Press "Enter" to skip to content

Posts tagged as “Hal David”

MUSIC MONDAY: “Close To You: Soulful Burt Bacharach Covers” (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Black History Month, you all. Now it might seem counterintuitive to use my February offering to feature and honor Burt Bacharach, who died on February 8 at age 94.

The prolific composer, songwriter, record producer, and pianist is widely regarded as one of the most important and influential figures of 20th-century popular music. He was a six-time Grammy Award winner and three-time Academy Award winner, Bacharach’s songs have been recorded by more than 1,000 different artists.

However, no one would disagree that Bacharach’s (and his lyricist partner Hal David‘s) most popular success was with Dionne Warwick. They created a string of 39 consecutive chart hits including “Don’t Make Me Over,” “Walk On By,” and “I’ll Never Fall In Love Again.” Their collaboration would continue for decades including his production of “That’s What Friends Are For.

[spotifyplaybutton play=”https://open.spotify.com/playlist/454iRyoXvDx8m6YjSs7MvX?si=632c3003460747b8″]

This “Close To You: Soulful Burt Bacharach Covers” collection features generations of Black artists who have collaborated directly with Bacharach (Ronald Isley), covered beautifully (Aretha Franklin, Love), and sampled (Mos Def, Masta Ace, Floetry) the work of Burt Bacharach.

Stevie Wonder‘s live performance in 1972, of “Close To You” and the Jackson 5′s “Never Can Say Goodbye utilizing the ‘talkbox,’ inspired Frank Ocean’s cover on his 2016 album, Blonde.

Bobby Womack and Isaac Hayes each spent ample time covering Bacharach while pushing against what they saw as limits of what was acceptable for Black artists.

The 5th Dimension, who were stung by being called “the Black group, with the white sound,” are present with “One Less Bell To Answer.” Marilyn McCoo and Billy Davis Jr. perform it twice in this collection.

There are ample examples of hip-hop artists using Warwick and Bacharach’s work on “Recognize,” “Hold U,” “Must Be Bobby,” “Know That” and other tracks.

So please enjoy this Black History Month celebration of Burt Bacharach’s impactful work through the creation of these great Black artists.

Until next month, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

#DionneTurns80: Happy 80th, Dionne Warwick! “Dionne Through The Decades” Playlist and Tribute (LISTEN)

[Photo: Dionne Warwick via commons.wikipedia.org]

by Lori Lakin Hutcherson (@lakinhutcherson)

One of my most indelible musical memories as a child is riding in the back of my mom’s silver Cadillac Seville, listening her harmonize with a singular, sophisticated voice asking and answering the compelling question: “What do you get when you fall in love? A guy with a pen to burst your bubble – that’s what you get for all your trouble.”

When Mom (and Dionne) sang these words with biting, philosophical wit and charm I’d learn in my teens was more succinctly known as irony, I was instantly intrigued and couldn’t wait to hear them again and again. Especially on that “get enough germs to catch pneumonia” line. That was the best.

When Ms. Warwick and Ms. Lakin told me to take a “Message to Michael” to “Walk on By” or would ask me “Do You Know The Way to San Jose?” — I was riveted by the evocative, worldly wisdom washing over me.

Nobody on the radio sang like this. Told stories like this. Skillfully navigated between grit and grandiosity, poise and pressure, emoted the expansive sound of je ne sais quois like this. I have been a Dionne Warwick fan ever since.

[spotifyplaybutton play=”spotify:playlist:6NLmSJmZoDlaN27wkFfsoF”]

What I didn’t know then but learned later is most songs sung by that mesmerizing voice were singles from the 1960s and early ’70s written by legendary songwriters Burt Bacharach and Hal David, two men who grasped the women’s perspective on the pain and futility of many a romance.