Dave Chappelle won his first Emmy Award on Sunday, thanks to his “Saturday Night Live” hosting debut just days after Donald Trump was elected president. Chappelle’s November 12 “SNL” episode delivered the franchise’s season high in adults 18-49 and total viewers, and the show’s highest 18-49 rating since 2013.
And now, it has delivered Chappelle an Emmy for Best Guest Actor in a Comedy Series. The comedian won the statuette Sunday in a field that included two other “SNL” hosts: Tom Hanks and Lin-Manuel Miranda.
Netflix announced on Thursday that it will produce “Def Comedy Jam 25” to mark the 25th anniversary of the comedy show, to air this fall. “Def Comedy Jam” originally ran from 1992 to 1996 before being revived in 2006. The show, which was produced by Russell Simmons, helped to launch the careers of the likes of Martin Lawrence, Cedric the Entertainer and Sheryl Underwood.
The lineup of performers for the special thus far include: Lawrence, Underwood, Bill Bellamy, Cedric the Entertainer, Dave Chappelle, Mike Epps, Adele Givens, Eddie Griffin, Tiffany Haddish, Kevin Hart, Steve Harvey, D.L. Hughley, Kid Capri, Tracy Morgan, Craig Robinson, JB Smoove, Sommore, Joe Torry and Katt Williams.
Charlie Murphy, the older brother of Eddie Murphy, a “Chappelle’s Show” star and an accomplished comedian in his own right, died Wednesday in New York City. He was 57. Murphy’s publicist confirmed the comedian’s death, and the cause of death was leukemia.
“We just lost one of the funniest most real brothers of all time. Charlie Murphy RIP,” Chris Rock, Murphy’s CB4 co-star, tweeted. “Charlie Murphy changed my life,” tweeted “Chappelle’s Show” co-creator Neal Brennan. “One of the most original people I’ve ever met. Hilarious dude. Habitual Line Stepper. So sad.”
After making his big screen debut in 1989’s “Harlem Nights,” directed by his younger brother Eddie, and appearing in bit roles in Spike Lee films like “Mo’ Better Blues” and “Jungle Fever,” Murphy’s big break came as a cast member on “Chappelle’s Show,” where “Charlie Murphy’s True Hollywood Stories” resulted in a pair of that series’ most memorable sketches.
Both sketches featured Murphy reminiscing about he and Eddie’s celebrity encounters in the Eighties, with Dave Chappelle portraying Rick James and Prince in the now-legendary sketches. Charlie Murphy also co-wrote “Vampire in Brooklyn,” another film directed by Eddie, as well as 2007’s “Norbit.”
Murphy also appeared in 1998’s “The Player’s Club,” directed by Ice Cube. The rapper paid tribute to Murphy on Twitter Wednesday, “Damn, sorry to hear about my friend Charlie Murphy. He took a chance on a young director in The Player’s Club. Always made me laugh. RIP.”
Growing up in the Bushwick area of Brooklyn, Charlie often stuck up for his younger brother; in defending Eddie, Charlie joked about fearing his mom’s wrath if bullies picked on Eddie more than the bullies themselves. That guardian role made Charlie a natural to serve as Eddie’s security guard as the comedian quickly ascended to stardom.
Due to Charlie’s propensity toward overreacting while guarding his brother – “Whoever say something, I almost gave this old man a heart attack on a plane because he asked us if we were a basketball team. I took that personally,” Murphy said in a Chappelle’s Show outtake – forced Murphy to embark on his own career.
One night at an Eddie Murphy stand-up performance, Charlie went after one heckler “who tried to squeeze the lemon.” “I took it as a personal crusade until they were like, ‘You’re a little overzealous in how you’re performing your job.’ So that’s how I ended up not doing [security] anymore,” Murphy said.
Dave Chappelle has cut a deal with Netflix for three new comedy specials.
The projects will mark Chappelle’s first standup TV specials in 12 years, and it marks another aggressive push by Netflix in the standup comedy arena.
“Dave Chappelle is a legendary voice in comedy — searing, vital, and now more than ever, essential,” said Lisa Nishimura, Netflix’s VP of original documentary and comedy. “Dave’s three new specials promise to be some of the most anticipated events in comedy.”
The deal calls for Chappelle and director Stan Lathan to produce an original special for Netflix. Two other unreleased projects will come from Chappelle’s vault — one produced out of the Austin City Limits Live venue, the other from a performance at the Hollywood Palladium.
The projects from the vault are set for release simultaneously next year. There’s no premiere date yet for the new special.
Chappelle is coming off a strong performance earlier this month as host of “Saturday Night Live,” which generated the show’s highest ratings in three years. He is among the most prolific and successful touring comics in country, staging some 500 shows during the past three years.
Netflix made headlines last month by setting a $40 million deal with Chris Rock for two new comedy specials.
Paul Beatty’s novel “The Sellout,” a blistering satire about race in America, won the Man Booker Prize on Tuesday, marking the first time an American writer has won the award.
The five Booker judges, who were unanimous in their decision, cited the novel’s inventive comic approach to the thorny issues of racial identity and injustice.
With its outrageous premise and unabashed skewering of racial stereotypes, “The Sellout” is an audacious choice for the judges, who oversee one of the most prestigious awards in literature.
“The truth is rarely pretty, and this is a book that nails the reader to the cross with cheerful abandon,” Amanda Foreman, the head of the judging panel, said at a press briefing in London before the winner was announced. “It plunges into the heart of contemporary American society.”
At a ceremony in London, Mr. Beatty said that writing “The Sellout” had taken an emotional toll.
“It was a hard book for me to write; I know it’s hard to read,” he said. “I’m just trying to create space for myself. And hopefully that can create space for others.”
A raucous tragicomedy that explores the legacy of slavery and racial and economic inequality in America, the novel felt deeply resonant at a moment when police violence against African-Americans has incited protests around the country and forced Americans to confront the country’s history of racism.
In a review in The New York Times, Dwight Garner wrote that the novel’s first 100 pages read like “the most concussive monologues and interviews of Chris Rock, Richard Pryor and Dave Chappelle wrapped in a satirical yet surprisingly delicate literary and historical sensibility.”
Devastated by the sudden death of Prince on Thursday, Dave Chappelle almost canceled his Friday San Francisco stand-up show.
But he didn’t, and instead remembered the late music icon with a four-hour comedy set, riffing on Prince and his impact on pop culture, according to the San Francisco Chronicle.
Chapelle explained that he contemplated not showing up that night, but his band told him, “‘Yo, Prince would definitely not condone that.’ And now there is no place I’d rather be.”
Taking the stage, Chappelle told the audience that “this is the black 9/11.” He said he only heard of Prince’s death after media outlets began calling him for comment. “I’ll tell you what: I didn’t know him well, but I knew him well,” he said.
Chappelle and Prince became intertwined after the comedian portrayed Prince in one of the most famous sketches from his Comedy Central series “Chappelle’s Show.”
Prince clearly took the joke in stride. In fact, he one-upped Chappelle by using an image of him in his Prince get-up, holding a plate of pancakes, as the cover art for 2013’s “Breakfast Can Wait.”
Chappelle admitted defeat in a 2014 interview with Jimmy Fallon. “That’s a Prince judo move right there,” Chappelle said. “You make fun of Prince in a sketch and he’ll just use you in his album cover. … That’s checkmate right there.”