Tag: Jay-Z

Review: Beyoncé is Bigger Than Coachella | New York Times

(photo via instagram.com)

by Jon Caramanica via nytimes.com

INDIO, Calif. — Let’s just cut to the chase: There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé’s headlining set at the Coachella Valley Music and Arts Festival Saturday night.

It was rich with history, potently political and visually grand. By turns uproarious, rowdy, and lush. A gobsmacking marvel of choreography and musical direction.

And not unimportantly, it obliterated the ideology of the relaxed festival, the idea that musicians exist to perform in service of a greater vibe. That is one of the more tragic side effects of the spread of festival culture over the last two decades. Beyoncé was having none of it. The Coachella main stage, on the grounds of the Empire Polo Club here, was her platform, yes, but her show was in countless ways a rebuke.

It started with the horns: trumpets, trombones, sousaphones. For most of the night, the 36-year-old star was backed by an ecstatic marching band, in the manner of historically black college football halftime shows. The choice instantly reoriented her music, sidelining its connections to pop and framing it squarely in a lineage of Southern black musical traditions from New Orleans second line marches to Houston’s chopped-and-screwed hip-hop.

Her arrangements were alive with shifts between styles and oodles of small details, quick musical quotations of songs (Pastor Troy’s “No Mo’ Play in G.A.,” anyone?) that favored alertness and engagement. As always, one of the key thrills of a Beyoncé performance is her willingness to dismantle and rearrange her most familiar hits. “Drunk in Love” began as bass-thick molasses, then erupted into trumpet confetti. “Bow Down” reverberated with nervy techno. “Formation,” already a rapturous march, was a savage low-end stomp here. And during a brief trip through the Caribbean part of her catalog, she remade “Baby Boy” as startling Jamaican big band jazz.

She does macro, too — she was joined onstage by approximately 100 dancers, singers and musicians, a stunning tableau that included fraternity pledges and drumlines and rows of female violinists in addition to the usual crackerjack backup dancers (which here included bone breakers and also dancers performing elaborate routines with cymbals).

Jerrod Carmichael to Adapt Dapper Dan’s Upcoming Memoir for Sony Pictures

Jerrod Carmichael (left), Dapper Dan (Courtesy of NBCUniversal; Jon Wes)

by Mia Galuppo via hollywoodreporter.com

The life of Dapper Dan — the godfather of hip-hop fashion, who dressed everyone from LL Cool J to Jay Z — is coming to the big screen.

Sony is developing a biopic based on Dapper Dan’s upcoming memoir (due out in 2019 via Random House), which will be adapted by Jerrod Carmichael. Set in Harlem, the feature is described as a “high-stakes coming-of-age story.”

Carmichael, who is best known as the creator and star of the NBC critical darling The Carmichael Show, will also produce alongside Josh Bratman of Immersive Pictures. Dapper Dan and Jelani Day, his son and brand manager, are set to executive produce.

Daniel “Dapper Dan” Day is a streetwear pioneer that outfitted some of the biggest New York City-based stars of the ’80s and ’90s out of his iconic store on 125th Street in Harlem. His clientele included Eric B. & Rakim, Salt-N-Pepa, P. Diddy, Mike Tyson, Aaliyah and Floyd Mayweather.

His style of remixing high-end logos from the likes of Gucci and Louis Vuitton into his designs led to litigation that eventually prompted the closure of his store. Over two decades later, in September of last year, Dapper Dan struck a partnership with Gucci to relaunch his exclusive Harlem atelier that includes a Dapper Dan x Gucci capsule that will be available along with the fall 2018 collection.

To read more: https://www.hollywoodreporter.com/news/dapper-dan-biopic-works-sony-jerrod-carmichael-1092914

Jay-Z’s ‘Family Feud’ Video Directed by Ava DuVernay Enlists A-List Cast

Jay Z released his video for his single “Family Feud” last night exclusively on Tidal, although it was more than a standard music video premiere. Much like anything else he and Beyoncé create, it was a cultural event to punctuate 2017 with the most inclusive, woke A-list cast you will ever see in a music video.

Helmed by Ava DuVernay, the seven-minute-plus video is a short film, serves up some sci-fi, futuristic realness that can very well be a taste of what’s to come in the celebrated director’s adaptation of A Wrinkle in Time. Joining JayZ, Beyoncé and the heiress to their throne, Blue Ivy, includes an inspiring roster of actors from every part of the color spectrum: Michael B. Jordan, Trevante Rhodes, Thandie Newton, Jessica Chastain, Irene Bedard, Omari Hardwick, David Oyelowo, Emayatzy Corinealdi, America Ferrera, Aisha Hinds, Henry G. Sanders, and Storm Reid — who is the star of Wrinkle in Time. Rounding out the cast is the “founding mothers”, which feature Mindy Kaling, Rashida Jones, Rosario Dawson, Janet Mock, Brie Larson, Constance Wu, Niecy Nash, and Susan Kelechi Watson, who, as the video shows, are different women from all walks of life who are enlisted to change the country’s constitution.

Even though there is a cinematic scope to the video, which was co-written by Jay-Z and DuVernay, it is highly personal for the Grammy-nominated rapper, who uses the track from his critically acclaimed 4:44 album to confess his sins to his wife and all-around queen of everything, Beyoncé. Where Beyoncé used her visual album, Lemonade as a platform for working through her personal issues with Jay-Z, he used 4:44 to respond and tell his side of the story. In other words, it’s an artistic way of saying, “Yea, I messed up.”

Jay’s track serves as an atonement and one key lyric sets the tone for the short film: “nobody wins when the family feuds.” Of course, he is referring to his familial relationships, but it goes beyond that and applies it to feuding within the country and the world. There’s layers of meaning in the short that starts off with a poignant James Baldwin quote and goes into a Godfather-meets-Game of Thrones scene, moments of war, moments reflecting today’s volatile political climate, and a group of empowering females looking to build a utopian rather than dystopian future.

DuVernay took to Twitter to share her thoughts, inspiration and behind-the-scenes photos from the video.

To read more, go to:  Jay-Z’s ‘Family Feud’ Directed By Ava DuVernay Enlists A-List Cast | Deadline

Jay Z Leads 2017 Grammy Nominations with Eight, Kendrick Lamar Earns Seven

via Variety.com

Jay Z led the nominations for the 60th Grammy Awards, annouced on Tuesday morning, with eight. He’s followed by Kendrick Lamar, whose “DAMN.” album scored seven; Bruno Mars with six; and Childish Gambino (aka actor Donald Glover), newcomers SZA and Khalid, and producer No I.D. (who worked on “4:44”) with five each.

The rap icon was the only artist to score nods in the top three categories (record, album, and song of the year) for his 13th studio album, “4:44,” while Mars’ “24K Magic,” and Gambino’s “‘Awaken, My Love!’” each landed two noms in the general field.

Grammy-nominated singer-songwriter Andra Day announced the nominees in the four general field categories: best new artist, record of the year, song of the year, and album of the year on “CBS This Morning” at 8:30 a.m. ET/5:30 a.m. PT.

The 60th Grammy Awards will air live from New York’s Madison Square Garden Jan. 28 on CBS.

Here is the full list of nominees for the 60th Grammy Awards:

GENERAL FIELD

Record Of The Year:
“Redbone” — Childish Gambino
“Despacito” — Luis Fonsi & Daddy Yankee Featuring Justin Bieber
“The Story Of O.J.” — Jay-Z
“HUMBLE.” — Kendrick Lamar
“24K Magic” — Bruno Mars

Continue reading “Jay Z Leads 2017 Grammy Nominations with Eight, Kendrick Lamar Earns Seven”

Jay Z to Bail Out Dads on Father’s Day and Take On the Bail-Bond Industry

Jay Z (photo via eurweb.com)

by eurweb.com

Jay Z, who just became a father all over again earlier this week, is also making news for a different reason. It seems he’s stepping up his involvement in social issues. One way he’s getting involved is what he’s doing this Father’s Day. He was inspired by what he saw last month by what various organizations did on Mother’s Day.

“Last month for Mother’s Day, organizations like Southerners on New Ground and Color of Change did a major fundraising drive to bail out 100 mothers for Mother’s Day. Color of Change’s exposè on the for-profit bail industry provides deeper strategy behind this smart and inspiring action,” he wrote in an essay for Time, in the closing of what was an ultimate indictment of the bail-bond industry, as a racist institution that exploits people who are poor and Black.

His mentioning of Color of Change was essential seeing how Black women are the fastest growing prison demographic. This Father’s Day weekend, however, he put forth a plea in hopes of generating help for incarcerated dads who remain sidelined by one of the numerous broken parts of the criminal justice system.

“This Father’s Day, I’m supporting those same organizations to bail out fathers who can’t afford the due process our democracy promises. As a father with a growing family, it’s the least I can do, but philanthropy is not a long fix, we have to get rid of these inhumane practices altogether. We can’t fix our broken criminal justice system until we take on the exploitative bail industry.”

To read more, go to: Jay Z to Bail Out Dads on Father’s Day & Take on the Bail-Bond Industry

Jay Z to Host and Produce New Docuseries on Race in America with National Geographic

Jay Z (photo via huffingtonpost.com)

article by Taryn Finlay via huffingtonpost.com

Jay Z is tackling race in the Trump era. The rap mogul is currently working on his third docuseries, “Race With Jay Z,” with National Geographic. The project, produced by Hov and The Weinstein Company, will explore systematic injustices such as incarceration and the wealth gap, social media, activism and family, Variety reported. It will look at how race became “the most pressing issue in the nation” following the election.

The six-part docuseries, hosted by Jay Z, will include documentary, animation and archival footage. It will also feature diverse voices from immigrants, first-generation Americans and others.“National Geographic and Jay Z are the world’s foremost storytellers in their own right, and we’re thrilled to be working with them on such an evocative and meaningful project,” Harvey Weinstein, co-chairman of The Weinstein Company, told Variety.

“By using highly cinematic storytelling techniques along with Jay Z’s singular point of view, the series will tell a dramatic, thought-provoking story on race in America.” “Race With Jay Z” is the artist’s latest reported docuseries. His first effort following the story of a teen unjustly incarcerated at Rikers Island, “Time: The Kalief Browder Story,” premiered in March. It was also recently announced that Jay Z is working on a project about the 2012 shooting and killing of 17-year-old Trayvon Martin.

Source: Jay Z Is Working On A New Docuseries On Race In Trump’s America | The Huffington Post

Jay Z and Weinstein Co. to Make Trayvon Martin Film and Documentary Series

Trayvon Martin (photo via variety.com)

article by Justin Kroll and Brent Lang via variety.com

Shawn “Jay Z” Carter and the Weinstein Company are partnering on an ambitious series of film and television projects about Trayvon Martin.  The indie label and the rap icon won a heated bidding war for the rights to two books — “Suspicion Nation: The Inside Story of the Trayvon Martin Injustice and Why We Continue to Repeat It” and “Rest in Power: The Enduring Life of Trayvon Martin.” The 2012 shooting of the 17 year-old Martin sparked a national debate about racial profiling and inequities of the criminal justice system that brought about the Black Lives Matter movement.

The African-American high school student was killed by George Zimmerman, 28, who was a member of the neighborhood watch in his Florida community. He claimed he shot Martin, who was unarmed, in self defense after the two became involved in a physical altercation. Zimmerman’s acquittal on a second-degree murder charge inspired protests around the country.

“Suspicion Nation” is by Lisa Bloom and recounts her experience covering the trial for NBC. She looks at the mistakes made by prosecutors that caused them to lose what she describes as a “winnable case.” “Rest in Power” is by Martin’s parents, Sybrina Fulton and Tracy Martin. It tells a more personal story, looking at Martin’s childhood and the aftermath of his death.

The plan is to make a six-part docu-series with Jay Z producing as part of a first-look deal he signed with the studio last September. The indie studio will also develop a narrative feature film. The Weinstein Company earned critical raves for “Fruitvale Station,” another true story, about the death of Oscar Grant, an unarmed black man who was killed in 2009 by a BART police officer.

To read more: Jay Z to Make Trayvon Martin Film and Documentary Series | Variety

EDITORIAL: Serena Williams Wins 7th Wimbledon Title, 22nd Grand Slam and Makes Us All Feel Like Champions

Serena Williams ended her yearlong pursuit of Steffi Graf’s mark for Open-era Grand Slam wins by defeating Angelique Kerber in straight sets in the Wimbledon final Saturday. (Credit: Andy Rain/Agence France-Presse — Getty Images)

by Lori Lakin Hutcherson, GBN Editor-in-Chief (@lakinhutcherson)

I don’t know about anyone else, but I really needed this today.  I specifically set my alarm this morning to wake me at 6AM (PST) to watch Serena Williams compete for her seventh – yes, take that in – seventh Wimbledon title, and to tie Steffi Graf for the most Grand Slams won in the Open Era.

I’ll admit, regardless of the week of continued brutality and violence by police against black citizens and the gut-wrenching retaliation in Dallas because of such violence, as a lifelong fan, I most likely would have been up and watching Serena anyway.  But because of its timing, this victory – this continued rising, this perseverance – was that much more coveted, and that much sweeter.

Although Williams did not mention or comment on what’s been happening in America as she accepted her trophy, don’t think she’s remained silent in the media about it.  On her Twitter (which we here at GBN happily follow), she spoke directly to the recent atrocities and let us know they were on her mind days before this most crucial, career-defining match:

This tweet leads me to speculate that Serena was that much more focused, that much more centered and that much more desirous of the outcome that occurred – because she knew in her heart she wasn’t just winning her 22nd Grand Slam and making history for herself, but for all of us.

So thank you, Serena – for playing your best tennis today and being so damned undeniable.  You have been and are a shining light and the G.O.A.T. and a champion for the ages.  You are loved and supported in all of your endeavors.  You are #blackexcellence.  (And P.S. having Beyoncé and Jay Z in your box was on point, too! #Freedom #Formation)

Now, to the tennis facts, courtesy of Naila-Jean Meyers via the New York Times: Continue reading “EDITORIAL: Serena Williams Wins 7th Wimbledon Title, 22nd Grand Slam and Makes Us All Feel Like Champions”

Jay Z’s Tidal Donates $1.5M to Black Lives Matter and Several Other Social Justice Organizations

468163348-deadmau5-kanye-west-jay-z-and-j-cole-onstage-at-the_1
Madonna, Deadmau5, Kanye West, Jay Z and J. Cole onstage at the Tidal launch event #TIDALforALL at Skylight at Moynihan Station on March 30, 2015, in New York City.  (JAMIE MCCARTHY/GETTY IMAGES FOR ROC NATION)

article by Angela Bronner Helm via theroot.com

Jay Z’s fledgling music streaming platform Tidal is donating $1.5 million to Black Lives Matter and several other local and national social justice organizations from money raised at an October concert, reports Mic.

The announcement was made on Friday, the same day Trayvon Martin would have turned 21 years old. The Trayvon Martin Foundation will receive a portion of the monies.

Tidal raised the funds at its Tidal X: 10/20 charity concert at Brooklyn, N.Y.’s Barclay Center. The live-streamed show featured Jay, Beyoncé, Nicki Minaj, Lil Wayne, Meek Mill, Usher, T.I. and Damian Marley, among others.

The October concert was billed as a fundraiser for the New World Foundation, which will distribute the funds.

The nonprofits that will share the bounty include national organizations such as Opportunity Agenda, and Sankofa.org, as well as local grassroots groups such as Hands Up United, in Ferguson, Mo.; Dream Defenders in Tallahassee, Fla.; the Black Youth Project 100 in Chicago; the Baltimore Justice Fund; the Ohio Students Association and Million Hoodies and the Justice League in New York City.

Donations will also be given to organizations created by the families of victims of police brutality, including the Trayvon Martin Foundation, the Michael O.D. Brown We Love Ours Sons and Daughters Foundation and the Oscar Grant Foundation.

Read more at Mic.

R.I.P. Musical Legend and Earth, Wind & Fire Founder Maurice White

Maurice White
Maurice White, center, leads Earth Wind & Fire at the Forum in Inglewood, CA on Dec. 12, 1981. (Tony Barnard / Los Angeles Times)

article by Chris Barton via latimes.com

Maurice White, co-founder and leader of the groundbreaking ensemble Earth, Wind & Fire, died Thursday at his Los Angeles home. He was 74. His brother and bandmate, Verdine White, confirmed the news with the Associated Press.

The source for a wealth of euphoric hits in the 1970s and early ’80s, including “Shining Star,” “September” “Reasons” and “Boogie Wonderland,” Earth, Wind & Fire borrowed elements from funk, soul, gospel and pop for a distinctive sound that yielded six double-platinum albums and six Grammy Awards.

The group was inducted into the Rock and Roll Hall of Fame in 2000, and although White had ceased touring with the group since a diagnosis of Parkinson’s disease in the ’90s, he remained behind the scenes as the act continued to tour, including a run of sold-out shows at the Hollywood Bowl in 2013.

“[Maurice White’s] unerring instincts as a musician and showman helped propel the band to international stardom, influencing countless fellow musicians in the process,” Recording Academy President Neil Portnow wrote in a statement. Earth, Wind & Fire are slated to receive lifetime achievement honors from the Grammys this year.

Born in Memphis, Tenn. on Dec. 19, 1941, Maurice White sang in his church’s gospel choir at an early age, but his interest quickly gravitated to the drums. He earned his first gig backing Booker T. Jones before the organist founded the MGs. He moved to Chicago in the early ’60s and studied composition at the Chicago Conservatory of Music and eventually found work as a session drummer for the Chess and OKeh labels, where he played behind Muddy Waters and John Lee Hooker.

“That’s where I learned about the roots of music,” White told the Chicago Tribune in 1990. “I learned about playing with feeling.”

After also backing jazz pianist Ramsey Lewis in the ’60s, White moved to Los Angeles in 1969 with a band called the Salty Peppers. The group failed to gain much traction, and White changed the group’s name in 1971 to Earth, Wind and Fire, a name rooted in astrology that reflected White’s spiritual approach to music.

“In the beginning,” White told the Tribune in 1988, “My message was basically trying to relate to the community. From that it grew into more of a universal consciousness; the idea was to give the people something that was useful.”

The group’s lineup evolved through the ’70s and eventually included vocalist Phillip Bailey and White’s brother Verdine, both of whom toured with the band into this decade. The band’s reach extended into movies as well in recording the soundtrack album for Melvin Van Peebles’ landmark 1971 film “Sweet Sweetback’s Badasss Song” and appearing in the 1978 film “Sgt. Pepper’s Lonely Hearts Club Band,” which yielded the band’s hit cover of the Beatles’ “Got to Get You Into My Life.”

White’s hits with Earth, Wind & Fire spanned a particularly influential space between R&B, rock and disco that remains current. His music with Earth, Wind & Fire was prominently sampled by scores of hip-hop and pop acts in recent years, including Jay-Z and 2Pac. His mix of incandescent soulfulness and suave, funky arrangements informed recent bestselling albums by Daft Punk and Kendrick Lamar.

Remembrances of White came from all corners of the music world. On Twitter, Nile Rodgers, the Chic founder and record producer who was White’s peer in the ‘70s disco scene, wrote “RIP my soulful brother — You’re one of the most amazing innovators of all time.” Bootsy Collins, bassist of the funk mainstays Parliament-Funkadelic, wrote that White was a “legend, pioneer life long friend.”

To read more, go to: http://www.latimes.com/entertainment/music/posts/la-et-ms-maurice-white-earth-wind-fire-dies-20160204-story.html

Times staff writer August Brown contributed to this report.

The Good Things Black People Do, Give and Receive All Over The World
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