Tag: “3 1/2 Minutes Ten Bullets”

FEATURE: After 25 Years on the Road, Leslie Jones Becomes a Comedy Star

“This is gonna be kind of a hot one,” Ali LeRoi said.

“I’ve been waiting to sit her ass down for a minute,” Owen Smith said. “One of the funniest women in the game.”

“Funniest comedian in the game,” Jones interrupted. “Not just woman. I hate that shit.” End of introduction.

Comedians are combatants: they “kill,” they “bomb,” they “destroy.” Such bluster can mask insecurity, and Jones had good reason to feel defensive. She was forty-six, and had been a standup comedian for more than a quarter century; her peers respected her, but that respect rarely translated into high-paying gigs. “I remember some nights where I was, like, ‘All right, this comedy shit just ain’t working out,’ ” she told me recently. “And not just when I was twenty-five. Like, when I was forty-five.” She was a woman in a field dominated by men, and an African-American in an industry that remained disturbingly segregated.

Although she had opened for Katt Williams and Dave Chappelle, acted in movies alongside Ice Cube and Martin Lawrence, recorded a standup special for Showtime, and made several appearances on HBO’s “Def Comedy Jam” and BET’s “ComicView,” she worried that the gatekeepers of mainstream comedy—bookers for the “Tonight Show,” casting directors of big-budget films—had never heard her name. “Every black comedian in the country knew what I could do,” she said. “But that doesn’t mean everyone else is paying attention.” Chris Rock, who met Jones when they were both road comics in the late eighties, told me, “Black women have the hardest gig in show business. You hear Jennifer Lawrence complaining about getting paid less because she’s a woman—if she was black, she’d really have something to complain about.”

Jones spent much of her career performing in what she calls “shitty chitlin-circuit-ass rooms, where you’re just hoping the promoter pays you.” She told me that, around 2010, “I stopped only doing black clubs. I stopped doing what I call ‘nigger nights’—the Chocolate Sundays, the Mo’ Better Mondays. I knew how to relate to that audience, and I was winning where I was, but I wasn’t moving forward.” She lived in Los Angeles at the time, and she began asking for spots at the Comedy Store, where David Letterman and Robin Williams got their starts. A comedian named Erik Marino, who befriended her there, said, “She felt very strongly that she was being pigeonholed as a black comic—a BET comic.”

For a while, Jones performed at the Store at odd hours. Then, she said, “I went to the booker and I threw the race card at him. ‘Why you won’t let me go up at ten on a Friday? ’Cause I’m black?’ ” The booker gave her a prime-time slot. “She destroyed, obviously,” Marino said. “Bookers are the ones who care about black rooms versus white rooms. To us comedians, it’s, like, if you know what you’re doing and you can connect with an audience, they’re gonna laugh.”

Rock saw Jones perform at the Store in 2012. After her set, he told her, “You were always funny, but you’re at a new level now.”

“You’re right,” she responded. “But I’m not gonna really make it unless someone like you puts me on.” Rock took out his iPhone and added her name to a list labelled “Funny people.”

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HBO to Debut Jordan Davis Documentary “3 1/2 Minutes, Ten Bullets” on November 23

3 1/2 Minutes, Ten Bullets

“I remember the first day we brought Jordan home from the hospital a miracle child. For nine months, I fought to give this special child life. I remember asking God to keep him safe and out of harm’s way. I have said many prayers that he would be highly favored before God and man. I asked God that he would give him wisdom to navigate a world filled with uncertainty and danger.” – Lucia McBath

On November 23rd of 2012, Michael Dunn approached a red Dodge Durango and fired 10 shots at four black teenage boys. Their music too loud, skin too dark, and voices too opinionated. That same night, Jordan Davis drew his last breath and Lucia McBath lost her firstborn child. Now, just three years later, HBO will air 3 1/2 Minutes, Ten Bulletsan in-depth documentary chronicling the details of the murder of Davis.

Award-winning director and cinematographer Marc Silver debuted the film at the 2015 Sundance Film Festival, where it won the U.S. Documentary Special Jury Award for Social Impact. Now, HBO is providing a larger platform for the project, opening a door for further exploration into America’s current state of cultural turmoil. The film captures testimonies from the Michael Dunn trial, and moments of conquest as Lucia McBeth and Ron Davis fight to gain justice for black children nationally in the name of their departed son.

Children are scared, people are angry and the Black community is in constant mourning. The band-aid placed over the wound of racism has been ripped away. Now is the time for America to properly address the errors of it’s past — as it is clear that time will not heal racial inequality. Often times the actions of the offender are glorified while the life of the victim goes forgotten. This film stands as a catalyst for discussion, giving a voice to the grieving families of slain children around the country.

Take the time to tune in to HBO when 3 1/2 Minutes, Ten Bullets airs on television on November 23rd at 9:00pm EST.  Check out the trailer below:

article by Chasidy Billups via saintheron.com