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Posts tagged as “Dub reggae”

MUSIC MONDAY: “Dubwise: An Essential Dub Reggae Collection” (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Bluesky: @marlonweststl.bsky.social Spotify: marlonwest)

Happy Music Monday! It’s your groove pathfinder, Marlon, back with another musical offering.

While reggae and dancehall are well-known when it comes to Jamaican music, not everyone may be in tune with its more electronically-minded cousin, dub reggae, and the sound system culture that accompanies it.

Dub music grew out of reggae in the 1960s and 1970s. The songs largely consisted of heavily-edited remixes of existing records, created by removing the vocal sections and placing increased focus on the rhythm section, or riddim.

Audio effects like reverb and delay would then be applied, often quite generously, and vocal snippets and other instruments from the original song (and other songs) can be worked into the track by means of dubbing or sampling. The term ‘dubbing‘ has also come to mean emphasizing the bass and the drums.

Included in this collection are works of influential figures including Lee Scratch Perry, Osbourne Ruddock (better known as “King Tubby”), and Hopeton Overton Brown (aka “Scientist”) and many others.

The influence of Dub can be heard across many genres of music, including rock, hip hop, techno, ambient, house music, trip hop and others

This collection features classic works and tracks across the decades. Hope you all enjoy this essential collection of Dub Reggae.

Until next month, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Nothing Comes Easy” – A Celebration of Dub Reggae (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Dub has become its own genre of electronic music. Though it grew out of reggae in the late 1960s and early 1970s.

Dub reggae started as a “version” of an existing song. The cuts were achieved by significantly manipulating and reshaping the recordings, often through the removal of some or all of the vocals, with the emphasis on the drums and bass. They were usually pressed on the B-sides of 45 RPM records.

The dub version is often made for a DJ to “toast” over. That tradition continues to this day across many music genres.

[spotifyplaybutton play=”spotify:playlist:4boJM1E6ytVpdhSv5SMxs3″/]

Dub was pioneered by recording engineers and producers like Osbourne “King Tubby” Ruddock, Lee “Scratch” Perry, Errol Thompson, and others in the late 1960s. Augustus Pablo is credited as one of the pioneers and creators of the genre, and for bringing the melodica to dub.

The “Roland Space Echo” was widely used by dub producers in the 1970s to produce echoes and delay effects. These artists, especially King Tubby, Scientist, Lee Perry, and many that would follow, look upon the mixing console as an instrument itself.

This collection brings together early pioneers, and tracks by current artists. Enjoy! And as always, stay safe, sane, and kind.

(A note to the Spotify adherent: This collection will benefit from going to your “Advanced Preferences”, and setting your crossfade to its maximum of 12 seconds. Lean into that Dub-stylee.)

Marlon West (photo courtesy Marlon West)