article by Michael McLaughlin via huffingtonpost.com
Basketball superstar LeBron James plans to open a public school in his hometown of Akron, Ohio, for students at risk of falling behind in academics. The I Promise School will open for elementary students in the fall of 2018 with support from James’ family foundation, according to plans revealed on Tuesday.
It plans classes for students in third and fourth grades during its first year, and will expand to include grades 1 though 8 by 2022. The school will draw students who “are at-risk in reading and who are in need of additional academic intervention before falling further behind their peers,” the LeBron James Family Foundation said in a statement. James, the Cleveland Cavaliers’ star forward, was raised by a single mother. He entered the NBA in 2003 after emerging as a basketball phenom at St. Vincent-St. Mary High School in Akron.
James spoke about the school at an event Tuesday in a historic Akron theater. “Even though I was underprivileged,” he said, he was lucky to grow up with mentors, his mother and close friends.“They would not let me get off course,” he said. ”A lot of the kids I see today in the community and all over the world are not lucky enough to have the same mentors and the same people around that can help their dreams become reality.” The I Promise School aims to provide a supportive environment for students who lack guidance, James said.
“We definitely understand how important it is to create an environment where our most challenged and at risk students feel safe, supported an cared for,” said Akron Public Schools Superintendent David James at the event as a wall of adults in “We are family” T-shirts stood on stage. A formal proposal for the school will be submitted for school board approval in October. James has previously offered Akron kids educational opportunities. He created 1,100 full-tuition scholarships in 2015 to the University of Akron for teens who completed an “I Promise” program that included goals for attendance and grades.
To read original article, go to: LeBron James Plans Ohio Public School For At-Risk Kids | The Huffington Post
Good Black News
article by Christina Pazzanese via news.harvard.edu
When Dana McKinney was a girl, her family drove every week from their small town in Fairfield County, Conn., to Sunday dinner at her grandmother’s home in Newark, N.J. To a child who loved dance and art, the changing scenery on those trips revealed stark contrasts that stung of economic inequality.
“I was going back and forth between a very comfortable lifestyle in Connecticut to a very depressed environment in Newark and became really inspired to look at how people can affect the built environment,” McKinney said. “I want to be able to fix this! — That was my immediate reaction — I’ll be an architect!”
After studying architecture at Princeton University, McKinney went to Harvard Graduate School of Design (GSD) to earn master’s degrees in architecture and urban planning. It’s an unusual and demanding course of study, but one McKinney felt would merge her design work with her interest in social change, social justice, and the power of architecture to transform people’s lives.
“I want to make beautiful spaces and buildings, but I don’t want … the pitfall of only working with elite clients, and I think a lot of times architects end up serving a very high-income population. A majority of housing is done by developers in the U.S., [so] good architecture barely reaches outside a certain economic class,” McKinney said.
Much of her academic work has focused on institutional change: improving elderly housing and studying the effects from the abrupt closure in 2014 of a large homeless facility in Boston. But with one in four Newark residents likely to spend some time in prison, McKinney’s thesis focused on “sensible and sensitive” design alternatives to prison that would help break the cycle of incarceration and poverty.
It was an unconventional choice. When she put her idea before her faculty advisers, “I could hear the crickets in the room,” she said. But “by the end of it, they were all about it.” While McKinney doesn’t believe architecture alone can end homelessness or poverty or incarceration, she does believe the field has something important to offer.
“Everyone has a role in social development and in making sure that our society is a reflection of what we want it to be.”Indeed, though “spatial justice” is often thought of as an enterprise in the public realm, like the construction of parks and community centers, it’s not as frequently addressed in the private realm. Because housing is essential to well-being, McKinney hopes to eventually create spaces that promote not just equality, but equity. “Your self-worth and what you need to do well as a person starts with the safety and comfort you feel in your own home,” she explained.
Outside the classroom, McKinney has been active in bringing together African-American students at GSD and shining a spotlight on black women and men in a field where only 1 percent of architects are African-American. Having sometimes found herself one of only two black students in a class of 80, McKinney was among the earliest members of the African-American Student Union five years ago, serving last year as its president.
article by Danielle Kwateng-Clark via essence.com
Hampton University is welcoming a living legend for their 147th Commencement this May. The historically Black university announced that Katherine G. Johnson, the physicist and mathematician who worked for NASA and was an inspiration behind “Hidden Figures,” would join them as their commencement speaker this year.
As an African-American woman, job options were limited —but she was eventually hired as one of several female mathematicians for the agency that would become NASA,” President Barack Obama said during her Presidential Medal of Freedom honor.
To read more, go to: Katherine Johnson Will Deliver Hampton University Commencement Address| Essence.com
via blackamericaweb.com
WASHINGTON (AP) — The National Portrait Gallery is putting up a photograph of American jazz singer Ella Fitzgerald, often referred to as “The First Lady of Song.”
The portrait is on view beginning Thursday, ahead of the 100th anniversary of Fitzgerald’s birth. Fitzgerald, who died in 1996 at the age of 79, would have celebrated her 100th birthday April 25.
The National Portrait Gallery said in a statement the photograph on display is of Fitzgerald in performance flanked by Ray Brown, Dizzy Gillespie and Milt Jackson. It was taken around 1974 by William Gottlieb, who learned to use a camera to take pictures to accompany his weekly music column for The Washington Post. It’s the first time the photograph has been displayed at the museum.
It will be on view through May 14.
Source: Photo Of Ella Fitzgerald Going On Display At DC Museum | Black America Web
article by Vicki Hearn via venturesafrica.com
Innovators across Africa are harnessing digital technology to develop new ways of tackling social and economic challenges. From the rise of Silicon Savannah to the launch of M-PESA, the continent has a burgeoning tech sector that is driving a social tech movement that puts people before profits. These inspirational projects are making a positive difference to people’s lives in their own communities and creating social change at a national level.
For the last four years, Nominet Trust has identified and celebrated 100 different socially-motivated startups from across the globe. In our 2016 NT100, we feature some extraordinary examples of how pioneers from across Africa are using tech for good to promote education equality, economic empowerment and access to medical care.
Education equality
1. OneUni
In Kenya, a lack of physical space at universities and the prohibitive costs of attending can be barriers to often capable students pursuing degree programmes. Daystar University in Nairobi and California startup, OneUni, partnered up to tackle this and make university education accessible to more Kenyans. Together they created Africa’s first smartphone degree programme, Daystar Mobile, where all course materials are made available through an app. They now have plans to expand the model to other African countries to reach thousands of more students, aiming to make university education more accessible across the continent.
2. Tunapanda Institute
Another venture bolstering education in Kenya is Tunapanda Institute. Approximately one-third of Kenyan children do not enrol into a high school because of financial constraints, so brothers Jay and Mick Larson created a free, open source online training programme to help bridge this digital divide. Tunapanda Institute currently delivers three-month intensive learning courses in technology, design and business, giving students access to vital skills that can act as an alternative to traditional high school diplomas. At the institute’s HQ in Nairobi, specific workshops are also held to provide girls with skills in the STEM subjects, helping address the gender gap in these fields. To date, 100 people have graduated from the programme, of whom 85 percent are in meaningful employment as a result.
3. Well Told Story
After the disputed elections in Kenya in 2007, over 800 people were killed, leaving a generation of youths feeling disenfranchised. To help get to the heart of what young Kenyan’s wanted to talk about, Rob Burnet established Well Told Story, a research consultancy which is famous for creating Shujaaz, meaning ‘heroes’ in Sheng. Shujaaz is a free, international Emmy-winning comic book that now has a monthly circulation of 500,000 and a readership that Burnet estimates to be five million Kenyans aged between 10 and 25. The content is lovingly crafted by young people based in Well Told Story’s Nairobi office and offers readers tips on everything from planting maize to contraception, information about upcoming elections and careers.Enhancing daily living
4. Lumkani
In Cape Town, communities living in deprived areas are threatened by the devastation caused by house fires which can sweep through the neighbourhood. Lumkani, which means ‘beware’ in Xhosa, was created by a group of students horrified by the danger faced by less advantaged citizens in their city, to help save lives in the event of these fires. Lumkani transmits a signal to devices within a 20-metre radius so that neighbours are aware of potential danger and can mobilise help or evacuate. Since launching in 2014, Lumkani has been installed in 7,000 homes in Cape Town, and co-founders Francois Petousis and Samuel Ginsburg say that the device has already prevented the spread of what could have been five major fires.
5. Digital Matatus
Although 70 percent of Nairobi’s population rely on the matatus – 20,000 private vans which transport people around the capital – there’s very little information available on how to navigate this seemingly chaotic system. In 2011, researchers at MIT, Columbia University and the University of Nairobi, together with design agency Upshot, began a collaborative mapping project to make sense of the matatus system to support those travelling on it. By recruiting Kenyan students to ride the matatus and log journeys using mobile and GPS, by 2015 Digital Matatus had recorded almost 3,000 stops on more than 130 routes. Since its release, the city of Nairobi has adopted the map as the capital’s official transit guide and more than 5,000 people have downloaded it online.
Economic empowerment
6. Illuminum Greenhouse
Childhood friends Brian Bett and Taita Ng’etich, whose families are farmers, set out to explore better solutions to farming after their young tomato crop was destroyed by flooding. They developed a system using low-cost materials and advanced sensor technologies to monitor their crops to prevent this happening again. When neighbours started asking them to build their own greenhouses, they founded a new business: Illuminum Greenhouses. Each greenhouse is fitted with sensors that monitor temperature, humidity and soil moisture, alerting farmers to change the settings via text messages. To date, more than 750 Kenyan farmers are using Illuminum’s technology and the pair aspires to scale the innovation so it can be deployed all over Africa and Latin America.
To read full article, go to: 10 African ‘tech for good’ startups to watch in 2017 – Ventures Africa
article by Lori Lakin Hutcherson (@lakinhutcherson)
According to Deadline.com, Queen Latifah and Jill Scott have signed on to the Lifetime TV movie about the Flint Water crisis.
Latifah will executive produce the project, reuniting with “The Wiz Live” and “Steel Magnolias” producers Craig Zadan and Neil Meron. “Steel Magnolias” was the network’s third-most-watched original telecast ever. Latifah will also portray a resident of Flint fighting to expose the poisoning of the community.
The script is inspired by the Time magazine cover story, “The Toxic Tap,” which “follows the story of three women from Flint who sought justice following the wrongdoing committed against the residents of the city who were unknowingly drinking and using lead-laden water. Their actions inspired a national movement for safe drinking…”
Jill Scott is to play a real-life activist.
To read more, go to: https://deadline.com/2017/04/queen-latifah-betsy-brandt-jill-scott-marin-ireland-star-flint-lifetime-water-crisis-movie-1202069713/
article by Daniel Kreps via rollingstone.com
Charlie Murphy, the older brother of Eddie Murphy, a “Chappelle’s Show” star and an accomplished comedian in his own right, died Wednesday in New York City. He was 57. Murphy’s publicist confirmed the comedian’s death, and the cause of death was leukemia.
“We just lost one of the funniest most real brothers of all time. Charlie Murphy RIP,” Chris Rock, Murphy’s CB4 co-star, tweeted. “Charlie Murphy changed my life,” tweeted “Chappelle’s Show” co-creator Neal Brennan. “One of the most original people I’ve ever met. Hilarious dude. Habitual Line Stepper. So sad.”
After making his big screen debut in 1989’s “Harlem Nights,” directed by his younger brother Eddie, and appearing in bit roles in Spike Lee films like “Mo’ Better Blues” and “Jungle Fever,” Murphy’s big break came as a cast member on “Chappelle’s Show,” where “Charlie Murphy’s True Hollywood Stories” resulted in a pair of that series’ most memorable sketches.
Both sketches featured Murphy reminiscing about he and Eddie’s celebrity encounters in the Eighties, with Dave Chappelle portraying Rick James and Prince in the now-legendary sketches. Charlie Murphy also co-wrote “Vampire in Brooklyn,” another film directed by Eddie, as well as 2007’s “Norbit.”
Murphy also appeared in 1998’s “The Player’s Club,” directed by Ice Cube. The rapper paid tribute to Murphy on Twitter Wednesday, “Damn, sorry to hear about my friend Charlie Murphy. He took a chance on a young director in The Player’s Club. Always made me laugh. RIP.”
Growing up in the Bushwick area of Brooklyn, Charlie often stuck up for his younger brother; in defending Eddie, Charlie joked about fearing his mom’s wrath if bullies picked on Eddie more than the bullies themselves. That guardian role made Charlie a natural to serve as Eddie’s security guard as the comedian quickly ascended to stardom.
Due to Charlie’s propensity toward overreacting while guarding his brother – “Whoever say something, I almost gave this old man a heart attack on a plane because he asked us if we were a basketball team. I took that personally,” Murphy said in a Chappelle’s Show outtake – forced Murphy to embark on his own career.
One night at an Eddie Murphy stand-up performance, Charlie went after one heckler “who tried to squeeze the lemon.” “I took it as a personal crusade until they were like, ‘You’re a little overzealous in how you’re performing your job.’ So that’s how I ended up not doing [security] anymore,” Murphy said.
To read more, go to: Charlie Murphy, Comedian and ‘Chappelle’s Show’ Star, Dead at 57 – Rolling Stone
article by Borys Kit via hollywoodreporter.com
Don Cheadle has acquired the film and TV rights to “Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire” by Shane White, with plans to adapt the 2015 book as a starring vehicle. Steven Baigelman, who worked with Cheadle on the Miles Davis biopic “Miles Ahead,” is reteaming with the actor and will write the script for the drama.
Cheadle will produce and star. “Prince of Darkness” sheds light on the obscure story of Hamilton, who was mentioned in an obituary for Cornelius Vanderbilt as the tycoon’s true rival. White’s book details the rise of Hamilton as he is chased out of Haiti and becomes a broker and land agent in 19th century New York, his success prickling both white and black society.
He broke many taboos of the times, including marrying a white woman and owning stock in rail companies on whose trains he wasn’t legally allowed to ride. When Hamilton died, obituaries at the time called him the richest black man in America. The book has been awarded the Society of Historians of the Early American Republic’s best book prize and the 2016 New York City Book Award.
To read more, go to: Don Cheadle Tackling Story of Wall Street’s First Black Millionaire (Exclusive) | Hollywood Reporter
Jordan Peele is the quiet superhero I’ve been waiting for. I say quiet because his movie “Get Out” sneaked up on me. Not that there wasn’t noise surrounding this film… there was… everyone was talking about it. It had a perfect positive review score on Rotten Tomatoes until one guy’s negative take ended the streak. What can I say… everyone’s a critic – including me.
To summarize, “Get Out” is about a young, black photographer named Chris who is dating a white girl named Rose, and the duo depart for the weekend to visit Rose’s family (the Armitages) at their sprawling, suburban estate. Chris has initial concerns about the trip because Rose never mentioned to her family that she was dating a black man; however, Rose assures Chris that her family is not racist, and he therefore should not have anything to worry about.
Upon arrival the family seems normal enough; they are progressive, nice, and even border on entertaining. But as the plot furthers and their racism becomes increasingly revealed, the movie transforms from a fish-out-of- water “meet the parents” story into a spine-chilling thriller involving blood, murder, and hypnotic enslavement.
Among the film’s numerous allusions to racism – the policeman’s unwarranted request for Chris’s ID; the family’s employment of only black help; Rose’s brother’s assessment of Chris’s inherent athletic abilities – one quotation that particularly piqued my interest was the ending line of the official trailer: “A Mind is a Terrible Thing to Waste.”
This slogan, coined in 1972 by Arthur Fletcher, head of the United Negro College Fund, was important for two reasons: 1) it was created to promote the funding of scholarships for underprivileged black youth who would otherwise be unable to afford college and 2) it acknowledged that the potential of a mind does not hinge upon the race of its host, and that every mind should thereby be entitled to further cultivation.
What I find most interesting about Peele’s inclusion of this slogan (and its periodic repetition throughout the film and trailer) is that it perfectly echoes the commentary Peele makes about racism through this movie. Minds of black people are literally wasted as they are hypnotically enveloped within “The Sunken Place” – a darkness in which the mind is deprived of control over the body, and this imposed deprivation is largely representative of the systemic racism that plagues our society.
Although the capability of a mind is not dictated by race, the system has nonetheless created the illusion of white superiority by marginalizing black people and casting them into a void of shadows. And, while an occasional glimmer of reality (in this case, provided by the flash from Chris’s camera) may motivate black people to sometimes fight against it, the system ultimately triumphs in restoring its prejudiced order.
Speaking from my perspective – a bi-racial, brown-skinned teenager living in Los Angeles – I have been fortunate enough to not have personally experienced the same degree of marginalization as other members of the black community, or even within my own family. But this movie nonetheless still displays several facets of my experience. I attend a school of predominantly white students, and I can attribute many of my own feelings of being “other” to a feeling of being overshadowed by my white peers. I say many, and not all, because the alternative is a feeling of scrutinization that stems from being the only black kid in the room. Peele illustrates this aspect extremely well through the Armitages’ fixation on Chris. What I think therefore is so special about this film is that it weaves together these (and so many other) different dimensions of discrimination, and pretty much anyone of color can find some identification with Chris’s experience.
For those who still have not seen this movie, the purchase of that ticket would undoubtedly be money well-spent. If thought-provoking and intelligently constructed films intrigue you, watch “Get Out.” If films that tackle racism move you, watch “Get Out.” Even if you are merely into the horror genre, watch “Get Out.” From its amazing acting – Chris (Daniel Kaluyaa), Rose (Allison Williams), the brilliantly hilarious TSA agent Rod (Lil Rel Howery), etc. – to its perfect pacing, “Get Out” merits its commercial and critical success for its unique, alluring, and thoughtful portrayal of the underlying horrors that constitute being black in America.
This slogan, coined in 1972 by Arthur Fletcher, head of the United Negro College Fund, was important for two reasons: 1) it was created to promote the funding of scholarships for underprivileged black youth who would otherwise be unable to afford college and 2) it acknowledged that the potential of a mind does not hinge upon the race of its host, and that every mind should thereby be entitled to further cultivation.
What I find most interesting about Peele’s inclusion of this slogan (and its periodic repetition throughout the film and trailer) is that it perfectly echoes the commentary Peele makes about racism through this movie. Minds of black people are literally wasted as they are hypnotically enveloped within “The Sunken Place” – a darkness in which the mind is deprived of control over the body, and this imposed deprivation is largely representative of the systemic racism that plagues our society.
Although the capability of a mind is not dictated by race, the system has nonetheless created the illusion of white superiority by marginalizing black people and casting them into a void of shadows. And, while an occasional glimmer of reality (in this case, provided by the flash from Chris’s camera) may motivate black people to sometimes fight against it, the system ultimately triumphs in restoring its prejudiced order.
Speaking from my perspective – a bi-racial, brown-skinned teenager living in Los Angeles – I have been fortunate enough to not have personally experienced the same degree of marginalization as other members of the black community, or even within my own family. But this movie nonetheless still displays several facets of my experience. I attend a school of predominantly white students, and I can attribute many of my own feelings of being “other” to a feeling of being overshadowed by my white peers. I say many, and not all, because the alternative is a feeling of scrutinization that stems from being the only black kid in the room. Peele illustrates this aspect extremely well through the Armitages’ fixation on Chris. What I think therefore is so special about this film is that it weaves together these (and so many other) different dimensions of discrimination, and pretty much anyone of color can find some identification with Chris’s experience.
For those who still have not seen this movie, the purchase of that ticket would undoubtedly be money well-spent. If thought-provoking and intelligently constructed films intrigue you, watch “Get Out.” If films that tackle racism move you, watch “Get Out.” Even if you are merely into the horror genre, watch “Get Out.” From its amazing acting – Chris (Daniel Kaluyaa), Rose (Allison Williams), the brilliantly hilarious TSA agent Rod (Lil Rel Howery), etc. – to its perfect pacing, “Get Out” merits its commercial and critical success for its unique, alluring, and thoughtful portrayal of the underlying horrors that constitute being black in America.
Note: If my antistrophe in the last paragraph was not enough to persuade you (did I mention I’m a college-bound high school senior? Words like “antistrophe” live in my brain daily, so I can’t pass up a chance to use one in context), hopefully the trailer linked below will be:
article by Sarah A. Harvard via mic.com
The Pulitzer Prize committee announced its 2017 winners at its 101st annual ceremony on Monday. Among the 21 winners of the prestigious literary award, four black writers were commended for their work. BuzzFeed News’ executive editor Saeed Jones tweeted that Tyehimba Jess, Hilton Als, Lynn Nottage and Colson Whitehead were among the new class of winners.
Jess won the Pulitzer Prize in poetry for Olio, a collection of his sonnets, songs and narratives that highlight the lives of “unrecorded African-American performers” before the Civil War up to World War I.
Nottage won the Pulitzer Prize in drama for her Broadway show Sweat. The play, a political drama, centers on a group of friends who spent most of their lives working with each other in a factory and follows their friendship’s tumultuous friendship as rumors of layoffs begin to stir. According to Playbill, Nottage is the first female playwright to win the Pulitzer Prize twice. Nottage tweeted out thank yous for her award.
Whitehead won the Pulitzer Prize in fiction for his 2016 novel The Underground Railroad. The novel tells the story of a teenage heroine, Cora, in 1850s Georgia who tries to escape a cotton plantation and start her journey toward freedom.
Als, a theater critic for the New Yorker, won a Pulitzer Prize in criticism.
Source: 2017 Pulitzer Prize Winners: 4 black writers take home the coveted award