bring It On Home” – A Famous Background Vocalists Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy springtime from your friend and selector, Marlon!

Here’s a freewheeling playlist, and a seemingly random collection of tunes. Though what they all have in common is famous folks, sometimes uncredited, singing backup.

In some cases it is an established artist leading a hand, like Stevie Wonder contributing to Jermaine Jackson’s “Let’s Get Serious,” or a then-unknown protege like Lou Rawls singing behind his childhood pal Sam Cooke on “Bring It On Home To Me.”

In some tracks, you won’t be able to pick them out. Though in others you will never be able to hear the same again without recognizing them. Here is a breakdown of each song and who’s helping out in the background. Enjoy!

[spotifyplaybutton play=”https://open.spotify.com/playlist/1Wiw3WvesSmopQpyuoTybK?si=7f4c79d723884010″]

  1. “Bring It On Home to Me” by Sam Cooke with Lou Rawls
  2. “Let’s Get Serious” by Jermaine Jackson was produced by Stevie Wonder (who also provided vocals)
  3. “Part-Time Lover” by Stevie Wonder with Luther Vandross and Philip Bailey
  4. “Don’t Lose Your Head” by Queen with Joan Armatrading
  5. “Step by Step” by Whitney Houston with original writer and vocalist Annie Lennox
  6. “Every Time I Close My Eyes” by Babyface with Kenny G, Mariah Carey, and Shelia E.
  7. “Somebody’s Watching Me” by Rockwell with Michael Jackson and Jermaine Jackson
  8. “Pink + White” by Frank Ocean with Beyoncé
  9. “State of Shock” by the Jacksons, with Mick Jagger
  10. “Young Americans” by David Bowie with Luther Vandross
  11. “Why Should I Love You?” by Kate Bush with Prince singing and playing guitar
  12. “There Must Be More to Life Than This” by Queen with Michael Jackson
  13. “This Is What You Came For” by Calvin Harris and Rihanna with uncredited vocals by the song’s author, Taylor Swift
  14. “Partition” by Beyoncé with Justin Timberlake
  15. “Chain Reaction” by Diana Ross with Barry Gibb

There are certainly others, but I’ll stop here. Though if there are glaring omissions, lemme me know, and I’ll make additions.

See ya next month, and as always: stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Written by Wonder, First Sung by Another” – a Stevie Wonder-Composed Playlist (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

If you are a regular listener of Good Black NewsMusic Monday playlists, we’re sure you’ve noticed by now that we’ve got some serious Stevie Wonder fans in the house. In 2020, we even celebrated his 70th birthday with a whole month of fantastic playlists (some links below).

And now that Mr. Wonder’s birthday week again (on this Friday the 13th), we’ve got a new playlist to share – this one built around songs that he composed for other artists – it’s called “Written By Wonder, First Sung By Another”:

[spotifyplaybutton play=”https://open.spotify.com/playlist/6GAkiGK8QJRFyHcOdnCQmv?si=7b9eb6f8dd184912″]

This playlist is comprised of over 90 songs spanning from the mid-60s when he was still just a teenage songwriter, up through the list’s most recent composition, a 2011 release from smooth jazz vocalist Maysa called “Have Sweet Dreams.”

Many people already know of the hits Stevie wrote for others – classics such as The Spinners’ “It’s A Shame,” Jermaine Jackson’s “Let’s Get Serious,” Third World’s “Try Jah Love,” Rufus feat. Chaka Khan’s “Tell Me Something Good,” and of course, Smokey Robinson & The Miracles’ “The Tears of a Clown.”

But his writing legacy goes so much deeper than that.

MUSIC MONDAY: “Yacht Soul” – What It Is, Who Made It, and Why It’s Everything You Love About Yacht Rock But Cooler (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

As we sail away from summer into the (hopefully) cooler climes of autumn, a playlist filled with Yacht Soul might just be the perfect accompaniment to those post-Labor Day outdoor gatherings.

In case you’re thinking, “Sounds fun, but what exactly is ‘Yacht Soul’?,” it’s the supercool, sophisticated sibling of the “Yacht Rock” genre, a term coined fifteen years ago to describe 1970s and 1980s adult-oriented rock music infused with jazz and R&B recorded primarily in California by acts such as Steely Dan, The Doobie Brothers, Toto, Kenny Loggins and Christopher Cross.

“Yacht Soul” heightens the soul, R&B and jazz elements of the music while dropping a dollop of funk in the mix.

The following quotes from soultracks.com perhaps illuminate the distinctions best:

Donald Cleveland says that we have Yacht Soul question entirely backwards. “To be honest, Yacht Rock should have been called Yacht Soul from the start. Anybody with ears knows that. The only thing ‘rock’ about Yacht is the label that was on the albums as originally released, so they could be filed separately from the ‘Soul’ albums. It was just easier for the White people listening to this music with obvious soulful stylings to just keep the White ‘rock’ labeling going, even if the musicians themselves were influenced by and working from a framework of Black Soul.”

Mama’s Gun lead singer Andy Platts agrees. “Really if we’re honest, you don’t get ‘Yacht Rock’ without the evolution of Black music in the first place, from which it borrows heavily, so perhaps this just underscores the issues with appropriating and using terms like the ‘yacht’ label.”

Songs like “Just The Two of Us” by Grover Washington, Jr. and Bill Withers, “Forget Me Nots” by Patrice Rushen, “Give Me The Night” by George Benson, “Rio De Janiero Blue” by Randy Crawford and Joe Sample and “Golden Time of Day” by Maze are strong examples of the style.

GBN Wishes You and Yours a Happy Father’s Day (LISTEN)

We’ve been wanting to post to acknowledge all the fathers, uncles, stepfathers and loved ones who have been parenting, raising and advising the next generations, but our site has been having serious server issues since dawn.

So even though we are nearing dusk, and we posted what we could on our social media, we’re taking advantage of this moment of connectivity to say “Happy Father’s Day” on our main page and offer a playlist dedicated to the dads called “Color Him Father” – A Father’s Day Collection:

This 20-songs compilation offers praise, introspection, dreams, admonition and advice from myriad genres and perspectives – from The Winstons‘ appreciation of a stepfather on “Color Him Father,” to Will Smith‘s heartfelt expression of how it feels to become a dad on “Just The Two Of Us,” to Beyoncé’s appreciation of different aspects of her father on “Daddy” and “Daddy Lessons.”

Also included are Prince‘s declaration of love for his father amid complexities on “Purple Rain” and Kirk Whalum‘s soulful, jazz cover of “Because You Loved Me” which Diane Warren wrote about her relationship with her father, DMX and Usher‘s heartbreaking plea “Letter To My Son (Call Your Father)”, and classics like “Daddy’s Home” – the popular cover by Jermaine Jackson as well as the original version by Shep and The Limelites.

We hope it’s been a great day for all those in the dad role today, and hope you enjoy the above, knowing you are seen, honored and loved through thick and thin.

GBN’s Merry Month of Stevie: Celebrating the Wonders of Stevie’s Harmonica (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

Stevie Wonder told us with his very first hit, ‘Fingertips,’ recorded when he was 12, that he was a harmonica master. Somehow, through all the genius songwriting, singing, production and keyboard innovation, we tend to forget about those harmonica skills.

But Stevie hasn’t.

His unmistakable harmonica blowing is right there, easy to find in such Stevie favorites throughout his career including ‘I Was Made to Love Her,’ ‘Isn’t She Lovely,’ ‘For Once In My Life,’ ‘That Girl,’ ‘We Can Work It Out,’ ‘Boogie On Reggae Woman,’ and even 1990s gems like ‘Treat Myself.’

Although he does play that Hohner Chromonica often on his own records, Wonder actually seems to utilize his harmonica skills most frequently as a means to collaborate with other artists.

From the 1960s to today, he’s played harmonica as a guest session man on over 150 songs from other artists. That’s more than 10 whole albums worth of additional Stevie-infused material!

To celebrate that part of Stevie’s career, today’s GBN Month of Stevie playlist is entitled “The Wonders of Stevie’s Harmonica, where we’ve amassed every Stevie Wonder harmonica guest appearance that we could find on Spotify into one huge list.

You’ll find a few famous hits – Chaka Khan’s ‘I Feel For You,’ Elton John’s ‘I Guess That’s Why They Call It The Blues,’  Sting’s ‘Brand New Day,’ R&B classics from DeBarge’s ‘Love Me In A Special Way’ to Jermaine Jackson’s smash ‘Let’s Get Serious’ (which Stevie also wrote and produced). And one of my personal favorites, the Eurythmics #1 UK hit ‘There Must Be An Angel (Playing With My Heart).’

And though he hasn’t released a full album of new work since 2005, Stevie Wonder has stayed relevant to the charts through these harmonica-based collabos. That’s Stevie’s harmonica on Drake’s ‘Take Care’ album – the #1 album of 2012.

He appears twice on the Mark Ronson 2015 album that contained the #1 song of that year, “Uptown Funk.” And just last year, that was Stevie’s harmonica again on rapper Travis Scott’s chart-topping album “AstroWorld.”

But going on Stevie Wonder’s harmonica journey through music takes you to more than just the top of the charts. One of the special things about being Stevie – a sonic force for nearly 60 years – is his wide-ranging love of music across all genres and generations, and his ability to play with all those people.

(photo via youtube.com)

While many associate the harmonica mostly with blues and folk sounds, Stevie takes the instrument to new places. To be expected, his harmonica is present in the work of his Motown compatriots from the Supremes to the Temptations to Smokey Robinson.

But he’s also played with the finest in rock music (Paul McCartney, James Taylor), popular standards (Barbra Streisand, Tony Bennett), world music (Sergio Mendes, Djavan), jazz (Robert Glasper, Herbie Hancock, Dizzy Gillespie), pop (NSync, 98 Degrees, Mariah Carey), hip hop (Drake, Snoop Dogg) and gospel (BeBe Winans, Andrae Crouch). (Stevie, of course, has also ventured into Broadway, but the version of Rent’s ‘Seasons of Love’ with his contributions isn’t available on Spotify. But you can hear it here.)

The list closes with another personal favorite, this one from Stevie’s own catalog – his harmonica infused take on the classical holiday piece ‘Ave Maria’ – written in 1825 and sung primarily by opera singers through the centuries.

The 45-second harmonica solo here is simple and majestic, and completely at home within a classical music space, something I think only Stevie Wonder could achieve with this instrument.

Come take a ride on Stevie’s harmonica highway – and listen out for that unmistakable sound.  As with most musical adventures, we hope you will find something unexpectedly nice along with way.

Special thank you – assembling this playlist wouldn’t have been easily possible without the massive amounts of information on the fan website www.steviewonder.org.uk .

MUSIC: All 9 Jackson Family Siblings Have Now Had Solo Hits on the Billboard Charts

The Jackson Five photographed in Amsterdam circa 1977.   (GIJSBERT HANEKROOT/REDFERNS)
article by Trevor Anderson via billboard.com
Tito Jackson joins his brothers and sisters like Michael and Janet, and scores his first solo hit on the Billboard charts with “Get It Baby.”  With the single’s recent debut, Tito becomes the ninth and final Jackson family sibling to place a solo single on the charts.
Michael Jackson’s Top 50 Billboard Hits
For over 45 years, the Jackson family has been charting hits — stretching back to the 1969 debut of the Jackson 5’s “I Want You Back” on the Billboard Hot 100. In the following decades, the children of Joe and Katherine Jackson all embarked on solo careers, most spectacularly with Michael Jackson. By 1989, eight of the nine siblings had reached the charts.
“Get It Baby,” featuring Big Daddy Kane, debuts at No. 30 on the Billboard + Twitter Top Tracks chart dated June 11, and climbs 29-26 on the Adult R&B Songs airplay chart in its second week.

[youtube https://www.youtube.com/watch?v=aASwsMOy-pA]

The Jackson siblings’ solo chart runs date back to October 30, 1971, when Michael Jackson’s debut single, “Got to Be There,” started at No. 89 on the Hot 100. Since Michael kicked off his string, nine of the Jackson children have scored hits on a Billboard songs chart (listed in birth order):
Maureen “Rebbie” Jackson – seven charted titles on the Hot R&B/Hip-Hop Songs chart, including two top 10s in 1984’s “Centipede” (No. 4) and 1988’s “Plaything” (No. 8).
Sigmund “Jackie” Jackson – two charted titles on the Hot R&B/Hip-Hop Songs chart, including a 1989 top 40 hit “Stay” (No. 39).
Tito Jackson – “Get It Baby” debuted at No. 29 on Adult R&B Songs on the June 4, 2016 chart and Billboard + Twitter Top Tracks the following week.
Jermaine Jackson – 17 charted titles on the Hot 100, including two top 10 hits: “Daddy’s Home” in 1973 and “Let’s Get Serious” in 1980. Both cuts peaked at No. 9.
LaToya Jackson – nine charted titles on the Hot R&B/Hip-Hop Songs chart, including four top 40 hits. Her highest ranking track, “Bet’cha Gonna Need My Lovin’” climbed to No. 22 in 1983.
Marlon Jackson – two charted titles on the Hot R&B/Hip-Hop Songs chart, including the No. 2 smash “Don’t Go” in 1987.
Michael Jackson – 50 charted titles on the Hot 100, including 13 No. 1s, the most by any male artist in Hot 100 history.
Steven “Randy” Jackson – three charted titles on the Hot R&B/Hip-Hop Songs chart (one as a solo artist and two as part of Randy & The Gypsys). Of those three, 1990’s “Love You Honey” scored the best rank, topping out at No. 16.
Janet Jackson – 40 charted titles on the Hot 100, including 10 No. 1s.
Of course, the Jacksons also made music history working together. The Jackson 5 — a lineup consisting of Jackie, Jermaine, Marlon, Michael and Tito — scored Hot 100 No. 1s with their first four releases on Motown: “I Want You Back,” “ABC,” “The Love You Save” and “I’ll Be There.”
After a break with the label, the group shifted to Epic Records and was renamed The Jacksons (with Randy replacing Jermaine). The new quintet racked up three more Hot 100 top 10s between 1977 and 1984.