Salt, a new half-hour, bi-weekly talk show focused on the ups and downs of being Christian millennials of color during a time when media spaces are often populated with inauthentic “reality” TV shows, is scheduled to debut Sunday, Oct 11 at 8:00 p.m. ET on YouTube.
Hosted by Michelle Jenkins, Yeira De Leon, J. Jones, and L.A. Bonds, Salt will engage in no-holds-barred conversations ranging from news of the day to beauty, fashion and colorism in the Black community. The four outspoken women will also keep it real about their own personal relationships. Whether married, single or somewhere in between (think Netflix and Chill), Salt wants to add its flavor to your Sundays.
With a focus on faith and Christianity, Salt’s goal is not just to entertain. According to a statement released exclusively to Newsone, the women also want to “win back the lost”:
Salt’s overarching goal is to provide an alternative perspective that not only promotes a relationship with Christ, but the “cool” life to be had when you do. To be young and a Christian has been for so long deemed “unpopular”, but what if someone showed you that is simply not true. That choosing to follow Jesus is not a restriction, but a freedom! The show, which is filled with so much truth, love, fun, and personal experience, hopes to capture the young minds of today who are being inundated with conflicting information from everywhere.
The growing media continues to push and help shape the thoughts of young adults today, so rather than find an opportunity to live within this media construct, SALT seeks to create their own lane to win back the lost. The Bible tells us to be the SALT and the light of the world and that is what we intend to do.
With the rise of social media, millennials seem to be more vulnerable than ever to self-hatred, depression, lack of self-confidence, bullying, and suicide. Moreover in the news, young men and women of color are increasingly becoming targets of a love-less system. But with every poor illustration and message of hopelessness, we want to project a message of hope and empowerment. When our viewers watch SALT, we want them to be inspired to share their voice and their faith with the world. We hope to encourage them with our stories and ultimately help restore their hope. Everyone needs a hero, so in one way or another, we point our viewers back to ours, Jesus!
Appealing to more than a Christian base may prove tricky for the show. Even though it’s important to have diversity of thought represented in media spaces, not having faith in Jesus does not make one “lost” any more than having faith in Jesus makes one found. There are agnostic, atheist and Muslim millennials. There are millennials who identify as spiritual beings not restricted by religion.
So, can a show grounded in “God’s truth and the Gospel of Jesus,” according to SoulFeedTV’s stated purpose, have wide-spread appeal among an increasing secular millennial demographic that is uninterested in being “saved,” no matter how fun the hosts make it seem?
We guess you’ll have to pour a little Salt on your Sundays at 8:00 p.m. ET on YouTube to find out.
To see a trailer for the show, click here.
article via hellobeautiful.com
Good Black News
Los Angeles, C.A. – What is being hailed as the first ever comic-con of politics and entertainment, Politicon is holding its inaugural convention at the Los Angeles Convention Center this weekend in the city with the largest, most militarized, and most violent policing forces in the nation. The lineup includes big names like Trevor Noah, James Carville, Newt Gingrich, and Ann Coulter – as well as Los Angeles based human rights activists, formerly incarcerated people, and the families of loved ones who have been killed by law enforcement.
Los Angeles based organizations including Dignity and Power Now, Black Lives Matter LA, and the ACLU of Southern California will be joining the Ella Baker Center for Human Rights in a Politicon event hosted and moderated by Tourè this Saturday in order to highlight how the families of the victims of police brutality are the ones leading the charge for change, introduce the key players, and encourage people to join the fight. This cumulative event also serves as the finale to the Caravan For Justice, a week-long statewide tour that has been guiding Californians on how to utilize the ACLU’s Mobile Justice app and rallying together those affected by state violence to take action.
“The people affected by state violence have always been leading this movement,” says Director of Health and Wellness Mark-Anthony Johnson of Dignity and Power Now. “This Saturday we’ll be center stage at Politicon, just as we’ve been center stage at the Los Angeles County Board of Supervisors and the police commission for years. We got civilian oversight of the sheriff’s department. We passed AB 953. We’re getting stronger and we’re not going anywhere.”
For more information please visit dignityandpowernow.org.
article by Caravan for Justice via newsone.com
(Photo: Awara Adeagbo)
SAN FRANCISCO — Makinde Adeagbo knows how isolating it can be to live and work in Silicon Valley as an African American. He says it’s even more isolating to be a software engineer here.
Adeagbo, who is an engineer at the San Francisco company Pinterest, says he can go weeks without spotting another black engineer in America’s tech hub. “It’s not only that you are the only black person in the room or in the company, often times you are the only black person you see in Palo Alto or Menlo Park,” says Adeagbo, 30.
About 1% of engineers at Facebook and Google are African American. The population of Palo Alto, Calif. is 2% African American, Menlo Park, Calif., is under 5%.
Over the summer Adeagbo founded /dev/color, a nonprofit group for African-American engineers that officially launched on Wednesday. The group brings together engineers from top companies such as Facebook, Uber and Airbnb to provide support and a voice to African Americans and give them the opportunity to raise up the next generation, Adeagbo says.
Adeagbo says he hit on the idea while volunteering as a mentor to a couple of computer science students.
“These students knew they had someone who had their backs, whom they could look up to and reach out to when they needed help. I thought to myself: Every black software engineer could accomplish a lot if they had someone like this,” says Adeagbo. .
The name /dev/color is a reference to a common directory on computer systems “as well as our efforts to strengthen the community of Black software engineers, engineers of color,” he says.
Adeagbo’s /dev/color is joining Black Girls Code, Code 2040 and the Hidden Genius Project, a new and growing wave of enterprising organizations founded by African Americans aimed at addressing the scarcity of African Americans in the tech industry.
“Other black software engineers need to provide this for the black engineers coming behind them,” says Adeagbo, who is splitting his time between /dev/color and Pinterest. “We all need to work together to pull ourselves up and make sure we are accomplishing all that we can.”
The challenge is daunting: A fraction of the tech work force in Silicon Valley is African American and little progress has been made to address the problem. Only 1% of venture-capital-backed start-ups are led by African-Americans and less than 1% of general partners at major venture capital firms in Silicon Valley, the ones that back tomorrow’s Facebooks and Googles, are African American.
WASHINGTON (AP) — Black men from around the nation are gathering on the National Mall to celebrate the 20th anniversary of the Million Man March and call for policing reforms and changes in black communities.
Nation of Islam leader Louis Farrakhan, who spearheaded the original march, will lead an anniversary gathering Saturday at the Capitol called the “Justice or Else” march.
“I plan to deliver an uncompromising message and call for the government of the United States to respond to our legitimate grievances,” Farrakhan said in a statement.
Attention has been focused on the deaths of unarmed black men since the shootings of 17-year-old Trayvon Martin in 2012 in Florida and 18-year-old Michael Brown in 2014 in Ferguson, Missouri. Deaths of unarmed black males at the hands of law enforcement officers have inspired protests under the “Black Lives Matter” moniker around the country.
The original march on Oct. 16, 1995, brought hundreds of thousands to Washington to pledge to improve their lives, their families and their communities. Women, whites and other minorities were not invited to the original march, but organizers say all are welcome Saturday and that they expect to get hundreds of thousands of participants.
The National Park Service estimated the attendance at the original march to be around 400,000, but subsequent counts by private organizations put the number at 800,000 or higher. The National Park Service has refused to give crowd estimates on Mall activities since.
President Barack Obama, who attended the first Million Man March, will be in California on Saturday.
Life has improved in some way for African-American men since the original march, but not in others. For example:
-The unemployment rate for African-American men in October 1995 was 8.1 percent, according to the Bureau of Labor Statistics. In September it was 8.9 percent.
-In 1995, 73.4 percent of African-American men had high school degrees. In 2004, 84.3 percent did, according to the Census Bureau.
-Law enforcement agencies made 3.5 million arrests of blacks in 1994, which was 30.9 percent of all arrests, the FBI said. (By comparison, they made 7.6 million arrests of whites that year, which was 66 percent of all arrests.) By 2013, the latest available data, African-American arrests had decreased to 2.5 million, 28 percent of all arrests.
Anti-Muslim protesters plan to demonstrate at mosques around the nation on the same day.
article by Jesse J. Holland via huffingtonpost.com
Following Vin Diesel’s news that F. Gary Gray is his choice to direct “Fast and Furious 8,” the “Straight Outta Compton” director has made it official. The director tweeted Thursday that he has come on board to helm the next installment of the series, which begins filming next year.
https://twitter.com/FGaryGray/status/652181877587992576?ref_src=twsrc%5Etfw
Diesel is back to star along with Dwayne Johnson, Ludacris and Tyrese Gibson. Jason Statham and Kurt Russell are also expected to return.
Diesel is also producing along with Neal Moritz.
Universal, along with Diesel and Moritz, were focused on the search for their next director after “Furious 7” helmer James Wan decided not to helm the eighth installment. Universal went back to Justin Lin, who had previously helmed four of the installments, but his schedule conflicts with “Star Trek 3” forced him to fall out of the running.
Other helmers who were in talks included “The Signal’s” Will Eubank, “The Guest’s” Adam Wingard and Louis Leterrier. Diesel posted on his Facebook Tuesday night that he had met with Gray and was hopeful the helmer would join the shoot, but no deal was made at the time.
Gray had become one of the hottest helmers in town after successfully bringing the N.W.A biopic “Straight Outta Compton” to life. The film not only overperformed at the box office (more than $150 million on a $20 million budget), but drew critical acclaim, so much so that it’s drumming up Oscar buzz.
article by Justin Kroll via Variety.com
https://twitter.com/FGaryGray/status/652181877587992576?ref_src=twsrc%5Etfw
Diesel is back to star along with Dwayne Johnson, Ludacris and Tyrese Gibson. Jason Statham and Kurt Russell are also expected to return.
Diesel is also producing along with Neal Moritz.
Universal, along with Diesel and Moritz, were focused on the search for their next director after “Furious 7” helmer James Wan decided not to helm the eighth installment. Universal went back to Justin Lin, who had previously helmed four of the installments, but his schedule conflicts with “Star Trek 3” forced him to fall out of the running.
Other helmers who were in talks included “The Signal’s” Will Eubank, “The Guest’s” Adam Wingard and Louis Leterrier. Diesel posted on his Facebook Tuesday night that he had met with Gray and was hopeful the helmer would join the shoot, but no deal was made at the time.
Gray had become one of the hottest helmers in town after successfully bringing the N.W.A biopic “Straight Outta Compton” to life. The film not only overperformed at the box office (more than $150 million on a $20 million budget), but drew critical acclaim, so much so that it’s drumming up Oscar buzz.
article by Justin Kroll via Variety.com
The relatives of police shooting victim Walter Scott have reached a $6.5 million settlement with the city of North Charleston. According to CNN, the settlement was approved Thursday night by the North Charleston City Council.
“This is the largest settlement of this type case in the history of South Carolina,” said Brady Hair, North Charleston’s City Attorney.
Mayor Keith Summey appears to be pleased with the settlement.
“I’m glad the city and the family were able to reach a settlement without the necessity of a lawsuit,” said Summey.
According to the Scott family’s attorney, the money will be used to support Scott’s four children.
“He was a good father,” said his brother Anthony Scott. “People say how was he a good father and behind on child support? The system needs to be changed. There needs to be some things changed in the system, so there is a balance. His children loved him, and he loved his children.”
He continued:
“The city of Charleston’s actions have ensured that Walter did not die in vain,” he said. “The city sent a message, loud and clear, that this type of reckless behavior will not be tolerated.”
Scott was gunned down in April by former police officer Michael Slager following a routine traffic stop. Slager was indicted in Scott’s murder shortly after the shooting.
article by Jazmine Denise Rogers via madamenoire.com
Simon & Schuster Books for Young Readers, an imprint of Simon & Schuster Publishing, has announced a 4-book deal with Quvenzhané Wallis – three chapter book series, and a picture book.
The yet-to-be-titled chapter book series launches in January 2017, followed by the second chapter book and the picture book in Fall 2017. The third chapter book is scheduled for Summer 2018.
Illustrators for the series and the picture book are yet to be selected.
Loosely based on the author’s own experiences, Miss Wallis’s picture book follows a spunky young heroine who is very much looking forward to a night out with her mom at an awards show. The duo has a grand time getting dressed up, riding in a limo, and walking the red carpet.
Meanwhile, a precocious and talented third grader is the star of Miss Wallis’s chapter book series. The books follow Shai Williams, a star in the making, who has a flair for the dramatic – both onstage and off.
Both the chapter book series and the picture book will be for readers ages six and up.
“Reading is very important,” said Wallis in the press statement. “It allows people to form a visual experience in their minds of what is going on in the story. I hope all readers enjoy using their imaginations along with me and take a journey into my books.”
Christian Trimmer, Executive Editor of Simon & Schuster Books for Young Readers added: “I’m thrilled that Quvenzhané is turning her estimable abilities to books. Her dedication to great storytelling is readily apparent. Readers of all ages are in for a big treat.”
“The characters Quvenzhané has portrayed have an alluring mix of self-possession and vulnerability,” adds Dawn Davis, Vice President and Publisher of 37 INK, a division of Atria, who jointly acquired (along with Simon & Schuster) world rights to Ms. Wallis upcoming 4 books. “We look forward to her bringing that same electric combination to the page. We also hope these books will help expand the diverse array of voices in the children’s book space.”
Wallis, who was last seen in “Annie” last Christmas holiday season, will next appear in “Fathers and Daughters,” and “Counting by 7s” – neither has a release date set.
article by Tambay A. Benson via blogs.indiewire.com
An undercover officer who assaulted tennis star James Blake on a Manhattan sidewalk last month used excessive force, “according an investigation by the Civilian Complaint Review Board, New York City’s independent agency for police misconduct,” reports The New York Times.
The board substantiated the charge of excessive force against New York Police Department Officer James Frascatore and recommended punishment that could result in suspension or dismissal, writes the news outlet.
Blake received word about the findings Tuesday in a letter from the panel. The incident took place during the U.S. Open on Sept. 9 in front of the Grand Hyatt Hotel on 42nd Street in Midtown. The assault, captured on video surveillance camera, reignited national outrage over the use of excessive force by police against people of color.
From The New York Times:
[Frascatore] will now face an internal Police Department trial; the police commissioner, William J. Bratton, has the final say on discipline of officers.
“I want to express my appreciation to the Civilian Complaint Review Board for their quick and thorough review of the incident where I was attacked,” Mr. Blake said in a statement. “I have complete respect for the principle of due process and appreciate the efforts of the C.C.R.B. to advance this investigation.”
Blake’s lawyer, Kevin H. Marino, told The Times that his client “looks forward to participating in the forthcoming trial.”
article by Lynette Holloway via newsone.com
Jon Platt will lead Warner/Chappell Music going forward. As part of a transition plan, Platt, who joined Warner/Chappell in 2012, will be promoted to the company’s CEO on Nov. 1 from his current position as president, North America. Subsequently, in May 2016 (most likely when Cameron Strang’s contract ends), Cameron Strang, currently chairman & CEO, will step down to devote his full focus to serving as chairman & CEO of Warner Bros. Records.
Platt is known for being a doubled-edged sword, having great creative skills combined with top-notch leadership. On the creative side, he has helped attract such artists and songwriters as Jay Z, Beyoncé, Vance Joy and Echosmith to Warner/Chappell.
“Jon has a deep understanding of the creative process, an outstanding devotion to songs and songwriters, and an innate ability to nurture the next generation of talented publishing executives,” Warner Music Group CEO Steve Cooper said in a statement. “His combination of artistic sensibility and commercial savvy is very rare, and is clearly why so many of the world’s greatest songwriters want him as their partner and champion.” Cooper added that Platt will enhance Warner/Chappell’s “position” as the best home for songwiters.
Over the last five years, Warner/Chappell’s revenues have steadily declined, from $582 million for the year ended Sept. 30, 2009 to $503 million for the year ended Sept. 30, 2013, before rebounding last year to $517 million. In the first nine months of this year, Warner/Chappell revenue stands at $359 million, down from $387 million, or 7.2 percent.
Platt’s ability to attract top flight songwriters should help boost the company’s bottom line. Over the last several years, Warner/Chappell has added such songwriters as Pharrell Williams’ pre-2010 repertoire, Taio Cruz, Aloe Blacc, Sean Douglas, Belly, Mano, Julia Michaels, Steve Kipner, Nico & Vinz, Slash, Dave Mustaine, Mike WiLL Made It, Lady Antebellum, Liz Rose, and Lee Miller, as well as the Roc Nation publishing catalog.
“Ever since Jon came on board in 2012, he has played a pivotal role in our success story, making enormous contributions to the company’s rapid development,” Strang said in a statement.”Warner/Chappell is now ready for the next phase of its ongoing evolution, and Jon is exactly the right executive for the job. He is a force of nature: a brilliant creative collaborator; a principled leader; and an inspiring mentor. He will be a terrific CEO, as he brings his dynamism and expertise to our songwriters, teams and business around the world.”
Cooper added that “with a smooth transition underway at Warner/Chappell, Cameron will lead our plan to build on [Warner Bros. Records] existing success, turbocharge its long-term growth and deepen our commitment to A&R and artist development.”
Prior to joining Warner/Chappell Platt, who received SESAC’s Visionary Award in May, spent 17 years at EMI Music Publishing, where he signed an early-career Jay Z, Kanye West, Usher, Drake, Ludacris, Mary Mary, Young Jeezy, Fabolousand Snoop Dogg, according to Warner/Chappell’s announcement.
“Warner/Chappell is an iconic music company with an incomparable roster of extraordinary songwriters,” Platt said in a statement. “Our mission is to develop, grow, reward and sustain a prosperous and healthy creative community — the community of songwriters who make it possible for music to have such a special place in all of our lives. My vision for Warner/Chappell is one of peerless commitment to the songwriter and unmatched advocacy for the value of music. I see us leading the industry in our service not only to our songwriters, but also to the partners and fans that help make their livelihoods possible.”
article by Ed Christman via billboard.com
Platt is known for being a doubled-edged sword, having great creative skills combined with top-notch leadership. On the creative side, he has helped attract such artists and songwriters as Jay Z, Beyoncé, Vance Joy and Echosmith to Warner/Chappell.
“Jon has a deep understanding of the creative process, an outstanding devotion to songs and songwriters, and an innate ability to nurture the next generation of talented publishing executives,” Warner Music Group CEO Steve Cooper said in a statement. “His combination of artistic sensibility and commercial savvy is very rare, and is clearly why so many of the world’s greatest songwriters want him as their partner and champion.” Cooper added that Platt will enhance Warner/Chappell’s “position” as the best home for songwiters.
Over the last five years, Warner/Chappell’s revenues have steadily declined, from $582 million for the year ended Sept. 30, 2009 to $503 million for the year ended Sept. 30, 2013, before rebounding last year to $517 million. In the first nine months of this year, Warner/Chappell revenue stands at $359 million, down from $387 million, or 7.2 percent.
Platt’s ability to attract top flight songwriters should help boost the company’s bottom line. Over the last several years, Warner/Chappell has added such songwriters as Pharrell Williams’ pre-2010 repertoire, Taio Cruz, Aloe Blacc, Sean Douglas, Belly, Mano, Julia Michaels, Steve Kipner, Nico & Vinz, Slash, Dave Mustaine, Mike WiLL Made It, Lady Antebellum, Liz Rose, and Lee Miller, as well as the Roc Nation publishing catalog.
“Ever since Jon came on board in 2012, he has played a pivotal role in our success story, making enormous contributions to the company’s rapid development,” Strang said in a statement.”Warner/Chappell is now ready for the next phase of its ongoing evolution, and Jon is exactly the right executive for the job. He is a force of nature: a brilliant creative collaborator; a principled leader; and an inspiring mentor. He will be a terrific CEO, as he brings his dynamism and expertise to our songwriters, teams and business around the world.”
Cooper added that “with a smooth transition underway at Warner/Chappell, Cameron will lead our plan to build on [Warner Bros. Records] existing success, turbocharge its long-term growth and deepen our commitment to A&R and artist development.”
Prior to joining Warner/Chappell Platt, who received SESAC’s Visionary Award in May, spent 17 years at EMI Music Publishing, where he signed an early-career Jay Z, Kanye West, Usher, Drake, Ludacris, Mary Mary, Young Jeezy, Fabolousand Snoop Dogg, according to Warner/Chappell’s announcement.
“Warner/Chappell is an iconic music company with an incomparable roster of extraordinary songwriters,” Platt said in a statement. “Our mission is to develop, grow, reward and sustain a prosperous and healthy creative community — the community of songwriters who make it possible for music to have such a special place in all of our lives. My vision for Warner/Chappell is one of peerless commitment to the songwriter and unmatched advocacy for the value of music. I see us leading the industry in our service not only to our songwriters, but also to the partners and fans that help make their livelihoods possible.”
article by Ed Christman via billboard.com
Fox is developing a new event series revolving around a racially-motivated police shooting. The project hails from “Love & Basketball” writer/director Gina Prince-Bythewood and will star Sanaa Lathan, who starred in the 2000 film.
The untitled event series examines the dangerous aftermath of a police shooting when an African-American cop kills a white teen in Tennessee. Lathan (“The Perfect Guy”) will play an expert investigator who digs into the case, alongside a yet-to-be-cast special prosecutor sent to the town by the Department of Justice. The duo must navigate the media attention, public debate and social unrest that accompany such a volatile case, as they seek justice before the divided town erupts into a race war.
The announcement of the project comes amidst of an uproar of recent media attention on racially-motivated police attacks, most notably the Trayvon Martin case, in which the African American teenager was fatally shot by George Zimmerman. The Fox project, however, features a race-flipped scenario with a white teen being killed by a black cop.
Prince-Bythewood, along with Reggie Rock Bythewood, will serve as writers and exec producers on the 20th Century Fox project, which will be directed by Prince-Bythewood. Brian Grazer and Francie Calfo will also exec produce. Prince-Bythewood’s Undisputed Cinema and Imagine Television will also produce.
The event series reunites Lathan and Gina Prince-Bythewood, who worked together “Love & Basketball.” Prince-Bythewood and Bythewood also worked together on “Beyond the Lights.”
article by Elizabeth Wagmeister via Variety.com
The untitled event series examines the dangerous aftermath of a police shooting when an African-American cop kills a white teen in Tennessee. Lathan (“The Perfect Guy”) will play an expert investigator who digs into the case, alongside a yet-to-be-cast special prosecutor sent to the town by the Department of Justice. The duo must navigate the media attention, public debate and social unrest that accompany such a volatile case, as they seek justice before the divided town erupts into a race war.
The announcement of the project comes amidst of an uproar of recent media attention on racially-motivated police attacks, most notably the Trayvon Martin case, in which the African American teenager was fatally shot by George Zimmerman. The Fox project, however, features a race-flipped scenario with a white teen being killed by a black cop.
Prince-Bythewood, along with Reggie Rock Bythewood, will serve as writers and exec producers on the 20th Century Fox project, which will be directed by Prince-Bythewood. Brian Grazer and Francie Calfo will also exec produce. Prince-Bythewood’s Undisputed Cinema and Imagine Television will also produce.
The event series reunites Lathan and Gina Prince-Bythewood, who worked together “Love & Basketball.” Prince-Bythewood and Bythewood also worked together on “Beyond the Lights.”
article by Elizabeth Wagmeister via Variety.com