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Kenyans Rita Jeptoo and Eliud Kipchoge Win 2014 Chicago Marathon

By goodblacknews on October 13, 2014
CHICAGO MARATHON 2014
CHICAGO (AP) — Kenyans ruled the Chicago Marathon on Sunday, with Eliud Kipchoge leading a 1-2-3 men’s sweep and compatriot Rita Jeptoo repeating as the women’s winner.
Kipchoge pulled away over the last two miles for his first major marathon victory, finishing in 2 hours, 4 minutes, 11 seconds. He was followed by Sammy Kitwara in 2:04:28 and Dickson Chumba in 2:04:32.
Jeptoo was timed in 2:24:35 in winning her fourth straight major marathon. She also captured the 2013-14 World Marathon Majors points championship and took the Boston Marathon in April.
Mare Dibaba of Ethiopia (2:25:37) was second and Florence Kiplagat of Kenya (2:25:57) was third.
The winners earned $100,000. Jeptoo receives an extra $500,000 for winning the series championship.
Ideal conditions – sunny skies and 46-degree temperatures – greeted runners at the start. The men’s pack stayed together for about 20 miles before Kipchoge, Kitwara and Chumba drew away.
Kipchoge and Kitwara were side by side with Chumba right behind after 24 miles. But Kipchoge made it look easy down the stretch. He made a quick burst and was in command as he headed toward the finish at Grant Park.
Jeptoo hasn’t lost a major marathon since she finished second in a sprint to Ethiopia’s Atsede Baysa in the 2012 Chicago Marathon. She smashed the course record to repeat as Boston Marathon champion in the spring and came away with an easy victory in Chicago for the second straight year.
She pulled away after 23 miles, with no one near her at the end. Jeptoo raised her arms as she crossed the line and sank to her knees.
article by Andrew Seligman via huffingtonpost.com

Pulitzer-Prize Winning Playwright Suzan-Lori Parks' "Father Comes Home From The Wars (Parts, 1, 2 & 3)" Opens Tuesday at Public Theater in New York

By goodblacknews on October 12, 2014
Sterling K. Brown in “Father Comes Home From the Wars (Parts 1, 2 & 3).” (Photo: Richard Termine)
Sterling K. Brown in “Father Comes Home From the Wars (Parts 1, 2 & 3).” (Photo: Richard Termine)

In “Father Comes Home From the Wars (Parts 1, 2 & 3),” a new drama by the Pulitzer Prize-winning playwright Suzan-Lori Parks (“Topdog/Underdog”), Hero, a slave, is offered a deal by his master: Leave behind his family and fight for the Confederacy in exchange for his freedom.  This decision and its implications are at the heart of this historical tale, whose first three parts open Tuesday at the Public Theater.  If this work sounds too familiar to be a “world premiere,” as it is billed, that’s because it has been gestating for years, with workshop productions staged at the Public Lab in 2009 and this year.  Sterling K. Brown (“The Brother/Sister Plays”) is Hero, and Jo Bonney directs. (425 Lafayette Street, at Astor Place, East Village, 212-967-7555, publictheater.org.)

article by Jason Zinoman via nytimes.com

Michelle Obama Hosts White House Fashion Education Workshop

By goodblacknews on October 12, 2014

On Wednesday, Oct. 8, first lady Michelle Obama hosted the White House’s first fashion education workshop to honor and recognize budding fashion designers, stylists, writers, and entrepreneurs.
Inviting students from 14 East Coast high schools and colleges, the FLOTUS spoke to the students about the importance of fashion education and the impact of the fashion industry.
“When it comes to the fashion industry, so often people think it’s all about catwalks and red carpets and ‘who wore it best,’ and whether some famous person wore the right belt with the right shoes,” said Mrs. Obama.
“Fashion is really about passion and creativity, just like music or dance or poetry,” added the first lady. “For so many people across the country, it is a calling; it is a career.”
Breaking the students into groups for workshop sessions on fashion inspiration, construction, journalism, entrepreneurship, and more, Mrs. Obama also invited leading influencers in the industry to mentor and educate the students on the ins and outs of the business. Some of the fashion notables included Tracy Reese, Jason Wu, Diane Von Furstenberg, Anna Wintour, and many more.
Wintour, who introduced the first lady at Wednesday’s event, credited her with changing the perception of fashion in the District of Columbia, while emphasizing the impact style has on society.
“Fashion can be a powerful instrument for social change… It allows us to think about who we are as individuals and as a society.”
To prove her support for student designers, Mrs. Obama donned a sleeveless navy dress at the event designed by New York’s Fashion Institute of Technology student Natalya Koval.
SOURCE: Washington Post
article by Courtney Connley via blackenterprise.com

Simone Biles Wins Her 2nd Consecutive All-Around Title at World Gymnastics Championships

By goodblacknews on October 10, 2014

Simone Biles
Gymnast Simone Biles became only the sixth woman, and first in 11 years, to win consecutive all-around titles at the World Gymnastics Championships in China today.  This is only her fourth season at the elite level and, with the Rio Olympics two years away, the 17-year-old from Spring, Texas, still has room to grow.
“It actually blows my mind,” Biles said of winning back-to-back world titles. “If I think about it right now, I’m just like, `Whaaaat?’ It’s just like, I don’t know. It’s just really weird, but it’s really cool.”
After Svetlana Khorkina repeated as the all-around champion at the 2003 worlds, 10 different women would win the world or Olympic title from 2004-13. Injuries played a part in that volatility — Russia’s Aliya Mustafina looked set for a long run after winning in 2010, only to blow out her knee six months later — as has the sport’s relatively short window for success.
It’s really tough to stay healthy and at the top of your game for an entire quadrennium, especially when every year brings a new crop of phenoms.
But if anyone was going to break that streak of, well, no streak, it was Biles.
No one can match her for power or explosiveness. She is already doing one of the world’s toughest vaults, the Amanar, and she gets so high off the table it’s not inconceivable to think she could add another half-twist to her somersault. Her tumbling passes on floor exercise are so massive she really ought to get FAA clearance.
There’s more to Biles than circus tricks, however. All of her skills are done with precision and polish, making them look deceptively easy. Ordinary folks have more trouble walking on flat ground than Biles does doing an aerial somersault on a balance beam that’s 4 inches wide and 4 feet off the floor.
Most appealing is her personality. While other gymnasts are so intense or stoic they look angry during meets, Biles is constantly smiling and giggling. Her enthusiasm is infectious, and it’s no surprise she’s a favorite with her competitors.
“I know there is competition between pretty much everyone, but we’re such good friends,” said fellow American Kyla Ross, who won the bronze medal after being runner-up to Biles last year. “I think we’re really there to push each other.”
article by Nancy Armour via usatoday.com

ABC Gives Full-Season Orders to ‘Black-ish’ and ‘How to Get Away with Murder’; CBS Renews "Extant"

By goodblacknews on October 9, 2014

Blackish, Murder, Extant
According to Variety.com, television projects featuring African-American leads have fared extremely well this season.  ABC has given full-season orders to the Anthony Anderson/Tracee Ellis Ross comedy “Black-ish” and the Viola Davis vehicle “How to Get Away with Murder,” two of the highest-rated new programs on all broadcast channels.  CBS, in turn, has picked up summer sci-fi drama “Extant” for a second season.  “Extant” stars Halle Berry and is produced by Steven Spielberg.

“Murder” is the fall’s highest-rated new series in adults 18-49, and the premiere also set DVR playback records, gaining about 6 million viewers within the first three days of its airing. It is created and executive produced by Pete Nowalk (“Scandal,” “Grey’s Anatomy”). Shonda Rhimes (“Scandal,” “Grey’s Anatomy”), Betsy Beers (“Scandal,” “Grey’s Anatomy”) and Bill D’Elia (“Grey’s Anatomy,” “The West Wing”) also serve as executive producers.
“Black-ish” has come on strong as the fall’s top new comedy in 18-49 (2.9 rating) and total viewers (9.1 million) in same-day viewing estimates. This week, the show saw a 12% week-to-week increase in adults 18-49, retaining about 80% of its “Modern Family” lead-in. It was created by Kenya Barris and is executive produced by Anderson, Barris, Jonathan Groff, Larry Wilmore, Laurence Fishburne, Helen Sugland and E. Brian Dobbins.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Art Project "Funk, God, Jazz & Medicine" Celebrates Black Heritage in Brooklyn This Weekend

By goodblacknews on October 8, 2014
“Funk, God, Jazz & Medicine: Black Radical Brooklyn” (Credit: Todd Heisler/The New York Times)

New York City so knows how to lose — and save, and lose again — its history. Among notable rescues of the past several decades were material remains of the vanished 19th-century African-American village of Weeksville in Brooklyn, snatched from the jaws of 1960s urban renewal. Once in parts of what are now Bedford-Stuyvesant and Crown Heights, the village is currently getting fresh and needed attention in an art project organized by the Weeksville Heritage Center and Creative Time called “Funk, God, Jazz & Medicine: Black Radical Brooklyn,” which runs Friday through Sunday (October 10-12).

Spread over four sites, the project roughly maps the footprint of the original settlement. More important, it strengthens the memory of a local past that could easily be swallowed up by gentrification.

The village was named for James Weeks, an ex-slave from Virginia who came to New York in 1838. His intention was to create a community of landowning African-Americans at a time when such ownership was a requirement for voting. The plan took hold. By the time of the Civil War, the village had more than 500 residents, two churches, a school, an orphanage, an old-age home, a cemetery and its own newspaper, The Freedman’s Torchlight. Blacks fleeing the draft riots in Manhattan in 1863 sought refuge there and stayed. But after the opening of the Brooklyn Bridge, with a swelling in the general population, Weeksville was gradually absorbed into newer communities that surrounded it.

In 1968, four of the village’s 19th-century wood-frame houses were rediscovered, in derelict shape, on an oddly angled street that had once been a section of Hunterfly Road in Weeksville, and before that, an American Indian trail. The area was scheduled for demolition, but after community pressure, the houses were declared city landmarks. Restored, they are now part of the Heritage Center, which encompasses vegetable and flower gardens and, as of 2013, an education building with an auditorium and classrooms.

HEALTH: TOMS Celebrates World Sight Day on October 9 to Help Restore Vision to Those in Need Around the Globe

By goodblacknews on October 8, 2014

Screen Shot 2014-10-07 at 4.11.04 PM

by Lesa Lakin #givesight
article by Lesa Lakin
#givesight

One of the great things about being the Lifestyle Editor for GBN is that I sometimes get to share positive stories about things that people and companies are doing purely for the betterment of society. When I heard about World Sight Day and TOMS I had to share.
From a fashion standpoint, I simply love the styles. I discovered TOMS had an eyewear line when my own eyesight started to de-crisp a few years back. Since no one wanted to read me food labels, pill bottles or menus anymore, I knew it was time for glasses to become a daily part of my life. But it wasn’t really that big of a deal because I had the privilege of going to the doctor, getting a prescription and driving the saleswomen completely nuts when I couldn’t decide which frames best flattered my face. I’m lucky. But what about the millions globally who can’t afford glasses or don’t have access to proper eye care? Everyone on the planet knows someone who is affected by some sort of visual impairment and TOMS wants to help out.
TOMS is asking a very important question: WHAT DOES SIGHT MEAN TO YOU? Every year, World Sight Day raises global awareness about blindness and visual impairment. This year, World Sight Day is on October 9 and TOMS is hosting an all-day event at the their Flagship store in Venice, California. TOMS is also supporting the day by encouraging fans to take to social media and contribute to an Instagram gallery with images of what sight means to you with the hashtag #givesight. The images collected with the designated hashtag will be curated online leading up to October 9, and select images will appear in TOMS stores around the world on World Sight Day.

Jordan Anderson, Freed Slave who Penned Sarcastic Letter to Old Master After He Was Asked Back to Farm Pictured for 1st Time

By goodblacknews on October 7, 2014

Jordan Anderson
Scathing: Former slave Jordan Anderson wrote a satirical letter in 1865 to his old master after he was asked to return to work for him.

The photograph, scratched and undated, is captioned ‘Brother Jordan Anderson‘. He is a middle-aged black man with a long beard and a righteous stare, as if he were a preacher locking eyes with a sinner, or a judge about to dispatch a thief to the gallows.
Anderson was a former slave who was freed from a Tennessee plantation by Union troops in 1864 and spent his remaining 40 years in Ohio.  He lived quietly and probably would have been forgotten, if not for a remarkable letter to his former master published in a Cincinnati newspaper shortly after the Civil War.

Treasured as a social document, praised as a masterpiece of satire, Anderson’s letter has been anthologized and published all over the world. Historians teach it, and the letter turns up occasionally on a blog or on Facebook.  Humorist Andy Borowitz read the letter recently and called it, in an email to The Associated Press, “something Twain would have been proud to have written.”

Addressed to one Col. Patrick Henry Anderson, who apparently wanted Jordan to come back to the plantation east of Nashville, the letter begins cheerfully, with the former slave expressing relief that ‘you had not forgotten Jordon’ (there are various spellings of the name) and were ‘promising to do better for me than anybody else can’. But, he adds, ‘I have often felt uneasy about you’.
He informs the colonel that he’s now making a respectable wage in Dayton, Ohio, and that his children are going to school.
He tallies the monetary value of his services while on Anderson’s plantation – $11,608 – then adds, ‘we have concluded to test your sincerity by asking you to send us our wages for the time we served you.’

Record Number of African-Americans Running For Congress in 2014

By goodblacknews on October 7, 2014

mqdefaultWASHINGTON — A record number of African Americans are running for federal office this year, but their advances in elected office have been met by increased racial polarization in politics, particularly in the Deep South.
According to an analysis by David Bositis, an expert on African-American politics, there are 82 black nominees in the two major parties running in 2014, surpassing the 2012 record of 72 candidates.
Of the 82 candidates running, 64 are Democrats and 18 are Republicans, and all but three are seeking election to the U.S. House.
Two black Democrats, Sen. Cory Booker of New Jersey and Joyce Dickerson of South Carolina, and one black Republican, Sen. Tim Scott of South Carolina, are on the ballot for U.S. Senate seats.
Among the candidates are four African-American women who are likely to be new additions to the U.S. House: Democrats Brenda Lawrence of Michigan, Alma Adams of North Carolina, and Stacey Plaskett of the Virgin Islands, as well as Republican Mia Love of Utah, who would be the first black Republican woman elected to Congress.

Candidate Brenda Lawrence
Candidate Brenda Lawrence

Currently there are 44 African Americans serving in Congress, and their ranks are forecast to grow in November, which means next January will bring in a Congress with the highest number of blacks serving in U.S. history.
The growth of blacks in Congress has been most notable in the House Democratic Caucus. After the 2012 elections, House Democrats became the first congressional faction in history to be more than half women and minorities. The 2014 election slate suggests that trend will not reverse itself anytime soon.
White men continue to dominate the Republican Party, and white men make up the majority of Senate Democrats.
These milestones are not without downsides, Bositis notes. The nomination of black candidates, particularly in the Deep South, is driven in part by the massive exodus of whites from the Democratic Party ranks, which has fueled more racial polarization than harmony.
“I wish I could write with confidence that these increases in black major party nominees was a positive development, but the fact is that many of the increases are occurring in states (especially in the South) where most whites are withdrawing from Democratic party politics — leaving black candidates the nominations by default,” he wrote.
article by Susan Davis via usatoday.com

R.I.P. Tony-Award Winning Dancer, Actor and Artist Geoffrey Holder

By goodblacknews on October 6, 2014

Geoffrey Holder, the dancer, choreographer, actor, composer, designer and painter who used his manifold talents to infuse the arts with the flavor of his native West Indies and to put a singular stamp on the American cultural scene, not least with his outsize personality, died on Sunday in Manhattan. He was 84.

Charles M. Mirotznik, a spokesman for the family, said the cause was complications of pneumonia. Few cultural figures of the last half of the 20th century were as multifaceted as Mr. Holder, and few had a public presence as unmistakable as his, with his gleaming pate atop a 6-foot-6 frame, full-bodied laugh and bassoon of a voice laced with the lilting cadences of the Caribbean.

Mr. Holder directed a dance troupe from his native Trinidad and Tobago, danced on Broadway and at the Metropolitan Opera and won Tony Awards in 1975 for direction of a musical and costume design for “The Wiz,” a rollicking, all-black version of “The Wizard of Oz.”

His choreography was in the repertory of the Alvin Ailey American Dance Theater and the Dance Theater of Harlem. He acted onstage and in films and was an accomplished painter, photographer and sculptor whose works have been shown in galleries and museums. He published a cookbook.

Mr. Holder acknowledged that he achieved his widest celebrity as the jolly, white-suited television pitchman for 7Up in the 1970s and ’80s, when in a run of commercials, always in tropical settings, he happily endorsed the soft-drink as an “absolutely maaarvelous” alternative to Coca-Cola — or “the Un-Cola,” as the ads put it.

Long afterward, white suit or no, he would stop pedestrian traffic and draw stares at restaurants. He even good-naturedly alluded to the TV spots in accepting his Tony for directing, using their signature line “Just try making something like that out of a cola nut.”