
Claudia Rankine, the Henry G. Lee Professor of English at Pomona College in Claremont, California, won the National Book Critics Circle Award in poetry for her book Citizen: An American Lyric (Graywolf Press, 2014).
Rankine’s poetry recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Citizen is her fifth published poetry collection.
Earlier this year, Professor Rankine made literary history when she was the first author to have a work nominated as a finalist in two categories in the 39-year history of the National Book Critics Circle Awards.
Professor Rankine is a native of Jamaica. She is a graduate of Williams College in Williamstown, Massachusetts, and holds a master of fine arts degree in poetry from Columbia University.
article via jbhe.com
Good Black News

The companies previously announced that Mike Colter (“The Good Wife,” “American Horror Story: Coven”) will play Luke Cage in the series. Colter is slated to appear in Marvel’s “A.K.A. Jessica Jones” before headlining the “Luke Cage” series.
Coker is writing the first two episodes of the series, which is slated to premiere in 2016 in all territories Netflix is available.
Coker’s feature film credits include Fox Searchlight’s Notorious B.I.G. biopic “Notorious.” He also write the book “Unbelievable: The Life, Death, and Afterlife of The Notorious B.I.G.” Coker started his career in journalism as a staff writer at the L.A. Times and contributed to Vice, Rolling Stone, Essence and others.
Marvel’s “Luke Cage” is produced by Marvel Television in association with ABC Studios for Netflix.
article by Todd Spangler via Variety.com

In January, Jay Z acquired Sweden-based Aspiro for $56 million. The artists announced onstage at the New York event Monday were introduced as co-owners of the company, representing the first artist-owned digital-music service — as opposed to companies like Spotify and Pandora.
“Our goal is simple: We want to create a better service and a better experience for both fans and artitsts,” Alicia Keys said at the event. “We believe that it is in everyone’s interests — fans, artists and the industry as a whole — to preserve the value of music, and to ensure a healthy and robust industry for years to come.”
Tidal’s mobile launch partner is Sprint. Other artists participating in the service include Arcade Fire, Calvin Harris, Daft Punk, Jack White (formerly of the White Stripes) and Deadmau5. Tidal was launched with the hashtag “#TIDALforALL” — although, obviously, it’s only for those able or willing to pay at least $120 annually for audio and video content.
The Tidal service will compete with other subscription-music services including Spotify and Apple’s forthcoming music-streaming service, based on its acquisition of Beats Music, which is expected to launch this summer.
Tidal will not offer a free version of the service; the standard-audio version (Tidal Premium) will be $9.99 per month and the high-def audio version (Tidal HiFi) will be $19.99 per month. Both tiers are free to try out for 30 days, according to the company.
Tidal says it provides a library of more than 25 million tracks, 75,000 music videos and curated editorial articles. The service is available across iOS and Android devices, as well as in Web browsers and desktop players, available in the U.S. and 30 other countries at launch. Tidal provides streaming quality at more than four times the bit rate of competitive services, according to the startup.
article by Todd Spangler via Variety.com
According to Variety.com, NBC has announced it will make its next live musical television event a remake of the 1975 Tony Award-winner “The Wiz.” The remake will air on December 3.
Opening in 1975, “The Wiz” ran for four years on Broadway and won seven Tonys, including best musical. It retells the classic story of “The Wizard of Oz” in an African-American context.
In 1978, the musical was adapted into a movie produced by Motown and starring Diana Ross, Michael Jackson, Nipsey Russell and original Broadway cast member Ted Ross. NBC’s announcement of the holiday television event comes at a time when broadcast networks are setting more diversified roles and casting more and more actors of color on TV, following the success of Fox’s “Empire” and ABC’s “How to Get Away With Murder,” among other series.

“The Wiz” marks NBC’s third such production, following the success of “The Sound of Music Live!,” starring Carrie Underwood, and “Peter Pan Live!,” starring Allison Williams as the title character.
“The Wiz” will be co-produced by Cirque du Soleil’s new stage theatrical division. After the television event, the musical will make its Broadway revival for the 2016-17 season, also presented by Cirque du Soleil.
Casting for both projects has yet to be announced.

There in the front pew was singer, songwriter and musician Stevie Wonder who happened to be in town for a performance at the Target Center.
The Rev. Jerry McAfee knows Wonder and extended an invitation to the Sunday service. Church members cheered when Wonder rose to sing a favorite hymn, “I Won’t Complain.”
Minneapolis’ WCCO-TV says Wonder is known for speaking out against violence during stops on his concert tours, specifically in the African-American community.
Toward the end of the service there was another surprise. Wonder said he would donate $10,000 to the church.
article by Associated Press via blackamericaweb.com

This season on the ABC show “Shark Tank”, Drexel student Christopher Gray, Co-Founder of Scholly, an app to help college students find scholarships, walked away with $40,000 and two “Shark Tank personalities–FUBU founder Daymond John and Lori Greiner of QVC, as investors with a 15% stake in his company.
Since launching your Scholly, what has your journey been like leading to this point?
The journey has been surreal. I am only a senior in college and have had tremendous success. Being featured in national outlets and other accolades has been amazing. My top three highlights:
- Shark Tank Appearance
- Scholly Being Chosen as one of Inc. Magazine’s Top College Start Up
- I was selected as one of BET’s 30 Under 30
Have you always wanted to venture into entrepreneurship? If so, who has inspired you the most?
Yes, I have always wanted to be an entrepreneur since I was little. I have a lot of mentors who I look to for various things. Have a problem with choosing one!

The Viacom-owned outlet said the comic’s debut as host would be announced at a later date.
In choosing Noah, a 31-year-old of mixed-race parentage, Comedy Central is banking that following a tried-and-true formula will keep the program that is arguably the linchpin of its schedule top of mind among its core audience of young male viewers. Twice now, executives at the network have identified an up-and-coming talent, and we’re rewarded on both occasions with a higher profile for the show. Noah will be only the third host of the program, following an early stint by Craig Kilborn and Stewart’s well-chronicled reign.
Noah has “such a unique and powerful voice,” said Michele Ganeless, Comedy Central’s president, in an interview Monday morning. Executives feel he is “a gifted comedian and storyteller,” she added. “He was not a new face to us, but he will be to a lot of people.” Stewart himself was involved as an “adviser” in the selection process, she said.
Noah has the kind of experience that would seem to be de rigueur for a host of “The Daily Show,” which, under Stewart has not only made fun of headlines of the day, but also of the news outlets that deliver them. Noah has hosted numerous television shows, including his own latenight talk show in his native country, “Tonight With Trevor Noah.” And he is no stranger to analyzing controversial topics. Born in South African to a black South African mother and a white Swiss father, he once told an audience, “I was born a crime,” according to a 2013 report in the Wall Street Journal.
With that sort of willingness to discuss sensitive topics head-on, Noah would appear to fit the bill being written under Kent Alterman, the network’s president of original programming. In the recent past, Comedy Central has sought people able to articulate a unique world view. The network has found success with programs featuring comedienne Amy Schumer as well as Abbi Jacobson and Ilana Glazer, a duo who star in the program “Broad City.”

Brittany Fitzpatrick is a purpose-based innovator leveraging technology as a revolutionary tool for social change.
Fresh out of graduate school, the budding civic entrepreneur founded MentorMe, a mentor and mentee online matching platform. The cloud-based software, launched in 2012, cuts time required to manage mentoring programs in half, reducing operational costs by an average of 28 percent.
“Through our technology, we’re able to help organizations start and manage effective mentoring programs without the need for significant increases in administrative time and cost,” Fitzpatrick, founder and CEO of MentorMe, said in an interview with MadameNoire.
“In fact, we’ve seen a reduction in overall administrative time spent on onboarding mentors and mentees, and managing data. Customers are also now starting to see the value in the quantitative and qualitative data they get back after their matches are created.”
Fitzpatrick, a beneficiary of formal mentoring programs as a child, was inspired to establish MentorMe after volunteering as a mentor for eight years. Through this invaluable experience, she saw firsthand the benefits children received from participating in these types of programs.
Speaking at a TEDxJackson talk last year, Fitzpatrick said out of 18 million children who want and need a mentor only three million end up finding one. “This gap between the three million kids with mentors and the 15 million kids who are still waiting is known as the mentoring gap,” Fitzpatrick said during the talk.
To read more, go to: UrbanGeekz.com

Set to make its New York premiere tonight, March 29, 2015, at 9:30pm, at the New Voices in Black Cinema Festival, at BAMcinématek in Brooklyn, NY, is “Black Panther Woman” – director Rachel Perkins‘ documentary on the little known Brisbane chapter of the Black Panther Party, which was directly inspired by the American Black Panthers.
To pre-purchase tickets, visit http://www.bam.org/film/2015/black-panther-woman.
Central to the film is Marlene Cummins (photo above), who was introduced to Australia’s Black Panther Party in 1972, when she met and fell in love with its leader, beginning her education into the Black Power movement.
According to director Rachel Perkins, what began as a straightforward story, recounting the Black Panther Party in Australia, slowly revealed itself as something more. The tensions around the movement and her personal life tightened around Marlene, and finally led to the break up of her relationship with the party’s leader. Marlene filled the vacuum with alcohol and quickly spiralled into a cycle of addiction that left her vulnerable on the streets. Her vulnerability and her belief in the movement made her a target for black men in power. Marlene recalls the incident of her rape, by two Indigenous leaders, after which she made the difficult decision to stay silent. Dedicated to the cause, and distrustful of police, she, like other Aboriginal women facing abuse, chose to stay silent to protect the movement from criticism.
