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Posts tagged as “Chicago”

First Black Female Cartoonist Celebrated In New Book

By goodblacknews on April 26, 2012


by R. Asmerom
The cartoon industry is a rare industry for anyone to be in, but especially a black woman in the 1930s. A new book by Nancy Goldstein called “Jackie Ormes: The First African American Woman Cartoonist” paints a profile of the first black woman cartoonist, who used her art to work in journalism and engage in politics from the 1930s to the 1950s.
Ormes started as a proofreader for the weekly African-American paper the Pittsburgh Courier. She launched a strip there called Torchy Browin In Dixie To Harlem about a Southern teen who was a success in the Cotton Club.
She later moved to Chicago to work for the popular Black newspaper Chicago Defender. There she started Patty-Jo ‘n’ Ginger, a cartoon that ran for 11 years. Her political voice was consistently heard during her tenure. According to the Pittsburgh Post-Gazette:

During the McCarthy era, she repeatedly took playful jabs in her cartoons at the House Un-American Activities Committee. Delivered with much humor and gusto, the barbs were often spoken by an adorable little girl named Patty-Jo, who always had a way of summing up all that her older, more fashionable sister, Ginger, remained silent about while expressing a look of utter shock that her little sister could say such a thing as:
“It would be interestin’ to discover WHICH committee decided it was un-American to be COLORED!”

Ornes didn’t escape the watchful eye of the vigilant FBI during that time, reportedly being closely watched by the agency for ten years because of some attendance at meetings for American communist groups. She admitted to attending meetings but denied being part of the Communist movement.
According to the book, Ornes used her cartoons to lobby for The March of Dimes and to protest segregation and American foreign policy.  Besides her sophisticated political voice, Ornes was known for her elegant depictions.

She often used her own quite charming and beautiful form as the model for her main characters such as Ginger and Torchy Brown, who are downright glamorous — in such a manner not before seen in graphic art depictions of African-American women.

Ormes died at the age of 74 in 1985. She was well ahead of her time. As the New York Times noted, the first daily strip to be produced by a Black woman emerged in 1989 by Barbara Brandon-Croft – obviously decades later after Ormes made her mark.

Urban Prep Academy Graduates All College-Bound For Third Consecutive Year

By goodblacknews on March 30, 2012
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Urban Prep students at graduation.

For the third year running, an all-male charter school with students from Chicago’s roughest neighborhoods is sending its entire senior class to college.  Urban Prep Academy reports that all 85 seniors graduating from the all-male preparatory school have been accepted to four-year colleges or universities, the third consecutive year an entire senior class has gotten acceptance letters along with their diplomas.
This year’s class also has some standout stars, like Vernon Cheeks, 17, who was accepted to 14 schools, according to CBS Chicago.  “It taught me how to be resilient. It also taught me how to be accountable for my own actions,” he told the station of his experience in the standout high school program.
Urban Prep’s success is unusual in its West Side neighborhood, which sees disproportionately high rates of violent crime so severe that parents requested heightened protection for academy students earlier this year, amid concerns that gang territories were advancing on the school.
“[In] this volatile, violent area, these are like lambs surrounded by wolves, and that shouldn’t be,” the grandmother of a student told ABC Chicago.
The school’s success has grown exponentially since its founding in 2006, when onlyfour percent of the school’s first freshman class was reading at grade level when they entered.
In 2010, the school sent all 107 graduating seniors directly into college or university programs for the first time.
“No other public [school] in the country has done this,” Urban Prep Academy Founder Tim King said at the time. Continuing that success in 2011 and 2012 makes the school’s performance even more remarkable.
The school also boasts an impressive “persistence” record this year–83 percent of 2010 Urban Prep graduates who went on to college have stayed there, compared to a national average of 35 percent among African-American males, according to the Chicago Tribune.

Ida B. Wells To Be Honored With Sculpture In Chicago

By goodblacknews on December 28, 2011

 

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CHICAGO (AP) — For six decades, civil rights pioneer Ida B. Wells was woven into the fabric of Chicago’s South Side as the namesake of a public housing project.
A Rosa Parks-like figure during her era, the journalist and suffragist was so revered that 1930s leaders put her name on a project that promised good, affordable housing for working class families. Within a few decades, however, the homes deteriorated, growing more violent and becoming riddled with gangs and drugs — not as notorious as the city’s Cabrini-Green public housing high rises or Robert Taylor Homes, but certainly not a monument to Wells’ legacy.
Then, nearly a decade ago, the city tore the Wells housing project down, leaving the activist’s great-granddaughter Michelle Duster and her family worried Wells wouldn’t be remembered at all.
Now, to mark the 150th anniversary of Wells’ birth in 2012, an effort is under way to build a sculpture to honor her legacy at the site of the housing development and renew her relevance for future generations.
“When the housing project was coming down we were like ‘Her name is going to be gone,’” Duster said, sitting in her South Side home, a portrait of her great-grandmother hanging on the wall. “Her name and what she did can’t be lost with the housing project.”
The Ida B. Wells Commemorative Art Committee is seeking $300,000 in donations after commissioning noted Chicago artist Richard Hunt to create the sculpture, which is expected to combine images of Wells with inscriptions of her writings.
While Wells’ name endures on a grade school and a professorship in the city, the monument will aim to reflect the full legacy of a woman who was born into slavery in Mississippi and went on to become a well-respected crusader against injustice and outspoken anti-lynching activist.
Orphaned at age 16, Wells was left to support her five siblings. She became a teacher and moved to Memphis, where she sued a railroad because she wasn’t allowed to sit in the ladies coach. When she later became a journalist, Wells wrote about that incident and the lynchings of three of her male friends.
Her writings enraged others and led to Wells being forced to leave the South. She kept writing and speaking about lynching across the U.S. and England. She died in 1931 and is buried in Chicago.
Planning for the Ida B. Wells Homes started three years after her death, as a project of the Public Works Administration. The homes opened in 1941 and first lady Eleanor Roosevelt visited the complex, with its 1,662 units — more than 860 apartments and nearly 800 row houses and garden apartments.
By the 1990s, the housing complex had fallen to drugs and violence. In an infamous 1994 case, two boys, ages 10 and 11, dropped a 5-year-old boy to his death from a vacant 14-floor apartment. The boys were convicted on juvenile murder charges. The same year two neighborhood teenagers produced an award-winning radio documentary “Ghetto Life 101,” which aired on National Public Radio.
A year later, prosecutors charged seven people with running a cocaine ring out of the Ida B. Wells Homes that authorities say did such booming business drug buyers lined up 50 at a time.
By 2002, the last buildings were torn down in a nationally watched urban renewal plan initiated by then-Mayor Richard Daley that also targeted other housing projects — including Cabrini-Green, which saw the last of its high-rises crumble under wrecking balls earlier this year.
As Wells Homes residents focused on finding new places to live, some also requested something be done in tribute to the activist.
“I want people to remember Ida B. Wells the woman, not Ida B. Wells the housing community,” her great-granddaughter, Duster, said. “Something should be done to remember who she was. I think who she was as a woman got lost when it was attached to the housing projects.”
When the money is raised, that something will be a sculpture in the middle of a large grassy median on 37th Street and Langley Avenue in the historically African-American neighborhood of Bronzeville on the city’s South Side.
The site, across the street from a large park, isn’t far from the 19th-century stone house where Wells lived from 1919 to 1929. The Ida B. Wells-Barnett House is now a National Historic Landmark.
Hunt envisions a sculpture in his metallic, free-form style that will incorporate images and writings of Wells. He said he hopes to convey “what a courageous and intelligent and committed person that she was.”
Carol Adams, president of Chicago’s DuSable Museum of African-American History, said the sculpture will be a lasting monument to Wells and a place where people can learn about her influence. The neighborhood is already home to the Ida B. Wells Preparatory Elementary Academy, and Chicago’s DePaul University has a professorship named for Wells.
“Her name itself just reverberates through the community,” said Adams, who once worked in the Ida B. Wells Homes. “It was her voice, her stance that she took regarding lynching and how she used the media to wage that fight, what that fight meant to us. This was very significant for black people all over the country.”
Duster said the sculpture will “have a lot of meaning” for those who lived in the homes named after her.
“I think they will have a huge sense of pride,” she said. “Those who lived in Bronzeville when the homes were there, it’s a source of pride for our neighborhood. For others it’s a sense of pride in the city of Chicago.”
Mostly though, she said, remembering her great-grandmother will teach a new generation that one person can make a difference and defy the boundaries of society’s expectations based on race, class and gender.
“It’s important to speak up when you feel you’ve experienced something not fair,” Duster said. “Don’t wait for somebody else to say something. That’s one thing Ida did that I think is a legacy. She used her voice and talents to raise consciousness.”
via thegrio.com

Former Senator Carol Moseley Braun To Run For Chicago Mayor!

By goodblacknews on November 21, 2010
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Braun to Run for Chicago Mayor
CHICAGO (AP) — Former U.S. Sen. Carol Moseley Braun kicked off her campaign for Chicago mayor Saturday by reintroducing herself to voters, some of whom weren’t even born when she last won election in 1992.  Braun, who runs an organic food company, was the last of six major candidates to formally declare her candidacy to replace retiring Mayor Richard Daley, who has presided over the city for more than 20 years but announced in September that he wouldn’t seek a seventh term. The former senator joins a race that includes former White House chief of staff Rahm Emanuel.  “While the city has many challenges: creating jobs, balancing our budget, fixing our schools, protecting our seniors and our children and making our government more accountable to the people, I stand before you today in the fervent belief that there is no city in this country better positioned for progress and opportunity for all its citizens than Chicago,” Braun told more than 100 supporters at an outdoor rally on Chicago’s lakefront with the skyline as her backdrop.  The 63-year-old Braun made history when she was elected in 1992 as the first black woman in the U.S. Senate. She lost a re-election bid in 1998 and was later named ambassador to New Zealand. Braun also ran unsuccessfully for the Democratic nomination for president in 2004.  She is hoping voters will be attracted to her breadth of government experience. Before winning the 1992 Senate race for the seat President Barack Obama later went on to hold, Braun served as an Illinois state lawmaker and Cook County government official.  In the mayor’s race, Braun will likely have to address some past miscues that raised questions about her judgment, including a highly criticized visit with a brutal Nigerian dictator when she was a senator and never-proven accusations about misused campaign money.
Braun is counting on her business experience running a small company that specializes in coffee, tea and spices to be a plus with voters. She said she’s had to work hard to weather the recession that battered businesses, both big and small.  In her attempt at a political comeback, Braun has the backing of U.S. Rep. Bobby Rush, who said he was friends with Emanuel and the other two major black candidates in the race, state Sen. James Meeks and U.S. Rep. Danny Davis. In fact, Rush said he “loved” Davis.  “But you know what? This election is not about friendship, it’s about leadership,” Rush bellowed into a microphone, revving up Braun’s supporters.  A group of black leaders tried to prevent splitting black votes in the Feb. 22 mayor’s race by picking Davis as their preferred candidate over other finalists, including Meeks and Braun.  Braun singled out Emanuel during her announcement speech, taking him to task over a TV commercial that says people must decide whether Chicago will become a “second-tier” city. Braun said Chicago can’t just be great for people who live in the “right neighborhoods.”  “Let me tell you something about us: Chicago will always be a great city because its people will tolerate nothing less,” she said.  Other major declared candidates in the mayor’s race are Chicago City Clerk Miguel del Valle and former Chicago school board president Gery Chico.

Smithsonian Honors Philadelphia Hat Maker Mae Reeves

By goodblacknews on July 28, 2010
  • Taking a bow, Donna Limerick (center) and others modeling her mother's hats acknowledge Mae Reeves, top photo, at the end of the ceremony at the African American Museum in Philadelphia. Thirty of Reeves' hats will become part of the Smithsonian's permanent collection.
Taking a bow, Donna Limerick (center) and others modeling her mother’s hats
Donna Limerick had always believed her mother was a pioneer.
Not many women in the 1940s had the gumption and the bank loans to start their own business. Especially not African American women. Especially not African American women who designed and made millinery in Philadelphia.
Still, Limerick didn’t want to be presumptuous. She wasn’t sure that her mother’s legacy would qualify for the Smithsonian.  A documentary producer for National Public Radio, Limerick had heard that the Smithsonian’s new National Museum of African American History and Culture was looking for compelling stories about black families and culture. With modest expectations, she nominated her mother, Mae Reeves.
Tuesday, two of the museum’s curators attended a ceremony honoring Reeves and announced that 30 hats and several pieces of antique furniture from Mae’s Millinery shop in West Philadelphia will become part of the Smithsonian’s permanent collection.
“Oh, God bless you,” Reeves said, as television cameras closed in on her. She’d just been handed a softball-sized bronze model of the Liberty Bell that clanged happily in her lap.
“It’s our biggest honor,” said Melanie Johnson, city representative, apologizing that Mayor Nutter couldn’t make the event. He was in Washington for a meeting, representing the U.S. Conference of Mayors, but promised to make a personal visit upon his return.
“Oh my goodness!” Reeves said.
Now 97 and living in a retirement home in Darby, she arrived in a stylish wheelchair upholstered in teal leatherette. Her arthritic knees were covered by a black chenille blanket to match her beaded black jacket and dress. She wore a hat (of course) – one of her favorites, a cloche layered thickly in shiny black feathers with an emerald and turquoise gleam.
For more than 50 years, until 1997 when she retired at 85, Reeves ran her own store, first on South Street and later on North 60th Street. She sold to stars such as Ella Fitzgerald, Lena Horne and Marian Anderson; the social and political elite like Leonore Annenberg and C. Delores Tucker; and everyday women seeking audacious hats.
Midway through the ceremony, held in the auditorium of the African American Museum in Philadelphia, a short video was shown. Produced by one of her nine grandchildren, it captures Reeves in a sparky exchange with her daughter.
Having grown up in Georgia and studied millinery in Chicago, Limerick asks Reeves, “Why did you come to Philadelphia?”
“Because I knew people!” Reeves says.
by Melissa Dribben via articles.philly.com