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Posts tagged as “Australian Black Panther Party”

Beyoncé Announces The Formation World Tour; Launches Initiative to Help Flint Water Crisis

Beyonce Dancers for NOW 020816
Beyoncé mid-slay with dancers at yesterday’s Super Bowl Halftime Show (photo via colorlines.com)

article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Something tells me we will soon have to invent a new way to say “slay,” because if the boss moves perpetrated in the last two days by Beyoncé have shown us anything, they’ve shown us she has every intention of erecting on top of the foundation she laid with 2013’s “Beyoncé” an impenetrable Fortress of Slayage where the word will soon retire itself (because really, where else has it to go?).
To recap, not only did Queen Bey the day before the Super Bowl drop her “Formation” video – which the internet is still feverishly and giddily unpacking – she performed it at halftime, paid homage to the Black Panthers in the Bay Area on their 50th anniversary during the 50th Super Bowl, paid homage to Malcolm X with her squad’s literal formation, and then claimed the commercial space right after halftime to announce her Formation World Tour, which kicks off April 27 in Miami.  Phew!  No wonder “slay” is ready for a permanent vacation.
According to usatoday.com, the Formation World Tour will be hitting cities nationwide including Los Angeles, New York, Chicago, Boston, and Philadelphia. It ends June 12 in Hershey, Penn., before a string of European dates get underway June 28. Tickets go on sale beginning Tuesday for American Express and Beyhive fan club members, and to the general public starting Feb. 16. [Tour dates listed below.]

Beyoncé last toured the USA with her husband, rapper Jay Z, on the six-week On the Run Tour in summer 2014, which was filmed for a HBO special. The Formation World Tour is her first solo jaunt since the Mrs. Carter Show World Tour in 2013.

TONIGHT: Powerful Doc "Black Panther Woman" Makes NYC Premiere at New Voices in Black Cinema Festival

Still from "Black Panther Woman"
Still shot from “Black Panther Woman”

Set to make its New York premiere tonight, March 29, 2015, at 9:30pm, at the New Voices in Black Cinema Festival, at BAMcinématek in Brooklyn, NY, is “Black Panther Woman” – director Rachel Perkins‘ documentary on the little known Brisbane chapter of the Black Panther Party, which was directly inspired by the American Black Panthers.

To pre-purchase tickets, visit http://www.bam.org/film/2015/black-panther-woman.
Central to the film is Marlene Cummins (photo above), who was introduced to Australia’s Black Panther Party in 1972, when she met and fell in love with its leader, beginning her education into the Black Power movement.

This Australian chapter of the Black Panther Party adapted the politics and style of the American Black Panther Party, from the clothing to their defiance, attracting the attention of the local authorities. Yet, unlike their American comrades, who numbered in the thousands across America, the Australian chapter comprised of just 10 members – young Aboriginal people who staged educational theatre shows, kept watch on the police on what they called ‘pig patrols,’ and were at the forefront of demonstrations, including the Aboriginal Tent Embassy.
According to director Rachel Perkins, what began as a straightforward story, recounting the Black Panther Party in Australia, slowly revealed itself as something more. The tensions around the movement and her personal life tightened around Marlene, and finally led to the break up of her relationship with the party’s leader. Marlene filled the vacuum with alcohol and quickly spiralled into a cycle of addiction that left her vulnerable on the streets. Her vulnerability and her belief in the movement made her a target for black men in power. Marlene recalls the incident of her rape, by two Indigenous leaders, after which she made the difficult decision to stay silent. Dedicated to the cause, and distrustful of police, she, like other Aboriginal women facing abuse, chose to stay silent to protect the movement from criticism.