Press "Enter" to skip to content

Good Black News

Donors Raise Over $200,000 for Historic Black Church Defaced in Mississippi

By goodblacknews on November 5, 2016
Hopewell Baptist Church in Greenville, MS (photo via chnistiantoday.com)
Hopewell Baptist Church in Greenville, MS (photo via chnistiantoday.com)

article by Charise Frazier via blackamericaweb.com

A GoFundMe account set up to help restore a historically Black Mississippi church defaced by vandals has raised over $200,000.  On Tuesday Hopewell Missionary Baptist Church congregants in Greenville, Mississippi found their sanctuary set ablaze with the words “Vote Trump,” spray painted on one of the church walls, ABC News reports.

According to the outlet, no one was harmed in the fire, but the blaze left behind charred pews and inside structure damage.  At a Wednesday news conference, Hopewell’s pastor, Carolyn Hudson, said parishioners were “heartbroken,” but was faithful that “God would allow us to build another sanctuary in that same place.”
Blair Reeves, a New York Native who organized the GoFundMe campaign, told ABC he felt “compelled” to act and was overwhelmed at the response.  “The animus of this election cycle combined with the potent racial history of burning black churches as a political symbol makes this event something we must not ignore,” Reeves wrote in the campaign’s description. “Only two weeks ago, the internet came together to help repair a North Carolina GOP field office that had been burned by thugs. Justice demands we do the same now.”
Greenville Mayor Errick Simmons, said there was no doubt the attack was calculated at Wednesday’s presser.  “We are well familiar that this form of attack on a black church has occurred many, many years ago. It happened in the ’50s, it happened in the ’60s, but we’re in 2016 and [this] should not happen.”
As previously reported, the Greenville Police Department is investigating the incident as a hate crime, while the FBI announced plans to launch a civil rights probe.
To read more, go to: http://blackamericaweb.com/2016/11/05/donors-raise-over-200000-for-historic-black-church-defaced-by-vandals/

Derrick Deacon of Brooklyn, 58, Awarded $6 Million After Imprisoned 24 Years on Wrongful Murder Conviction

By goodblacknews on November 2, 2016
NYC PAPERS OUT. Social media use restricted to low res file max 184 x 128 pixels and 72 dpi
Derrick Deacon, 58, hugs his attorney Rebecca Freedman, at State Supreme Court after being acquitted for the 1989 robbery and murder of a 16-year-old named Anthony Winn. (JESSE WARD/JESSE WARD FOR NEW YORK DAILY NE)
A Brooklyn man who spent more than 24 years in prison for a murder conviction that was later thrown out by an appeals court has accepted the city’s offer of $6 million to settle his federal lawsuit, the Daily News has learned.
Derrick Deacon was re-tried for the murder in 2013 by the office of then-Brooklyn District Attorney Charles Hynes, and the jury acquitted him after deliberating merely nine minutes.  “Based upon newly discovered evidence which implicated another man as the actual killer, the court vacated Mr. Deacon’s conviction and granted him a new trial,” Nicholas Paolucci, a spokesman for the city Law Department said in a statement.
“We have determined that a settlement of this civil suit is fair and in the best interests of the City.”  Deacon, 61, was convicted of robbing and killing Anthony Wynn in April 1989 inside an East Flatbush building. A key eyewitness who pocketed a $1,000 Crimestoppers reward from the NYPD fingered him as the murderer.
But the case began to unravel in 2001 when a federal informant who had been a member of a violent gang called the Patio Crew gave the feds the name of the real killer. The Appellate Division for the Second Department reversed Deacon’s conviction in 2013, but the D.A.’s office refused to drop the case against him.
“The case should have never been retried and the acquittal after nine minutes was a slap in the face of the D.A.’s office,” his lawyer Glenn Garber said Monday. “This settlement is some level of redemption and compensation for Derrick’s suffering.”
To read more, go to: http://www.nydailynews.com/new-york/brooklyn/brooklyn-man-6m-24-years-wrongfully-prison-article-1.2852913

Venus and Serena Williams to Open Center in Compton for Victims of Violence

By goodblacknews on November 1, 2016

Venus And Serena To Open Center For Victims Of Violence In Compton
Venus and Serena Williams (photo via madamenoire.com)

article by Veronica Wells via madamenoire.com
Venus Williams and Serena Williams may travel the world playing the game they love, but they never forget about their home, Compton, California. The two are giving back to their hometown through the launch of the Yetunde Price Resource Center.
Named after their eldest sister, who was killed as a result of gun violence, the center will connect residents who have been affected by violence to service providers. The center will develop custom plans and function as a liaison between the residents of Compton and the agencies that are there to help them.
Mayor Aja Brown said of the center’s opening:

“This is an incredible investment and commitment by Serena and Venus Williams, and I commend them for their desire to help children and families in Compton thrive. The resource center will serve as vital support to existing nonprofits and organizations that provide critical services to our community.  I understand first-hand the power of partnership, and I am confident that the resource center will play a major role in breaking down silos in our community by facilitating key partnerships to increase asset leveraging and expanding the impact of services. The resource center will be able to map all of the resources in and around the Compton community while providing customized assistance that will be a vital asset to improving our ability to service our youth, adults and families.”

In addition to the resource center, Gatorade will refurbish two tennis courts and dedicate them to the Williams sisters. The courts will be unveiled during the Healthy Compton Community Festival on Saturday, November 12.
To read original article, go to: http://madamenoire.com/724191/venus-and-serena-to-open-center-for-victims-of-violence-in-compton/

Willow Smith and Jaden Smith Join #NODAPL Protesters in North Dakota

By goodblacknews on October 31, 2016

willow-smith-protest
Willow Smith at #NODAPL protest (photo via thegrio.com)

article via thegrio.com
Jaden Smith and Willow Smith are the latest in the long list of celebrities to join the Dakota Access Pipeline protests in North Dakota.
Both were seen in protests last week, with Willow posting about their activism under the hashtag #NODAPL and sharing their protests on Instagram. They are both standing in solidarity with the Standing Rock Sioux Indian tribe in protesting the Dakota Access Pipeline, a $3.7 billion project which, if finished, plans to start moving 470,000 barrels of crude oil per day through four different states.
The protests stem from the tribe’s desire for the pipeline not to disrupt their reservation.
To see more, go to: http://thegrio.com/2016/10/31/jaden-and-willow-smith-join-nodapl-protesters/

NYU Study Finds That Middle and High School Students of All Races Prefer Teachers of Color

By goodblacknews on October 28, 2016

(photo via constant contact.com)
(photo via archive.constantcontact.com)

article via jbhe.com
A new study by researchers at the Steinhardt School of Culture, Education, and Human Development at New York University finds that middle and high school students of all races have a more favorable opinion of Black and Latino teachers than they do of White teachers.
The authors of the study examined data on 1,680 teachers in 200 urban schools who taught more than 50,000 students in grades six through nine.
Hua-Yu Sebastian Cherng, assistant professor of international education at New York University and a co-author of the study, said that “we were surprised to find that minority teachers are not just viewed more highly than White teachers by minority students, but in many cases by White students as well.” Asian American students preferred Black teachers even more than did Black students.
The study, “The Importance of Minority Teachers: Student Perceptions of Minority Versus White Teachers,” was published on the website of the journal Educational Researcher. It may be accessed here.

Viola Davis' Production Company Sells Comedy "The Zipcoders" to ABC

By goodblacknews on October 27, 2016
Viola Davis The Zipcoders
Viola Davis (photo via variety.com; STEPHEN LOVEKIN/REX/SHUTTERSTOCK)

article by Elizabeth Wagmeister via Variety.com
Viola Davis is expanding her work behind-the-camera, as she’s put a new comedy series into development with ABC, the network behind her show “How To Get Away With Murder.”
Davis will executive produce the single-cam, half-hour comedy “The Zipcoders” for ABC through her production company JuVee Productions.
Hailing from “Barbershop” screenwriter Marshall Todd, “The Zipcoders,” set in 1968, is about a divorced mother of three who moves her family to the East Side of Austin, Texas, soon after the assassination of Martin Luther King, Jr., in an effort to be closer to her estranged sister. Once there, to the utter bewilderment of friends, family and the community at large, her teenage son forms a rock ‘n’ roll band with his group of friends who aspire to be like The Beatles.
“Zipcoders” is an original idea, which gained traction at JuVee, due to the “humorously iconic” image of a group of African-American teenagers with feathered hair and bell bottoms in the middle of the deep South. Todd became attached to the project, after he did research on the late 1960’s in America and found parallels to the issues our country is dealing with today — politically, racially and musically. He then pitched the family comedy to ABC Studios and the network.
“This project gives me the opportunity to tell a story that, while specific to the African-American experience, doesn’t travel in the usual tropes,” said Todd, who will serve as co-exec producer on the series, in addition to writing. “As a parent, I was inspired to tell a story from the dual perspective of parents and children in a world where the rules are constantly changing. Music has always been a passion of mine and to be able to use it to inform this particular narrative was a provocative challenge. I have found in Viola and the squad at JuVee the perfect co-conspirators dedicated to telling the types of stories that entertain while contributing to the larger cultural conversation.”
To read more, go to: http://variety.com/2016/tv/news/the-zipcoders-abc-comedy-juvee-productions-viola-davis-1201901884/

 

Author Paul Beatty Becomes 1st American to Win Man Booker Prize With ‘The Sellout’

By goodblacknews on October 25, 2016
Paul Beatty, who won the Man Booker Prize for “The Sellout,” a satire about race in America, at a ceremony Tuesday in London. (Credit: John Phillips/Getty Images)

article by Alexandra Alter via nytimes.com

Paul Beatty’s novel “The Sellout,” a blistering satire about race in America, won the Man Booker Prize on Tuesday, marking the first time an American writer has won the award.

The five Booker judges, who were unanimous in their decision, cited the novel’s inventive comic approach to the thorny issues of racial identity and injustice.

With its outrageous premise and unabashed skewering of racial stereotypes, “The Sellout” is an audacious choice for the judges, who oversee one of the most prestigious awards in literature.

“The truth is rarely pretty, and this is a book that nails the reader to the cross with cheerful abandon,” Amanda Foreman, the head of the judging panel, said at a press briefing in London before the winner was announced. “It plunges into the heart of contemporary American society.”

At a ceremony in London, Mr. Beatty said that writing “The Sellout” had taken an emotional toll.

“It was a hard book for me to write; I know it’s hard to read,” he said. “I’m just trying to create space for myself. And hopefully that can create space for others.”

A raucous tragicomedy that explores the legacy of slavery and racial and economic inequality in America, the novel felt deeply resonant at a moment when police violence against African-Americans has incited protests around the country and forced Americans to confront the country’s history of racism.

In a review in The New York Times, Dwight Garner wrote that the novel’s first 100 pages read like “the most concussive monologues and interviews of Chris Rock, Richard Pryor and Dave Chappelle wrapped in a satirical yet surprisingly delicate literary and historical sensibility.”

To read full article, go to: http://www.nytimes.com/2016/10/26/business/media/paul-beatty-wins-man-booker-prize-with-the-sellout.html?_r=0

This Pioneering Comic Shop Owner Gets Her Own Marvel Cover | Colorlines

By goodblacknews on October 25, 2016

Colorlines Screenshot of (L to R) the variant “Invincible Iron Man #1” comic, feat. (L to R) RiRi Williams and Ariell Johnson; and a picture of Ariell Johnson, taken from Amalgam Comics & Coffeehouse’s Instagram on October 25, 2016.

article by Sameer Rao via colorlines.com
Ariell Johnson, the founder of Philadelphia’s Amalgam Comics & Coffeehouse, is the only Black woman to own a comics shop on the East Coast.  Johnson opened Amalgam Comics to tremendous fanfare in January. Now, her important contributions to geek culture and entrepreneurship for women of color has been immortalized in the most appropriate way possible.
Johnson appears on a store-specific variant cover for Marvel’s “Invincible Iron Man #1,” enjoying a meal with another Black woman trailblazer: RiRi Williams, the new Iron Man. The comic goes on sale next month, with this alternate cover being available only at Amalgam.
Johnson told ABC News that her colleague Randy Green spearheaded the project. “When the email went out about potential variants for stores, he was really excited and took it upon himself to work out the [details],” she said. “I knew what it was supposed to look like, but having the actual art in front of you is so much different. It’s really exciting.”
“When you are a person of color, you’re scraping the bottom of the barrel to find someone you can identify with. I always felt like I was watching other people’s adventures,” she said to ABC News. Had she not been introduced to X-Men character Storm, she said, “I might have grown out of my love for [comics].”
To read full article, go to: This Pioneering Comic Shop Owner Gets Her Own Marvel Cover | Colorlines

National Museum of African-American History and Culture is Sold Out Through March 2017!

By goodblacknews on October 25, 2016

Smithsonian National Museum of African-American History and Culture (NMAAHC)

article via eurweb.com
To say the new Smithsonian National Museum of African American History and Culture (NMAAHC) is on everybody’s bucket list is an understatement. Put it like this. If you were planning to visit the new museum, unfortunately you’re going to have to wait until 2017.
Yep, it’s that popular. The museum has sold out tickets through March of 2017. Admission is free, but date-specific tickets are required for entry.
The museum opened in Washington, D.C. in September, and officials initially expected around 7,000 visitors per day.  Nearly 30,000 people visit the museum daily.
There are only two ways you can gain entry:  Go to the museum website and try to obtain a 2017 pass or line up outside the museum to try for a “day of” pass.
To read full article, go to: New African-American Museum is Sold Out Thru March, 2017!

Barry Jenkins’ Film "Moonlight", an Adaptation of Tarell Alvin McCraney’s Play, Could Be This Year’s Indie Box Office Breakout

By goodblacknews on October 25, 2016

article by Brent Lang via Variety.com
“Moonlight” is a film without any big stars. It’s a drama about a shy, gay kid growing up in the inner city, made by a director (Barry Jenkins) whose last credit (“Medicine for Melancholy”)was so long ago many cinephiles feared he’d hung up the camera and retired. It’s the kind of challenging, deeply personal, fiercely urgent look at black life in America that would be lucky to score a video-on-demand berth, let alone a major theatrical release.
And yet, the no-budget film isn’t just a hit with critics, it is poised to be the breakout indie film of the year. This weekend, “Moonlight” scored the highest per-screen average of 2016, debuting to a sizzling $414,740 in just four New York and Los Angeles theaters. There were sellouts and standing ovations, just as there had been when the film announced itself as a serious awards contender at festivals in Toronto and Telluride.
“This puts it on the Oscar map, big time,” said Paul Dergarabedian, senior media analyst with comScore. “They’ve got something really special here.”
The film’s per-screen average of $103,685 is one of the strongest of the decade.  “Moonlight” marks Jenkins’ return behind the camera after an eight-year absence. His previous effort, “Medicine for Melancholy,” earned Independent Spirit Award nominations and was a hit with reviewers when it came out in 2008, but in the ensuing years, Jenkins struggled to find the right vehicle for his talents. A film about Stevie Wonder failed to get off the ground, and Jenkins dabbled in advertising, carpentry, and had an artistically frustrating stint as a writer on HBO’s “The Leftovers.” His years in the Hollywood wilderness appeared to have come to an end.”
In “Moonlight,” an adaptation of Tarell Alvin McCraney’s play, “In Moonlight Black Boys Look Blue,” Jenkins appears to have found the perfect material for his humanistic approach to filmmaking. The picture unfolds in three acts, as it examines Chiron’s troubled childhood in a drug-addled section of Miami, and uses his coming-of-age to illuminate issues of addiction and urban violence. It’s a movie that is of the moment. Jenkins’ film hits theaters as the #BlackLivesMatter movement continues to gain momentum, fueled by a series of shootings of people of color by law enforcement officials.