
Entrepreneurial tech hubs are emerging across the country. The opportunities once reserved for entrepreneurs in Silicon Valley and Silicon Alley have now expanded beyond those borders, reaching Midwestern hotbeds like Detroit and Chicago, and even northeastern locales such as Newark and Washington, D.C. But the commercial capital of the southeastern U.S., Atlanta, has all the makings of a robust tech ecosystem.
With the nation’s busiest airport, a high concentration of colleges and universities, and Fortune 500 companies like Coca-Cola, Home Depot and UPS headquartered in Atlanta, among other things, the city’s emerging tech scene is slowly inching up on the highly-coveted “top” lists.
After visiting Atlanta during Digital Undivided’s START weekend earlier this year and exploring the scene, self-described mobile evangelist Sian Morson decided she wanted in. “I had some friends here who were telling me what was going on in the scene and so I made a couple of visits,” says Morson, who, at the time, also began floating her co-working space idea around. Before she knew it, the Oakland resident packed up her belongings and moved to Atlanta, opening Kollective South in the Castleberry Hill area in October. Located near Atlanta’s Central Business District, KSouth is the newest co-working community in town and already generating quite a buzz within the local tech community. “I just wanted to give back in my own way and so KSouth is my way to do that,” says Morson.
BlackEnterprise.com caught up with the Kollective Mobile founder to discuss the inspiration behind Kollective South, bringing tech innovation to urban areas and what’s next for the mobile maven.
Good Black News

The National Campaign to Prevent Teen and Unplanned Pregnancy reports that between 1990 and 2009, pregnancy rates have fallen by 51 percent for Black teens in the U.S.
“The decline has been fueled by three factors: more teens are waiting to have sex; they also report fewer sexual partners and better use of contraception,” said Sarah Brown, CEO of The National Campaign to Prevent Teen and Unplanned Pregnancy.
Since its peak in 1990, teen pregnancy has declined 52 percent among 15-17 year-olds and by 36 percent for 18-19 year-olds among all races. Most adults are not aware of the progress in this area.
“In short, the credit for this remarkable national success story goes to teens themselves,” said Brown. “Unfortunately, precious few adults are aware of the good news. In fact nearly half of Americans incorrectly believe the teen pregnancy rate in the U.S has increased over the past two decades.”
The National Campaign to Prevent Teen Pregnancy is a private, non-profit organization. For more information on the report or the NCHS please visit www.TheNationalCampaign.org.
article by Dominique Hobdy via essence.com

Nelson Mandela, who led the emancipation of South Africa from white minority rule and served as his country’s first black president, becoming an international emblem of dignity and forbearance, died Thursday night. He was 95.
“Our nation has lost its greatest son,” said Jacob Zuma, the South African president, about Nelson Mandela. Zuma announced Mr. Mandela’s death. Mr. Mandela had long said he wanted a quiet exit, but the time he spent in a Pretoria hospital this summer was a clamor of quarreling family, hungry news media, spotlight-seeking politicians and a national outpouring of affection and loss. The vigil eclipsed a visit by President Obama, who paid homage to Mr. Mandela but decided not to intrude on the privacy of a dying man he considered his hero.
Mr. Mandela ultimately died at home at 8:50 p.m. local time, and he will be buried according to his wishes in the village of Qunu, where he grew up. The exhumed remains of three of his children were reinterred there in early July under a court order, resolving a family squabble that had played out in the news media.
Mr. Mandela’s quest for freedom took him from the court of tribal royalty to the liberation underground to a prison rock quarry to the presidential suite of Africa’s richest country. And then, when his first term of office was up, unlike so many of the successful revolutionaries he regarded as kindred spirits, he declined a second term and cheerfully handed over power to an elected successor, the country still gnawed by crime, poverty, corruption and disease but a democracy, respected in the world and remarkably at peace.
The question most often asked about Mr. Mandela was how, after whites had systematically humiliated his people, tortured and murdered many of his friends, and cast him into prison for 27 years, he could be so evidently free of spite.
The government he formed when he finally won the chance was an improbable fusion of races and beliefs, including many of his former oppressors. When he became president, he invited one of his white wardens to the inauguration. Mr. Mandela overcame a personal mistrust bordering on loathing to share both power and a Nobel Peace Prize with the white president who preceded him, F. W. de Klerk.
And as president, from 1994 to 1999, he devoted much energy to moderating the bitterness of his black electorate and to reassuring whites with fears of vengeance. The explanation for his absence of rancor, at least in part, is that Mr. Mandela was that rarity among revolutionaries and moral dissidents: a capable statesman, comfortable with compromise and impatient with the doctrinaire.
When the question was put to Mr. Mandela in an interview for this obituary in 2007 — after such barbarous torment, how do you keep hatred in check? — his answer was almost dismissive: Hating clouds the mind. It gets in the way of strategy. Leaders cannot afford to hate.
Next year’s Essence Festival is getting a dose of music royalty from Prince. The “Purple Rain” singer-songwriter is headlining the 20th annual Essence, a celebration of music and culture being held July 3-6 in New Orleans. Prince, who performed at Essence in 2004, also headlined this year’s South By Southwest Music Festival in Austin, Texas. His newest single, “Screwdriver,” debuted earlier this year. Still, Prince is best known for chart-topping hits like “1999,” “Kiss” and “Purple Rain.”
article by Associated Press via Variety.com

AOP (American Opera Projects), and the Schomburg Center for Research in Black Culture will co-present an evening of scenes from Nkeiru Okoye‘s folk opera Harriet Tubman: When I Crossed That Line to Freedom that tells of how a young girl born in slavery, becomes Harriet Tubman, the legendary Underground Railroad conductor. The musical excerpts will be followed by an artist Q&A moderated by WQXR’s Terrance McKnight. The concert will be presented on Monday, December 9, 2013 at 6:30 PM at the Langston Hughes Auditorium: 515 Malcolm X Boulevard, New York, NY 10037-1801. General admission will be $10 ($8 for Schomburg Society Members) and available by calling (212) 491-2206 or visiting www.showclix.com/event/HarrietTubman.
Harriet Tubman will include performances by soprano Sumayya Ali (Lincoln Center, Berkshire Opera, Sarasota Opera), soprano Sequina DuBose (Lyric Opera of Chicago, Opera Memphis, PAB Theater), contralto Nicole Mitchell (Lincoln Center Festival, Sarasota Opera), tenor Clinton Ingram (Metropolitan Opera, New York City Opera, Teatro Real), and baritone Damian Norfleet (Perseverance Theater, AMAS Musical Theater, Prospect Theater Company). The evening will feature a string ensemble with music direction by Mila Henry, stage direction by Beth Greenberg (New York City Opera) and WQXR’s Terrance McKnight moderating a Q&A with the artists.
Using a mixture of opera and vernacular folk music, featuring gospel spirituals, ragtime, early blues, minstrel songs, work songs, call and responses, and field hollers, Harriet Tubman: When I Crossed That Line to Freedom tells this important chapter of American history in the context of Tubman’s tight-knit family of lively characters and two sisters vowing that nothing but death will separate them, despite the slavery threatening to tear them apart. The work is in development at Brooklyn-based AOP who has featured music from Tubman at venues such as Galapagos Art Space, SUNY Albany, and the Brooklyn Public Library Main Branch.
A semi-staged performance of the entire Harriet Tubman opera will be presented by AOP in February 2014 at Brooklyn’s Irondale Center as part of Lines of Freedom, a theatrical celebration of African-American history. Presentations of Harriet Tubman: When I Crossed That Line to Freedom are supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and a generous grant from the National Endowment for the Arts (NEA) Art Works.
To learn more about the show, go to: broadwayworld.com
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Darnell Barton, a bus driver in Buffalo, New York, was driving across a Buffalo highway express with 20 high school students in his bus when he spotted a woman who had crossed the guard rail and was leaning over the passing traffic below. Against his training as a bus driver, Barton stopped the bus and quickly phoned dispatch to send someone to help, then got out of the bus and approached the woman. The woman turned her head, then looked back down at the traffic below the bridge. Barton then quickly put her in a bear hug and asked her if she would like to come over the guard rail. The woman, who had up until this point been silent, said yes.