
article by Breanna Edwards via theroot.com
The Obama administration is asking schools and colleges to clarify the role of law-enforcement officials who serve campuses, the Washington Post reports.
According to the report, the recommendations come after several violent encounters between school police and students, sparking debate about whether authorities are actually keeping children safe or arresting them for no reason. “The goal here is to give people a resource to do better,” Education Secretary John King told reporters during a call Wednesday, the Post notes.
The departments of Education and Justice sent letters to school nationwide encouraging school districts and colleges to make their expectations for school police explicit and clear by signing memorandums of understanding with local law-enforcement agencies. The departments recommend that the memorandums require training for school officers and also explicitly state that their role should not involve meting out day-to-day discipline, as well as other specifications.
Although the initiative is essentially guidance from the federal government, the Post notes, agencies will be required to follow it in order to qualify for federal grants that pay for the hiring of up to 150 school resource officers a year. The Post also notes, however, that the officers supported by those grants are a minority of the 31,000 school resource officers who work in public schools across the nation.
To read full article, go to: Obama Administration Encourages Schools to Clarify Role of School Police
Good Black News
article via jbhe.com
The department of athletics at the University of Mississippi has banned the playing of the song “Dixie” at all events on campus. The song, sometimes referred to as the Confederate National Anthem, has been played at football games and other campus events for at least the past 70 years. In 2015, the song was played by university bands during pregame tailgating parties and on the field before the game a total of 14 times.
In a statement, the athletics department said that they “asked the band to create a new and modern pregame show that does not include Dixie and is more inclusive for all fans.”


This Labor Day (September 5, 2016) Working Californians will hold Los Angeles’ fifth annual Labor Day Music Festival featuring hip-hop legend Snoop Dogg, GRAMMY award-winning American Chicano Rock Band Los Lonely Boys; Latin- Jazz musician Poncho Sanchez; The New Orleans All-Star Band featuring Rock & Roll Hall of Fame Inductee Dr. John, James Andrews, Herlin Riley and Detroit Brooks; The Dennis Jones Band; The Victor Orlando Orchestra and Fun-Ja-La, and Cuban Funk.
More than 50 Southern California labor organizations will gather on Mondayto celebrate and commemorate both the history and future of Labor Day at Working Californians’ Labor Day Music Festival. This annual event not only benefits working men, women and their families, but also recognizes labor victories made this past year throughout Los Angeles and Southern California.
Concert performances will benefit Working Californians’ non-profit, which fosters social innovation and invests in improving low-income communities in Southern California.
2016 Labor Day Music Festival Featuring: Snoop Dogg
LA Memorial Coliseum’s Exposition Park
3911 S Figueroa Street
Los Angeles, CA
Monday Sep 5, 2016
Doors: 11:00 AM (ends at 8:30 PM)
$20 & $299
For tickets and more information: http://www.workingcalifornians.org/splash/

Alicia Keys continues to speak her truth, sticking to her word that her days of feeling forced to wear make-up due to cultural pressures are long gone.
Most recently, the Grammy-award winning singer stopped by The Today Show and not too long after they all got to talking, co-host Tamron Hall was next to support the movement to rock a natural face by wiping off her make-up while on national television.
With her movement continuing to gain momentum, along with Hall, co-hosts Billy Bush and Al Roker also joined in on the fun, with all agreeing to wipe their faces clean while broadcasting across the U.S. Keys also gushed at Hall’s fresh face, complimenting the co-host exclaiming, “You’re so beautiful, look at you!”
During the on-air conversation, Keys reminded everyone that her choices have nothing to do with her hating make-up, nor does she have anything against those who choose to wear make-up. For Keys, she no longer wants to feel forced to wear make-up and it’s as simple as that.
In the essay she penned earlier this summer explaining her decision to walk away from her make-up brushes, the singer wrote, “I don’t want to cover up anymore. Not my face, not my mind, not my soul, not my thoughts, not my dreams, not my struggles, not my emotional growth. Nothing.”
To check out some footage of Keys’ recent appearance on The Today Show, click here.
Love Jones The Musical Tours Nationally This Fall
article via eurweb.com
“Love Jones The Musical,” a stage adaptation of the critically acclaimed 1997 Love Jones film, is scheduled to tour nationally this Fall/Winter. The stage production will boast an all-star cast of R&B music’s biggest names including Chrisette Michelle, Musiq Soulchild, Marsha Ambrosius, MC Lyte, Raheem Devaughn and Dave Hollister, who were all carefully selected to star in the must see musical event of the year. Love Jones The Musical will debut in Oklahoma City on September 9th.
Celebrating the 20th anniversary of the popular romantic comedy, the stage play takes the essence of the film and tells its story through music. Fusing chart-topping hits and fan favorite songs from the music artists, along with a few original songs, Love Jones The Musical will be a transformative experience for the audience.
Produced by veteran theater producer Melvin Childs of Produced By Faith with stage play written by Timothy Allen Smith and directed by Zadia Ife, Love Jones The Musical tells the universal and timeless story of love, heartbreak and starting over. The film’s original writer and director, Theodore Witcher, serves as consulting producer.
To read more, go to: http://www.eurweb.com/2016/08/love-jones-the-musical-tours-nationally-this-fall/

article via shadowandact.com
According to DC Comics Universe lore, Black Lightning (real name Jefferson Pierce) – created by Tony Isabella and Trevor von Eeden, first appearing in “Black Lightning #1” (1977) – is a super-hero with the ability to generate and control lightning. Originally he was a high school principal and Olympic-level athlete who became a vigilante to take down organized crime in Metropolis’ Suicide Slum.
Eventually he would become a member of Batman’s team of Outsiders for many years, although he retired briefly to become secretary of education underneath president Lex Luthor. Returning to crime-fighting, he has also been a member of the Justice League. His two daughters operate as the super-heroes Thunder and Lightning.
And now a live-action series based on the superhero is set to come to your TV screens – The CW specifically – in a collaboration between Mara Brock and Salim Akil and Greg Berlanti, the man behind all of the CW’s DC universe series.
Salim Akil and Mara Brock Akil will write and executive produce the series with Berlanti Prods.’ Greg Berlanti and Sarah Schechter, for Warner Bros. TV (recall the Akils inked a 3-year deal with Warner Bros. after exiting BET last year; “Black Lightning” will be their second project under the new deal; the first, announced a week ago, will be a comedy series titled “Documenting Love” which will center on a modern-day power couple navigating life, love and family.
To read full article, go to: Mara Brock & Salim Akil Team Up With Greg Berlanti for ‘Black Lightning’ Superhero Series – Shadow and Act

article by Rachel L. Swarns via nytimes.com
Nearly two centuries after Georgetown University profited from the sale of 272 slaves, it will embark on a series of steps to atone for the past, including awarding preferential status in the admissions process to descendants of the enslaved, officials said on Wednesday.
Georgetown’s president, John J. DeGioia, who will discuss the measures in a speech on Thursday afternoon, also plans to offer a formal apology, create an institute for the study of slavery and erect a public memorial to the slaves whose labor benefited the institution, including those who were sold in 1838 to help keep the university afloat.
In addition, two campus buildings will be renamed — one for an enslaved African-American man and the other for an African-American educator who belonged to a Catholic religious order. So far, Mr. DeGioia’s plan does not include a provision for offering scholarships to descendants, a possibility that was raised by a university committee whose recommendations were released on Thursday morning. The committee, however, stopped short of calling on the university to provide such financial assistance, as well as admissions preference.
To read full article, go to: Georgetown University Plans Steps to Atone for Slave Past – The New York Times


Colin Kaepernick, quarterback for the San Francisco 49ers, chose not to stand for the National Anthem at a recent pre-season football game. Players are not required to stand under NFL rules, and Kaepernick was clear about his reasons to remain seated, stating ”I am not going to stand up to show pride in a flag for a country that oppresses black people and people of color.” Subsequently, he has given interviews about his decision, and the well-thought out reasons behind it.
While Kaepernick has seen some support, he has also faced enormous backlash for his decision – from pundits, from current and former NFL players, from the San Francisco Police Officers’ Association, and predictably, he has been skewered mercilessly on Twitter and in the online commentary sections of various websites.
Some of the online criticism has been of the typically jingoistic “my country – love it or leave it” or “my country – right or wrong” variety that tends to become prevalent when legitimate protest involves the flag, the Pledge of Allegiance or the National Anthem. And these types of criticism are particularly troubling, because they are designed to tell people “you can’t be a good American if you don’t honor this symbol in a particular way.”
I have spent the majority of my career working for the federal government. I am proud to work in a building where the American flag flies, and where pictures of the President and Vice-President are in the lobby. I understand the power and meaning of symbols. And it precisely the power and meaning of symbols that makes protests involving them so resonant – and necessary. I don’t know much about football, but I do know something about the First Amendment. Kaepernick’s actions are fully-protected free speech, and the type of peaceful public protest that has been central to social justice movements.
And for those whose response to Kaepernick is “my country — right or wrong,” it’s time to look at the response to that quote by US Senator Carl Schurz in 1899. Schurz decried the statement as “a deceptive cry of mock patriotism”, and went on to state that the “welfare of this and coming generations of Americans will be secure only as we cling to the watchword of true patriotism: ‘Our country — when right to be kept right; when wrong to be put right.’”
Kaepernick saw something he thought was wrong in his country. Like generations of Americans before him, he engaged in a peaceful public protest to bring attention to that wrong, and to make a statement as to how it needed to be put right. And for that he should not be vilified, but applauded.




