If you haven’t already figured it our from his music, hip-hop/pop star Drake has a really big heart and we’re super happy to see him share it in this way.
Last night, 15-year-old Kennedy Brown got the surprise of her life when Drizzy showed up on her doorstep unexpectedly. According to ABC News, Kennedy, who’s currently in hospice, was diagnosed with brain cancer two years ago, but this weekend she made a special trip back to her high school, Carnegie Vanguard in Houston,TX, where her classmates threw her a surprise prom, crowned her prom queen, and even gave her an honorary diploma in a private graduation ceremony. Part of the goal of the events was to grant Kennedy’s wish of getting a special message or visit from her favorite rapper, which is why classmate Payton Campbell gave out these instructions:
“We would ask all of your viewers to #DrakeForKen so we can get him to come see her or send something for her because that would mean the world to her.”
Thankfully, Drake saw the social media campaign and paid Kennedy a personal visit yesterday that you can tell was likely the highlight of both of their lives. Posting photos on his Instagram page, Drake captioned the pic below with “She asked to touch the brows #accessgranted”.
We have to say these might be the sweetest photos we’ve seen in a long time. Check out more pics of Drake and Kennedy’s time together on what he said was an “incredible day” by clicking here.
See more at: http://madamenoire.com/419676/sweet-drake-grants-15-year-old-brain-cancer-patients-wish/#sthash.8bfZ96W7.dpuf
Beyoncé pulled off a coup late last Thursday night when she released a terrific self-titled “visual album” – containing 14 songs, each with an accompanying video – straight to iTunes with zero advance warning or fanfare. The record is expected to easily top the weekly album chart despite being released midway through the stanza, and according to Apple, the album had already sold more than 800,000 digital copies by Monday morning. Not only does Beyoncé rank as the year’s most accomplished and engaging mainstream pop album by a rather laughable margin, but its calculatedly shrugged-off release strategy can’t help but read as an imperious kiss-off toward the singer’s competitors for the 2013 crown — Lady Gaga, Justin Timberlake, Miley Cyrus, Katy Perry, and even her husband Jay Z — all of whom worked up gallons of sweat and employed every eyeball-grabbing trick in the book to move their product, only to be upstaged by Beyoncé’s abrupt digital data-dump.
“I’ve been climbing up the walls, ’cause all this shit I hear is boring,” she sings on the album’s second track, by way of explanation. “All these record labels, boring.”
Of course, like Radiohead’s “name-your-price” release of In Rainbows in 2007, this is the sort of trick that can only be pulled off by an artist who has already spent decades tirelessly feeding the publicity machine, and it’s unlikely Beyoncé’s December surprise will “change the music business” any more than Radiohead’s did. Competition is Beyoncé’s lifeblood, and coming off of the commercially disappointing 4, it’s easy to see this as a gauntlet thrown down. Far more personal, confessional, and flat-out filthy than anything the singer has released in the past, Beyoncé offers some striking windows into the star’s personal life, while audio archival snippets from her early years shuttling between beauty contests and kiddie singing competitions are sprinkled throughout, hinting at the lifetime of rigorously maintained perfection and pageantry to which much of this record is a reaction.
Continue reading “Beyoncé Reveals Artistry, Herself on “Beyoncé” (REVIEW)”
Of course, the fact that the album was available exclusively through iTunes and not via any other digital music service helped push along the sales. Additionally, fans couldn’t buy single songs for the usual 99 cent price; instead they were forced to buy the whole album for $15.99. The album, however, included more than just 14 songs. It also came with 17 videos. You could watch only 30 second snippets of each video clip on YouTube. Called Beyoncé’s first visual album, it also included tracks from her husband Jay-Z, R&B singer Frank Ocean and rapper Drake. Another big draw? The closing track, “Blue,” features her daughter Blue Ivy in the video.
Continue reading “Beyoncé Breaks iTunes Records, Sells 828,773 Albums in Just Three Days”
Director Ron Howard will debut the “Made in America” documentary about the Jay Z-curated music festival in Philadelphia Oct. 11 on Showtime.
Close to 50,000 fans attended Jay-Z’s “Budweiser Made in America” festival on Labor Day weekend last year. The two-day event included performers such as Pearl Jam, Drake, Run DMC, Skrillex, D’Angelo and Calvin Harris.
The year’s festival kicks of this weekend with performances from Beyonce, Nine Inch Nails, Imagine Dragons, Deadmau5, Kendrick Lamar and Macklemore & Ryan Lewis. Howard’s documentary serves as a backstage pass to the event, which showcases performers sharing stories of how they are “making it in America.”
It will debut Sept. 7 at the Toronto International Film Festival.
article via eurweb.com
In the 20 years since Snoop Dogg released his genre-defining debut “Doggystyle,” the rapper’s name has become a sort of hip-hop shorthand, and he’s become a larger than life figure in popular culture over a string of albums and movie roles (“Starsky & Hutch,” “Training Day”). So it came as something of a surprise when the MC rechristened himself “Snoop Lion” last year after studying the Rastafari religion in Jamaica, and announced he was recording a reggae album, “Reincarnated,” which comes out Tuesday.
Snoop today takes over Speakeasy as the first-ever special guest editor, and in that role wrote an essay that explains his reggae transformation, assigned a story about the part youth sports programs play in communities, and will answer questions from readers. Check back in throughout the day to read Snoop’s contributions.
It only makes sense to pair his guest-editing stint with “Reincarnated,” which Speakeasy is streaming in its entirety. To listen, click here. The album features contributions from Drake, Akon and Miley Cyrus, and production from Diplo and Major Lazer. If you have questions for Snoop, send them on Twitter with the hashtag #AskSnoop.
article by Eric R. Danton via blogs.wsj.com