Press "Enter" to skip to content

Posts tagged as ““How To Get Away With Murder””

"Empire" Grows Audience for 7th Straight Week; Growth Spurt Fueled by Young Women, Urban Markets

Timbaland Empire Fox
In music biz terms, Fox’s “Empire” is zooming up the charts with a bullet.
On Wednesday the family soap centered on a hip-hop musical mogul continued its unprecedented growth streak by gaining audience for a seventh straight week, hitting 13.9 million. No series in the history of Nielsen’s People Meters (going back to 1991) had grown with the first five episodes following its premiere, and “Empire” has now bested that by two weeks.
The 20th Century Fox TV/Imagine TV drama stunned the industry with its Jan. 7 premiere, which averaged a 3.8 rating/11 share in adults 18-49 and 9.9 million total viewers, according to Nielsen. It built on its lead-in, the season premiere of “American Idol,” by 32% in  adults 18-34 and logged the net’s top premiere score in this demo in six years.
And it’s only gotten bigger since. “Empire” is part of the ratings boom this season for series that feature diverse casts and executive producers — as exemplified by ABC’s success with comedies “Blackish” and “Fresh Off the Boat” and drama “How to Get Away With Murder.” But “Empire’s” audience is so big that it is clearly a big-tent hit with broad viewership across a range of demographics.
In adults 18-49, it has grown in six of the last seven weeks, with Wednesday night’s rating (5.4) — a monster 42% build on its premiere — the top score for a regularly scheduled broadcast drama since ABC’s “Grey’s Anatomy” in the fall of 2010.
The biggest growth spurt for “Empire” has come in women 18-34, in which last night’s rating (6.2) was 68% larger than its premiere rating (3.7).
“Empire” figures to once again rank as the week’s top-rated broadcast series in adults 18-49, having leapfrogged CBS vet “The Big Bang Theory” for the first time last week. And for the season, “Empire” is on track to finish as broadcast television’s No. 1 drama; only AMC’s “The Walking Dead” rates higher.
(Fox estimates that in the month since the “Empire” pilot aired, it has been watched by 22.6 million when all time-shifting and viewership on other nonlinear platforms are included.)
“Empire” is being driven by a young, urban audience and is faring especially well in many of the nation’s biggest cities.
Among the top 12 markets, Wednesday’s episode of “Empire” won in the 18-49 demo in every one but Boston. The top scores in those cities came from Atlanta (14.9 rating/29 share), Detroit (9.2/24), Washington, D.C. (7.8/23), Cleveland (7.5/17) and New York (7.3/20) — all well above the show’s national average of 6.0/17.
Roughly two-thirds of those age 2 and older watching “Empire” last Wednesday night (66.9%) were African-Americans. It joins ABC’s Thursday tandem of “Scandal” (42% African-American) and newcomer “How to Get Away Murder” (41%) as broadcast dramas in which more than 4 in 10 viewers are black.
In addition to “How to Get Away With Murder,” ABC has also added two solid comedies featuring minority leads (“Black-ish” and “Fresh Off the Boat”) this season while its “Cristela” has fared decently on Fridays. CW, meanwhile, has garnered critical accolades and is slowly building an audience for its comedic hour “Jane the Virgin.”
All of these series are delivering a younger skew than other shows on their networks, which only makes sense based on U.S. Census data.
According to Nielsen’s calculation of the 116 million-plus TV homes in the U.S. this season, whites make up 75% of the nation’s 50-and-older population, but they comprise 59.3% of the adults 18-49 pie — down from 63.5% just five years ago.
African-Americans make up 14.2% (up from 13.3%) and Asian-Americans have jumped to 5.6% (from 5.0), but the biggest growth spurt has come among Hispanics, which have grown from 17.6% to 20.1% of the country’s TV-viewing population.
In addition to the two-thirds of its audience that is black, “Empire” has also dominated in the top-10 Texas markets of Dallas (7.2 local rating in 18-49/19 share last night) and Houston (7.0/18), where Hispanics make up more than 40% of the population.
In fact, with about 10% of its audience Hispanic, “Empire” ranks as the season’s No. 1 new series and No. 1 broadcast drama overall with Hispanic (English-language) adults 18-49 and 18-34.
The median age for “Empire” last night was 43.5, making it the night’s youngest-skewing program on the Big Four. The net’s “Gotham” is the only other current drama on ABC, CBS, NBC or Fox this season to consistently have a median age under 50.
Another indication of just how big “Empire” has become is that while roughly 63% of its 18-49 audience is female, it also ranks as the season’s No. 1 new series in men 18-49.
“Empire” is benefiting from increasingly strong buzz in social media. Based on Nielsen Social Guide and Twitter metrics, “Empire” now has the highest average number of tweets per episode during its live airings (381,770) than any other broadcast drama this season — overtaking ABC’s “Scandal” (355,012).
And last night’s episode generated a record 714,742 social comments.
Ratings for primetime shows tend to drift downward at the onset of Daylight Saving Time (which starts March 8), so it’s likely that “Empire’s” growth streak will come to an end in one of the weeks prior to its March 25 finale. But at this point, you’d be crazy to bet against it.
article by Rick Kissell via Variety.com

ABC Orders Crime Thriller Pilot "The Catch" From Shonda Rhimes

Shonda Rhimes
ABC’s Mega Producer Shonda Rhimes (MICHAEL TRAN/FILMMAGIC)

According to Variety.com, ABC has picked another drama pilot for their 2015-16 season from “TGIT” queen Shonda Rhimes.
“The Catch” from Shondaland’s Rhimes and Betsy Beers follows a female forensic accountant whose career specialty is exposing fraud for a living. Much like the lead ladies of “Grey’s Anatomy,” “Scandal” and “How To Get Away With Murder,” the sure-to-be fierce woman at the forefront of the crime thriller has tumultuous love life with her fiancé, complete with cons and lies.
The pilot will be exec produced by Rhimes, Beers and Julie Anne Robinson, and co-produced by Helen Gregory and Kate Atkinson. Robinson is set to direct and Jennifer Schuur will write the pilot.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Shonda Rhimes Receives Sherry Lansing Leadership Award at Hollywood Reporter’s Women in Entertainment Breakfast

Shonda Rhimes attends The Hollywood Reporter’s 23rd Annual Women In Entertainment Breakfast at Milk Studios on Dec. 10. (Valerie Macon / Getty Images Entertainment)

Shonda Rhimes is a visionary writer and producer whose successful shows — her creations Grey’s Anatomy and Scandal, and How to Get Away With Murder, which Rhimes executive produces — have changed the representation of women, LGBT people, and people of color on television. And on Wednesday, she accepted the Sherry Lansing Leadership Award at the annual Hollywood Reporter’s Women in Entertainment Breakfast.

The event was packed with powerful executives, actors, and previous honorees. Tony Goldwyn, who plays Fitz on Scandal, began Rhimes’ introduction — and gave way to a video message from first lady Michelle Obama, who called Rhimes “a friend.” (She also confessed to being a Scandal addict.)
Rhimes took the podium to a standing ovation and delivered a moving speech in which she paid tribute to the women who went before her and cleared the way for her to create groundbreaking television.
Here is her speech in full:

“When my publicist called to tell me that I was receiving this honor, I screwed up my face and I said, ‘Are you sure? Me?’ And he said, ‘Yes.’ And I said, ‘Why?’ And then I said, ‘No really, WHY?’

And I made him call and ask for some written reason why I was getting this award. Because I really and truly was worried that there might have been some kind of mistake.
I want to pause for a beat here to say that I don’t say these things to be self- deprecating and humble. I am not a self-deprecating, humble person. I think I’m a pretty fantastic badass. But I also think that The Hollywood Reporter Sherry Lansing Award is extraordinary — as is Sherry Lansing herself. So… no, really, WHY?
They sent a written reason why I was getting this award. It said many nice things, but the main thing that it was said was that I was getting the award in recognition of my breaking through the industry’s glass ceiling as a woman and an African-American.
Well. I call my publicist back. Because I just don’t know about this. I mean, I’m concerned now.

"Selma" Earns 4 Golden Globe Nominations; Viola Davis, Don Cheadle Also Honored

selma-movie
Film and television awards season continued ramping up as the nominations for the 72nd Annual Golden Globe Awards were announced this morning.

David Oyelowo as Martin Luther King Jr. in "Selma"; director Ava DuVernay (insert)
David Oyelowo as Martin Luther King Jr. in “Selma”; director Ava DuVernay (insert)

Martin Luther King Jr. biopic “Selma” scored big with nominations not only for Best Motion Picture – Drama, Best Original Song (“Glory” by John Legend and Common) and Best Actor (David Oyelowo), but also with the first Golden Globe nomination for an African American female director, Ava DuVernay.
“Annie” star Quvenzanhé Wallis earned a nod in the Best Actress – Comedy or Musical category and in  television, Viola Davis was honored with a nom in the Best Actress in a Television Series – Drama for her starring role in “How To Get Away With Murder.”  Don Cheadle was recognized in the Best Actor in a Television Series – Comedy or Musical for his work in “House of Lies” and Uzo Aduba received a nod for her supporting work in “Orange is the New Black.”
The Golden Globes, hosted for the second year by Tina Fey and Amy Poehler, will take place Jan. 11 at the Beverly Hilton Hotel and air live on NBC at 8pm EST.
Below is the full list of nominations:
BEST MOTION PICTURE – DRAMA
BOYHOOD
IFC Productions and Detour Filmproduction; IFC Films
FOXCATCHER
Annapurna Pictures; Sony Pictures Classics
THE IMITATION GAME
Black Bear Pictures; The Weinstein Company
SELMA
Paramount Pictures and Pathé; Paramount Pictures
THE THEORY OF EVERYTHING
Working Title Films; Focus Features

Viola Davis, Cicely Tyson, Uzo Aduba Nominated for 2015 Screen Actors Guild Awards

2014 SAG nominees Viola Davis (l), Cicely Tyson (c) and Uzo Aduba (r)
2014 SAG nominees Viola Davis (l), Cicely Tyson (c) and Uzo Aduba (r)

The Screen Actors Guild (SAG) announced the nominees for the 21st Annual SAG Awards today.  Among those honored were industry veteran Cicely Tyson, who earned a nod in the “Best Female Actor in a Television movie or Miniseries” category for her work in “A Trip to Bountiful.” (In 2013, the same role on Broadway earned Tyson a Tony Award for Best Actress.)
Viola Davis was recognized with a nomination in the Female Actor in a Drama Series category for ABC’s “How To Get Away With Murder” and “Orange Is The New Black”‘s Uzo Abuda garnered a nod for Female Actor in a Comedy Series.
The SAG Awards will air live Jan. 25 at 5 p.m. PST on TBS and TNT from the Shrine Exposition Hall in Los Angeles.  The full list of nominees follows below:

Viola Davis Producing ABC Drama Based on Michigan Prosecutor Kym Worthy

Viola Davis and Kym Worthy
Viola Davis and Kym Worthy

”How To Get Away With Murder” star Viola Davis is about to step behind the camera for her next project… another ABC drama, about another powerful female lawyer.
Davis and her producing partner Julius Tennon have teamed with producer Debra Martin Chase (“Sparkle”) for “Conviction,” a legal drama inspired by the life of Kym Worthy, the chief prosecutor of Wayne County, MI, known as the toughest woman in Detroit, reports Deadline.com.
Worthy became the second African-American to serve as a county prosecutor in Michigan when she was appointed as chief prosecutor of Wayne County in 2004. She is known for a number of high-profile cases, like filing charges against Detroit Mayor Kwame Kilpatrick, and her campaign to clear a massive backlog of 11,000 unprocessed rape test kits in Detroit.
The script is being written by Jason Wilborn (“Damages”), with Jeff Melvoin (“Army Wives”) on board as show runner.  Davis and Tennon are executive producing through their JuVee Productions, and Martin Chase through her Martin Chase Prods. ABC Studios, where Martin Chase Prods. has an overall deal, is the studio.
Also executive producing are Kim Swann and Leah Keith who brought Worthy’s story to Hollywood, and Melvoin, while Wilborn serves as co-executive producer and Martin Chase Prods.’ Charles Pugliese as producer. Worthy will serve as a consultant.
In addition to “Conviction,” Swann is developing several projects with Worthy as her producing partner. Keith is adapting her novel “A Rented Life” into a feature. At ABC and ABC Studios, Martin Chase Prods. also has a limited series in development based on the book Catherine The Great by Pulitzer Prize-winning author Robert Massie with a script by Pulitzer Prize-winning writer Michael Cristofer (“Gia”).
article via eurweb.com

ABC Gives Full-Season Orders to ‘Black-ish’ and ‘How to Get Away with Murder’; CBS Renews "Extant"

Blackish, Murder, Extant
According to Variety.com, television projects featuring African-American leads have fared extremely well this season.  ABC has given full-season orders to the Anthony Anderson/Tracee Ellis Ross comedy “Black-ish” and the Viola Davis vehicle “How to Get Away with Murder,” two of the highest-rated new programs on all broadcast channels.  CBS, in turn, has picked up summer sci-fi drama “Extant” for a second season.  “Extant” stars Halle Berry and is produced by Steven Spielberg.

“Murder” is the fall’s highest-rated new series in adults 18-49, and the premiere also set DVR playback records, gaining about 6 million viewers within the first three days of its airing. It is created and executive produced by Pete Nowalk (“Scandal,” “Grey’s Anatomy”). Shonda Rhimes (“Scandal,” “Grey’s Anatomy”), Betsy Beers (“Scandal,” “Grey’s Anatomy”) and Bill D’Elia (“Grey’s Anatomy,” “The West Wing”) also serve as executive producers.
“Black-ish” has come on strong as the fall’s top new comedy in 18-49 (2.9 rating) and total viewers (9.1 million) in same-day viewing estimates. This week, the show saw a 12% week-to-week increase in adults 18-49, retaining about 80% of its “Modern Family” lead-in. It was created by Kenya Barris and is executive produced by Anderson, Barris, Jonathan Groff, Larry WilmoreLaurence Fishburne, Helen Sugland and E. Brian Dobbins.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Viola Davis Drama "How to Get Away With Murder" Debuts Strongly for ABC

How to Get Away with Murder

Thursday was a very big night for Shonda Rhimes and ABC, with the latest show executive produced by the “Grey’s Anatomy” and “Scandal” creator — “How to Get Away With Murder” — opening with the largest young-adult audience for any new series this fall.

ABC was strong on two-thirds of Thursday a year ago, but the addition of “Murder” helped cap a lineup — branded by the network as “TGIT” (Thank God It’s Thursday) — that dominated last night among women and will place a strong second overall to CBS/NFL Network’s “Thursday Night Football” in 18-49, 25-54 and total viewers. The Alphabet dramas were the night’s top three entertainment series in the key 18-49 and 25-54 demos as well as total viewers and the net had its best Thursday to open a season in five years.
According to preliminary national estimates from Nielsen, “How to Get Away With Murder” averaged a big 3.8 rating/11 share in adults 18-49 and 14 million viewers overall in the 10 o’clock hour, matching in 18-49 its strong lead-in from “Scandal” (3.8/11 in 18-49, 11.9 million viewers overall), which opened with a series high. Skewing a little older than “Scandal,” “How to Get Away With Murder” built slightly on its lead-in in 25-54 (4.4 vs. 4.3) while adding about 2 million total viewers.
The Viola Davis-fronted “Murder” performed nearly 10% better in 18-49 than last year’s second hour of the “Grey’s Anatomy” season opener, which aired on the Thursday of premiere week, and it also exceeded the “Scandal” season premiere in Week 2 of last season (3.6).
Among all series premieres this fall, “How to Get Away With Murder” ranks best in adults 18-49 — besting the 3.3 for ABC’s “Blackish” on Wednesday and Monday’s dramas premieres of “Scorpion” on CBS and “Gotham” on Fox (both 3.2).  In adults 25-54, “Murder” is neck and neck with “Scorpion” and “Blackish” as fall’s best debut.
“Grey’s Anatomy” opened the night for ABC (3.0/10 in 18-49, 9.8 million viewers overall), shifting to the 8 o’clock hour and placing second to football. Though down in 18-49 as expected from its two-hour, 9-11 p.m. debut of last year (3.4), it outperformed its final 11 episodes from last season while also delivering the show’s largest overall audience in nearly two years (since October 2012).
article by Rick Kissell via variety.com

The New York Times Apologizes to Shonda Rhimes

Screen Shot 2014-09-23 at 11.54.48 AM
In the words of Omar from The Wire“you come at the king, you best not miss.” The New York Times came for the queen, that would be the one and only Shonda Rhimes, and they missed royally and now they must pay – which in this day and age means publicly apologize.
Let us recall the chain of events shall we? Alessandra Stanley wrote an article in The New York Times where she called Rhimes an “angry Black woman” in the opening sentence. Rhimes called Stanley out on Twitter, not only for the mislabel, but for also having her facts all the way wrong. Times readers then demanded an apology from the newspaper and called the article racist. So, then came an apology. Only, it took the form of the typical ‘I’m sorry, not sorry’.
The New York Times’ public editor Margaret Sullivan first issued a broad apology and said she would investigate the matter further.
Sullivan then amended the statement and provided information she received about the article from culture editor, Danielle Mattoon.

Early Monday afternoon, I spoke to the culture editor, Danielle Mattoon. She told me that arts and culture editors are well aware of the response to the piece, and she offered words of regret, as well as an explanation and a resolution for the future. “There was never any intent to offend anyone and I deeply regret that it did,” Ms. Mattoon said. “Alessandra used a rhetorical device to begin her essay, and because the piece was so largely positive, we as editors weren’t sensitive enough to the language being used.” Ms. Mattoon called the article “a serious piece of criticism,” adding, “I do think there were interesting and important ideas raised that are being swamped” by the protests. She told me that multiple editors — at least three — read the article in advance but that none of them raised any objections or questioned the elements of the article that have been criticized. “This is a signal to me that we have to constantly remind ourselves as editors of our blind spots, what we don’t know, and of how readers may react.”

So what we have here is Mattoon essentially saying: well we tried and we didn’t know it would get a negative reaction because nobody told us and we clearly don’t have any common sense on race issues and there are no people of color in the newsroom who could have helped us out with this and don’t blame us because there’s still good stuff in the article.
Stanley didn’t do much better with her apology. She wrote:

In the review, I referenced a painful and insidious stereotype solely in order to praise Ms. Rhimes and her shows for traveling so far from it. If making that connection between the two offended people, I feel bad about that. But I think that a full reading allows for a different takeaway than the loudest critics took.

A full reading? Does Stanley think that people only read the first sentence calling Rhimes an “Angry Black Woman,” got so angered they could read no further, but still complained anyway? Yeah, ok. The article was tone-deaf and so is the apology.
At least Sullivan noted:

I still plan to talk to Mr. (Dean) Baquet (executive editor) about the article, its editing, and about diversity in the newsroom, particularly among culture critics. The Times has a number of high-ranked editors and prominent writers who are people of color, but it’s troubling that among 20 critics, not one is black and only one is a person of color.

Well it seems we have gotten to the core of the issue, there aren’t any Black critics who could have checked this whole thing so it wouldn’t have to get this far. But instead, Rhimes and African-American readers and viewers had to take matters into their own hands just to receive a sorry apology. Hopefully, the next step will be to truly diversify the newsroom which will hopefully lead to more content and context within published stories.
article Diana Veiga via clutchmagonline.com

Shonda Rhimes Renews with ABC Studios Through 2018

Shonda Rhimes Renews with ABC Studios
According to Variety.com, “Scandal” and “Grey’s Anatomy” creator Shonda Rhimes has set a long-term extension of her overall deal with ABC Studios through May 2018.
Rhimes’ deal extension has been a long time in the works, given the amount of business she has in play at ABC and her status as an uber-showrunner.  “Grey’s Anatomy”, Rhimes’ initial breakout hit, remains a Thursday workhorse for the network as it heads into its 11th season.  “Grey’s” spinoff “Private Practice”, although not as highly-rated, lasted seven seasons in the ABC lineup.  “Scandal” blossomed into a bona fide hit for ABC this past season, and will kick off its fourth season this fall.
Next up for ABC under the Shondaland banner is the Viola Davis-starrer “How to Get Away with Murder.” The series was was created by “Grey’s Anatomy” vet Peter Nowalk and is executive produced by Rhimes and her longtime producing partner Betsy Beers.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)