Here at Good Black News, we’ve decided to have some fun and make up a new holiday.
With Patti LaBelle (born May 24th) and her good friend and Gemini sister Gladys Knight (born May 28th) both turning 80 over this long weekend, we’re thinking the perfect date is May 26th.
In much the same way that George Washington and Abraham Lincoln’s birthdays were lumped together to create President’s Day in February, we’re launching… Legendary Divas Day!
Certainly, Divas need their own day.
May 26th splits the difference between Patti’s and Gladys’ birthdates and gives us a perfect reason to share a great diva playlist every Memorial Day weekend (future Legendary Diva Days can be celebrated the Sunday of Memorial Day weekend).
LaBelle and Knight are two iconic singers who hold a special place in our collective hearts – they have provided the soundtracks to the lives of multiple generations of fans, with bodies of work to prove it.
But for our world today, they are more than just singers – they are an entire community’s beloved aunties and grandmas. They keep it fun and current by going on shows like “Dancing with the Stars” and “The Masked Singer” (Gladys was robbed on that first season, I tell you), and with cookbooks and Wal-Mart pies. They take care of us just through their being.
To honor their birthdays this weekend, GBN has put together a playlist comprising not 80 songs, but 180 songs that bounce back and forth between Gladys and Patti!
We journey through their 60+ year recording careers with the hits, the duets, the deep cuts, the standards and the spirit.
To be completely transparent, we took the bones of this playlist from a prior one we shared around the time of Gladys’ and Patti’s Verzuz song battle program during the pandemic – and we’ve dramatically expanded it to its new form.
Welcome to the holiday season, Good Black News family! We hope you had a wonderful Thanksgiving – and are counting down the 25 days of Christmas now that it’s December.
In what’s become a holiday tradition, we’ve updated our now massive Black Christmas music Spotify playlist with a whole heap of new songs. The month of November was spent searching far and wide across the internet for new releases, old classics now on Spotify, and other tunes and artists we missed in previous years.
We’ve now got over 700 songs across 40+ hours (and we’ll add more if some crucial tunes get released in the next few weeks) – with the goal to be one of the most definitive Black Christmas playlists around.
If you’re still subscribed to the list from a previous year, we’re here to let you know it’s now updated and bigger/better than ever.
If you’ve not subscribed, check it out while you are wrapping presents, baking cookies, decorating your tree, or just sitting cozily in front of a nice roaring fire, with football on mute in the next room.
As a reminder, we set out to make a mainstream Christmas radio station that you can use in the background all season long. But in the GBN tradition, the focus is on Black artists (plus occasional duet partners and a little Robin Thicke).
While other holiday radio focuses on Brenda Lee and Bing Crosby, we’ve got Ella Fitzgerald and Nat King Cole. When they play Michael Buble, we play John Legend, or Hamilton star Leslie Odom.
Of course, we’ve got The Jackson 5, Donny Hathaway, the original Eartha Kitt version of “Santa Baby,”Stevie Wonder, and two different renditions of The Temptations doing “Silent Night.” And just like everyone else, Mariah Carey!
We’ve sequenced the list carefully – so that you don’t overload on the same songs, tempos or artists too frequently. You can just let it play – or hit shuffle. Or you can even use it as a base of songs to edit down into your own personal list of favorites.
In addition to soul and pop, there’s some jazz, some gospel, some blues, some a capella, and even disco, reggae and Black country in the mix. Hopefully you find all the classics you need, and some brand new surprises you didn’t know you wanted.
This year’s big new Christmas releases include albums from Brandy (currently starring in the new Netflix hit Best. Christmas. Ever!), jazz star Gregory Porter, and hot new soul star October London.
Ace producer Adam Blackstone has assembled an album with friends that include Keke Palmer and Boyz II Men. And on the traditional side, Grammy-winning Best New Artist Samara Joy has issued an EP, and the legendary Johnny Mathis has issued new tracks as well. We’ve got a couple songs from all of these.
This July, as we endure the latest triple digit temperature heatwave, or navigate flight cancellations in our attempts at a vacation, we can always count on summer music to lighten the mood and keep our heads cool in the comfort of our own backyard.
So, with that in mind, we’re back again this holiday week with the latest update to our popular playlist entitled “Summer Breeze – Soulful Summer Songs.” We introduced this playlist a few years ago and have been updating it annually with both new and old musical finds uncovered deep in the recesses of Spotify.
The goal of the playlist is simple – find music by Black artists (or, in a few cases, soul-influenced artists of various ethnic backgrounds) that have the word “summer” in their song title – these songs are literally written about summer.
Some are big BBQ standards, like “Summer Breeze” by the Isley Brothers, Will Smith‘s “Summertime”, Sly & The Family Stone‘s “Hot Fun in the Summertime” and “Summer” by War.
But many are lesser known from across the decades, from artists ranging from Nat King Cole and Nancy Wilson to Anderson.Paak and Aloe Blacc – all unified by their seasonal theme.
This year we’ve added 35 new songs, sprinkled throughout the list. Some are fresh out of the oven, like Chris Brown‘s “Summer Too Hot” and “Summer Renaissance” by Beyoncé. Others include older songs we found anew on Spotify since our last update, from name artists like Uncle Charlie Wilson (“Just Like Summertime”), Rick James (“Summer Love”), Tony! Toni! Toné! (“Til Last Summer”), reggae group Big Mountain (“Reggae Inna Summertime”) and Kelly Rowland (“Summer Dreaming”).
For this OG soul music fan, the most fun, perhaps, is uncovering via the magic of Spotify all sorts of artists new to my ears. Many are already successful with millions of monthly Spotify listeners, such as SiR (“Summer in November”), Fana Hues (a lovely cover of Stevie’s “Never Dreamed You’d Leave in Summer”), girl group FLO (“Summertime”), Khruangbin (a cool new take on “Summer Madness”) and KYLE (“SummertimeSoul”).
We’ve also got songs from newcomers like Kenya Vaun (“Summer”), Tay Iwar with Juls (“Summer Breeze”), and NoMBe (“Summer’s Gone” remix with Sonny Alven and Thutmose).
Spotify has opened up American ears to artists from all over the globe that we may never have heard before the internet. South Africa’s Soweto-born DJ Kent brings us the hypnotic “Summer Heartbreak.” Suriname-born Jeangu Macrooy (“Summer Moon”) has represented Netherlands in Eurovision. Pheelz (“Pheelz Like Summer”) is a prolific Nigerian producer/artist with a following in both his home country and throughout Europe. And from the UK comes newcomer Debbie, with her tune “Summer in December.”
Of course, we also had to dig for a few more deep classics. Those include the Chic-like British soul tune “Summer Grooves” by Mirage, doo-wop classics from Ruby & The Romantics (“My Summer Love”), The Danleers (“One Summer Night”), and The Tymes (“Summer Day”), and some newly found standards, including a lovely version of “The Summer Knows” from Leslie Uggams and Sarah Vaughan‘s “The Green Leaves of Summer.” And, love it or hate it, you simply must check out LGBT icon Sylvester‘s version of the Porgy & Bess standard “Summertime” in which the disco star merges Gershwin with Soft Cell’s “Tainted Love.”
If you’ve enjoyed this playlist in the past, here’s the annual reminder to check in with it again for some fresh additions. And if you are new to it, check out all the above and more on what is now a full day’s worth of summer songs with a soulful sensibility to explore. Feel free to let us know in the comments your favorite “summer” songs, including any we’ve missed!
Every year on March 18, Good Black News celebrates the day of its founding. We continue that tradition today, thirteen years after GBN’s inception.
Even though this past year has been particularly challenging (details here), and led to way fewer postings on the main goodblacknews.org site as well as the cessation of the GBN Daily Drop Podcast, we are still exceedingly proud of all we’ve offered and accomplished over the years, even as we continue to search for our new footing as we forge ahead into the future.
And although it’s no longer weekly, every month we are happy to offer new and/or updated Music Monday playlists from our incredible music contributors Marlon West and Jeff Meier.
I also want to acknowledge 2022’s other volunteer contributors in alphabetical order: Julie Bibb, Gina Fattore, Julie Fishman, Michael Giltz, Warren Hutcherson, Fred Johnson, Epiphany Jordan, Brenda Lakin,Joyce Lakin, John Levinson, Dena Loverde, Catherine Metcalf,Flynn Richardson,Maeve Richardson, Becky Schonbrun, and Teddy Tenenbaum.
You are all deeply, greatly appreciated.
But what truly keeps me, my co-editor Lesa Lakin and all of GBN’s wonderful volunteer contributors going is the appreciation you’ve shown us over the years and still show via follows, likes, comments, shares, reblogs, DMs and e-mails (even when we are overwhelmed and can’t respond to them all).
Your support means the world, and inspires me as Editor-in-Chief to keep working to find ways to improve GBN on the main page as well as on Pinterest,Tumblr,YouTube, RSS feed, LinkedIn and Flipboard, and yeah, our sometime-y GBN newsletter you can get via email.
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider following GBN on the main page, as well as wherever you are on social media.
Please also consider joining our e-mail list via our “Contact Us” tab on goodblacknews.org. We will only use this list to keep you updated on GBN and send you our e-newsletter from time to time. And, of course, you may opt out whenever you like.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming months and beyond!
We hope that all of you in the Good Black News family are enjoying the holiday season and all the prep that goes along with it.
As many longtime readers know, Good Black News couldn’t survive the holidays without our Spotify Christmas music mixes playing in the background.
So, today, we’ve updated one of our most popular playlists ever to share with you again, and offer you the chance to deep dive into holiday music that is a little different than the rotation of 20 Andy Williams, Burl Ives and Bing Crosby tunes you might hear on the regular radio.
While you’re wrapping, decorating, baking, or just sipping eggnog by the fireplace, our playlist is a go-to that can last all season long.
Of course you can set it on shuffle and never know what’s coming next, or just let it play through. We’ve carefully planned it out so that if you just let it play, you’ll get a mix of tempos and artists and soulful styles singing songs you know by heart mixed in with forgotten coulda-been classics and brand new originals that are classics in the making.
As a reminder, musically we’ve set out to create our own ‘radio’-like Christmas playlist, but as only GBN could, comprised entirely of songs performed by Black artists (or in the rare case of Robin Thicke, artists singing in a soulful tradition).
Of course, we’ve got Donny Hathaway, The Jackson 5, The Temptations‘ “Silent Night,” and plenty of Nat King Cole, Ella Fitzgerald, Johnny Mathis, and yes, Mariah Carey.
But as we did last year, we’ve refreshed the playlist this year with a bunch of new tracks – titles that are freshly released in 2022, as well as older tunes that are new discoveries for us, and even some famous songs that had never before appeared on Spotify.
In the era of streaming music, new Christmas music is being released much differently than it used to be. There are still a few new full-length Christmas ‘albums’ being issued.
Among them are collections from Alicia Keys, Regina Belle, and recent Emmy groundbreaker Sheryl Lee Ralph (working with gospel producer/artist B. Slade on her new release entitled ‘Sleigh.’).
We’ve got songs from all of the new releases above (although currently Alicia Keys has only made one single from her album available on Spotify).
Today on #MusicMonday, we’re celebrating the beginning of Summer 2022, which officially kicks off tomorrow.
One of our most popular playlists of the last couple years was our Summer Breeze: Soulful Summer Songs playlist, which we created two years ago in the midst of the pandemic.
So this year, we’ve taken that original playlist and created the ‘new and improved’ version with about 50 more tracks (!) added to the lineup.
Our playlist is slightly different than the typical summer mixtape – these are not just summer hits, or summer favorites. To qualify for our list, a song literally had to feature the word “summer” in its title. It had to be literally “about” summer – the moods and feelings it evokes.
Fortunately, the season of BBQs, island vacations, swimming in the pool has provided inspiration to virtually every genre and generation of Black musicians, so we’ve got all the “summer”-titled popular hits spanning the ’30s to today from DJ Jazzy Jeff & Fresh Prince, Kool & The Gang, Carl Thomas, War, Sly & The Family Stone, Childish Gambino, Chic, Megan Thee Stallion and The Isley Brothers, mixed in with jazz, hip hop, dance, reggae, and plenty of vocal standards.
Nat “King” Cole is not only one of our top singers of Christmas standards, but also the leader in “summer” tunes, with five songs on our playlist.
And throughout, we’ve sprinkled multiple versions of the Porgy & Bess standard “Summertime,” performed here by everyone from Anita Baker to James Brown.
Among the new songs we’ve added are everything from Jhene Aiko to Joan Armatrading, Anderson.Paak to Prince, Jim Jones to Johnny Mathis, Leon Bridges to Labi Siffre to St. Lunatics.
So, fire up the grill, break out the water slide for the kids, and perhaps grab a mai-tai or piña colada. Then relax to the sounds of Summer. Happy Summer everyone!
If you are a regular listener of Good Black News’ Music Monday playlists, we’re sure you’ve noticed by now that we’ve got some serious Stevie Wonder fans in the house. In 2020, we even celebrated his 70th birthday with a whole month of fantastic playlists (some links below).
And now that Mr. Wonder’s birthday week again (on this Friday the 13th), we’ve got a new playlist to share – this one built around songs that he composed for other artists – it’s called “Written By Wonder, First Sung By Another”:
This playlist is comprised of over 90 songs spanning from the mid-60s when he was still just a teenage songwriter, up through the list’s most recent composition, a 2011 release from smooth jazz vocalist Maysa called “Have Sweet Dreams.”
Many people already know of the hits Stevie wrote for others – classics such as The Spinners’ “It’s A Shame,” Jermaine Jackson’s “Let’s Get Serious,” Third World’s “Try Jah Love,” Rufus feat. Chaka Khan’s “Tell Me Something Good,” and of course, Smokey Robinson & The Miracles’ “The Tears of a Clown.”
But his writing legacy goes so much deeper than that.
At yesterday’s Grammy Awards, power group Silk Sonic (featuring Anderson .Paak and Bruno Mars) and its signature song “Leave The Door Open” had a huge night, winning in both major categories for singles — Song of the Year and Record of the Year.
FYI, Silk Sonic was not nominated for Album of the Year — that Grammy went to Jon Batiste for We Are.
Black artists weren’t always so frequently celebrated in the key main categories. As recently as 2015, there were no songs performed by Black artists in the Song of the Year or Record of the Year categories. And wins for Black artists in the main categories have been infrequent through many of the past 6 decades+ of the Awards.
The Grammys, of course, have honored Black artists in the R&B and Hip Hop categories. And they did it with Silk Sonic and “Leave The Door Open” last night too, as it tied with Jazmine Sullivan for Best R&B Performance and won in one more singles category that wasn’t televised — Best R&B Song.
It’s a favorite sport of music fans to second guess whether the Grammys got it right or not, but, as you’ll hear in today’s list, almost all the winners have ended up being — like “Leave The Door Open” is already — truly classic jams.
If you’ve been watching the Grammys for years, you know by now that the Academy of Recording Arts and Sciences gives awards in Performance and Record categories (which go to the artists) and in the Song category (going to the songwriters – but not the artist, unless they also wrote the song).
In the twists and turns of the Grammy Awards, a single R&B Performance of the Year honor has actually not been given out consistently through the years.
Although it was awarded up through most of the ’60s (completely ignoring Motown and Stax, by the way, in favor of Ray Charles), it was then discontinued in favor of separate performance categories for Male R&B Performance, Female R&B Performance and Duo or Group R&B Performance – three categories that awarded artists up until 2011, when they were combined once again into a collective R&B Performance of the Year Award.
So R&B Song of the Year essentially became a unique declaration of the Grammys’ top choice in R&B music, starting in 1969 with Otis Redding‘s “Sittin’ on the Dock of the Bay” and continuing to today.
It’s clear that the Grammys favored some trends and artists more than others. After ignoring Motown in the 1960s, Grammy jumped into Motown fandom in the 1970s with Stevie Wonder and The Temptations – but in the process managed to almost completely ignore Philly Soul.
The Academy began to embrace Disco, but while awarding a Donna Summer song one year, the Grammy voters managed to relegate all the biggest Nile Rodgers & Bernard Edwards compositions to runner-up status through the years, yet somehow ended up awarding the R&B Song of the Year in 1978 to Leo Sayer‘s “You Make Me Feel Like Dancing” over The Commodores’“Easy” and “Brick House,”Thelma Houston‘s “Don’t Leave Me This Way” and The Emotions’“Best of My Love.”
By the 1980s, the Grammys favored slick adult soul in the vein of Luther Vandross, Stephanie Mills, Earth, Wind & Fire’s “After the Love Has Gone” and George Benson over more funky fare.
In fact, Prince won the R&B Song Grammy for penning “I Feel For You” when it was a hit for Chaka Khan. But his first R&B Song of the Year nomination for one of his own recordings – for “Kiss” in 1987 – was defeated by Anita Baker‘s breakthrough “Sweet Love.”
The 1990s brought multiple wins for Babyface compositions for Boyz II Men and Whitney Houston, a win for Jimmy Jam & Terry Lewis for their work with Janet Jackson, and yes, a win for R. Kelly.
And, if you wanted to win a R&B Song Grammy in the 2000s, you should have been writing songs for female performers, because the decade’s honorees were dominated by Alicia Keys, Mariah Carey, Mary J. Blige, Destiny’s Child and Beyoncé tunes.
In the past decade, as hip hop has continued to dominate the story of Black artists crossing over to the mainstream, R&B crossover success on the charts has declined, along with the reach of R&B radio.
The Grammys have begun awarding more rootsy and alternative R&B fare. While the vast majority of all the winning songs for decades had been major R&B and often major pop hits, multiple winners in the past decade have not even hit the Top 10 on Billboard R&B charts, including songs from Robert Glasper, P.J. Morton, D’Angelo and John Legend with the Roots.
Grammy finally seems to be putting musical achievement over sales figures. We hope you’ll enjoy this chronological journey through R&B history.
Hey, it’s Lori, GBN’s Editor-in-Chief, stepping in with this week’s Music Monday share. As yesterday was what would have been song stylist Nancy Wilson’s 85th birthday, I have crafted an 85-song tribute playlist that spans her six decades-long recording career.
A prolific singer who recorded and released 52 albums, three-time Grammy Award winner Wilson was one of the greats who often is not given her just due in popular music history. For a time in the 1960s, Wilson was the second biggest recording artist at Capitol Records – the biggest being the Beatles.
Born on February 20, 1937 in Chillicothe, Ohio, Nancy Sue Wilson knew by the time she was four years old she would be a singer. By her teen years she won a talent contest and began performing on a local television program called Skyline Melodies, then became its host.
She soon met jazz saxophonist and bandleader Julius “Cannonball” Adderley, who was impressed with her talent and suggested she move to New York City. The move lead to Wilson landing a recording contract with Capitol and releasing her first single and album in 1960.
The first five songs that kick off this compilation are some of Wilson’s best known recordings, some of which charted on Billboard Magazine’s pop and/or R&B charts: “(You Don’t Know) How Glad I Am” – Pop #11; “Save Your Love For Me” – R&B #11; “Tell Me The Truth” – R&B #22 – others which are considered Nancy Wilson standards.
From Wilson’s rendition of “Fly Me To The Moon” off her first album, Like in Love, until the playlist’s conclusion, I’ve ordered the songs to play mostly in chronological order, to offer a sense of how Wilson’s music and voice developed from the 1960s on.
Highlights include her recordings with George Shearing and Cannonball Adderley (The Swingin’s Mutualand Nancy Wilson/Cannonball Adderleyare two classic Nancy Wilson albums that deserve to be purchased and heard in their entirety), and the live tracks from The Nancy Wilson Show recorded live at the Cocoanut Grove in Los Angeles, and the tracks from one of my personal favorite Nancy Wilson albums, 1971’s But Beautiful, where she is backed brilliantly by the Hank Jones Quartet.
I’d also like to point out Wilson’s superlative cover of “Raindrops Keep Fallin’ On My Head” from her 1970 album Can’t Take My Eyes Off You and the utterly surprising and borderline funky “Tell The Truth” from her 1974 All in Love is Fair LP written by Wilson along with Tennyson Stephens. And YES, the first line is “Bitches taking money and they livin’ well.” Seriously, enjoy.
There are more treasures than I can count in this playlist, especially her later recordings towards the end of her career before she stopped recording such as “When October Goes,” “Peel Me A Grape” and “The Golden Years.”
Wilson passed in 2018 but her music deserves and needs to continued to be appreciated and shared for generations to come. To quote GBN music contributor Jeff Meier from his Facebook tribute to Wilson when she passed:
“While she was probably not a jazz purists favorite jazz performer, a pop fan’s favorite pop singer, nor a soul fan’s top soul artist, she was something in the middle, an accurately self-proclaimed ‘song stylist’ who was a true pioneer in African-American ‘supper club’ entertainment, blending the best from the American songbook – pop, jazz, blues, show tunes into one stylish mix.
In the vein of Johnny Mathis and Lena Horne, she was beautiful, elegant, classy – and therefore also the perfect archetype of ‘guest’ to help integrate television in the early ’60s, when she was regularly featured on variety shows like Andy Williams, Hollywood Palace, Danny Kaye, Smothers Brothers, Carol Burnett and many more.
She is undoubtedly what Columbia Records was trying to turn Aretha Franklin into before Aretha broke free for Atlantic to become her true self. Good thing, because just as there was only one Aretha, there was also only one Nancy Wilson.”
I hope you enjoy this playlist, and please know we are still working behind the scenes on re-creating and offering our playlists via Apple Music for those who would like a non-Spotify option. As soon as they are ready, I’ll be sure to post and let you know.
2/22/22 UPDATE:
Good Black News is now officially on Apple Music! Going forward, we will offer all MUSIC MONDAY playlists on both platforms. Slowly but surely, we will add the playlists from past Music Mondays on Apple Music as well. Enjoy!
Happy first Monday of 2022! Hope this young year has been treating you well so far.
Well, this collection is definitely a group effort. Last week I asked the readers of Good Black News and other friends and family to offer songs that have helped sustain them during these mercurial Covid times. Folks did not disappoint.
I have assembled a playlist of old and new music of many genres to enjoy during this fourth wave of The Vid.
I’M STILL HERE takes its title from a track by the immortal Sharon Jones. It was created for the documentary, Miss Sharon Jones!, about her tenacious battle with cancer. This collection contains songs offered by stalwart GBN music contributor, Jeff Meier, our Editor-in-Chief, Lori Lakin Hutcherson, and many readers and pals from all over.
Eighty-one year old Jazz legend Pharaoh Sanders is in the house with a record released during 2021. There are songs by folks like the emerging artist Yola too.
There are tracks considered by most as enduring classics, and others that will be well worth putting in the effort to “get to know.” Do enjoy more than 9 hours of music to fill your heart and soul. I hope this short missive finds you all safe and well.
Thanks for pitching in and enjoy. And as always, stay safe, sane, and kind. See ya soon.
