Seahawks quarterback Russell Wilson wrote about domestic violence on Derek Jeter’s new website. (JOHN CORDES / ASSOCIATED PRESS)
Seattle Seahawks quarterback Russell Wilson became the first contributor to Derek Jeter’s new website, The Players’ Tribune, on Thursday, using the forum to urge people to donate money to an organization that deals with the problem of domestic violence.
When Jeter started the website Wednesday he promised to offer athletes a forum to communicate with fans without the filter of the news media. He followed through quickly with an essay by Wilson, whose profile was boosted by Seattle’s Super Bowl victory in February. Wilson described himself as a “recovering bully” in the essay, and called for people to talk more openly about the problem of domestic violence.
“This issue is much bigger than N.F.L. suspensions,” Wilson wrote. “Domestic violence isn’t going to disappear tomorrow or the next day. But the more that we choose not to talk about it, the more we shy away from the issue, the more we lose.”
Wilson, 25, said that he was a bully as a child, but that he dealt with his anger issues and now believes there is no place for violence off the field.
Wilson did not address the Ray Rice incident specifically, but he did write that “recent incidents of domestic violence have forced the league, its fans and the players to take a hard look into our collective conscience.” And he urged fans to join his new foundation’s Pass the Peace initiative and donate money to the National Domestic Violence Hotline.
Residents during the Ferguson city council meeting on September 9, 2014 in Ferguson, Missouri. (Photo by Scott Olson/Getty Images)
More than 3,000 people have registered to vote in Ferguson, Mo., since the death of Michael Brown — a surge in interest that may mean the city of 21,000 people is ready for a change.
Since a white police officer shot the unarmed black 18-year-old on Aug. 9, voter registration booths and cards have popped up alongside protests in the city and surrounding neighborhoods. The result: 4,839 people in St. Louis County have registered to vote since the shooting; 3,287 of them live in Ferguson.
The city’s population is two-thirds African American; five of its six city council members are white, as is its mayor. The St. Louis County Election Board does not record the races of eligible voters, but many believe the increase is a sign that Brown’s death has spurred renewed interest in politics and might mean more blacks will vote in the upcoming election.
“It’s a great move when people come out and register in mass like that,” said Anthony Bell, St. Louis 3rd Ward committeeman. “They are sending a signal that we want a change. It doesn’t give justice to the Michael Brown family, but it will in the future give justice to how the administration is run in a local municipality like Ferguson.”
The biggest issue on the ballot Nov. 4 will be the race for county executive of St. Louis County between Republican State Rep. Rick Stream and County Councilman Steve Stenger, a Democrat.
Bell began registering people two days after Brown was shot. He was at Canfield Green Apartments shortly after the teen was killed and watched as his body lay in the street for hours. The experience motivated him to lead a protest the next day and start registering people. He started with a clipboard and later set up a booth a few blocks from the shooting scene.
Rita Days, St. Louis County director of elections, said her office has been fielding calls from individuals and groups asking how to register people to vote. The NAACP, League of Women Voters, sororities and fraternities have taken classes. Others have picked up handfuls of registration cards to encourage people to mail in their registrations.
Registering more than 3,000 people in a month and a half is a significant accomplishment, Days said. She added that the real test will be how many people show up to the polls.
Jonathan Clarke, a writer and columnist for Politics in Color and a longtime St. Louis resident, agrees. “This represents a wake up call,” he said. “The problem so far, hasn’t been, as far as I understand, registration so much as it has been turnout.”
Days said her office, as well as interested organizations, have long stressed the importance of voting to community members. Despite many efforts though, there has been little interest in past elections. During local elections in April, just 1,484 of the 12,096 registered voters in Ferguson cast ballots.
“The apathy regarding voters is rampant in this county,” she said. “I mean if we get 10 or 15 (percent of registered voters to vote), that’s good.”
This time, demonstrators are vowing it will be different.
Community leaders plan to mobilize voters during the upcoming election and ensure that people make it to the polls, said Anthony Shahid, one of the most visible activists who has been protesting in Ferguson since Brown’s death. He hopes volunteers from other cities will help.
“We want to have a big rally,” Shahid said. “You have to get people excited to make people understand that this is history. And it is history — no different than when President Obama came into office.”
For Shahid, the election will test whether anger over Brown’s death will translate into long-term political change.
Keeping up the energy and momentum in driving people to vote is crucial, said David Kimball, a political science professor at the University of Missouri-St. Louis. He expects groups to recruit candidates and to develop strategies to get people to the polls.
For Eric Davis, Brown’s cousin, the election could lead to needed change in local government.
“There is little to no representation of African Americans,” Davis said. “It’s basically a government that is Caucasian that is ruling over a class of African Americans. It’s almost as if it’s apartheid in some ways.”
To vote in the Nov. 4 election, a voter must be registered by Wednesday.
Anthony Gray, an attorney for Michael Brown’s family, said supporters of Michael Brown have the power to make Ferguson’s political leadership more diverse and to force officials to take into account the concerns of black residents.
“It could completely change the political landscape, the power structure, the decision making,” Gray said. “The service to the African American community would almost quadruple because they would be viewed as a credible and legitimate voting block.” article by Yamiche Alcindor via usatoday.com
Marlon James on a visit to the Bronx, where “A Brief History of Seven Killings” concludes. (Credit: Bryan Derballa for The New York Times)
The novelist Marlon James grew up in Jamaica in the 1970s, which means he has a child’s memories of that politically turbulent and culturally fertile period. But as an adult, he keeps circling around that time and place in his mind, trying to make sense of what he could perceive only dimly then.
Out of that quest comes his third novel, “A Brief History of Seven Killings,” which begins as the optimistic glow of independence is giving way to the harsh realities of Cold War politics and the rise of gangs connected to the country’s two main political parties. From there, things get only worse: Crack cocaine appears and the gangs go international, setting up operations in Miami and New York.
“The idea for this book is the very first I had, even before the other two novels, because I always was interested in writing about the Jamaica I grew up in,” Mr. James said. “I thought it was going to be a short novel, that it was one person’s story. But I was wrong, because history is always shaping everything.”
Publishers Weekly declared that “no book this fall is more impressive than ‘A Brief History of Seven Killings,’ ” which comes out Thursday from Riverhead Books. In a review in The New York Times last week, Michiko Kakutani described Mr. James as a “prodigious talent” who has produced a novel that is “epic in every sense of that word: sweeping, mythic, over the top, colossal and dizzyingly complex.”
At 43, Mr. James is part of a new generation of Caribbean writers whose main cultural reference, aside from their home countries, is the United States rather than their former colonial power (in Jamaica’s case, Britain). These writers share some of the concerns of American peers like Junot Díaz and Edwidge Danticat and view the questions of identity and authenticity, which preoccupy older writers like George Lamming and the Nobel laureates Derek Walcott and V. S. Naipaul, as largely settled.
During a recent interview in the Bronx, where “Seven Killings” concludes, Mr. James called himself a “post-postcolonial writer” with a hybrid intellectual background. So while he read Shakespeare, Jane Austen and Henry Fielding in school, he noted, he also listened to Michael Jackson and Grandmaster Flash; a section of the new novel makes repeated references to Andy Gibb’s “Shadow Dancing.”
The plot of “Seven Killings” revolves around the assassination attempt on Bob Marley a few days before he was to give a free concert in Kingston in December 1976, and required the novelist to dig deep into his creative toolbox. Marley, called simply the Singer in the novel, so dominated that period, Mr. James said, that his persona risked overwhelming the novel, which clocks in at just under 700 pages.
“I needed him more to hover over the book, as opposed to being in the middle of it,” he explained. He said he found a solution when he read Gay Talese’s Esquire magazine article “Frank Sinatra Has a Cold,” which focuses on the circle around that singer. Another help was Roberto Bolaño’s novel“The Savage Detectives,” which Mr. James described as “a very conscious template.”
Characters based on real-life people, including Cuban exiles and their C.I.A. handlers, play central roles in the novel. Jamaican politicians like the rival former prime ministers Michael Manley and Edward Seaga are very much present, too, along with leaders of the “garrisons,” the communities and criminal militias that their parties controlled.
Mr. James warns, though, that “if you are going to read this as history, you’re bound to be disappointed and confounded.” A lot of the novel, he said, is “just me being a trickster.”
But he does remember overhearing as a child some of the stories he incorporates into the novel. His mother was a police detective and his father a police officer who became a lawyer, “so the world of crime and politics and disturbances was always around,” he said, discussed in hushed and coded adult conversations.
A few years ago, Mr. James said, a European interviewer began a question to him with “as someone who escaped the ghetto….” He remembers objecting: “I grew up in the suburbs, like every other kid in every other part of the world. We had two cars, and we argued about things like ‘Is “T. J. Hooker” better than “Starsky & Hutch?” ’ ”
After studying at the University of the West Indies in Jamaica, Mr. James spent more than a decade in advertising as a copywriter, graphic designer and art director. His clients included the dancehall star Sean Paul, for whom he designed several CD covers, and The New York Times’s T Magazine. During much of that time, he said, “I made a big point of not writing seriously and even stopped reading for a while, too.”
But he was drawn back to literature by what he described as the “lack of a sense of possibility” he felt in Jamaica. Publishers and agents in New York showed no interest in a draft of what became “John Crow’s Devil,” his first novel. But when he took a chapter to a writing workshop in Kingston taught by a visiting American, Kaylie Jones, she was immediately taken by Mr. James’s writing and choice of subject.
“What leaped out at me right away was that he was a phenomenally visual writer with a lyrical, magical voice,” said Ms. Jones, who teaches writing at Wilkes University in Pennsylvania. “I was shocked that nobody had picked up this guy.”
A stint in the writing program at Wilkes enabled Mr. James to work on a second novel, “The Book of Night Women,” set on a sugar plantation in colonial times. He now teaches literature and creative writing at Macalester College in St. Paul.
Chunks of Mr. James’s novels, especially “Seven Killings,” are written in Jamaican patois. He describes himself as “bilingual,” fond of using dialect in speech and also to discuss serious questions of race, class and politics in the novel, but equally comfortable employing standard speech in interviews and the classroom, with an accent that is beginning to incorporate the flat tones of the American Midwest.
“When we are taking our business out in the public, that’s not how you are supposed to speak,” he said of patois. “It’s an embarrassment” to older and middle-class Jamaicans, he added, “especially if they hear I’m an English teacher. ‘Why are you speaking broken English?’ As if this is something that needs to be fixed.”
Iyanla Vanzant and Oprah Winfrey. (Photo Courtesy of Harpo Studios, Inc. /George Burns)
Empowering. Enlightening. Magical. These three words only begin to describe this past weekend’s two-day event hosted by Oprah Winfrey.
Thousands of ticket-holders witnessed Winfrey’s wisdom during the icon’s official ‘Life You Want Weekend.’ Winfrey and her team of trailblazers took their wit on the road as they traveled nationwide for an unprecedented eight-city arena tour.
Friday and Saturday, Oprah took over Newark, New Jersey’s Prudential Center. People packed the stadium to embark on a journey of self-discovery, motivation and empowerment.
With the help of her popular panel of leaders — which includes Iyanla Vanzant — Oprah led the crowd through a remarkable series of events all aiming to help individuals discover their best selves.
During both days, attendees were invited to walk through the wonder of O Town – an interactive pop-up town square bustling with activities ranging from self-pampering beauty stations to networking opportunities with inspiring entrepreneurs.
Each guest was also given a special wristband programmed to dazzle with colors during each rousing segment, making the experience even more magical.
But it was Oprah’s personal speech Friday night that delivered the most noteworthy moments. She was welcomed by a spectacular, roaring greeting from the crowd as she graced the stage in a flattering, floor-length purple gown and led her legion of fans through lessons of struggle, revelation and triumph.
Oprah told listeners the story of her own journey to success — sharing personal anecdotes, photos and videos that resonated with gusto, even to those already familiar with her tale.
“I’m a huge fan of Oprah, so I knew her story already,” one attendee, Arleener Hall admitted to theGrio. “ I knew where she came from, I know everything about her, but just to be in her presence and hear her say it was even more amazing to me.”
In the videos, viewers saw a young and ambitious Oprah early in her years as a career professional yet well on her way to living a life she wanted. She was becoming a master of her own fate.
NEW YORK (AP) — Derek Jeter was one of the world’s most covered athletes in media during his 20-season career with the New York Yankees. Now, he’s joining media with a new website devoted to delivering athletes’ “unfiltered” views to the fans.
The Players Tribune is being billed as a digital company that will offer unique access to top athletes in every sport — from videos to photos to podcasts and more — without having to deal with reporters to do it.
In a statement on the site that posted Wednesday, Jeter said he wants it to “transform how athletes and newsmakers share information, and bring fans closer than ever to the games they love.”
Jeter — who admits to being guarded with reporters — attributed his success in what he called “the toughest media market” to being careful about what he said.
“Those simple answers have always stemmed from a genuine concern that any statement, or opinion or detail, might be distorted,” he wrote in his letter on the site.
But he said fans deserve to hear more from their fans than “no comments” and his site will allow a direct connection to the athlete.
“We just need to be sure our thoughts will come across the way we intend,” he wrote.
The All-Star retired from the Yankees after spending his entire career with New York, winning five championships during a storied career. In his post on the site, he spoke about the “whirlwind” of his final season and his disappointment in missing the postseason.
While singling out Yankee fans as the greatest, he also paid tribute to fans outside of New York for their support.
“It’s the reception outside of New York that was the biggest difference this year. I’ll never forget how baseball fans across the country have treated me,” he said.
“Ballparks I used to view as enemy territory were transformed with cheers, handshakes and hat tips,” he said. “If I thought baseball was part of my family before this season, I now know that it’s truly the case. And I am grateful for that.” article via blackamericaweb.com
Attorney General Eric Holder (pictured) announced on Monday a $124 million hiring grant in the latest of the Justice Department’s goal to improve the quality of police forces nationwide. Alongside Office of Community Oriented Policing Services (COPS) Director Ron Davis, the pair enacted the grant in support of strengthening community policing.The grant will fund around 950 officers at 215 law enforcement agencies across the nation. The grant money is especially focused on three key areas: increasing community policing; bolstering crime reduction; and increasing public safety.
Both Holder and Davis issued statements regarding the grant, detailing the finer points and emphasizing its grand goal of supporting officers already in place in these communities as well as new hires by way of securing salary and crime reduction efforts. From Attorney General Holder:
“These targeted investments will help to address acute needs – such as high rates of violent crime – funding 75 percent of the salary and benefits of every newly-hired or re-hired officer for three full years,” said Attorney General Holder. “The impact of this critical support will extend far beyond the creation and preservation of law enforcement jobs. It will strengthen relationships between these officers and the communities they serve, improve public safety and keep law enforcement officers on the beat.”
From Director Davis:
“The COPS Office is pleased to assist local law enforcement agencies throughout the country in addressing their most critical public safety issues,” said Director Davis. “Funding from this year’s program will allow many cities and counties to focus newly sworn personnel on issues related to violent crime, property crime and school safety.”
Referred to as the COPS Hiring Program, the grants will be awarded to state, local, and also tribal law enforcement agencies to hire or rehire from within the communities they serve. As explained by Holder, up to 75 percent of the entry-level salaries and basic benefits of full-time officers will be funded over a period of 36 months. The local agencies must match a minimum of 25 percent local funds with the federal maximum of funding capped at $125,000 per officer.
Grant award recipients for the 2014 portion of the program were selected for plans they submitted regarding strategies, exhibiting a financial need, and the rates of violent crimes in their communities.
COPS has provided funds to more than 125,000 officers serving 13,000 national agencies to date. It has also funded several organizations over the years with more than 700,000 people receiving training via its programs. Those individuals include government leaders, community organizers, and police officials among others. The COPS program is in its 20th year, providing more than $14 billion in hiring efforts among national agencies. Learn more about the COPS Hiring Program here. article by D.L. Chandler via newsone.com
“A Sucker Emcee”: Craig Grant, also known as muMs, in his show at the Bank Street Theater. (Credit: Ruby Washington/The New York Times)
Like Jean-Jacques Rousseau set to a hip-hop beat, Craig Grant offers his confessions in “A Sucker Emcee,” produced by the Labyrinth Theater Company. While a D.J. (Rich Medina) moves between two turntables, scratching and spinning, Mr. Grant tells the story of his life in rhymed couplets.
Mr. Grant, also known as muMs, speaks in a gentle growl with just a trace of a native Bronx drawl, though he can send his voice swooping up and down the social register. Dressed in Nikes and a T-shirt proclaiming “The Truth,” he spends most of the show near the front of the bare stage, lips pressed close to a microphone.
Though he’ll occasionally speak as his mother, his father, a friend or a teacher, he spends most of the piece as simply himself, narrating youthful screw-ups with fondness and exasperation.
In some ways his story is standard bullet-point autobiography. He begins with his volatile Bronx childhood, darts through some dissolute college years, chronicles his subsequent ups and down as a rapper and actor (best known for his role in the HBO prison drama “Oz”) and finally returns, with hard-won maturity and grace, to the borough of his birth. So far, so familiar. But what adds urgency and fierce pleasure to the monologue, directed by Jenny Koons, is his debt to music. D.J.’s, it seems, saved Mr. Grant’s life. “Before hip-hop, I couldn’t speak,” Mr. Grant recalls. The music gave him a voice, a place, a future, helping him to “turn all that hate into a dance and a chant.”
Mr. Medina provides backing beats to Mr. Grant’s chants and sometimes helps him pay more direct homage to the heroes of his youth — KRS-One, Rakim, the Sugarhill Gang. Even when the show threatens to turn into some sort of lecture demonstration, it’s still pretty good fun, with Mr. Medina illustrating each style and technique while Mr. Grant narrates and occasionally threatens some B-boy moves.
Even when the story ends with Mr. Grant’s returning to the Bronx and caring compassionately for his aging mother, the beat and the applause don’t stop.
Forget your go-to strawberry and banana smoothie combo and sip on something healthy AND exciting this fall! Thanks to antioxidant-rich berries, nuts and green tea, these five recipes are packed with superfood power. To Make: In the order listed, place all ingredients in a blender and blend on high until smooth. If you are using frozen fruit instead of fresh, only use 3/4 cup of ice. 1. Berry-Cherry Chiller
1 cup ice cubes
1/2 cup sliced strawberries
1/2 cup pitted and halved cherries
1/2 cup lowfat plain Greek yogurt
2 teaspoons ground flaxseed
3/4 teaspoon vanilla extract Sip Tip: Pure vanilla extract has less calories than flavored syrup, so try not to substitute. 2. Island Mango Madness
1 cup ice cubes
3/4 cup chopped mango
1/2 cup canned pineapple chunks
2 tablespoons canned pineapple juice
1/2 teaspoon lime zest
1 tablespoon lime juice
Pinch cayenne pepper Sip Tip: The mango does not need to be soft.
J. California Cooper in 1987. (Credit: Ellen Banner)
J. California Cooper, an award-winning writer whose black female characters confront a world of indifference and betrayal, but find kinship there in unexpected places, died on September 20th in Seattle. She was 82. A spokesman for Random House, her publisher, confirmed her death. She had had several heart attacks in recent years.
Ms. Cooper won an American Book Award in 1989 for the second of her six story collections, “Homemade Love.” Her short story “Funny Valentines,” about a woman in a troubled marriage who repairs an old rift with a cousin when she moves back home, was turned into a 1999 television movie starring Alfre Woodard and Loretta Devine.
Writing in a vernacular first-person style, Ms. Cooper set her stories in an indeterminate rural past permeated with violence and the ghost of slavery. The African-American women she depicts endure abandonment, betrayal, rape and social invisibility, but they survive.
“Some Soul to Keep” (1987), her third collection, includes over-the-back-fence tales. One story tells of two women who become close friends after one woman’s husband dies and the other’s leaves. They learn that long-lived rumors of their dislike for each other had been fabricated by their husbands. Another story is about a blind girl who is raped by her minister, gives birth to his son and raises him alone because, she explains, he makes her forget she is blind.
Ms. Cooper’s 1991 novel, “Family,” one of five she wrote, is narrated by the ghost of a slave woman who committed suicide before the Civil War and who follows the lives of her descendants as they mingle and procreate in a new interracial world, marveling at how “from one woman all these different colors and nationalities could come into being.”
Ms. Cooper was clear about the religious values that informed her stories. “I’m a Christian,” she told The Washington Post in 2000. “That’s all I am. If it came down to Christianity and writing, I’d let the writing go. God is bigger than a book.”
In an interview on NPR in 2006, she said, “What I’m basically trying to do is help somebody make some right choices.”
Kenya’s Dennis Kimetto has broken the marathon world record in Berlin, winning the race in a time of two hours, two minutes and 57 seconds.
The 30-year-old shook off fellow Kenyan Emmanuel Mutai with just under three miles remaining to become the first man to run a marathon in less than two hours and three minutes.
Mutai, who finished second in 2:03:13, also broke the previous record.
“I feel good because I won a very tough race,” said Kimetto.
“I felt good from the start and in the last few miles I felt I could do it and break the record.”
Kimetto, who won marathons in Tokyo and Boston last year, had promised to attack the record in Berlin if conditions allowed.
And in weather perfect for long-distance running, with temperatures around eight degrees centigrade, Kimetto kept his promise, staying in the lead group throughout and sprinting to victory and a new world’s best time.
Mutai, meanwhile, believes a two-hour marathon is possible.
“From what I saw today, times are coming down and down. So if not today, then tomorrow,” the 29-year-old Kenyan said. “Maybe next time we’ll get 2:01.”
Mutai had run the fastest marathon in history in 2:03:02 in Boston in 2011, but it did not count as a world record because the course is considered too straight and downhill. article via bbc.com
