“America, I believe we can build on the progress we’ve made and continue to fight for new jobs and new opportunity and new security for the middle class. I believe we can keep the promise of our founders, the idea that if you’re willing to work hard, it doesn’t matter who you are or where you come from or what you look like or where you love. It doesn’t matter whether you’re black or white or Hispanic or Asian or Native American or young or old or rich or poor, able, disabled, gay or straight, you can make it here in America if you’re willing to try.” — President Barack Obama
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As of 1:09am PST, President Barack Obama widens his electoral college vote margin over Mitt Romney to 303 vs. 206, and is now projected to win the popular vote with 50% versus Romney’s 48.4%. Click here to read and hear the transcript of President Obama’s speech.
President Obama speaks at his election night party Wednesday, in Chicago after defeating Republican challenger Mitt Romney. (Spencer Green/AP)
Click here for audio: Obama Victory Speech 11-7-12
Transcript of President Obama’s victory speech in Chicago on Tuesday. Source: Federal News Service via npr.org
NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future.
(Cheers, applause.)
AUDIENCE MEMBERS: (Chanting.) Four more years! Four more years! Four more years! Four more years! Four more years! Four more years! Four more years! Four more years!
PRESIDENT BARACK OBAMA: Thank you. Thank you. Thank you so much. (Sustained cheers, applause.)
Tonight, more than 200 years after a former colony won the right to determine its own destiny, the task of perfecting our union moves forward. (Cheers, applause.)
It moves forward because of you. It moves forward because you reaffirmed the spirit that has triumphed over war and depression, the spirit that has lifted this country from the depths of despair to the great heights of hope, the belief that while each of us will pursue our own individual dreams, we are an American family, and we rise or fall together as one nation and as one people. (Cheers, applause.)
Tonight, in this election, you, the American people, reminded us that while our road has been hard, while our journey has been long, we have picked ourselves up, we have fought our way back, and we know in our hearts that for the United States of America, the best is yet to come.
President Barack Obama has been re-elected to the Presidency of the United States tonight, defeating opponent Mitt Romney, 275 electoral votes to 203. The final tally on the popular vote still hasn’t been verified, but with 60% of the ballots counted, Mitt Romney leads 50% to 49% in that measure. More on this momentous victory as it comes.
Following Trayvon Martin’s death, people across the country wore hoodies to protest the 17-year-old’s death and to show support for his family. Nine months later, and in the midst of election season, a non-partisan organization has been building on that energy to bring the hoodies back – this time to the polls. Hoodie Vote‘s mission is to get one million people to wear hoodies while casting their vote in an effort to combat the stereotype that young people of color are apathetic.
Robert Griffin III has become an icon in the NFL, setting the tone for the season as the star quarterback of the Washington Redskins.
Poised on the field, charming in public, and an admirable style of leadership all mark the presence of Robert Griffin, but his impact also touches down in a special place in African American history. At the tender young age of 22, the Washington Redskins quarterback has become a locker room leader, naturally. He’s quickly becoming an icon, becoming the chosen one – for everyone, as one Washington Post writer, Dave Sheinin, puts it.
“I think he can be that guy,” Redskins veteran linebacker London Fletcher said of the superstar. “He’s what this franchise and this community have been looking for, for over 20 years — a superstar quarterback. But he’s more than that. He has the persona, the charisma, the talent. There’s another dimension he brings.
“He’s someone who can relate to anyone,” Fletcher goes on to say. “You see everyone’s falling in love with him. But for African Americans, it’s an even different connection. In a lot of cities it might not mean as much. But this is Washington, D.C. It means a lot.”
“My parents raised me to not ever look at race or color,” Griffin said recently, “so it doesn’t have a big part in my self-identity. [But] I think it has played a big part in how other people view me, just going back to when I was a kid, to even now, doing the things that I’ve been able to do. As an African American, I think other people view that in a different way than I do.”
article by Brittney M. Walker via eurweb.com
(Photo by Andrew H. Walker/Getty Images)
Copyright 2012 The Associated Press.
Meschac Gaba’s Museum of Contemporary African Art. Photograph: Nils Klinger
Since the building of the great modern art museums in New York, Paris and London, the narrative of 20th-century and contemporary art has been told, by and large, through the stories of the great European and North American cities. But the Tate has announced it is time to look further afield. “There is not a crisis in British or European art,” said the Tate director, Sir Nicholas Serota, “but we are conscious art is being made across the world and those areas outside Europe and North America cannot be regarded as the periphery.”
Tate will reflect its new international focus through a two-year programme of activities focused on Africa, beginning on 24 November. Events will include performance works in the new Tate Tanks by Nigerian artist Otobong Nkanga and Angolan Nástio Mosquito. Next year, Tate Modern will show an extensive work that it has recently acquired by the artist Meschac Gaba, from Benin. Titled Museum of Contemporary African Art 1997-2002, and in 12 sections or “rooms”, it acts as a playful, questioning museum – while highlighting that there is, in fact, no such thing as a museum of contemporary African art.
The National Civil Rights Museum in Memphis plans to open the balcony where Martin Luther King Jr. was shot to the public.
The museum was built around and includes the old Lorraine Motel, where King was checked in when he was assassinated in 1968. Visitors had been able to see the balcony where King was shot but couldn’t stand on it.
The museum’s main building will close at the end of the day Monday for renovations. Officials hope to open the balcony to the public on Nov. 19, and they’re installing a lift for disabled visitors.
A museum annex that includes the boardinghouse from which James Earl Ray shot at King also will be open during the renovation.
Read more at http://www.eurweb.com/2012/11/museum-to-open-balcony-where-mlk-was-assassinated/#xxt2qiuo4DerXQ3q.99