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Posts tagged as “HBCU”

Spelman Twins Kristie and Kirstie Bronner Make History As School’s First Co-Valedictorians

Twins
Kristie (pictured left) and Kirstie Bronner (pictured) are identical twins with identical grade point averages, so why shouldn’t they share the honor of being Spelman College‘s first-ever sister co-valedictorians, reports WSB-TV.
The road to one of this country’s leading historically Black colleges was not a walk in the park for the girls; they worked hard to maintain their high grade point averages in high school.  According to Kirstie Bonner, who spoke with WSB-TV, “Before we came to college, we prayed that we would keep 4.0′s all the way through, but I don’t think we ever really expected it.”
But apparently there is strength in numbers, and as sisters who have traveled along the same path, sharing the same educational goals for success, the young women seemed to fuel each other, as evidenced by their noteworthy standing at Spelman, “You can have strength together,” Kristie points out.
When the young women arrived at the Atlanta college, they said they really pushed themselves to the limit to maintain excellent grades, even making themselves physically ill.  Eventually, both Kirstie and Kristie learned from their mistakes, self-corrected, and managed their college workload in a way that would not negatively affect their health.

Howard University has Become Incubator for Cinematographers

Matt McClain/For The Washington Post – Bradford Young poses for a portrait at Howard University on Monday January 28, 2013 in Washington, D.C. Young won the Excellence in Cinematography award at the Sundance Film Festival for his work on “Mother of George,” and “Ain’t them Bodies Saints.”
At the Sundance Film Festival last weekend, Howard University graduate Bradford Young won the dramatic-feature cinematography award for his work on the films “Ain’t Them Bodies Saints” and “Mother of George” — his second time accepting the honor, having won in 2011 for the coming-of-age drama “Pariah.”
The Sundance recognition reinforces what many in the industry have known for a few years now: Howard, best known for its law and medical schools, has become an incubator for people whose work with lighting, lenses, camera movement, film stocks and visual textures has profoundly influenced contemporary cinematic grammar.
“The interesting thing about it is that there is no formal cinematography department,” filmmaker Ava DuVernay says. “It’s jaw-dropping that you’ve had so many come out [of Howard] with such distinct styles.”
The floating-camera dolly shot and super-saturated color palette that are trademarks of Spike Lee’s work are the best known among several innovations that Howard-trained cinematographers have contributed to the films they’ve worked on. Early in his career, Lee developed these techniques in close collaboration with a Howard graduate, Ernest Dickerson.

Morgan State’s Students Rally to Retain School’s President

 Alvin Hill, Student Government Association vice president at Morgan State University. (Photo L. Kasimu Harris)

It was just a month ago when the board of regents of Morgan State University, the historically Black school in Baltimore, voted not to renew the contract of its president, David Wilson. Wilson had served as president for two years and his three-year contract was set to expire in June of this year.

But then something unusual happened. The board’s decision unleashed a torrent of criticism by the school’s faculty, staff and, most notably, Morgan State’s students, who held protest rallies on behalf of retaining President Wilson.
Since then, the board announced something of a reversal, saying it was reconsidering its initial decision. It agreed to negotiate a new one-year contract covering the period from July 1, 2013 to June 30, 2014. The terms of the one-year deal have yet to be negotiated.