Tag: AAFCA

Jordan Peele and ABC President Channing Dungey to Be Honored by African American Film Critics Association

Filmmaker Jordan Peele (l), ABC Entertainment President Channing Dungey (r) [photo credit: Getty Images via hollywoodreporter.com]
by Arlene Washington via hollywoodreporter.com

The African American Film Critics Association (AAFCA) has named Get Out writer-director Jordan Peele and ABC Entertainment President Channing Dungey among the recipients of its special achievement honors.

Alcon Entertainment’s co-CEOs Broderick Johnson and Andrew Kosove and Los Angeles Film Festival president Claudia Puig will also be recognized at AAFCA’s special achievement luncheon in 2018, which along with its annual awards ceremony will be a “Celebration of Women in Cinema.” The success of female-helmed films this year, from big-budget features including Patty JenkinsWonder Woman to Dee Rees‘ anticipated Mudbound (which recently screened at New York Film Festival), has inspired AAFCA — the largest group of black film critics — to proclaim 2017 the “Year of the Woman in Cinema.”

The organization stated that with films including The Zookeeper’s Wife, A United Kingdom, Detroit and The Beguiled, “women are rightfully being recognized for their long overdue equity in potential for quality, successful filmmaking.” “There is no argument that women have made a bold step forward this year in Hollywood,” says AAFCA president Gil Robertson, who co-founded the organization in 2003 with Shawn Edwards. “The evidence demonstrated during the past year speaks for itself both in terms of box office and critical recognition by women, and we predict that there will be continued momentum going forward. We are also pleased that African American women are a part of this progress and are taking advantage of increased opportunities to make their cinematic imprint.”

The organization also said that future projects, including Ava DuVernay‘s A Wrinkle in Time in March 2018, show that women and African American directors are heading toward a normalcy in getting more big-screen opportunities. “Women wrote, produced and directed some of the year’s most compelling, provocative and culturally relevant movies,” adds Edwards. “However, there is still a lot of work to be done to ensure that women have a permanent place at the table with equal representation.”

In addition to the AAFCA special achievement luncheon on Feb. 3 in Marina del Rey, Calif., the organization’s annual awards program will take place on Feb. 7 at the Taglyan Complex in Hollywood.

Source: Jordan Peele, ABC’s Channing Dungey to Be Feted by AAFCA | Hollywood Reporter

‘Straight Outta Compton’ & Creed Take Top Honors From African-American Film Critics

Straight Outta Compton 2
“Straight Outta Compton” (Photo: Universal Studios)

Universal’s N.W.A. biopic Straight Outta Compton has been named Best Picture by the African American Film Critics Association, one of three categories it topped along with Best Ensemble and Best Supporting Actor for Jason Mitchell. Best Director went to Creed helmer Ryan Coogler, while its star, Michael B. Jordan, won for Breakout Performance and Tessa Thompson was named Best Supporting Actress. Best Actor went to Will Smith for Concussion and Best Actress to Teyonah Parris for Spike Lee’s Chi-Raq.

The AAFCA honors excellence in cinema by creating awareness for films with universal appeal to black communities, while emphasizing films about the black experience and those produced written, directed and starring performers of African descent. It will hold its awards ceremony February 10 in Hollywood.

Here’s the full list of winners:

Best Picture
Straight Outta Compton (Universal Pictures)

Best Director
Ryan Coogler,Creed (Warner Bros.)

Best Ensemble
Straight Outta Compton (Universal Pictures)

Best Actor
Will Smith, Concussion (Sony)

Best Actress
Teyonah Parris, Chi-Raq (Roadside Attractions/Amazon Studios)

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The 22nd Annual Pan African Film Festival Announces Call for 2014 Submissions

paff logo

LOS ANGELES – The Pan African Film Festival (PAFF) is ready to take movie goers on a cinematic journey with international film screenings from around the globe with the announcement of its call for submissions.  The 22nd annual PAFF will be held on February 6-17, 2014 in Los Angeles.  The film festival is the nation’s largest and most prestigious Black film festival.  Over the years, it has showcased films from all parts of the world, representing such countries as Angola, Austria, England, Bermuda, Canada, Egypt, Ethiopia, Brazil, Kenya, Mexico, South Africa, Nigeria, and of course, the United States.

With the pulse on the international film market, PAFF has opened the minds of its audiences, and transported them to lands far away and back home again. “Over the years, the filmmakers from around the world have become more sophisticated in telling their stories,” says Asantewa Olatunji, the director of programming for PAFF.

This year, PAFF has been feted with several awards, including a Lifetime Achievement Awards from the African Movie Academy Awards (AMAA) and the first ever Special Achievement Award in the Film Festival Category by African American Film Critics Association (AAFCA) for its contribution to cinematic arts. In February, the festival screened a total of 154 films, representing 34 countries — that is, 23 documentaries, 13 short documentaries, 67 narrative features, and 51 narrative shorts.

Currently, PAFF is accepting submissions of independent features, shorts, narratives and documentary films made by or about people of African descent. Applications are available via the PAFF website at www.paff.org, by emailing ao@paff.org  or calling (310) 337-4737.

ELIGIBILITY:
The PAFF is currently accepting applications for films and videos made by and/or about people of African descent. (Please note: the filmmaker(s) need not be of African or African American descent.) Films should preferably depict positive and realistic images and can be of any genre — drama, comedy, horror, adventure, animation, romance, science fiction, experimental, etc. PAFF accepts features and shorts both narrative and documentary. The film festival will accept submissions of works in progress; however, the final version  of the film must be completed no later than January 2, 2014.

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