April 28, 2026
Azealia Banks is cementing her place as an “It Girl” in the fashion and beauty realm at lightning speed. In fact, some feel the rapper is now more well-known for her fashion and beauty cred than her music. In the past year, she attended the 2012 MET Gala, appeared in the campaign for T by Alexander Wang and as previously reported, is slated to perform at Fashion’s Night Out at MAC Cosmetics Soho.
“I’m inspired by my own children, how full they make my heart. They make me want to work to make the world a little bit better. And they make me want to be a better man.”
—President Barack Obama
GBN Quote Of The Day: “If you always do what you always did, you’ll always get what you always got.”
— Jackie “Moms” Mabley, actress and comedian
Far off from the public eye, the Brooklyn Navy Yard looms over the Brooklyn waterfront, quiet and unassuming as a warehouse. From its outside, you’d never guess this industrial landmass serves as a safe haven for businesspeople, photographers, media, and artists alike.
On a cool August morning, someone from the latter category stands right before the entrance. Clad in a green worksuit with blue and white splotches, Charlotta Janssen looks more like a hired house painter than a creative one. That perception changes once you enter her studio on the 8thfloor and give your head the 360 degree treatment. To your immediate left hangs pictures of a naked couple presumably after sexual intercourse, to the right, a man with a half-smile, half-scowl on his face.
The main part of the room, however, is where your eyes stay focused: A picture of young Black children at a 1920s Harlem pool lines the upper right (in tribute to Harlem Renaissance man James Van Der Zee). A side painting of Trinidadian activist Stokely Carmichael lies mere feet away. Civil rights staples Martin Luther King, Jr. and Rosa Parks sit nearby with stern looks at the camera.
These three paintings make up part of Jennsen’s “Freedom Riders” exhibit. Currently on display at Philadelphia’s African-American Museum through September 30th, the collection of oil canvas mugshots of those who participated in the 20th century Freedom Bus Rides for integrated public transit is juxtaposed with ID cards, secretly handwritten notes, and any other written documents Janssen could find.
Far off from the public eye, the Brooklyn Navy Yard looms over the Brooklyn waterfront, quiet and unassuming as a warehouse. From its outside, you’d never guess this industrial landmass serves as a safe haven for businesspeople, photographers, media, and artists alike.
On a cool August morning, someone from the latter category stands right before the entrance. Clad in a green worksuit with blue and white splotches, Charlotta Janssen looks more like a hired house painter than a creative one. That perception changes once you enter her studio on the 8thfloor and give your head the 360 degree treatment. To your immediate left hangs pictures of a naked couple presumably after sexual intercourse, to the right, a man with a half-smile, half-scowl on his face.
The main part of the room, however, is where your eyes stay focused: A picture of young Black children at a 1920s Harlem pool lines the upper right (in tribute to Harlem Renaissance man James Van Der Zee). A side painting of Trinidadian activist Stokely Carmichael lies mere feet away. Civil rights staples Martin Luther King, Jr. and Rosa Parks sit nearby with stern looks at the camera.
These three paintings make up part of Jennsen’s “Freedom Riders” exhibit. Currently on display at Philadelphia’s African-American Museum through September 30th, the collection of oil canvas mugshots of those who participated in the 20th century Freedom Bus Rides for integrated public transit is juxtaposed with ID cards, secretly handwritten notes, and any other written documents Janssen could find.
“I am America. I am the part you won’t recognize. But get used to me. Black, confident, cocky; my name, not yours; my religion, not yours; my goals, my own; get used to me.”
–Muhammad Ali, world heavyweight boxing champion, activist and icon
NEW YORK (AP) — For years, anti-gay epithets and sentiments in rap have largely been accepted, along with its frequent misogyny and violence, as part of the hip-hop culture — a culture that has been slow to change, even as gays enjoy more mainstream acceptance. But a shift appears to be on the horizon.
NASHVILLE, Tennessee (AP) — A U.S. man says he has discovered the audio tape of a forgotten interview with civil rights leader Dr. Martin Luther King Jr. that was never published.
Stephon Tull says he recently found the nearly pristine reel-to-reel recording in his father’s attic in Tennessee. His father interviewed King in 1960 for a never-written memoir.
The tape captures King talking about the civil rights movement and relations with Africa. New York collector Keya Morgan authenticated the tape and is arranging a private sale.
Raymond Winbush of the Institute for Urban Research says there are few recordings of King speaking about the civil rights movement’s global impact.
On tape, King says of the struggle, “… historians will have to record this movement as one of the greatest epics of our heritage.”
Copyright 2012 The Associated Press.
via New Martin Luther King Jr audio found | theGrio.
“Give your brain as much attention as you do your hair and you’ll be a thousand times better off.”
— Malcolm X, activist, minister, civil rights leader
Augustus Washington (1820–1875)
Unidentified woman, probably a member of the Urias McGill family, daguerreotype, sixth plate, 1855, Prints and Photographs Division, Library of Congress, LZ-USZC4-3937.
article via blog.charlesguice.com
Twelve years ago, Reflections in Black became the largest exhibition ever conceived to explore the breadth and history of work by black photographers.
It is unlikely that many people would be familiar with the name Jules Lion. A free man of color, Lion established the first daguerrean studio in New Orleans and, in doing so, became somewhat of a local celebrity. Alone, his accomplishments might have been of little interest. But the fact that he did this in the early spring of 1840, soon after the announcement of the daguerreotype process, is worthy of special attention. Moreover, there is evidence that Lion may have immigrated from France with knowledge of the process. For historian Deborah Willis, Lion’s achievements mark not only the beginning of photography in the U.S., but the pioneering involvement of blacks in the medium. As a result, Lion is included in the landmark exhibition,Reflections in Black: Smithsonian African American Photography.