Tag: “Formation”

Review: Beyoncé is Bigger Than Coachella | New York Times

(photo via instagram.com)

by Jon Caramanica via nytimes.com

INDIO, Calif. — Let’s just cut to the chase: There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year, or any year soon, than Beyoncé’s headlining set at the Coachella Valley Music and Arts Festival Saturday night.

It was rich with history, potently political and visually grand. By turns uproarious, rowdy, and lush. A gobsmacking marvel of choreography and musical direction.

And not unimportantly, it obliterated the ideology of the relaxed festival, the idea that musicians exist to perform in service of a greater vibe. That is one of the more tragic side effects of the spread of festival culture over the last two decades. Beyoncé was having none of it. The Coachella main stage, on the grounds of the Empire Polo Club here, was her platform, yes, but her show was in countless ways a rebuke.

It started with the horns: trumpets, trombones, sousaphones. For most of the night, the 36-year-old star was backed by an ecstatic marching band, in the manner of historically black college football halftime shows. The choice instantly reoriented her music, sidelining its connections to pop and framing it squarely in a lineage of Southern black musical traditions from New Orleans second line marches to Houston’s chopped-and-screwed hip-hop.

Her arrangements were alive with shifts between styles and oodles of small details, quick musical quotations of songs (Pastor Troy’s “No Mo’ Play in G.A.,” anyone?) that favored alertness and engagement. As always, one of the key thrills of a Beyoncé performance is her willingness to dismantle and rearrange her most familiar hits. “Drunk in Love” began as bass-thick molasses, then erupted into trumpet confetti. “Bow Down” reverberated with nervy techno. “Formation,” already a rapturous march, was a savage low-end stomp here. And during a brief trip through the Caribbean part of her catalog, she remade “Baby Boy” as startling Jamaican big band jazz.

She does macro, too — she was joined onstage by approximately 100 dancers, singers and musicians, a stunning tableau that included fraternity pledges and drumlines and rows of female violinists in addition to the usual crackerjack backup dancers (which here included bone breakers and also dancers performing elaborate routines with cymbals).

Beyoncé Enlists Model Jillian Mercado, Who Has Muscular Dystrophy, as Face of New ‘Formation’ Line

Beyoncé has launched her new “Formation” line, and model Jillian Mercado, who has muscular dystrophy, has been announced as the face of the new line.

Source: Beyoncé enlists model with muscular dystrophy as face of new line | theGrio

Beyoncé Announces The Formation World Tour; Launches Initiative to Help Flint Water Crisis

Beyonce Dancers for NOW 020816
Beyoncé mid-slay with dancers at yesterday’s Super Bowl Halftime Show (photo via colorlines.com)

article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Something tells me we will soon have to invent a new way to say “slay,” because if the boss moves perpetrated in the last two days by Beyoncé have shown us anything, they’ve shown us she has every intention of erecting on top of the foundation she laid with 2013’s “Beyoncé” an impenetrable Fortress of Slayage where the word will soon retire itself (because really, where else has it to go?).

To recap, not only did Queen Bey the day before the Super Bowl drop her “Formation” video – which the internet is still feverishly and giddily unpacking – she performed it at halftime, paid homage to the Black Panthers in the Bay Area on their 50th anniversary during the 50th Super Bowl, paid homage to Malcolm X with her squad’s literal formation, and then claimed the commercial space right after halftime to announce her Formation World Tour, which kicks off April 27 in Miami.  Phew!  No wonder “slay” is ready for a permanent vacation.

According to usatoday.com, the Formation World Tour will be hitting cities nationwide including Los Angeles, New York, Chicago, Boston, and Philadelphia. It ends June 12 in Hershey, Penn., before a string of European dates get underway June 28. Tickets go on sale beginning Tuesday for American Express and Beyhive fan club members, and to the general public starting Feb. 16. [Tour dates listed below.]

Beyoncé last toured the USA with her husband, rapper Jay Z, on the six-week On the Run Tour in summer 2014, which was filmed for a HBO special. The Formation World Tour is her first solo jaunt since the Mrs. Carter Show World Tour in 2013. Continue reading “Beyoncé Announces The Formation World Tour; Launches Initiative to Help Flint Water Crisis”