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Patti LaBelle joins Angela Bassett and Gabourey Sidibe for "American Horror Story"

Patti LaBelle, Angela Bassett, Gabourey Sidibe
Music legend Patti LaBelle is joining the cast of FX’s critically acclaimed series, American Horror Story. LaBelle joins existing cast members Angela Bassett, Gabourey Sidibe, Jessica Lange and Kathy Bates for American Horror Story Season 4, which will focus on the last American freak show and will be set in Jupiter, Florida, in the 1950’s.
LaBelle will play Sidibe’s mother, a local townie, who begins to unravel the deadly secrets of Twisty the clown killer.
LaBelle is the second music icon to appear on the series. Stevie Nicks guest starred as herself and appeared on two episodes on Coven, the third installment of American Horror Story.
American Horror Story: Freak Show debuts in October on FX.
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article by Chris Witherspoon via thegrio.com

Dr. Sheena C. Howard Wins 2014 Comic Con Eisner Award for Book "Black Comics: Politics of Race and Representation"

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Dr. Sheena C. Howard

UnknownAdmittedly, I had not been an avid comic book or graphic novel reader as a child, but even so, as a critical media scholar I knew I needed to do whatever I could to fill this void within academic literature.When I first heard about the Eisner nomination for Best Academic/ Scholarly Work during the winter of 2014, I was amazed. Rarely, does an academic have the opportunity to cross over to the popular culture realm for an academic book. Since this was my first book, I was just happy to be nominated but did not expect to win.
On Friday July 25th, the Eisner award ceremony was held at the San Diego Hilton Bayfront hotel, with doors opening at 7:00 p.m. The ceremony consisted of fans seated in the back and Eisner nominees seated closest to the stage. Upon entering I immediately noticed the attendance of Jack Mendelsohn (writer for “Ninja Turtles”), Reginald Hudlin (Producer of “Django Unchained”) and Orlando Jones (actor).

Barneys Agrees to Pay $525,000 to Settle Racial Profiling Allegations after Civil Rights Review

NYC PAPERS OUT. Social media use restricted to low res file max 184 x 128 pixels and 72 dpi
(Photo Credit: CHRISTIE M FARRIELLA/FOR NEW YORK DAILY NEWS)

Barneys New York has agreed to pay $525,000 to settle allegations that the upscale retailer deliberately targeted minorities entering its Madison Ave. flagship store.
State Attorney General Eric Schneiderman’s investigators heard from customers and former employees that a pattern of racial profiling began last year when the high-end store tried to crack down on a dramatic spike in shoplifting and credit card fraud.
Complainants told Schneiderman’s civil rights division that the store’s security team — known as the “loss prevention unit” — made a habit of keeping watch over black and Hispanic shoppers in disproportionate numbers.
“This agreement will correct a number of wrongs,” said Schneiderman, “both by fixing past policies and by monitoring the actions of Barneys and its employees to make sure that past mistakes are not repeated.”


Trayon Christian, 19, says he was accused of fraud after buying a $349 Ferragano belt at Barneys in April 2013.
Trayon Christian, 19, says he was accused of fraud after buying a $349 Ferragano belt at Barneys in April 2013. (Aaron Showalter/New York Daily News)

Kayla Phillips, 21, was accused  of credit card fraud after buying a $2,500 Celine bag February 2013.
Kayla Phillips, 21, was accused  of credit card fraud after buying a $2,500 Celine bag February 2013.

In a 27-page settlement document signed by both parties Friday, Schneiderman released a series of findings from a nine-month review based on interviews with nearly a dozen complainants in the so-called shop-and-frisk case, including shoppers and former employees.
They alleged that black and Hispanic customers were unfairly targeted when they entered the pricey store at 660 Madison Ave.
The store’s own data showed that from October 2012 through October 2013, black and Hispanic shoppers were detained “at rates far greater than their percentage of the store’s customer base.”
The review began this past October in response to a series of Daily News articles exposing numerous complaints about racial profiling at Barneys and Macy’s.
Schneiderman’s review of Macy’s continues, but Barneys executives last week agreed to the settlement.
As part of the deal, Barneys agreed to pay the $525,000 in fines and legal expenses, to hire an “anti-profiling consultant” for two years, to update its detention policy and to improve training of security and sales personnel.
article by Greg A. Smith via nydailynews.com

Diploma of First African-American Harvard Graduate Richard T. Greener up for Auction this Week

Image courtesy of Leslie Hindman Auctioneers
This week, a Bachelor of Arts diploma that belonged to Richard T. Greener, the first African-American to graduate from Harvard, will hit the auction block in Chicago, when it’s sold by Leslie Hindman Auctioneers to the tune of $15,000.

Richard T. Greener
First African-American Harvard Graduate Richard T. Greener

“Greener was a pioneer of social and racial equality in the racially divided South. His Harvard diploma, a document of incalculable historical significance, has never before been offered at public auction,” according to representatives from Leslie Hindman Auctioneers, who will put the diploma out to bid on Wednesday.
The document, dated July 1870, along with piles of other personal papers and artwork that belonged to Greener, were previously thought to have been lost during a San Francisco earthquake in 1906. In 2009, however, Rufus McDonald, a 52-year-old contractor, stumbled upon a treasure trove of Greener’s belongings while cleaning out an old house in Chicago’s Englewood neighborhood.
After he found what Harvard University officials have called priceless artifacts, McDonald started selling his discovery to those who he thought could benefit from having them as part of their own collections.
McDonald sold some of the documents for around $52,000 to the University of South Carolina, where Greener taught. “It was like the Holy Grail. It’s such an important symbol of that time period,” Elizabeth West, university archivist at USC, told Boston last year.
When he approached Harvard with a collection that included the diploma, McDonald said he was offered a lowball amount based on appraisals he had done, and instead threatened to torch the document if the school didn’t meet his demands.
“I’ll roast and burn them,” he said in October of last year, when trying to negotiate with the Cambridge university. “It might sound crazy, but people who know me know I’d really do it—I’m sick and tired of Harvard’s BS.”
While the actual amount that Harvard offered McDonald was never revealed, Henry Gates, Jr., who leads Harvard’s W.E.B. DuBois Institute for African-American Research, told Boston that he wanted the documents to end up back at the school.
“I very much hope that Harvard acquires these documents at a fairly appraised value. Mr. McDonald’s discovery was extraordinary,” he said at the time McDonald threatened to burn them.
The price tag set on the diploma alone—valued between $10,000 and $15,000— is lower than McDonald’s original demands from the school for a pile of items owned by Greener. In October of 2013, McDonald was calling on the school to fork over around $65,000 for the Harvard degree and several other documents, after he had them appraised.
Because it’s being sold through an auction house, McDonald doesn’t stand to pocket the full amount of the sale, either. According to a spokesperson from Leslie Hindman Auctioneers, the company will take a cut of the profit once the sale is complete. “If it sells, [Mr. McDonald] gets a portion of that sale. If it doesn’t sell, he can take the document back with him,” the spokesperson said over the phone on Tuesday.
article by Steve Annear via bostonmagazine.com

Angela Bassett Wows in Violet Grey Magazine's Lingerie Photo Shoot

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Academy-Award nominated actress Angela Bassett is bringing sexy back, and at the age of 55 it looks better than ever!
In her new feature photo shoot for the beauty and fashion magazine Violet Grey, Angela goes bold in sexy black lingerie and talks about what it takes to be a woman of strength.  But being the star she is, she opens up about her most vulnerable times and how she see herself when she looks in the mirror.
Check out some of the highlights and more pics below:
On what she sees when she looks in the mirror:
A passionate woman who knows what she loves and has been blessed to be able to do it…and continue to do it!
Angela Bassett2
On when she’s most vulnerable:
When I’m told I can’t do something. When I’m told I’m not good enough, that I can’t have something, can’t go somewhere, especially because of the color of my skin.
On being a strong woman and if she always comes out on top:
Not with everything, but that’s when you stick out your chest and you gather your strength. I was raised by my mother, and she taught me how! You can’t be in this industry if you’re afraid of a little rejection.
Her advice for aspiring actors:
It’s the same with everything: You have to study your craft. Actresses make it look easy because that’s the way it should look—effortless. When a great actor does their job they’re leaving a piece of their soul in the room. It takes a little out of you, but that’s okay. Life will take a little out of you, love will take a little out of you. We’re talking about demonstrating the best and worst of the human experience.
On the best date to have to an event:
A friend or a sister. I mean, the husband is always great, but there is something about a girlfriend…
angela bassett (violet grey)
Angela Bassett3
Check out the entire interview at Violet Grey

 article via eurthisnthat.com

University President Raymond Burse Takes Pay Cut to Help Minimum Wage Employees

Dr. Raymond Burse
(Image: KYSU.edu)

Raymond Burse is the epitome of a boss who has his employees best interest at heart.
As the interim president at Kentucky State University, Burse has agreed to give up more than $90,000 of his salary to help increase the pay of minimum wage workers at the university.
“My whole thing is I don’t need to work,” Burse tells Lexington Herald-Leader. “This is not a hobby, but in terms of the people who do the hard work and heavy lifting, they are at the lower pay scale.”
Burse’s annual salary had been set at $349,869, but after inquiring about the number of employees who earn below minimum wage salaries and discussing it with the KSU Board of Regents, he decided to decrease his pay to help increase the pay of other university workers. Burse’s new annual salary is now set at $259,745.
“This is not a publicity stunt,” he tells the newspaper. “You don’t give up $90,000 for publicity. I did this for the people. This is something I’ve been thinking about from the very beginning.”
Burse served as KSU’s president from 1982 to 1989, and later became an executive at General Electric Co. for 17 years. He replaces Mary Evans Sias, who served as university president for 10 years.
Burse is expected to hold the position for only 12 months until a replacement is found, but the rise in pay for employees is expected to remain in place even after his departure.
article by Courtney Connley via blackenterprise.com

20 Year-Old YouTube Sensation Marques Brownlee Known as "Best Technology Reviewer On The Planet"

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YouTube Tech Reviewer Marques Brownlee (YouTube / MKBHD)

Marques Brownlee is just 20 years old, but there’s arguably no one better on the internet when it comes to explaining new technologies to the average consumer. Even former Google VP Vic Gundotra called him “the best technology reviewer on the planet right now.”

YouTubers have taken notice of the young man: Brownlee’s YouTube channel “MKBHD” has more than 1.5 million subscribers and nearly 130 million total views on his 640-plus videos.

Still, he’s no overnight success: Brownlee has been working tirelessly for more than five years, honing his craft by constantly producing and self-critiquing his videos to make the next ones easier to both make and watch.

But despite all of the work involved, “MKBHD” is, was, and will always be a solo effort.

“When I first started making the videos, I didn’t tell anyone about it,” he said in an interview with Business Insider. “Not [my family], not anyone. But after a while it was something that was pretty obvious, since I was making a whole bunch of videos … I just didn’t necessarily feel like telling people about what I was researching.”

Brownlee, a senior at Stevens Institute of Technology in Hoboken, New Jersey, said he always had a love for technology. His dad works in technology — information systems and programming, specifically — but Brownlee’s interests were more centered on consumer electronics, starting with computers and some of the old camcorders his parents had around. He said his first computer was a Dell desktop with a “big old 15-inch CRT monitor.”

“It was kind of a background hobby; I didn’t have a reason to tell anyone when I first started making the videos,” he said.

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From one of Brownlee’s first YouTube videos. (YouTube / MKBHD)

When he entered high school, Brownlee said, he wanted to buy a laptop for school, so he researched various computers and watched tutorials on “how to do cool tricks and customizations.” And simply by watching others’ tutorials, Brownlee felt encouraged to make some tutorials of his own with some simple screencasting software.

Still, it would take a while to build an audience.

“It was super slow. The first few videos, there were no comments and no views,” he told BI. “But eventually, once someone would comment on the video, they asked about other things I could share.”

Brownlee started to gain a small following by answering users’ questions with his own handmade videos. By the time he reached his 100th video, he had only 78 subscribers. But Brownlee’s operation was not what it is today, and still very much a work in progress.

“Back then, it was all one take,” he said. “So when I’d make a video, I’d open the software, press record, talk two or three minutes to explain whatever I needed to explain, and I’d just stop and upload it to YouTube. That was it.

“I could make multiple videos in a day, but now, the videos are much more elaborate.”

Brownlee currently produces several different types of videos. He’s got his reviews, explainers, and impressions, but he’ll also throw in some special features and “advanced projects.” But with every video, a great deal of research is involved before Brownlee ever starts filming.

Sisters with Strings: Jasmin “Char” Charles and Margaux Whitney are Brooklyn-based Classical Duo Chargaux

Chargaux

If the first thing that comes to mind when you hear the words “classical music” is stuffy older folks politely clapping for elevator music, you may want to reconsider. Chargaux, a Brooklyn-based duo that play the violin and viola, are using classical string arrangements in bold, soulful ways, and incorporating stunning visuals to help you see their sounds. (Think neon-colored box braids moving furiously over a classical orchestration of a Beyoncé cover.) Chargaux produces sounds that would have kept you focused in your high school music class.

Jasmin “Char” Charles and Margaux Whitney met on a street in Boston and immediately connected over their love for music. Both classically trained, it wasn’t long before the two started jamming in New York City train stations, drawing diverse crowds of strap-hangers from across the world–and it took off from there. The beautiful chords at the end of Kendrick Lamar’s “B*tch, Don’t Kill My Vibe” is also Chargaux’s work. This year, they performed at Opening Ceremony’s fashion show and their latest EP, Broke and Baroque was released this month. EBONY chatted with the duo on their creative process, what it’s like to be Black classical musicians in the industry and why there is really no one quite like them.
EBONY:  What kind of stories do your music and visual art pieces tell? What kind of people do they speak to or do you hope they reach?
MARGAUX:  I love my generation despite our flaws, so I want our music to reach them. The Internet has made us a little impatient. Everyone wants what they want right away and likes what they like. Our art is a way of changing that, of giving people something they didn’t know they wanted, a new experience. On the other hand, I’d be lying if I said that I didn’t want to reach, well, basically everyone. If somebody’s grandma is jammin’ to my song, I’d be ecstatic. As girls from Detroit and Atlanta braving New York and experiencing some of the best and challenging moments in our lives thus far, I think the music tells a beautiful story. We want you to have fun and enjoy what you hear but also feel the passion and drive behind it.

Cheryl Boone Isaacs Re-Elected Academy of Motion Pictures Arts & Sciences President

Cheryl Boone Isaacs Academy of motion
Cheryl Boone, Re-Elected President of the Academy of Motion Picture Arts and Sciences (MICHAEL LEWIS)

According to Variety.com, on Tuesday the Academy of Motion Picture Arts & Sciences re-elected Cheryl Boone Isaacs as its President.  This upcoming year will mark her second term.  (Officers, including the president, are elected for one-year stints, with a maximum of four consecutive terms in any one office.)
Since her first election on July 30, 2013, Boone Isaacs has generally gotten favorable reaction for keeping the Academy on track during major changes and for working to expand its effectiveness.
While maintaining ongoing goals, including education, preservation and sci-tech advancement — as well as all things related to the all-important yearly Oscars broadcast — the Academy is moving ahead on several fronts. These include recent moves to open its museum (slated for 2017), and digital innovations such as the video series “Academy Originals,” consisting of documentary-style examinations of creativity and film history.

"Belle" Director Amma Asante on How the Indie Drama Turned Her Into a Hollywood Player

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Amma Asante on set of “Belle” (Photo Courtesy Fox Searchlight)

If you asked most people in Hollywood who Amma Asante was just a few months ago, you’d probably get a blank stare. Now, after the release of her critically acclaimed film “Belle,” the British writer-director is a certified Hollywood player.
Asante’s life and career took a dramatic turn in May, when “Belle” hit theaters in North America. TheWrap spoke with her this past weekend in Boston at the National Association of Black Journalists (NABJ) Convention, where Asante introduced clips of the film during a presentation by Fox Home Entertainment.
“You make a movie essentially in a bubble, I think, especially when it’s your second movie,” Asante said. “So, I was certainly making this movie in a bubble, and wondering whether my concept of the world, and my concept of the world back then as well, would connect to an audience today.”
It seems Asante had no reason to worry. “Belle” received an impressive 83 percent positive rating on review aggregation site Rotten Tomatoes and the independent film earned a respectable $10 million at the box office via Fox Searchlight.
RELATED: “Belle” Does Well in Limited Release; Expands to 10 More Cities Next Weekend
The movie is based on the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw) – the illegitimate, mixed-race daughter of Royal Navy Captain, Sir John Lindsay (Matthew Goode). Lindsay leaves Belle to be raised by her aristocratic great uncle, Lord Mansfield, in 18th century England. Mansfield (Tom Wilkinson) and his wife (Emily Watson) are already taking care of another niece, and the two girls become inseparable. But while Belle’s lineage allows her certain privileges, her skin color prevents her from having the traditional noble social status.
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Amma Asante speaks at NABJ in Boston, Friday, Aug. 1, 2014 (Credit: Brett E. Chambers)

“Initially this project had started off with my producer and the writer who’s credited on the film, with HBO in America. Then HBO dropped the project,” Asante said. After the script passed through several different hands, Asante decided to give it a more personal touch.
“What I did was, I put my experiences into Dido’s life. That was the easiest way of connecting the historical facts and to try and make it personal … There are many lines in it that are quotes from my father and quotes from my sister,” Asante said, referring to the fact that she grew up in England, but felt like an outsider because she is black and of Ghanaian descent.
“We lived in an area where we were one of only two black families on the street,” Asante explained as she opened up about her personal experiences with racism. “We went through that period of having feces through the letterbox (mailbox) … and graffiti on our walls.”