Culminating a three-year campaign by the Obama Foundation, the Chicago City Council on Wednesday approved measures to allow construction of the Obama Presidential Center. The approval, which came on a 47-1 vote, means the foundation can move forward into federal reviews of the project with city support as a badge of endorsement.
No public comment was allowed during the council meeting, and aldermen discussed the matter for just over an hour — a contrast to the extended and heated debate last week during a Plan Commission hearing. Hundreds of residents, activists and leaders of cultural institutions testified both in favor of the presidential center and against it. The commission voted overwhelmingly in support, as did the Zoning Committee on Tuesday, which paved the way for Wednesday’s City Council vote.
The City Council decision was just another step in a long process. Besides the federal review — which is required because Jackson Park, the site of the center, is on the National Register of Historic Places — the foundation still must secure a formal long-term contract to lease Jackson Park from the city. The foundation already has hired a collective of construction firms to build the center, but they have to develop and hire a workforce.
Idris Elba by Lori Lakin Hutcherson (@lakinhutcherson)
Get ready to suspend all disbelief and witness true acting talent, for, according to hollywoodreporter.com, Idris Elba has signed on to star as the Hunchback of Notre Dame for Netflix.
Golden Globe winner Elba will also direct and produce Hunchback under his Green Door production company, and will also be producing original music for the feature, which is being described as a “sonic and musical experience.” The Hunchback of Notre Dame, a 19th century gothic romance novel originally written by Victor Hugo in 1831, follows Quasimodo, a hunchback, who tragically falls in love with the gypsy Esmeralda. Hunchback has been adapted to film more than seven times over the years, most notably the 1956 version starring Anthony Quinn and Gina Lollabrigida, and the 1996 Disney animated adaptation voiced by Tom Hulce and Demi Moore. The Hunchback of Notre Dame is Elba’s latest foray into directing, having made his directorial debut this year with Sundance drama Yardie. He also created and will star and executive produce comedy Turn Up Charlie that was ordered straight-to-series by Netflix. Michael Mitnick, the screenwriter of The Current War and The Giver, will write the modern day re-telling of the Victor Hugo classic. Fred Berger (La La Land) and Brian Kavanaugh-Jones (Midnight Special) will produce for Automatik, along with Elba and Green Door’s Ana Garanito.
Kenya Barris and Dr. Rainbow Barris (photo via @tharealrainbow Instagram) via blackamericaweb.com
It is always nice to see celebrities reach back once they have “made it”.
This time around it is super producer and writer, Black-ish creator Kenya Barris, and his wife Dr. Rainbow Barris, who have awarded Clark Atlanta University (CAU) $1 million dollars.
The gift, which has been named the Kenya and Rainbow Barris Annual Scholarship Award, will go towards supporting students with a biology major and $500k dedicated to supporting mass media arts majors.
In addition to awarding this amazing gift, Barris received an honorary Doctorate of Humane Letters during CAU’s Commencement on May 21, 2018.
GA Democratic gubernatorial nominees Stacey Abrams (AP Photo/John Bazemore) by Alice Truong via qz.com Stacey Abrams made American history on Tuesday (May 22) when she won the Democratic primary for governor in Georgia, making her the first black female gubernatorial candidate nominated by a major party.
If she pulls off a victory in November against the Republican nominee, who will be decided in a runoff in July, the former state House minority leader will have a number of firsts to her name: the first female governor in Georgia, the first black governor of the state, and the first black woman elected governor in the US.
(Though she was not elected,Barbara Jordan in 1972 briefly served as the first female and first black governor of Texas when governor Preston Smith and lieutenant governor Ben Barnes were both out of the state on the same day.)
Abrams, of course, still faces an uphill battle in the deep South, which hasn’t elected an African-American governor since reconstruction. As the New York Times points out, she’ll need strong turnout from black voters to stand a chance in November. In Georgia, non-Hispanic white voters comprise 53% of the population and have traditionally voted in strong numbers.
“Tonight’s victory was only the beginning,” said Abrams in a Facebook post. “The road to November will be long and tough, but the next step is one we take together.”
The trailblazing funk singer, bandleader and producer Betty Davis dropped out of public for decades. A new documentary, “Betty: They Say I’m Different,” tells her story. (Credit: Robert Brenner)
For a few short years in the 1970s, no one made funk as raw as Betty Davis did. She sang bluntly about sex on her own terms, demanding satisfaction with feral yowls and rasps, her voice slicing across the grooves that she wrote and honed as her own bandleader and producer. Her stage clothes were shiny, skimpy, futuristic fantasies; her Afro was formidable.
A major label, Island, geared up a big national push for her third album, “Nasty Gal,” in 1975. But mainstream radio didn’t embrace her, and Island rejected her follow-up recordings. Not long afterward, she completely dropped out of public view for decades.
Ms. Davis’s voice now — speaking, not singing — resurfaces in “Betty: They Say I’m Different,” an impressionistic documentary that will have its United States theatrical premiere on Wednesday at the Billie Holiday Theater in Bedford-Stuyvesant, Brooklyn, as part of the Red Bull Music Festival. The film includes glimpses of virtually the only known concert footage of Ms. Davis in her lascivious, head-turning prime, performing at a 1976 French rock festival. The present-day Ms. Davis is shown mostly from behind and heard in voice-over, though there is one poignant close-up of her face.
This month Ms. Davis, 72, gave a rare interview by telephone from her home near Pittsburgh to talk about the film and her music. After years of entreaties from and conversations with its director, Phil Cox, and producer, Damon Smith, she agreed to cooperate on “Betty: They Say I’m Different” because, she said, “I figured it would be better to have them cover me when I was alive than when I was dead.”
Mr. Cox said, via Skype from England, “Betty doesn’t want sympathy, and she’s found her own space now. To me, that is just as interesting as that woman she was in the 1970s. It’s the antithesis of the age we live in, where everybody wants to be on social media all the time.”
Ms. Davis has longtime fans from the ’70s and newer ones who have discovered her in reissues and through hip-hop samples. They have clung to a catalog and a persona that were musically bold, verbally shocking and entirely self-created. Long before the current era of explicit lyrics, Ms. Davis was cackling through songs like “Nasty Gal” — “You said I love you every way but your way/And my way was too dirty for you” — and “He Was a Big Freak,” which boasts, “I used to whip him/I used to beat him/Oh, he used to dig it.” She still won’t reveal who was, or whether there was, a real-life model for songs like those.
https://youtu.be/EtInpDRchM0
“I wrote about love, really, and all the levels of love,” she said. That emphatically included sexuality. “When I was writing about it, nobody was writing about it. But now everybody’s writing about it. It’s like a cliché.”
Ms. Davis was born Betty Mabry in Durham, North Carolina, in 1945, and she grew up there and in Pittsburgh. She headed to New York City in the early 1960s, when she was 17, and enrolled at the Fashion Institute of Technology. She supported herself as a model and a club manager; she reveled in the city’s night life, meeting figures like Andy Warhol, Sly Stone, Eric Clapton and Jimi Hendrix.
Michelle and Barack Obama (CREDIT: VICTOR R. CAIVANO/AP/REX/SHUTTERSTOCK)
by Daniel Holloway via Variety.com Netflix has secured a deal with former President Barack Obama and First Lady Michelle Obama to produce series and movies for the streaming service. The former first couple will, according to an announcement Monday from the company, potentially work on scripted and unscripted series as well as docu-series, documentary films, and features under the multi-year deal.
“One of the simple joys of our time in public service was getting to meet so many fascinating people from all walks of life, and to help them share their experiences with a wider audience,” said Barack Obama. “That’s why Michelle and I are so excited to partner with Netflix — we hope to cultivate and curate the talented, inspiring, creative voices who are able to promote greater empathy and understanding between peoples, and help them share their stories with the entire world.”
“Barack and I have always believed in the power of storytelling to inspire us, to make us think differently about the world around us, and to help us open our minds and hearts to others,” said Michelle Obama. “Netflix’s unparalleled service is a natural fit for the kinds of stories we want to share, and we look forward to starting this exciting new partnership.”
Signing the Obamas is the latest, and by far the biggest, in a string of moves by Netflix to lock up the entertainment industry’s highest-profile producers in exclusive production and development pacts. Last year, Netflix poached “Grey’s Anatomy” creator Shonda Rhimes from ABC Studios with a deal valued at more than $100 million. “Glee” creator Ryan Murphy jumped from his longtime home at 20th Century Fox Television earlier this year to also join Netflix. Murphy’s deal was reported at the time to be worth as much as $300 million. However, sources tell Variety that tally includes money that Murphy is expected to make from his current and former Fox series over the life of his Netflix contract, and that the true value of the deal is in line with that of Rhimes’.
It is unknown how much the Obamas’ Netflix agreement is worth. In March, Penguin Random Housesigned the couple to a joint book deal that pays them a reported $65 million for their respective memoirs.
“Barack and Michelle Obama are among the world’s most respected and highly-recognized public figures and are uniquely positioned to discover and highlight stories of people who make a difference in their communities and strive to change the world for the better,” said Netflix Chief Content Officer Ted Sarandos. “We are incredibly proud they have chosen to make Netflix the home for their formidable storytelling abilities.”
Among President Obama’s most visible public appearances since leaving office was on David Letterman’s new Netflix series, “My Next Guest Needs No Introduction.” Obama was the first guest in the former “Late Show” host’s new long-form interview program.
Word of a possible pact between the former U.S. president and first lady surfaced in March, when the New York Times first reported that the couple was in talks with the streaming service on a deal to produce several high-profile projects.
Sarandos has a close relationship with the Obamas. His wife, Nicole Avant, served as U.S. ambassador to the Bahamas in President Obama’s first term in office. Source: http://variety.com/2018/digital/news/barack-michelle-obama-netflix-deal-1202817723/
Vernon Sanders, New Co-Head of Amazon TV (CREDIT: COURTESY OF AMAZON)
by Lori Lakin Hutcherson (@lakinhutcherson)
Former NBC executive Vernon Sanders has joined Amazon Studios as co-head of television, according to Variety.com. He will oversee creative and production units for Amazon Prime Video.
Sanders will head the TV division with Albert Cheng, who was hired during a reorganization of Amazon’s entertainment division under new top executive Jennifer Salke in April. Cheng also serves as Amazon Studios COO. “I’m thrilled to announce Vernon Sanders’ appointment to Co-Head of Television for Amazon Studios,” said Salke. “Vernon’s undeniable expertise in nurturing talent and creative material will be a huge asset to our studio. Having worked side-by-side with him for seven years at NBC Entertainment, I can speak first-hand to his talents as a leader and creative force. I know Vernon and Albert Cheng will be a formidable team as we continue to build Amazon Studios.”
At NBC Sanders held posts as executive vice president of current programming and executive vice president of comedy. He also has experience in drama-series development, having been senior VP of drama at the network and sister studio Universal Television. “I am tremendously excited to be joining Jennifer Salke, Albert Cheng and the forward-thinking team at Amazon Studios as they build an incredible destination for high-quality, compelling content,” Sanders said. “My time as a producer has reaffirmed my passion for working closely with creators to champion shows which delight and surprise our audiences. I’m grateful to my family at NBCU for their support as I jump into this new challenge.”
Among the series Sanders worked on while at NBC are “30 Rock,” “The Office,” “Friday Night Lights,” “This is Us,” “The Blacklist,” “The Good Place,” and the revival of “Will and Grace.”
Samaria Rice, mother of Tamir Rice (photo via ohio.com) by Angela Helm via theroot.com Samaria Rice, mother of Tamir Rice, the 12-year-old who was gunned down on a playground by an erratic “officer of the law” in 2014, is mending her heartbreak by opening a cultural center in the name of her son.
The Tamir Rice Afrocentric Cultural Center will honor Tamir’s legacy by operating as a place of refuge for black children in Cleveland, a space where they can participate in visual art, drama, music, as well as teaching them civics as well. “Nobody is talking about Tamir anymore in Cleveland,” said Samaria. “And that’s sad.”
Through the Tamir Rice Foundation, Samaria has already purchased a building for the center, and, in addition to serving the children’s artistic ambitions (Tamir, she said, loved to draw cartoons and make pottery), the young people who come through its doors will be mentored on how to “dissect and participate in political systems,” something the 41-year-old mother of three says she had to learn, after her son was killed as he played.
Rice has already faced opposition to opening the center, a baffling notion, given what she has been through, but according to a recent profile by the Cleveland Plain Dealer, someone recently put superglue in all of the locks on the 3,500-square-foot former newspaper building.
“I don’t pay no attention to them,” she said. “They can’t beat me for the simple fact that their child wasn’t killed by the state. I’m going to do it through the grace of God and I’m going to do it because the city of Cleveland gave me no choice but to do it as far as building my son’s legacy and keeping his legacy alive.”
Next month, Rice is throwing a “Sweet Sixteen” party for the birthday Tamir will never see. She seeks to raise $21,000 to help renovate the space, including new windows, and a stage for performances. She purchased the building in March for $162,680, using part of the $6 million settlement of the wrongful death suit she’d filed against the city and the two officers involved (none of whom faced a day in jail). The Plain Dealer reports that after lawyer’s fees and costs and payments to other relatives, Tamir’s estate was left with about $1.8 million.
Samaria Rice hopes to complete work and open the center in 2019. Tickets for June 14fundraiser at the Cleveland Museum of Art are $55 and contributions to the renovation are also being collected online. To read full article, go to: https://www.theroot.com/samaria-rice-to-open-tamir-rice-cultural-center-for-cle-1826177821
(Photo by Mark Makela/Getty Images) by Lori Lakin Hutcherson (@lakinhutcherson)
According to the Chicago Sun Times, Starbucks Coffee announced a new policy yesterday that allows anyone to sit in its cafes or use its restrooms, even without buying anything. The new policy comes five weeks after two black men who hadn’t bought anything were arrested at a Philadelphia Starbucks. Company executives have said its previous policies were ambiguous, leaving decisions on whether people could sit in its stores or use the restroom up to store managers. Starbucks now says it has instructed workers to consider anyone who enters its stores a customer, “regardless of whether they make a purchase.”
The company said anyone can use its cafes, patios or restrooms, but noted workers should still call the police if someone is a safety threat. “We are committed to creating a culture of warmth and belonging where everyone is welcome,” Starbucks said in a statement.
The two men who were arrested April 12 in Philadelphia were awaiting a third person for a meeting. One of them was denied use of a restroom because he hadn’t bought anything. A worker called police, and the men, Rashon Nelson and Donte Robinson, were arrested. They spent hours in jail before they were released. The incident, video of which was posted on social media, was a major embarrassment for the coffee chain.
Lorraine Hansberry (photo via pbs.org) by Lori Lakin Hutcherson (@lakinhutcherson) Lorraine Vivian Hansberry, born May 19, 1930, was an award-winning playwright and activist. Her best known work, A Raisin in the Sun, was inspired by her family’s battle against racial and housing segregation in Chicago. She would have been 88 today.
Hansberry was the youngest of four children of Carl Hansberry, a successful real-estate broker, and Nannie Louise Perry, a school teacher. In 1938, her father bought a house in the Washington Park Subdivision of the South Side of Chicago, violating a restrictive covenant and incurring the wrath of many neighbors. The latter’s legal efforts to force the Hansberrys out culminated in the U.S. Supreme Court’s 1940 decision in Hansberry v. Lee, holding the restrictive covenant in the case contestable, though not inherently invalid.
Hansberry attended the University of Wisconsin–Madison, but left in 1950 to pursue her career as a writer in New York City, where she attended The New School. In 1951, she joined the staff of the black newspaper Freedom under the auspices of Paul Robeson, and worked with W. E. B. DuBois, whose office was in the same building. In 1953, she married Robert Nemiroff, a Jewish publisher, songwriter and political activist. She later joined the Daughters of Bilitis and contributed two letters to their magazine, The Ladder, in 1957 under her initials “LHN” that addressed feminism and homophobia. She separated from her husband at this time, but they continued to work together.
In 1959, Raisin In The Sun debuted, becoming the first play written by an African-American woman to be produced on Broadway. The 29-year-old author became the youngest American playwright and only the fifth woman to receive the New York Drama Critics Circle Award for Best Play. A Raisin in the Sun was revived on Broadway in 2004 and received a Tony Award nomination for Best Revival of a Play. The cast included Sean “P Diddy” Combs as Walter Lee Younger Jr., Phylicia Rashad (Tony Award-winner for Best Actress) and Audra McDonald (Tony Award-winner for Best Featured Actress). It was produced for television in 2008 with the same cast, garnering two NAACP Image Awards.
While many of her other writings were published in her lifetime – essays, articles, and the text for the Student Nonviolent Coordinating Committee (SNCC) book The Movement, the only other play of Hansberry’s given a contemporary production was The Sign in Sidney Brustein’s Window. The Sign in Sidney Brustein’s Window ran for 101 performances on Broadway and closed on January 12, 1965, the night she died after a battle with pancreatic cancer. Hansberry’s funeral was held in Harlem on January 15, 1965. Paul Robeson gave her eulogy. The presiding reverend, Eugene Callender, recited messages from James Baldwin and the Reverend Martin Luther King, Jr. which read: “Her creative ability and her profound grasp of the deep social issues confronting the world today will remain an inspiration to generations yet unborn.”
In January of this year, PBS aired an American Masters Documentary on Hansberry called “Sighted Eyes/Feeling Heart.” Check out the trailer below and check your local listings for upcoming showings.
