article via clutchmageonline.com
Actor, activist and entrepreneur Jesse Williams was honored at Sunday night’s BET Awards, and his acceptance speech was everything!The Advancement Project board member not only gave an emotionally charged speech, but also dedicated his award to his fellow organizers.
“This is for the real organizers all over the country. The activists, the civil rights attorneys, the struggling parents, the families, the teachers of students that are realizing that a system built to divide and impoverish and destroy us cannot stand if we do,” said Williams, who linked arms with Ferguson activists in the wake of Michael Brown’s death in the fall of 2014 and executive-produced Stay Woke, a documentary which traced the evolution of the Black Lives Matter movement and debuted on BET in May.
To see video of his speech, click here: http://www.bet.com/video/betawards/2016/acceptance-speeches/jesse-williams-receives-humanitarian-award.html
Williams also paid homage to black women, who are often times the unsung heroes of the movement.“Black women who have spent their lifetimes dedicated to nurturing everyone before themselves.” “We can and will do better for you,” he said. Williams reminded attendees to remember those who died and why we’re still fighting to make people understand that black lives do matter. And he also spoke a word about the culture vultures.
Source: Jesse Williams’ BET Humanitarian Award Speech Was EVERYTHING – Clutch Magazine
Good Black News
Destyni Tyree was living in a homeless shelter in Washington, D.C., when the 14-year-old girl enrolled in Roosevelt S.T.A.Y. High School. Two years later, she graduated with a 4.0 GPA, was appointed captain of the school’s cheerleading squad and voted prom queen — all while working a 25-hour per week job.
What’s more, she has secured a full scholarship to Potomac State College of West Virginia University and will continue her education in August. Her next stop after college is surely world domination.
The principal of Roosevelt S.T.A.Y., Eugenia Young, told ABC that Tyre is “a joy to be around, she has a good heart.” She continued to call Tyree a “bubbly person” and a “phenomal student.”
For Tyree, the hard life that she grew up in only served as motivation to secure academic success. “Quite frankly, I’m just ready to go and live life,” she said in an interview with ABC. “I know there’s a better life out there for me. It gets better. If you work hard enough, if you have that drive, if you have that motivation, it gets a lot better.” She continued to describe how she was able to achieve so much in such little time, saying, “I just time managed. I just wake up and do what I gotta do.”
What’s more, she has secured a full scholarship to Potomac State College of West Virginia University and will continue her education in August. Her next stop after college is surely world domination.
The principal of Roosevelt S.T.A.Y., Eugenia Young, told ABC that Tyre is “a joy to be around, she has a good heart.” She continued to call Tyree a “bubbly person” and a “phenomal student.”
For Tyree, the hard life that she grew up in only served as motivation to secure academic success. “Quite frankly, I’m just ready to go and live life,” she said in an interview with ABC. “I know there’s a better life out there for me. It gets better. If you work hard enough, if you have that drive, if you have that motivation, it gets a lot better.” She continued to describe how she was able to achieve so much in such little time, saying, “I just time managed. I just wake up and do what I gotta do.”
article by Andrew Barker via Variety.com
Bernie Worrell, the keyboardist, songwriter and synthesizer pioneer who served as co-founder of Parliament-Funkadelic with George Clinton, and was also a key Talking Heads collaborator, died on Friday after a battle with cancer, according to his Facebook page. He was 72.
Diagnosed with stage four lung cancer in January, Worrell was the guest of honor at a massive benefit concert last April, with the likes of George Clinton, Questlove, David Byrne and Meryl Streep performing and paying tribute. In mid-June, however, his wife Judie Worrell announced his health had taken a turn, writing, “Bernie is now heading ‘Home.’”
As a member of Parliament-Funkadelic, Worrell’s synth playing provided the funk innovators with some of their most distinctive and immediately recognizable elements, which subsequently became signature sounds of the more futuristic strains of R&B, and the bedrock of hip-hop’s West Coast “g-funk” wave, with Dr. Dre in particular sampling Worrell’s music continuously.
From the gurgling, staccato Minimoog bassline of “Flash Light” to the whiny, minor-key synth lines on “P. Funk (Wants to Get Funked Up),” Worrell introduced a wealth of completely new elements into pop music’s sonic vocabulary. Former bandmate Bootsy Collins described Worrell as “the Jimi Hendrix of the keyboards,” while Talking Heads frontman Byrne once noted, “Bernie changed the way I think about music, and the way I think about life.”
Born George Bernard Worrell in New Jersey, Worrell began playing piano at age three, and performed with the Washington Symphony Orchestra at age 10. He attended Julliard and the New England Conservatory of Music, and met up with fellow New Jersey native George Clinton while playing in bar bands. He followed Clinton to Detroit, where Funkadelic rewrote the rules of black popular music several times over throughout the 1970s.
Worrell only appeared on a single track of Funkadelic’s 1970 self-titled debut, but he featured heavily on follow-up “Free Your Mind…And Your Ass Will Follow,” and by the time of 1971’s psych-rock freak-out masterpiece “Maggot Brain,” he was firmly ensconced in the lineup, even singing lead on single “Hit It and Quit It.”
Worrell’s role as a keyboardist, songwriter and arranger grew throughout the decade as Funkadelic and Parliament – during the ‘70s, the two groups consisted of the same core members – evolved into a more radio-friendly, dance-oriented outfit, alongside former James Brown bassist Collins, who arrived in 1972. Thanks to his grasp of classical music composition, as well as his ceaseless curiosity in exploring state-of-the-art synthesizer technology, Worrell was essential in imposing structure and melodic order onto the group’s more freewheeling experimentations.
Parliament’s “Mothership Connection” elevated the collective’s profile substantially in 1975, reaching No. 4 on the R&B album chart and becoming the first P-Funk album to go platinum. The group’s popularity peaked with Funkadelic’s “One Nation Under a Groove,” which topped the R&B chart for six straight weeks in 1978, while Parliament’s “Motor Booty Affair” and Funkadelic’s “Uncle Jam Wants You” both reached No. 2 in the months that followed. The P-Funk staples co-written by Worrell in this period include “Mothership Connection (Star Child),” “Aqua Boogie (A Psychoalphadiscobetabioaquadaloop)” and “Flash Light,” which still stands as perhaps the group’s most widely played and influential single track.
[youtube https://www.youtube.com/watch?v=5FEe9V3HeZ0&w=560&h=315]
Worrell recorded a solo album in 1978 – “All the Woo in the World,” produced by Clinton – and recorded with Collins for his splinter group Bootsy’s Rubber Band, whose 1977 album “Ahh…the Name is Bootsy, Baby!” is a particularly essential funk collection. But as loose and sprawling as the P-Funk universe could be, the spine of the group began to splinter at the end of the ‘70s, and Worrell officially left in 1981.
Shortly after his departure, Worrell was recruited by Jerry Harrison, guitarist for the art-rock/New Wave group Talking Heads, whom Worrell had never heard. Though he found their earlier music “stiff,” Worrell joined the group as a session musician, contributing synthesizers to 1983 album “Speaking in Tongues,” which would go on to become the Heads’ highest-charting release. He toured with the group for years, and his importance to their live sound is made abundantly clear in the Jonathan Demme-directed 1984 concert film, “Stop Making Sense.”
During the ‘80s, Worrell also recorded with Keith Richards, Fela Kuti, and Jack Bruce, and after the breakup of Talking Heads, he released a spate of solo albums in the early-‘90s. (1991’s “Funk of Ages” is the clear standout.) He continued to record and tour throughout the following decades, with groups the Bernie Worrell Orchestra and Bernie Worrell’s Woo Warriors, and as part of the supergroup Black Jack Johnson alongside rapper Mos Def. Worrell was the subject of Philip Di Fiore’s 2005 documentary, “Stranger: Bernie Worrell on Earth,” and he had a role as a member of Meryl Streep’s bar band in Demme’s 2015 feature “Ricki and the Flash.”
Worrell was inducted into the Rock and Roll Hall of Fame as a member of Parliament-Funkadelic in 1997, and performed with the reunited Talking Heads during the group’s induction in 2002. Earlier this year, he was given an honorary doctorate from his alma mater, the New England Conservatory of Music.
Bernie Worrell, the keyboardist, songwriter and synthesizer pioneer who served as co-founder of Parliament-Funkadelic with George Clinton, and was also a key Talking Heads collaborator, died on Friday after a battle with cancer, according to his Facebook page. He was 72.
Diagnosed with stage four lung cancer in January, Worrell was the guest of honor at a massive benefit concert last April, with the likes of George Clinton, Questlove, David Byrne and Meryl Streep performing and paying tribute. In mid-June, however, his wife Judie Worrell announced his health had taken a turn, writing, “Bernie is now heading ‘Home.’”
As a member of Parliament-Funkadelic, Worrell’s synth playing provided the funk innovators with some of their most distinctive and immediately recognizable elements, which subsequently became signature sounds of the more futuristic strains of R&B, and the bedrock of hip-hop’s West Coast “g-funk” wave, with Dr. Dre in particular sampling Worrell’s music continuously.
From the gurgling, staccato Minimoog bassline of “Flash Light” to the whiny, minor-key synth lines on “P. Funk (Wants to Get Funked Up),” Worrell introduced a wealth of completely new elements into pop music’s sonic vocabulary. Former bandmate Bootsy Collins described Worrell as “the Jimi Hendrix of the keyboards,” while Talking Heads frontman Byrne once noted, “Bernie changed the way I think about music, and the way I think about life.”
Born George Bernard Worrell in New Jersey, Worrell began playing piano at age three, and performed with the Washington Symphony Orchestra at age 10. He attended Julliard and the New England Conservatory of Music, and met up with fellow New Jersey native George Clinton while playing in bar bands. He followed Clinton to Detroit, where Funkadelic rewrote the rules of black popular music several times over throughout the 1970s.
Worrell only appeared on a single track of Funkadelic’s 1970 self-titled debut, but he featured heavily on follow-up “Free Your Mind…And Your Ass Will Follow,” and by the time of 1971’s psych-rock freak-out masterpiece “Maggot Brain,” he was firmly ensconced in the lineup, even singing lead on single “Hit It and Quit It.”
Worrell’s role as a keyboardist, songwriter and arranger grew throughout the decade as Funkadelic and Parliament – during the ‘70s, the two groups consisted of the same core members – evolved into a more radio-friendly, dance-oriented outfit, alongside former James Brown bassist Collins, who arrived in 1972. Thanks to his grasp of classical music composition, as well as his ceaseless curiosity in exploring state-of-the-art synthesizer technology, Worrell was essential in imposing structure and melodic order onto the group’s more freewheeling experimentations.
Parliament’s “Mothership Connection” elevated the collective’s profile substantially in 1975, reaching No. 4 on the R&B album chart and becoming the first P-Funk album to go platinum. The group’s popularity peaked with Funkadelic’s “One Nation Under a Groove,” which topped the R&B chart for six straight weeks in 1978, while Parliament’s “Motor Booty Affair” and Funkadelic’s “Uncle Jam Wants You” both reached No. 2 in the months that followed. The P-Funk staples co-written by Worrell in this period include “Mothership Connection (Star Child),” “Aqua Boogie (A Psychoalphadiscobetabioaquadaloop)” and “Flash Light,” which still stands as perhaps the group’s most widely played and influential single track.
[youtube https://www.youtube.com/watch?v=5FEe9V3HeZ0&w=560&h=315]
Worrell recorded a solo album in 1978 – “All the Woo in the World,” produced by Clinton – and recorded with Collins for his splinter group Bootsy’s Rubber Band, whose 1977 album “Ahh…the Name is Bootsy, Baby!” is a particularly essential funk collection. But as loose and sprawling as the P-Funk universe could be, the spine of the group began to splinter at the end of the ‘70s, and Worrell officially left in 1981.
Shortly after his departure, Worrell was recruited by Jerry Harrison, guitarist for the art-rock/New Wave group Talking Heads, whom Worrell had never heard. Though he found their earlier music “stiff,” Worrell joined the group as a session musician, contributing synthesizers to 1983 album “Speaking in Tongues,” which would go on to become the Heads’ highest-charting release. He toured with the group for years, and his importance to their live sound is made abundantly clear in the Jonathan Demme-directed 1984 concert film, “Stop Making Sense.”
During the ‘80s, Worrell also recorded with Keith Richards, Fela Kuti, and Jack Bruce, and after the breakup of Talking Heads, he released a spate of solo albums in the early-‘90s. (1991’s “Funk of Ages” is the clear standout.) He continued to record and tour throughout the following decades, with groups the Bernie Worrell Orchestra and Bernie Worrell’s Woo Warriors, and as part of the supergroup Black Jack Johnson alongside rapper Mos Def. Worrell was the subject of Philip Di Fiore’s 2005 documentary, “Stranger: Bernie Worrell on Earth,” and he had a role as a member of Meryl Streep’s bar band in Demme’s 2015 feature “Ricki and the Flash.”
Worrell was inducted into the Rock and Roll Hall of Fame as a member of Parliament-Funkadelic in 1997, and performed with the reunited Talking Heads during the group’s induction in 2002. Earlier this year, he was given an honorary doctorate from his alma mater, the New England Conservatory of Music.
article by Aria Ellise via blackamericaweb.com
Angela Bassett has been acting for over three decades, but one thing is constant: she looks great while doing it. From her body to her skin, the wife and mother are always looking fresh in her films and appearances. But behind the scenes, Bassett struggled with skin issues.
So, the actress has teamed up with Dr. Barbara Sturm, her friend and a well-known skincare expert, to launch a skin-care line that addresses the specific needs of women with darker complexions.
Bassett has struggled with skin issues herself, she told WWD. Initially, she used Sturm’s original line to treat her breakouts and irritations, but she realized it didn’t address skin issues that darker women deal with, such as hyperpigmentation. That’s when they decided to extend the line and after two years of research, Darker Skin Tones by Dr. Barbara Sturm came into reality.
Hyperpigmentation is characterized by a darkening of an area of skin caused by the overproduction of a pigment in the skin known as melanin.
Hyperpigmentation is the result of either of two occurrences: an abnormally high concentration of melanocytes produce melanin or when melanocytes are hyperactive. For instance, sun exposure stimulates the production of melanin. Although it can affect anyone, this condition is more prevalent among African-Americans and those of Latin descent.
Hyperpigmentation can affect any part of the body including the face, hands, and neck.
Bassett said that she wants to bring more awareness to skin care and for people, “to see what is good for it and ingredients that are helpful — not invasive or irritating. I like them to be pleased when they look in the mirror, to feel good about themselves and the condition of their complexion.”
article by Lauren Victoria Burke via theroot.com
At noon Wednesday, members of the House shut it down—all the way down.
In a historic act of protest, Democratic members of the U.S. House of Representatives refused to observe the regular order of the House, staging a sit-in protest over the lack of legislation on gun control.
The protest Wednesday occurred after House Republicans ignored several demands from House Democrats to take action on guns after 49 people were murdered in an Orlando, Fla., nightclub June 12. Their first demand came during a moment of silence for the victims of the mass shooting after Rep. Jim Clyburn (D-S.C.) attempted to ask Speaker Paul Ryan (R-Wis.) if action on gun-related measures was possible. Ryan gaveled Clyburn down.
Wednesday’s effort was led by civil rights legend Rep. John Lewis (D-Ga.) and featured several members of the Congressional Black Caucus who have had to deal with continuing gun violence in their districts. The group included Rep. Brenda Lawrence (D-Mich.), who represents parts of Detroit; Rep. Gregory Meeks (D-N.Y.); and several others.
“This is the right thing to do, when you look at the polling data and it shows that 90 percent of the American public says we should not allow terrorists to be able to walk in a store and buy a gun and kill 50 people,” former Congressional Black Caucus Chairman Rep. Emanuel Cleaver (D-Mo.) told The Root steps away from the House floor. “We don’t lose on this. The Congressional Black Caucus did lead this.”
article by Brennan Williams via huffingtonpost.com
Hip-hop artist Big Sean wants to “Change the World” by helping to alleviate student homelessness.
On behalf of his Sean Anderson Foundation, the Detroit-native has committed $25,000 to Wayne State University’s HIGH (Helping Individuals Go Higher) program to provide “short-term support” to students who struggle to meet the needs of foods, shelter and childcare, according to the school’s website.
“We see the HIGH Program as an important component of ensuring success at Wayne State, and we are proud to help strengthen its mission,” Myra Anderson, president of the Sean Anderson Foundation and Sean’s mother, said in a press release. “We aim to boost graduation rates at the university by providing support to students facing hardship.”
Founded in 2013 by Wayne State’s first lady, Jacqueline Wilson, the program aims to provide students with financial and education assistance and return participants to long-term stability. Wilson stated in the release that the foundation’s investment in the program shows “their commitment to assisting those in need.”
“With this gift, we will be able to help Wayne State students who are experiencing homelessness work toward a brighter future,” she added.
Sean’s latest benevolent act to his home state comes on the heels of his recent #HealFlintKids campaign to aid victims of Flint’s water crisis, and the foundation’s first annual “Uplifting Our Youth“ scholarship fundraiser in 2015.
For more info on Wayne State University’s HIGH program click here.
On behalf of his Sean Anderson Foundation, the Detroit-native has committed $25,000 to Wayne State University’s HIGH (Helping Individuals Go Higher) program to provide “short-term support” to students who struggle to meet the needs of foods, shelter and childcare, according to the school’s website.
“We see the HIGH Program as an important component of ensuring success at Wayne State, and we are proud to help strengthen its mission,” Myra Anderson, president of the Sean Anderson Foundation and Sean’s mother, said in a press release. “We aim to boost graduation rates at the university by providing support to students facing hardship.”
Founded in 2013 by Wayne State’s first lady, Jacqueline Wilson, the program aims to provide students with financial and education assistance and return participants to long-term stability. Wilson stated in the release that the foundation’s investment in the program shows “their commitment to assisting those in need.”
“With this gift, we will be able to help Wayne State students who are experiencing homelessness work toward a brighter future,” she added.
Sean’s latest benevolent act to his home state comes on the heels of his recent #HealFlintKids campaign to aid victims of Flint’s water crisis, and the foundation’s first annual “Uplifting Our Youth“ scholarship fundraiser in 2015.
For more info on Wayne State University’s HIGH program click here.
article by Leo Barraclough via Variety.com
Director Amma Asante’s third feature “A United Kingdom,” which stars “Selma’s” David Oyelowo and “Gone Girl’s” Rosamund Pike, will open the 60th BFI London Film Festival on Oct. 5.
Asante won the BAFTA for most promising newcomer for her debut “A Way of Life,” and followed that with “Belle,” which won best actress for Gugu Mbatha-Raw at the British Independent Film Awards.
“A United Kingdom” tells the true story of Seretse Khama, King of Bechuanaland (modern-day Botswana), and Ruth Williams, the London office worker he married in 1947 in the face of fierce opposition from their families and the British and South African governments.
The LFF gala screening, which will be the film’s European premiere, will be attended by Asante, Oyelowo and Pike. There will be a live cinecast from the London event and simultaneous screenings in movie theaters across the U.K.
The film’s screenplay is penned by Guy Hibbert (“Eye in the Sky”), based on the book “Color Bar” by Susan Williams. Oyelowo plays Khama, with Pike as his future wife, Williams. Other cast members include Jack Davenport (“Pirates of the Caribbean”), Terry Pheto (“Mandela”), Tom Felton (“Harry Potter”), Arnold Oceng (“Adulthood”), Jack Lowden (“’71”) and Laura Carmichael (“Downton Abbey”).
Clare Stewart, London Film Festival director, said: “Amma Asante’s ‘A United Kingdom’ is testament to a defiant and enduring love story that also reveals a complex, painful chapter in British history. We are proud to be opening the 60th BFI London Film Festival with a film of such contemporary relevance, one that celebrates the triumph of love and intelligence over intolerance and oppression, and that confirms Asante as a distinctive and important British filmmaker.”
Asante commented: “It’s a great privilege that ‘A United Kingdom’ has been selected as the opening night film of the BFI London Film Festival. The festival means a lot to me personally, having showcased my first film, ‘A Way of Life,’ here and been honored with the U.K. Film Talent Award. I’m a proud Londoner, and in ‘A United Kingdom’ we’ve been able to film in some of the most beautiful parts of the city as well as in the wonderful landscapes of Botswana.”
The film is produced by Rick McCallum (“Star Wars”), Oyelowo, Justin Moore-Lewy, Brunson Green (“The Help”) and Charlie Mason. The film is executive produced by Pathé’s Cameron McCracken, BBC Films’ Christine Langan, the BFI’s Ben Roberts, Ingenious Media’s Eleanor Clark Windo and Guy Hibbert.
To read more, go to: http://variety.com/2016/film/global/amma-asante-a-united-kingdom-bfi-london-film-festival-1201800077/
Director Amma Asante’s third feature “A United Kingdom,” which stars “Selma’s” David Oyelowo and “Gone Girl’s” Rosamund Pike, will open the 60th BFI London Film Festival on Oct. 5.
Asante won the BAFTA for most promising newcomer for her debut “A Way of Life,” and followed that with “Belle,” which won best actress for Gugu Mbatha-Raw at the British Independent Film Awards.
“A United Kingdom” tells the true story of Seretse Khama, King of Bechuanaland (modern-day Botswana), and Ruth Williams, the London office worker he married in 1947 in the face of fierce opposition from their families and the British and South African governments.
The LFF gala screening, which will be the film’s European premiere, will be attended by Asante, Oyelowo and Pike. There will be a live cinecast from the London event and simultaneous screenings in movie theaters across the U.K.
The film’s screenplay is penned by Guy Hibbert (“Eye in the Sky”), based on the book “Color Bar” by Susan Williams. Oyelowo plays Khama, with Pike as his future wife, Williams. Other cast members include Jack Davenport (“Pirates of the Caribbean”), Terry Pheto (“Mandela”), Tom Felton (“Harry Potter”), Arnold Oceng (“Adulthood”), Jack Lowden (“’71”) and Laura Carmichael (“Downton Abbey”).
Clare Stewart, London Film Festival director, said: “Amma Asante’s ‘A United Kingdom’ is testament to a defiant and enduring love story that also reveals a complex, painful chapter in British history. We are proud to be opening the 60th BFI London Film Festival with a film of such contemporary relevance, one that celebrates the triumph of love and intelligence over intolerance and oppression, and that confirms Asante as a distinctive and important British filmmaker.”
Asante commented: “It’s a great privilege that ‘A United Kingdom’ has been selected as the opening night film of the BFI London Film Festival. The festival means a lot to me personally, having showcased my first film, ‘A Way of Life,’ here and been honored with the U.K. Film Talent Award. I’m a proud Londoner, and in ‘A United Kingdom’ we’ve been able to film in some of the most beautiful parts of the city as well as in the wonderful landscapes of Botswana.”
The film is produced by Rick McCallum (“Star Wars”), Oyelowo, Justin Moore-Lewy, Brunson Green (“The Help”) and Charlie Mason. The film is executive produced by Pathé’s Cameron McCracken, BBC Films’ Christine Langan, the BFI’s Ben Roberts, Ingenious Media’s Eleanor Clark Windo and Guy Hibbert.
To read more, go to: http://variety.com/2016/film/global/amma-asante-a-united-kingdom-bfi-london-film-festival-1201800077/
article via ebony.com
Since hanging up his signature sneakers, basketball legend Michael Jordan has been focusing his attention on conquering the business world. And it’s worked.
Back in 2015, the NBA Hall of Famer joined the billionaires club, thanks to his investment in the Charlotte Hornets. Today, Jordan owns approximately 90 percent of the franchise, and his lucrative deals with Nike, Hanes, and Gatorade continue to pay hefty dividends years after he retired from the league.
Monday, Jordan announced he—along with corporate donors like Bank of America and Lowe’s—are investing $500,000 into the community that supports his team.
“When I took over majority control of the team, one of the biggest impacts I wanted…was to reconnect back to the community,” Jordan said on Monday during the team’s annual day of community service. “I felt (that connection) was lost a little bit with the previous ownership, and I felt it was very important.”
Jordan continued: “Six years later, here we are…I am very proud of the commitment of the organization to the community. My dedication, my drive, is to continue to connect with this community.”
Since taking over as majority owner of the Hornets from BET founder Robert Johnson, Jordan and the team have invested more than $3 million into the community. In 2010, he donated $250,000 to save Charlotte-Mecklenburg Schools’ middle school sports programs, and now he’s turning his attention to literacy.
According to the Charlotte Observer, the $500,000 investment will include funding for the Charlotte-Mecklenburg Library Foundation, Freedom School Partners, Child Care Resources Inc., and CrossRoads Corp. Jordan and the team also plan to help build 18 libraries around the city and donate thousands of books.
Read more at EBONY http://www.ebony.com/entertainment-culture/michael-jordan-giving-back#ixzz4CGroSh9a
article by Anya George Tharakan via huffingtonpost.com
(Reuters) – Facebook founder Mark Zuckerberg’s philanthropy venture has made its first major investment, leading a funding round in a startup that trains and recruits software developers in Africa.
The Chan Zuckerberg Initiative LLC, created by Zuckerberg and his wife Priscilla Chan, led a $24 million Series B funding in Andela, the startup said on Thursday. Alphabet Inc., previously known as Google Ventures, was also part of the funding round.
Andela selects the top 1 percent of tech talent from Africa, trains them and places them in engineering organizations. The startup, which has nearly 200 engineers currently employed by its Nigeria and Kenya offices, will use the funds to expand to a third African country by the end of 2016.
“We live in a world where talent is evenly distributed, but opportunity is not. Andela’s mission is to close that gap,” Zuckerberg said in a statement.
To read more, go to: http://www.huffingtonpost.com/entry/zuckerberg-philanthropy-first-investment-africa-tech-talent-andela_us_5762ae0ce4b0df4d586f5970?ir=Black+Voices§ion=us_black-voices&utm_hp_ref=black-voices&
article by Justin Kroll via Variety.com
Hannibal Buress is joining the cast of Sony and Marvel’s “Spider-Man: Homecoming.”
Tom Holland will play Peter Parker in the reboot with Marisa Tomei taking on Aunt May. Michael Keaton is also on board for the role of a villain. Other actors who have joined the cast over the last several weeks include Logan Marshall-Green, Donald Glover, Zendaya and Tony Revolori.
Jon Watts has been hired to direct with Amy Pascal and Kevin Feige producing. Plot details are still being heavily guarded as is Buress’ character. “Vacation” directors John Francis Daley and Jonathan Goldstein wrote the script.
Production is expected to start this summer with the film hitting theaters on July 7, 2017.
Buress, a stand-up comedian, has recently shifted gears to film, with upcoming roles in some of next year’s more anticipated comedies. First he has “The Masterpiece,” opposite Dave and James Franco, which is a movie about the making of what is widely considered the worst film of all-time, “The Room.” He will follow that up with Dwayne Johnson’s reboot of “Baywatch,” which bows next summer. He also lent his voice to Illumination’s “The Secret Life of Pets.”
To read more, go to: http://variety.com/2016/film/news/spider-man-homecoming-hannibal-buress-1201799535/
Hannibal Buress is joining the cast of Sony and Marvel’s “Spider-Man: Homecoming.”
Tom Holland will play Peter Parker in the reboot with Marisa Tomei taking on Aunt May. Michael Keaton is also on board for the role of a villain. Other actors who have joined the cast over the last several weeks include Logan Marshall-Green, Donald Glover, Zendaya and Tony Revolori.
Jon Watts has been hired to direct with Amy Pascal and Kevin Feige producing. Plot details are still being heavily guarded as is Buress’ character. “Vacation” directors John Francis Daley and Jonathan Goldstein wrote the script.
Production is expected to start this summer with the film hitting theaters on July 7, 2017.
Buress, a stand-up comedian, has recently shifted gears to film, with upcoming roles in some of next year’s more anticipated comedies. First he has “The Masterpiece,” opposite Dave and James Franco, which is a movie about the making of what is widely considered the worst film of all-time, “The Room.” He will follow that up with Dwayne Johnson’s reboot of “Baywatch,” which bows next summer. He also lent his voice to Illumination’s “The Secret Life of Pets.”
To read more, go to: http://variety.com/2016/film/news/spider-man-homecoming-hannibal-buress-1201799535/