
The White House on Thursday announced a proposal that President Barack Obama said would make community college “free for everybody who is willing to work for it.” But administration officials provided no details about the program’s costs or where the money would come to pay for it.
Obama planned to formally announce the plan Friday at Pellissippi State Community College in Knoxville, Tennessee. He gave a preview in a videotaped message shot aboard Air Force One and posted on Facebook.
“It’s not just for kids,” Obama said. “We also have to make sure that everybody has the opportunity to constantly train themselves for better jobs, better wages, better benefits.”
Obama provided few specifics, and White House and Education Department officials on a conference call with reporters Thursday evening said the funding details would come out later with the president’s budget.
The White House did say that if all states participated, that nine million students could benefit ? saving on average $3,800 in tuition per year for a full-time student. That means the program could cost in the billions of dollars. In a Republican-led Congress, the proposal likely faces a tough legislative fight to be passed.
Under the proposal, participating students would be expected to maintain a modest grade point average and participating schools would have to meet certain academic requirements. States would opt in to the program and put up a fraction of the funding.
“Put simply, what I’d like to do is to see the first two years of community college free for everybody who is willing to work for it,” the president said.
David Baime, vice president for government relations at the American Association of Community Colleges, called the plan an “extraordinary” investment. He said the essence of the proposal is to reduce the cost of attending community college and “that is a concept that we heartily endorse.”
Last year, Tennessee Gov. Bill Haslam signed into law a scholarship program using lottery funding that provides free community and technical college tuition for two years to the state’s high school graduates.
The scholarship program faced opposition in Tennessee from some of the state’s private colleges and legislators concerned that the program could potentially divert students and scholarship dollars from four-year schools. Haslam has said the program will increase the pool of students going to college.
The White House said its proposal was inspired by the Tennessee plan and another similar program in Chicago.
article by Kimberly Hefling via abcnews.go.com
Good Black News

Over the past year, Natural Hair Stylist Isis Brantley has been fighting to teach hair braiding in the state of Texas. Now, A federal judge has finally ruled in her favor.
Brantley, who runs a hair braiding business sued the state in 2013 stating that the laws related to her hair braiding school were ‘unreasonable’ and ‘unconstitutional.’
Texas law would have required Brantley to set up a 2,000-square-foot barber college, with 10 sinks and reclining barber chairs. As well as require her to take and pay for hundreds of hours of courses and acquire licenses she wouldn’t need or use in order to be certified to provide students the necessary classroom hours for a hair-braiding license.
“This means that Isis must spend 2,250 hours in barber school, pass four exams, and spend thousands of dollars on tuition and a fully-equipped barber college she doesn’t need, all to teach a 35-hour hairbraiding curriculum.” — Isis Brantley’s 2013 Institute for Justice Statement
According to Dallas News, U.S. District Judge Sam Sparks ruled that the state of Texas violated Brantley’s 14th Amendment right to due process by setting unreasonable and irrational requirements for her to teach braiding. Sparks also said that the regulations excluded Brantley from the market “absent ‘a rational connection with … fitness or capacity to engage in’ hair braiding instruction.”
Sparks found the various rules requiring Texas hair braiding schools to become fully equipped barber colleges “irrational,” citing licensed braiding salons don’t need sinks because washing hair is not involved in the braiding process.
“I fought for my economic liberty because I believe there is a lot of hope for young people who seek to earn an honest living,” said Brantley. “This decision means that I will now be able to teach the next generation of African hair braiders at my own school.”
“It is the first time that hair-braiding schools have been addressed by the federal courts and the third time that African hair braiding has been handled in the federal court system,” said Brantley’s attorney, Arif Panju. It has broad implications. These are economic regulations, and it’s unconstitutional to require entrepreneurs to do useless things. … Texas was not only preventing African hair-braiding schools from even opening, but it was also violating the 14th Amendment. This ruling is a resounding victory for Isis Brantley and entrepreneurs like her across Texas,” Panju said. “It is unconstitutional to require people to do useless things.”
article via clutchmagonline.com

The 72-year-old, three-time world heavyweight champ also suffers from Parkinson’s disease, a debilitating neurological illness that has practically stilled his voice and slowed his movements for the last 30 years.
Reportedly, Ali is back home with his family and is now looking forward to celebrating his 73rd birthday on January 17. Ali’s spokesperson, Bob Gunnell told ESPN, “He’s in great spirits and enjoying being back home.” Gunnell said. “He’s back in his daily routine.”
Even though Ali’s public profile has been low over the last few years, he still manages to get out every now and then. Last September Ali was spotted at an outing where he sat in the bleachers supporting his grandson, Biaggio Ali Walsh, as the latter played football alongside Cordell Broadus, the son of famed rapper, Snoop Dogg. The two young players with famous bloodlines are reportedly stellar gridiron athletes with scholarship potential.
Meanwhile, according to Gunnell, the Ali family is thankful for the show of love and support for the champ from well-wishers everywhere. “The Ali family greatly appreciates the outpouring of support and continued well wishes. They also want to thank the team of doctors and nurses for their exceptional care,” he said.
article by Ruth Manuel-Logan via theurbandaily.com

Protest leaders and a spokesman for the Missouri Department of Public Safety said no one was arrested.
Demonstrators vowed to return to the Capitol throughout this year’s session as lawmakers consider numerous bills stemming from the Aug. 9 shooting of the black, unarmed 18-year-old by officer Darren Wilson, who is white, in the St. Louis suburb of Ferguson. A grand jury decided not to charge Wilson, who later resigned.
“Our hope is they take what we did seriously,” said one of the protest leaders, Kayla Reed, of the Organization for Black Struggle. “What people need to understand is that 152 days into this, we’re not stopping — we’re really just getting starting.”
Demonstrators distributed a 28-point plan for changes to police practices, including “anti-racism training,” greater citizen oversight of police agencies and an end to the police acquisition of military-grade equipment.
As the Senate convened, chants of “Hands up, don’t shoot” and “No justice, no peace” echoed from the hallways into the chamber. Both chants have been common rallying cries at protests in Ferguson and across the nation by people who believe minorities are too often the targets of overzealous police.
Dozens of protesters intermingled among relatives and friends of newly elected Missouri senators who were seated in the visitors’ galleries to watch lawmakers take the oath of office. They unfurled several banners. One said, “Swear to protect the people.”
Kinder, a Republican, banged the gavel and declared that protesters had “rudely inserted yourself into the solemn proceeding.” But protesters continued with chants — “It is our duty to fight for our freedom” and “Black lives matter” — as they were escorted from the chamber.
article by David A. Lieb, AP via bet.com

Well known for his penchant for delivering mainstream-friendly science teachings across platforms, Neil deGrasse Tyson is now set to bring his unique brand of popular science to a new late night TV show for National Geographic.
Tyson, who has been a frequent guest on both Comedy Central’s The Daily Show and the now-defunct Colbert Show, has been tapped as the host for the first-ever late night program for the NatGeo network and will begin filming shortly for a planned April premiere.
Based on Tyson’s popular podcast Star Talk, a small-budget side project he’s been producing since 2009, the new show will also be called Star Talk and feature the astrophysicist speaking with scientists, celebrities, and comedians about new developments in science and space specifically. The news comes just months after Tyson’s popular Cosmos reboot finished its run on both Fox and National Geographic.
“Cosmos allowed us to share the awesome power of the universe with a global audience in ways that we never thought possible,” Tyson said according to Variety. “To be able to continue to spread wonder and excitement through Star Talk, which is a true passion project for me, is beyond exciting.”
Nat Geo’s Channel CEO Courteney Monroe described the new project as an “edgy, late night alternative.”
“We continue to bolster our programming with series and event specials that are brand definitional, and Star Talk is the perfect opportunity to offer our audience an edgy, latenight alternative with the credibility and authenticity that are the hallmarks of our network,” she said.
article by Jay Balfour via theurbandaily.com

With an unspecified “eight figures” in funding, Los Angeles-based MACRO initially will focus on developing and distributing feature films, TV series and digital content targeting African-American, Latino and multicultural markets.
King, 45, whose clients have included Tyler Perry and Oprah Winfrey, tells The Hollywood Reporter that MACRO’s goal is to focus on audiences that have long been underserved by the traditional entertainment industry. “I’ve been sitting in these rooms for the last 15 years. The studios aren’t focused on it; the packagers aren’t focused on it,” he says. “There’s a huge void and a huge opportunity.”
He points to the lack of capital available to minority-focused filmmakers and says he’s looking to change that with MACRO, which will leverage crowdfunding platforms and co-financing to target films that range from “artistically inclined independents” in the $1 million to $3 million budget range up to $20 million projects. He points to films such as Barbershop, The Butler and Ride Alongas examples of the types of projects he hopes to produce. “The one underlying theme is ‘premium,’ ” he says. “I’m looking for artistic integrity.”
King already has lined up projects from filmmakers Ryan Coogler (Fruitvale Station) and Craig Brewer (Hustle & Flow). Both were represented by King at WME and say they jumped at the opportunity to continue to work with him in a new capacity.

Have you ever wondered why clothing brands only use smaller models to promote clothes? It’s no secret that the fashion industry favors a specific body type over all others, which is why it’s remarkably refreshing to see what Rum + Coke is doing. The fashion brand decided to only hire plus-size models to promote the clothes.
So why did designer Courtney Smith decide to use plus-size models in her photo shoots? She told Refinery 29 the following:
“I put women of color and ‘larger’ women in my photo shoots for many reasons. One, because I believe in the multiplicity of beauty, and two, there are so many women who seldom see women who look like them in advertisements.”
This is more than just a ploy to be different, however. Consider that, as Cosmo reports, most brands choose smaller models – even when advertising plus-size clothing! The pictures from Rum + Coke don’t just work because the clothes are beautiful (they are) or because the models are attractive (also true); it’s because the clothes are shown on the women who would actually wear them in real life.
Smith also told Refinery 29 that she wants women “to be their most beautiful selves.” She’s working to battle all the negative messages that women hear: “You’re not thin enough, you’re not young enough, you’re not light enough.”
Instead of peddling the belief that women “are inadequate unless they change something about themselves or purchase this or that,” Rum + Coke aspires to send a different type of message: “You, woman, are enough. [Women] are beautiful in whatever package they come in.”
Want more good news? The brand offers their clothing in sizes small through 3X. If you want to support Rum + Coke, you can shop the brand’s products here.
article by claire biggs via act.mtv.com

Ollie Tyler was elected the 48th Mayor of the City of Shreveport. Council members-elect are Willie Bradford, Jeff Everson, Oliver Jenkins, Michael Corbin, James Flurry, Stephanie Lynch and Jerry Bowman. Mayor Tyler was formerly an education administrator, according to USA Today, and this is her first time serving as an elected official. She revealed several of her aims at the Inauguration, which included enhancing police force in high-crime areas, calculating a budget to balance the city’s finances, improving sewers and streets, attracting Fortune 500 companies, and cleaning up Shreveport’s major gateways.
During Tyler’s political race, a piece of her past resurfaced and it was revealed that the now mayor fatally shot her abusive husband in 1968. USA Today reported that “Tyler said she was never indicted and said the killing was ruled an ‘accidental and justifiable homicide.’” After the incident, Tyler proved that you really can overcome anything by becoming a teacher, Parish of Caddo’s Director of Middle Schools, New Orleans city schools’ Deputy Superintendent, Superintendent of Caddo Parish Public Schools, Louisiana’s Deputy Superintendent of Education and Acting State Superintendent of Education. Her latest victory as Shreveport’s first black mayor involved her defeating a white woman lawyer who’s 15 years younger.
Mayor Tyler was born in Caddo Parish. She obtained her Bachelor of Science from Grambling State University, and a Master of Education from Louisiana State University-Baton Rouge.
article by Essence Gant via blackenterprise.com

LOS ANGELES — “The Wizard of Watts,” a coming animated television musical, was conceived two years ago as a big, fat gob of raucous entertainment wrapped around a nugget of racial commentary.
Then, with the musical’s animation already far underway, Ferguson, Mo., became a flash point, starting a national debate about race, overzealous policing and the need for officers to wear body cameras. Then came the phrase “I Can’t Breathe” and the broader protest against police brutality.
Suddenly, “The Wizard of Watts,” with its devastated black neighborhoods and army of pigs, took on greater weight. How the musical will be received by viewers at a racially charged cultural moment is anyone’s guess. But when it arrives on Cartoon Network’s after-hours Adult Swim block on Saturday, “The Wizard of Watts” will at the very least become one of those eerie instances of art accidentally mirroring life.
The primary villain in the Magical Land of Oz-Watts, where the story takes place, is a vicious pig clad in riot gear. Water does not neutralize this Oz villain; instead this baddie gets melted with a camcorder. “Oh, no! Not an irrefutable visual record of my illegal actions!” the anthropomorphized pig wails as he turns to mush at the musical’s climax.
Even Carl Jones, the director of “The Wizard of Watts” and one of its writers, was surprised at hitting such a cultural bull’s-eye.
“I take pride in tackling things with my gloves off, but animation takes such a long time to produce that you usually don’t end up being all that current,” he said.
Mr. Jones had noticed on social media how African-Americans were increasingly using cellphone cameras as “protection from police, like as a weapon,” he said.
“Nobody was talking about it and so I decided we had to take it on,” he said.

In late September of this year, CBS Sports Network taped the inaugural episode of We Need To Talk, which marked the channel’s first-ever nationally televised all-female sports show.
Having already aired on December 27, 2014, the year-end special edition marked the broadcast debut of the show that features panelists Swin Cash, Laila Ali, Amy Trask, Tracy Wolfson and Dana Jacobson. The program, which bookended the network’s coverage of the Sun Bowl (Arizona State v. Duke), found New York Liberty’s Swin Cash going behind-the-scenes with the Golden State Warriors. She also interviewed the team’s new head coach, former Chicago Bulls shooting guard, Steve Kerr.
We Need To Talk made an impact when the program’s inaugural episode focused on the Ray Rice domestic violence scandal, and three of the show’s hosts shared similar war stories with their audience. From WNBA great Lisa Leslie’s brave admission that she’d been abused by a former fiance to Olympic swimmer Dara Torres shared her own painful story, We Need To Talk immediately became a relatable place for female sports fans of all ages.
“Because the big topic we were prepping for was domestic violence, and the statistic for women who are abused was proven on our first show,” says Allie LaForce, a CBS Sports sideline reporter and one of the contributors to CBS’s first all-sports show hosted completely by women. With these famous and notable women taking center stage, We Need To Talk tackles intriguing and diverse topics including domestic violence, concussions and advising awkward dudes on how to talk sports with the ladies.
In addition to Cash, Leslie, LaForce, Ali and the other aforementioned female hosts, Leslie Visser, Summer Sanders, Andrea Kremer and former Oakland Raider’s CEO Amy Trask will round out the group.
Behind the camera, We Need To Talk is led by Emmy Award-winning coordinating producers Emilie Deutsch and Suzanne Smith, the latter who is the only woman currently producing or directing NFL games. With the show wrapping its first season, there’s no doubt that audiences will be clamoring for a second helping of this diverse and influential sports show. It is expected to return to its CBS Sports cable home in the spring with brand new episodes.
article by Kevin L. Clark via blackenterprise.com
