You have to like any award that links Abbas Kiarostami to Sylvester Stallone, Agnes Varda to Al Pacino and, now, Spike Lee — even if it’s one of those career achievement prizes determined more by who’s going to be in town than anything else. Lee, it was announced today, will be the latest recipient of the splendidly named Jaeger-Le Coultre Glory to the Filmmaker Award (named for a film by its inaugural recipient, Takeshi Kitano) at the Venice Film Festival later this month.
Good Black News
Pauli Murray, the civil right crusader and first African American woman ordained as a priest by the Episcopal Church, was elevated to sainthood in the church’s roster of “Holy Women, Holy Men.”
via Pauli Murray Named a Saint of the Episcopal Church : The Journal of Blacks in Higher Education.
Congratulations to Gabrielle Douglas for becoming the first African-American woman to win the coveted All-Around Olympic Gold Medal in gymnastics! To read the rest of the story and see video, click below:
Gabby Douglas takes gold in women’s all-around – USATODAY.com.
Congratulations to Gabrielle Douglas for becoming the first African-American woman to win the coveted All-Around Olympic Gold Medal in gymnastics! To read the rest of the story and see video, click below:
Gabby Douglas takes gold in women’s all-around – USATODAY.com.
See photos of more of the 2012 Black Olympians from the U.S.A. by clicking here: Go Team USA! Meet The Black Olympians Breaking News & Views on BlackMediaScoop.
See photos of more of the 2012 Black Olympians from the U.S.A. by clicking here: Go Team USA! Meet The Black Olympians Breaking News & Views on BlackMediaScoop.
“WHAT about an audiobook?” Pharrell Williams asked, sitting at the head of a conference table at the Park Avenue South offices of Rizzoli as he looked at the nearly finished galleys for an October release called “Pharrell: Places and Spaces I’ve Been.” Here was a lavish coffee-table book filled with images of the many products he has designed in collaboration with other artists and fashion designers, and interviews between Mr. Williams and the likes of Jay-Z, Anna Wintour and Zaha Hadid, which do not exactly lend themselves to the narrative treatment. But why not?
“It could be really interesting,” Mr. Williams said, “if I went out and hired Morgan Freeman or Danny Glover to read them.”
Or, as was pointed out by others in the room, it could be a little weird, if not uncool.
“An audiobook is not a good look,” said Loïc Villepontoux, sitting across the table. A calm, affable man, he is Mr. Williams’s longtime business associate, who oversees the licensing operations for his fashion labels.
“It’s like a lot of old women listening to the latest Richard Ford,” said Ian Luna, an editor of the book, looking a little nervous as he leafed through the galleys.
Helen Lasichanh, Mr. Williams’s fiancée, whose hair is dyed in chunks of pink, blond and brown like a block of Neapolitan ice cream, asked him smartly, “Have you ever bought an audiobook?” “Let me ask you a question,” Mr. Williams said. “Has anyone of my persuasion ever done one? No. It could create a wave.”
They heard him out.
As he approaches 40, Mr. Williams, artist and superproducer, is having the opposite of a midlife career crisis. In addition to an ever-expanding roster of singers and songwriters with whom he collaborates (recent examples include Justin Bieber, Frank Ocean and Conor Maynard), his services are increasingly sought by corporations to remix their product designs. Since announcing in May that he is restructuring all of his creative endeavors under a single umbrella company, called I Am Other, Mr. Williams might as well have put out a “for hire” sign.
“WHAT about an audiobook?” Pharrell Williams asked, sitting at the head of a conference table at the Park Avenue South offices of Rizzoli as he looked at the nearly finished galleys for an October release called “Pharrell: Places and Spaces I’ve Been.” Here was a lavish coffee-table book filled with images of the many products he has designed in collaboration with other artists and fashion designers, and interviews between Mr. Williams and the likes of Jay-Z, Anna Wintour and Zaha Hadid, which do not exactly lend themselves to the narrative treatment. But why not?
“It could be really interesting,” Mr. Williams said, “if I went out and hired Morgan Freeman or Danny Glover to read them.”Or, as was pointed out by others in the room, it could be a little weird, if not uncool.
“An audiobook is not a good look,” said Loïc Villepontoux, sitting across the table. A calm, affable man, he is Mr. Williams’s longtime business associate, who oversees the licensing operations for his fashion labels.
“It’s like a lot of old women listening to the latest Richard Ford,” said Ian Luna, an editor of the book, looking a little nervous as he leafed through the galleys.
Helen Lasichanh, Mr. Williams’s fiancée, whose hair is dyed in chunks of pink, blond and brown like a block of Neapolitan ice cream, asked him smartly, “Have you ever bought an audiobook?” “Let me ask you a question,” Mr. Williams said. “Has anyone of my persuasion ever done one? No. It could create a wave.”
They heard him out.
As he approaches 40, Mr. Williams, artist and superproducer, is having the opposite of a midlife career crisis. In addition to an ever-expanding roster of singers and songwriters with whom he collaborates (recent examples include Justin Bieber, Frank Ocean and Conor Maynard), his services are increasingly sought by corporations to remix their product designs. Since announcing in May that he is restructuring all of his creative endeavors under a single umbrella company, called I Am Other, Mr. Williams might as well have put out a “for hire” sign.












