Hear The Root’s editor-in-chief, Henry Louis Gates Jr., chat with the Django Unchained director about the n-word and a possible sequel.
A Django Unchained and Inglourious Basterds trilogy? The historical accuracy of the n-word in
Django? The unlikely connection between the slavery-themed film and The Birth of a Nation? How Django fits into Hollywood’s overplayed, often offensive white-savior stereotype? You name it, and The Root‘s editor-in-chief, Henry Louis Gates Jr., and Quentin Tarantino — whose latest film, Django Unchained, a “postmodern slave-narrative Western,” as Gates describes it, opened on Christmas Day — likely covered it in this exhaustive interview.
When asked why he wanted to combine a slave narrative with a Western, Tarantino said this:
It’s two separate stories I’ve always wanted to tell. One, I’ve always wanted to tell a Western story. Two, I’ve always wanted to re-create cinematically that world of the antebellum South, of America under slavery, and just what a different place it was — an unfathomable place. To create an environment and again, not just have a historical story play out — they did this and they did that, and they did this and they did that — but actually make it a genre story. Make it an exciting adventure.
Listen to the whole interview by clicking here.
Also, read it in three parts:
Tarantino Unchained Part 1: Django Trilogy?
Tarantino Unchained Part 2: On the N-Word.
Tarantino Unchained Part 3: White Saviors.