Tommie Smith and John Carlos protest at the 1968 Summer Olympics (photo via vibe.com)
by Latifah Muhammad via vibe.com
John Legend and Jesse Williams are working on a documentary that will look at the 1968 Black Power salute seen around the world. More than four decades before Colin Kaepernick took a knee in silent protest of police brutality and racial injustice, Olympians Tommie Smith and John Carlos made a statement with raised fists during the Summer Olympic games in Mexico City.
The documentary, With Drawn Arms, is executive produced by Williams and Legend, along with the Grammy and Oscar winning singer’s partners from his Get Lifted Film Co., Deadline reports. Smith is the focus of the documentary. The former sprinter and NFL wide received took home the gold medal at the 1968 games after completing the 200-meter dash, while Carlos earned the bronze medal. Both men were suspended for raising their fists during the medal ceremony, stripped of their credentials, and given 48 hours to leave Olympic Village.
With Drawn Arms is currently in production in Los Angeles and is co-directed by Glenn Kaino and Afshin Shahidi, who is the father of Black-ish actress Yara Shahidi, and worked as one of Prince’s personal photographers. “Tommie Smith is more than an iconic poster or risky act of defiance that inspires people the world over,” Williams said in a statement noting that Smith is a “living man, whose incredible journey is worthy of examination.” He added, “I couldn’t be more excited to join forces with this team of filmmakers, to share his reality and challenge our notions of heroism in the process.”
To read more, go to: John Legend, Jesse Williams Team For Film On Olympic Protest
Tianna Bartoletta and Allyson Felix, right, celebrate after winning gold in the women’s 400-meter relay at the 2016 Summer Games. (Wally Skalij / Los Angeles Times)
article by Helene Elliott via latimes.com
Allyson Felix became the first U.S. woman to win five gold medals in track and field when she anchored the U.S. women’s 400-meter relay team to victory in the 2016 Rio Olympics Friday night.
Recovering from an apparent first-round disqualification that was reversed on appeal but consigned the U.S. team to Lane 1, Tianna Bartoletta, English Gardner, Tori Bowie and Felix won in 41.01 seconds. Jamaica was second, in 41.36, with Britain third in 41.77.
Felix has won eight Olympic medals overall, making her the most decorated woman in U.S. track and field history, but her only individual gold came from the 200 in 2012. She lost the 400 in Rio on a desperate but legal dive by Shaunae Miller of the Bahamas.
“It was just special. I felt like we were really strong tonight,” Felix said of the relay’s resilience. “The adversity made us even more determined and we just kept fighting all the way, through…. Sometimes adversity makes you stronger.”
Felix still has Saturday’s 1,600-meter relay left. The U.S. women’s 1,600-meter relay team had the top first-round time — 3:21.42 — and qualified for Saturday’s final. Jamaica (3:22.38) had the second-best time.
To read more, go to: http://www.latimes.com/sports/olympics/la-sp-oly-track-field-20160819-snap-story.html?track=lat-email-latimessports
October 16th marks the 45th anniversary of an iconic moment in sports history, in African-American history and in civil rights history. On this day in 1968, at the Olympics Games in Mexico City, two black U.S. medalists—Tommie Smith and John Carlos—took the victory stand with their heads bowed and eyes closed, their hands raised with black gloves, and fists clenched. Their “black power salute” during the playing of the Star-Spangled Banner was a silent protest by these athletes against racial injustice, and their statement, viewed then as a controversial combination of Olympic sports and politics, sent shock waves throughout the games.
Although the now legendary photo of the two men standing with clenched fists is universally recognized, the story behind the story is seldom mentioned, much less taught in schools.
The actions of Smith—the gold medalist in the 200-meter race—and Carlos—the bronze winner—must be viewed within the context of the times in which the men lived. And the times were turbulent and divisive. After all, Dr. Martin Luther King, Jr. and Senator Robert F. Kennedy had been assassinated only months before the games at Mexico City. The United States was engulfed in anti-Vietnam War protests and civil rights demonstrations. Antiwar protestors had been beaten by police during the Democratic National Convention in Chicago. There were calls for black power in African-American communities throughout the nation, and the Black Panther Party had expanded to cities across America.
Enter Harry Edwards, author of The Revolt of the Black Athlete. Edwards was the organizer of theOlympic Project for Human Rights (OPHR), an effort of black athletes to boycott the Olympics in protest of racial discrimination. The project was part of a push to have black athletes speak not only to the interests of athletes, but to show a concern for their communities and connect to the larger civil rights movement as well.