Byron Allen’s Entertainment Studios announced the lease of 75,000 square feet of production space in Culver City, Calif. on Thursday, which the company plans to use for its 35th and 36th television series, according to The Hollywood Reporter.
These will be the studio’s third and fourth brand new scripted sitcoms in less than two years, and once again, Allen is going forward with the half-hour syndicated shows without pilots for either, THR reported.
They will be funded by his own company, with an initial guaranteed order of 104 episodes of each, or 208 episodes in total. Allen won’t reveal numbers, but THR puts the cost of production for the shows at roughly $350,000 to $400,000 each, which by major network standards is a bargain these days. That is a minimum investment of $72.8 million for the 208 episodes.
Regarding his cost-effective productions, Allen boasts he has never canceled a show. “The way I see it we’re the Walmart of television,” says Allen. “We make it very efficiently but we don’t cut costs on writers or actors.”
Allen, a stand-up comic who has built (and still wholly owns) a company with over $100 million in annual revenues, has already found financial success with his first two scripted shows, “The First Family” and “Mr. Box Office.” They joined the corporate line-up of 30 unscripted shows that Entertainment Studios has created and sold since 1993.
Good Black News
[youtube http://www.youtube.com/watch?v=A6eY7WpOmoE&w=420&h=315]
The Soul of the South Network, targeting African-American viewers, announced Thursday it will launch in 30 markets on May 27 after closing an initial round of funding for $10 million raised from the state of Arkansas and private investors, according to The Hollywood Reporter.
The new network will be distributed initially by over-the-air stations and on digital channels on the broadcast spectrum but also plans to air on cable and expects its stations to qualify under FCC must-carry rules (which mandate nearby cable systems must carry it) because it is local and offers unique news programming.
“Our distribution footprint covers at least 70 percent of all African-American households in the south and in Chicago and Philadelphia, which we call sister regions,” says Doug McHenry, the Hollywood-based producer of films including “New Jack City” and “House Party” and TV shows including “Malcolm & Eddie,” who is the new network’s president of entertainment.
By the end of this summer, Soul of the South expects to be in 50-60 markets with a high concentration of African-Americans, reaching 30-40 million households.
At launch over Memorial Day weekend, the network will not have any original programming outside of an active news presence in its local markets. McHenry says execs are in active negotiations with three Hollywood studios about licensing appropriate programming, including past situation comedies, dramas, documentaries and movies.
Brigadier General Nadja West, deputy chief of staff, G-1/4/6 for the United States Army Medical Command, will be promoted to Major General. This promotion will make West the first African-American two-star general in the United States Army Medical Command.
West graduated from the U.S. Military Academy with a bachelor of science in engineering and attended the George Washington University School of Medicine, where she earned a Doctorate of Medicine degree. She completed an internship and a residency in family practice at the Martin Army Hospital. Dr. West did a second residency in dermatology at Fitzsimons Army Medical Center and the University of Colorado Medical Center.
Later, she was assigned chief of dermatology service at the Heidelberg Army Hospital in Germany, and served as the division surgeon of 1st Armored Division in Bad Kreuznach, Germany, deploying to Macedonia and Kosovo as the deputy task force surgeon. She graduated from the National War College, earning a master’s degree in national security strategy. She is also a fellow of the American Academy of Dermatology and the American Academy of Family Practice.
article via blackengineer.com
(Photo courtesy of Mark Seliger for TIME)
Power couple Jay-Z and Beyoncé have recently been making lots of headlines lately, and now the rapper is gracing the cover of Time. Both he and wife Beyoncé have been named by the magazine as two of the world’s most influential people.
The annual feature lists 100 of the world’s most prominent figures, in no particular order, who have made the biggest global impact over the past year. The issue, which includes Jay-Z on one of seven covers, also provides brief profiles that capture the essence of each qualifier.
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Amber Holcomb, one of the Top 5 left in the “American Idol” competition, and often called a “young Whitney Houston” by the judges, has been in the bottom two several times this season. 
But after weeks of pop-tinged performances, last night she showed off her jazz chops again (the first time was in the Las Vegas sudden death rounds where she sang “My Funny Valentine“) and did an amazing vocal on the Alan Bergman and Marilyn Bergman standard “What Are You Doing For The Rest of Your Life?” Hopefully her talent will be rewarded and she will be one of the Top 4 after tonight’s elimination episode on FOX.
article by Lori Lakin Hutcherson
As our hearts here at GBN continue to go out to all those affected by the recent Boston Marathon bombing, we find comfort and inspiration in President Barack Obama’s speech today at a church service titled “Healing Our City” at the Cathedral of the Holy Cross in Boston memorializing and honoring its victims and survivors. Here is the link to it at nytimes.com.
article by Lesa Lakin and Lori Lakin Hutcherson
The greatest hip-hop album ever was made 25 years ago this month. Its title alone speaks volumes: It Takes A Nation Of Millions To Hold Us Back. At the time, it was a metaphor for African-American people, a nod to the systemic racism plaguing America, but for others, it also represented the uphill battle Public Enemy faced.
The album was crafted at a time, 1988, when hip-hop had no boundaries and every landmark album was groundbreaking. But Public Enemy broke ground that went clear through to the other side of the world when they made It Takes A Nation Of Millions To Hold Us Back. The album is what we call a Magnum Opus (Latin for ‘great work’).
PE’s second album, It Takes A Nation boasts one of the slickest intros, but it forecasted what was to come — world domination. It Takes A Nation kicks off from a recording in London, while the Long-Island-born group toured the world on the 1987 Def Jam tour. They were informing America that they had already been approved by the world and now it was America’s turn.
Of course, hardcore hip-hop heads had already embraced their first album, Yo! Bum Rush The Show, but this was special.
Read the full article here: Public Enemy’s ‘It Takes A Nation Of Millions To Hold Us Back’ still powerful 25 years later | theGrio.
From Shadow and Act‘s Tambay A. Obenson via indiewire.com:
Web-wide reactions to this when I first wrote about this film in late 2011 was strong; lots of excited folks curious and anxious to see it, and with good reason, given the subject matter. And some of those same people (specifically those who live in New York City) will be pleased to know that it’s getting a 1-week theatrical run at the Film Society of Lincoln Center, from May 10 – 16, after a lengthy film festival circuit run.
So if you happen to be in or around NYC during those specific dates, and you’re interested in seeing the film, here’s your chance to do so (I suspect there’ll be other similar limited theatrical runs in other parts of the country; but no confirmation of that).
A quick recap:
Director Judy Chaikin’s documentary, The Girls In The Band, highlights the untold stories of women in jazz and big band instrumentalists, from the 1930s to the present day.
I’d say, for the average enthusiast, it’s likely an easier challenge to name women jazz vocalists than instrumentalists. Images like the one above probably aren’t the first to come to mind when most of us think of jazz music. And Chaikin’s doc hopes to influence that, with this poignant narrative, which includes lots of wonderful archival footage, telling the fascinating stories about the lives and careers of these trailblazing women who endured sexism, racism and diminished opportunities for decades, yet continued to persevere, inspire and elevate their talents in a field that seldom welcomed them.
The film also looks at the present-day young women who are following in the footsteps of those who paved the way for them in the male-dominated world of jazz. For more on the upcoming theatrical run, visit the Lincoln Center website HERE.
Watch the trailer below:
[youtube http://www.youtube.com/watch?v=o6XDjh8gRGg&w=560&h=315]
Black women with various hairstyles. © BasheeraDesigns – Fotolia.com
Women of color – particularly black women – are bombarded with mixed-messages about our hair. A divide between natural and relaxed coifs have recently emerged. Natural and relaxed women use different beauticians, peruse different websites, and adhere to different hair regimens. Madame You, a new social networking site for women of color to “connect with hair gurus and each other” aims to bridge the divide by providing a platform for all women to tackle hair issues and bond over hair successes.
Madame You spoke with Clutch about the inspiration for the social network and offered advice to aspiring entrepreneurs.
Q: What inspired the creation of a social networking site for black women’s hair?
A: MadameYou.com is powered by Techturized; a hair technology company that was birthed from a combination of frustrations with inadequate hair care solutions on the web. All of the co-founders have experienced issues that most women face! These issues vary from inability to find and purchase the right products for their hair type, to not knowing how to find a stylist in their area that caters to her hair type. Although some of this information is currently available on line, we wanted to have a space where women can find everything they need in one place. We are using our backgrounds in computer science and chemical engineering to revolutionize the way women interact with their hair!
Q: How did you bring the idea from concept through fruition?
A: By really understanding our consumer’s pains we were able to create a product that our consumers truly needed. We have interacted with thousands of women at hair shows and meetups across the country and the common denominator of all our interactions was wanting styles and products that worked for their unique hair properties. Now our concept has evolved into a real solution for Black women, which is MadameYou.com. Madame You is the only social network for hair and beauty that combines science and technology to provide recommendations for women to make better hair decisions.
Read the rest of this story on Clutch Magazine.
Attention tech entrepreneurs: If you’ve never heard of Kathryn Finney before, then pay attention; she is someone you should know. In fact, more importantly, if she knows you, she can be the best friend you’ve never had.
Known across the blogosphere as The Budget Fashionista, Finney is famous for teaching the fashion-conscious, but financially-challenged among us, how to look runway-ready for a fifth of the cost. The Yale epidemiology graduate started the blog in 2003, before the invention of WordPress, and after her husband, a web-developer at Victoria’s Secret, pointed out that her shopping was putting a crimp in their pocketbooks.
“When I started doing the Budget Fashionista I was newly married, living in Philadelphia. Knew no one, but my husband [who] worked a lot. I was shopping. I was bored. I was spending a lot of money,” says Finney, who previously worked as a research scientist, specializing in HIV/AIDS in women. “I’ve always been the flyest scientist. I went to India and didn’t bring any clothes in my suitcase so I could bring back fabrics.”
Budget Fashionista’s popularity grew tremendously. Finney scored a position as editor-at-large for BlogHer, was tapped as a regular fashion contributor for NBC’s Today show; became the first fashion blogger to receive a book deal from Random House, penning How To Be A Budget Fashionista: The Ultimate Guide to Looking Fabulous for Less; and even moved to Los Angeles to begin working on a television show.
Right now, you might be wondering what fashion blogging has to do with the innovation economy. Well, the television show never came to fruition. After everything had been negotiated, the title cards were complete, and only the word Action! was left, Finney’s decided not to pursue a career in entertainment. She felt a deeper calling was still ahead for her in technology.