Black Girls Code, the non-profit organization dedicated to teaching young women of color about computer science, technology and coding languages, has raised $109,357 and counting via Indiegogo.com for their 2013 10-city summer program, and hopes to raise $25,000 more by this evening, Friday, July 26, to provide this year’s Tech Divas with new equipment for their mobile apps workshop.
The summer tour kicks off August 3rd in Detroit, travels to Oakland with mobile app summer bootcamp August 5-9, then heads to Pittsburgh, Memphis, New York, Washington DC, Tallahassee, Dallas, Miami and Chicago on subsequent dates. To learn more about Black Girls Code, watch the video below, or go to Indiegogo.com. To register for the summer programs, go to blackgirlscode.com. Onward and upward!
[youtube=http://www.youtube.com/watch?v=7x_htF4DmUc&w=560&h=315]
Related Stories: BlackGirlsCode Wins $50,000 Philanthropy Award
article by Lori Lakin Hutcherson
Good Black News
The biggest fear for many people these days is whether their nest egg will last throughout their retirement. One way to avoid outliving your money is to work longer—on your own terms. While you may not be able to retire at 65 (or don’t want to), if you’re doing work that you enjoy in your own business, setting your own schedule, and fulfilling goals that you’ve set yourself—it may not even feel like work.
Many Baby Boomers and retirees plan to start a business or are already self-employed, and many of their businesses are turning a profit. Pursuing professional dreams while working for themselves has enabled many older self-employed workers to secure their financial future. A recent survey by AARP found 10 percent of workers ages 45 to 74 plan to start a business and 15 percent of workers in this age range are already self-employed. Some started a business due to a job loss, others had already retired but weren’t ready to fully stop working.
On average, self-employed workers who are in their 40s or 50s spend nearly two decades working for themselves, the study found. “What we see is that most of the individuals that start businesses later in life represent professional services,” said Jean Setzfand, vice president for financial security at AARP. “Whether it be lawyers or accountants, data processing that tends to be more of what we see in terms of older self-employed workers.”
Mary Parker, a 59-year-old entrepreneur, spent more than three decades navigating two challenging industries before taking the helm of her own firm. After being downsized from her job as at auto manufacturing plant early in her career, Parker saw a job opening for a security officer. Some people may have seen that as a step down from the managerial role she previously held. Yet, she saw the long-term potential of taking this position and started to learn the security business from the ground up.
“In terms of career opportunities, you never really think about a security guard being anything other than a guard. What I learned was the security industry is a very lucrative industry,” she said. While rising through the ranks in that field, she felt she would be best fulfilled if she was running her own firm. “Although my career in corporate America was very successful, I just believe that any time you work for other people there are so many limitations,” she said.
Like many self-employed workers, including Boomers, Parker focused on providing a service. In 2001, Parker founded ALL(n)1 Security Services, based in Atlanta, Ga., which provides security personnel and technology. As CEO, she runs a multi-million dollar enterprise with more than 200 employees. See video of her story below:
[youtube=http://www.youtube.com/watch?v=nZCGBuYDdNA&w=560&h=315]
Parker isn’t alone in her accomplishments. Most of those surveyed by the AARP said their businesses were successful. “Once you have the life experience, you probably have a shorter pathway to being successful and that is something we’re seeing,” AARP’s Setzfand said. Nearly three-quarters of older self-employed workers surveyed by AARP indicated that their business made a profit in 2011. This may explain why 9 out of 10 self-employed older workers believe it is not likely that they will have to give up working for themselves in the next year.
Parker certainly intends to keep running her business. Thanks to a diversified portfolio of retirement funds and real estate investments, she said she could retire in a few years, but she’ll probably just keep working. “When I’m ready to retire in the next 3 to 5 years, financially I don’t have to worry about what that will look like,” Parker said. “I will not have to work, although I know I will continue to work.”
report by Sharon Epperson via nbr.com
Warner Bros Turns To Franklin Leonard's "The Black List" To Find Screenwriters In Under-Served Demos
EXCLUSIVE: After using The Black List as a way to scout screenplays worth buying, Warner Bros has made the first alliance between a major studio and Franklin Leonard‘s screenplay evaluation service. The goal is to give opportunities to scribes who might not otherwise get a chance. Using the diversity guidelines from the WGA‘s Executive Summary that shows how far out of the mainstream minorities, women and some other groups are in the makeup of working screenwriters, The Black List will recommend a short list of five writers every six months who come from what the WGA identified as an under-served scribe demographic.
One of those writers will be offered by Warner Bros a two-step blind script deal worth around $93,000. The initial plan is for this program to run for two years, which will mean deals for four writers will get a foot in the door. The first short list of writers will be turned over to Warner Bros around Thanksgiving.
“For a black kid from Georgia, I’m acutely aware of the access issues the industry struggles with, and I’m excited to be part of a first step toward addressing this,” Leonard told me. “I’m optimstic that other organizations in the industry will access this also, both for the purposes of diversity, but also for the benefit of their bottom lines.” Leonard said the program will target “primarily writers of color and women, but also older writers as well, with pre and early baby boomers falling into that category.”
The aspirants can’t have made more than $25,000 from screenwriting fees over their careers, which eliminates scribes who haven’t sold a script in a good long time. “The intent here is to find new voices, and that ceiling is similar to the one used by the Nicholl Fellowship,” said Leonard, who added the relationship with Warner Bros is non-exclusive and came out of an overture from worldwide feature film production head Greg Silverman. The studio has had luck discovering talent through The Black List; most recently it gave a blind script deal to San Francisco ad exec Richard Cordiner after reading his script about the making of the film Jaws.
Leonard is a former exec at Universal, Mirage and most recently Overbrook before he left last fall to focus full time on The Black List with partner Dino Sijamic. The service serves two roles: annually, it canvases 500 development execs to cull a Black List of the best unmade screenplays. It makes money through its team of 40 readers who evaluated about 5500 scripts in the last nine months, and features the best of those submissions in a weekly report that is circulated to 2000 industry professionals who subscribe. WGA members can list information about their scripts free of charge, and outsiders pay $25 to have their scripts uploaded. A critical evaluation of the script costs $50. Those participating in that process can opt in to the Warner Bros. program, with the information accessible through Blcklst.com.
article by Mike Fleming Jr. via Deadline.com
“For a black kid from Georgia, I’m acutely aware of the access issues the industry struggles with, and I’m excited to be part of a first step toward addressing this,” Leonard told me. “I’m optimstic that other organizations in the industry will access this also, both for the purposes of diversity, but also for the benefit of their bottom lines.” Leonard said the program will target “primarily writers of color and women, but also older writers as well, with pre and early baby boomers falling into that category.”The aspirants can’t have made more than $25,000 from screenwriting fees over their careers, which eliminates scribes who haven’t sold a script in a good long time. “The intent here is to find new voices, and that ceiling is similar to the one used by the Nicholl Fellowship,” said Leonard, who added the relationship with Warner Bros is non-exclusive and came out of an overture from worldwide feature film production head Greg Silverman. The studio has had luck discovering talent through The Black List; most recently it gave a blind script deal to San Francisco ad exec Richard Cordiner after reading his script about the making of the film Jaws.
Leonard is a former exec at Universal, Mirage and most recently Overbrook before he left last fall to focus full time on The Black List with partner Dino Sijamic. The service serves two roles: annually, it canvases 500 development execs to cull a Black List of the best unmade screenplays. It makes money through its team of 40 readers who evaluated about 5500 scripts in the last nine months, and features the best of those submissions in a weekly report that is circulated to 2000 industry professionals who subscribe. WGA members can list information about their scripts free of charge, and outsiders pay $25 to have their scripts uploaded. A critical evaluation of the script costs $50. Those participating in that process can opt in to the Warner Bros. program, with the information accessible through Blcklst.com.
article by Mike Fleming Jr. via Deadline.com
Marketplace.org recently posted a podcast about African-American hair salons and the entrepreneurial environment that exists within and around them. Check it out below:
[soundcloud url=”http://api.soundcloud.com/tracks/102465676″ params=”” width=” 100%” height=”166″ iframe=”true” /]
article by Lori Lakin Hutcherson
He and his family (grandmother, mom and aunts) started giving cooked meals to homeless people every Saturday. His grandmother cooked and he, his mom and aunts helped package the food in containers to take to downtown Miami to feed the homeless. Soon, there was a line of 150 people waiting for them weekly. But a city ordinance stopped them from continuing their distribution there. Joshua was not about to give up though. They moved their operation to his grandmother’s church.
“We would help families at the church or in the North Miami community at first,” said Claudia McLean, Joshua’s mother. “He said, ‘We can’t just give them a bag of rice and vegetables. Each time, he demanded more.” Joshua explains. “We started small. It is easier now because we have volunteers. There’s a bigger demand, more people need help. We try to keep up. I do my best.”
Joshua’s Heart Foundation has been distributing meals for almost eight years, since 2005. The organization became a nonprofit in 2007—and yes, his aunts now volunteer and help distribute food with him. The foundation has distributed over 500,000 pounds of food as part of its mission to stomp out world hunger and break the cycle of poverty.
“We would help families at the church or in the North Miami community at first,” said Claudia McLean, Joshua’s mother. “He said, ‘We can’t just give them a bag of rice and vegetables. Each time, he demanded more.” Joshua explains. “We started small. It is easier now because we have volunteers. There’s a bigger demand, more people need help. We try to keep up. I do my best.”
Joshua’s Heart Foundation has been distributing meals for almost eight years, since 2005. The organization became a nonprofit in 2007—and yes, his aunts now volunteer and help distribute food with him. The foundation has distributed over 500,000 pounds of food as part of its mission to stomp out world hunger and break the cycle of poverty.
WASHINGTON — Attorney General Eric H. Holder Jr. announced on Thursday that the Justice Department would ask a court to require Texas to get permission from the federal government before making voting changes in that state. The move opens a new chapter in the political struggle over election rules after the Supreme Court struck down a portion of the Voting Rights Act last month. His statements come as states across the South, from Texas to North Carolina, have been rushing to enforce or enact new restrictions on voting eligibility after the Supreme Court’s ruling in Shelby County v. Holder.
“This is the department’s first action to protect voting rights following the Shelby County decision, but it will not be our last,” Mr. Holder said. “Even as Congress considers updates to the Voting Rights Act in light of the court’s ruling, we plan, in the meantime, to fully utilize the law’s remaining sections to subject states to preclearance as necessary. My colleagues and I are determined to use every tool at our disposal to stand against such discrimination wherever it is found.”
The move relies on a part of the Voting Rights Act that the Supreme Court left untouched in the Shelby County case. The court struck down the coverage formula in Section 4 of the law, which had subjected Texas and eight other mostly Southern states to federal oversight based on 40-year-old data. The court suggested that Congress remained free to enact a new coverage formula based on contemporary data, but most analysts say that is unlikely.
Striking down the law’s coverage formula effectively guts Section 5 of the law, which requires permission from federal authorities before covered jurisdictions may change voting procedures. The move by the Justice Department on Thursday relies on a different part of the law, Section 3, which allows the federal government to get to largely the same place by a different route, called “bail-in.” If the department can show that given jurisdictions have committed constitutional violations, federal courts may impose federal oversight on those places in piecemeal fashion.
State officials have celebrated the Shelby County ruling as lifting an obsolete relic of the civil rights era that unfairly treated their states differently from other parts of the country, while civil rights advocates have lamented it as removing a safeguard that is still necessary. Lawyers for minority groups have already asked a court in Texas to return the state to federal oversight. The Justice Department’s action — filing a “statement of interest” in that case — will bring the weight of the federal government behind those efforts.
Juror B29 told Robin Roberts in an interview made public Thursday that she favored convicting Zimmerman of second-degree murder when deliberations began. But by the second day of deliberating, she realized there wasn’t enough proof to convict Zimmerman of a crime. Juror B29 is the second juror to go public with what went on during deliberations earlier this month. She allowed her face to be seen and used her first name, Maddy, unlike JurorB37 who was interviewed on CNN last week with her face obscured.
article by via blackamericaweb.com
It seems like it’s been a long time coming, but we finally have the first official look at André Benjamin (aka André 3000 from Outkast) as Jimi Hendrix in All is By My Side. Benjamin won’t be kissing the sky in this biopic. Instead, he’ll be covering songs by other artists like Muddy Waters and the Beatles. Experience Hendrix LLC announced that the estate wouldn’t license the rock star’s music “without its full participation.”
However, producer Sean McKittrick told Rolling Stone that the movie traces Hendrix’s life before the 1967 release of the late rock star’s debut album, “Are You Experienced.” “This is the story of Jimi being discovered as a backup musician and how he went to London and became Jimi Hendrix,” McKittrick explained. In any case, we’ll have to wait a few more months to see or hear how Benjamin’s performance goes over. The film will have its world premiere at the Toronto International Film Festival in September, where writer/director John Ridley, who also penned the adapted screenplay for Steve McQueen’s historical drama 12 Years a Slave, will be flying high.
article via news.moviefone.com
The rapper’s Roc Nation collection shifted 129,000 units, according to Nielsen SoundScan figures for the week ending July 21. Numbers reflected a 76% drop-off from the set’s debut-week sales of 528,000, which was the year’s second-biggest opening to date.
Singer-songwriter Sara Bareilles’ “The Blessed Unrest” (Epic) had to settle for No. 2, arriving with first-week sales of 68,000. Her last album, “Kaleidoscope Heart,” reached No. 1 with a 90,000-unit tally in 2010.
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Singer-songwriter Sara Bareilles’ “The Blessed Unrest” (Epic) had to settle for No. 2, arriving with first-week sales of 68,000. Her last album, “Kaleidoscope Heart,” reached No. 1 with a 90,000-unit tally in 2010.
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In at No. 3 was the 24th installment of Razor & Tie’s long-running “Kidz Bop” series, which turned 62,000 copies. The current package contains moppet-friendly versions of hits by the Lumineers, Macklemore & Ryan Lewis, Justin Timberlake and others.
Florida rapper Ace Hood attained his best chart position to date with “Trials & Tribulations” (Cash Money), which ascended to No. 4 with 34,000 shifted. His previous personal best came in 2011 with “Blood, Sweat & Tears,” which peaked at No. 8 behind a 26,000-unit frame.
Holdovers for the week included Florida Georgia Line’s “Here’s to the Good Times” (No. 5, 31,000 sold, off 5%), Imagine Dragons’ “Night Visions” (No. 6, 28,000, down 15%), J. Cole’s “Born Sinner” (No. 7, 27,000, off 32%) and Justin Timberlake’s “The 20/20 Experience” (No. 9, 24,000, up 33%). Timberlake’s album sold just 24 units more than Simpson’s debuting collection, according to SoundScan.
article by Christopher Morris via Variety.com
After over-performing at the box office in the past two weekends and receiving stellar reviews since its premiere at Sundance, Fruitvale Station director Ryan Coogler and actor Michael B. Jordan may now be looking to move into the boxing ring for their next project. MGM has set Coogler to direct, and is in early talks with Jordan to star in, Creed, the latest installment in the Rocky franchise that would focus on Apollo Creed’s grandson.
Sylvester Stallone is on board to reprise his role as Rocky Balboa, with Coogler penning the script along with Aaron Covington. Deadline Hollywood broke the news.
The story would follow Creed’s grandson, who has grown up reaping the spoils of all his grandfather’s winnings and is forbidden by his family to enter the world of boxing. Against his family’s wishes, he is drawn to boxing and seeks out Balboa to teach him how to fight and follow in his grandfather’s footsteps. Irwin Winkler and Robert Chartoff, who produced the original film, will produce with Stallone and Kevin King.
article by Justin Kroll via Variety.com
Sylvester Stallone is on board to reprise his role as Rocky Balboa, with Coogler penning the script along with Aaron Covington. Deadline Hollywood broke the news.
The story would follow Creed’s grandson, who has grown up reaping the spoils of all his grandfather’s winnings and is forbidden by his family to enter the world of boxing. Against his family’s wishes, he is drawn to boxing and seeks out Balboa to teach him how to fight and follow in his grandfather’s footsteps. Irwin Winkler and Robert Chartoff, who produced the original film, will produce with Stallone and Kevin King.
article by Justin Kroll via Variety.com