The Melvin B. Tolson/Denzel Washington Forensics Society of Wiley College has added another historic feat to its list of accomplishments by winning the Overall Sweepstakes Championship of the 2014 Pi Kappa Delta National Comprehensive Tournament. Wiley is the first historically black college to earn this national award.
Wiley’s win comes during a record-making year for Pi Kappa Delta’s prestigious annual tournament – the 2014 event saw 80 schools (with 2,000 entries) competing to prove they have the best forensicators (speech and debate) in the country.
“We earn victories at Pi Kappa Delta each year, but this year’s overall championship victory is especially meaningful to Wiley,” said Haywood L. Strickland, Wiley’s President and CEO. “We are pleased that our students performed so well against all these strong teams. Their accomplishment is a clear reflection of the legacy of excellence at Wiley,” he said. “We are grateful to Professor Melvin B. Tolson, Denzel Washington, and all who paved the way for this victory to occur.”
Forensic speech and debate is woven into the fabric of Wiley College. Notably, the College’s 1935 debate team, led by Professor Melvin B. Tolson, defeated the then reigning national forensics champion, University of Southern California.
The 2007 movieThe Great Debaters tells the story of this competition, and the movie’s star and director, Denzel Washington, donated the funding that helped relaunch the College’s debate team in 2008.
Wiley’s 23-member Forensics Team is coached by Chris Medina. The team will next travel to Tempe, Arizona, to compete in the American Forensics Association Nationals – a tournament of champions for selective student who qualify through earlier high tournament rankings. On the heels of that event, two members of the team will travel to Ypisilanti, Michigan, to compete in the National Forensics Association Nationals.
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Three days ago, Good Black News shared an article about Washington D.C. wunderkind Avery Coffey, who was accepted to five Ivy League colleges. Today, 17-year-old New Yorker, violist and aspiring physician Kwasi Enin went one better – make that three better – and earned acceptance to all EIGHT Ivys!
According to usatoday.com, the acceptances began rolling in over the past few months, and by late last week when he opened an e-mail from Harvard, Enin found he’d been accepted to every one. School district officials provided scanned copies of acceptance letters from all eight on Monday. Yale confirmed that it was holding a spot for Enin.
The feat is extremely rare, say college counselors — few students even apply to all eight, because each seeks different qualities in their freshman class. Almost none are invited to attend them all. The Ivy League colleges are among the nation’s most elite.
“My heart skipped a beat when he told me he was applying to all eight,” says Nancy Winkler, a guidance counselor at William Floyd High School, where Enin attends class. In 29 years as a counselor, she says, she’s never seen anything like this. “It’s a big deal when we have students apply to one or two Ivies. To get into one or two is huge. It was extraordinary.”
For most of the eight schools, acceptance comes rarely, even among the USA’s top students. At the top end, Cornell University admitted only 14% of applicants. Harvard accepted just 5.9%.

HARTFORD — Several hundred Trinity College students, faculty and alumni greeted Joanne Berger-Sweeney, named Thursday as the college’s first African-American and first woman president, with enthusiastic whoops and applause. “How could you have a warmer welcome for someone?” said Berger-Sweeney, a dean at Tufts University in Medford, Mass. “It’s not very often that I get to walk into a room and there’s a standing ovation.” But then, she noted, to a roar of laughter, there were no seats in the room.
Berger-Sweeney, 55, a neuroscientist who was accompanied at Thursday’s announcement by her husband and two children, told the crowd she fell in love with Trinity the moment she first set foot on campus — shortly before New Year’s. “We came through the arch … I looked to the left and saw the chapel, I looked to the right and saw this beautiful long walk, and I thought: I think I could be here,” Berger-Sweeney said. “… Some people may want to be on small bucolic campuses in Maine, but not me. I want to be right here.”
After that visit Berger-Sweeney decided to apply and emerged as the winner when the Trinity board of trustees Tuesday voted unanimously for her. She will be the college’s 22nd president. Berger-Sweeney will take the helm at Trinity as it continues to grapple with financial challenges, a reputation as a party school, security concerns, campus climate and conflict with fraternities and sororities over policy changes.
“Trinity is a forward-looking institution that excels in liberal arts and sciences, and both are areas of excellence for Dr. Berger-Sweeney, who rose to the top of our highly competitive candidate pool,” said Cornelia Parsons Thornburgh, who led the search committee and will become chairwoman of Trinity’s board of trustees on July 1. “She impressed us with her strong academic credentials, curricular innovations, collaborative nature and enthusiasm for the Hartford community.
“I strongly believe that her vision of Trinity College as an elite liberal arts college with an urban pulse is one that will guide us, inspire us and lead us on a path to distinction and greatness,” Thornburgh said. James F. Jones Jr., who has been Trinity’s president for a decade and will retire June 30, called the moment historic and said that Berger-Sweeney’s appointment brought him “an enormous sigh of relief” to know that his “successor is going to be a star.”
Berger-Sweeney, who has been dean of the School of Arts and Sciences at Tufts since 2010, brings with her experience that is relevant to Trinity, Thornburgh said. “At Tufts, she has proven herself in areas that coincide closely with, and are important to, Trinity: proximity to a city, a strong athletic tradition, budget and program coordination, an historical Greek tradition, and a deep appreciation for a liberal arts education.”
It’s cheaper to give homeless men and women a permanent place to live than to leave them on the streets.
That’s according to a study of an apartment complex for formerly homeless people in Charlotte, N.C., that found drastic savings on health care costs and incarceration.
Moore Place houses 85 chronically homeless adults, and was the subject of a study by the University of North Carolina Charlotte released on Monday. The study found that, in its first year, Moore Place tenants saved $1.8 million in health care costs, with 447 fewer emergency room visits (a 78 percent reduction) and 372 fewer days in the hospital (a 79 percent reduction).
The tenants also spent 84 percent fewer days in jail, with a 78 percent drop in arrests. The reduction is largely due to a decrease in crimes related to homelessness, such as trespassing, loitering, public urination, begging and public consumption of alcohol, according to Caroline Chambre, director the Urban Ministry Center’s HousingWorks, the main force behind Moore Place.
One tenant, Carl Caldwell, 62, said he used to go to the emergency room five to seven times a week, late at night, so he could spend the night there. “You wouldn’t believe my hospital bills,” Caldwell, who hasn’t had health insurance for years, told The Huffington Post. Caldwell was a teacher for 30 years and became homeless five years ago, when he lost his job and his roommate moved out.
While living on the street, he was diagnosed with prostate cancer. The disease was particularly challenging for Caldwell, who said he spent his days “trying not to get robbed or killed” and trying to find bathrooms and shelter from freezing weather. Since he moved into Moore Place when it opened in March 2012, Caldwell has gained a regular doctor and has undergone radiation. Now his cancer is in remission. Without having to worry about where he will sleep, he can take his medicine regularly and keep it in his mini fridge.
“Moore Place saved my life,” Caldwell said. “When you’re homeless, you are dependent on everybody. Now I am independent and can give back.” Caldwell said he regularly helps feed homeless people now and has reconnected with family members he hadn’t spoken to in years.
Chambre said she expects Moore Place tenants’ mental and physical health to continue to improve with consistent access to health care. “The idea of having a primary care doctor was just a fantasy when they were living on the street,” said Chambre. “Now they all have a regular doctor.”

BEIJING — On a visit that was supposed to be nonpolitical, first lady Michelle Obama delivered an unmistakable message to the Chinese on Saturday, saying in a speech here that freedom of speech, particularly on the Internet and in the news media, provided the foundation for a vibrant society.
On the second day of a weeklong trip to China with her two daughters and her mother, Mrs. Obama spoke to an audience of Americans and Chinese at Peking University, and in the middle of an appeal for more American students to study abroad, she also talked of the value for people of hearing “all sides of every argument.” “Time and again, we have seen that countries are stronger and more prosperous when the voices and opinions of all their citizens can be heard,” she said.
The United States, she said, respected the “uniqueness” of other cultures and societies. “But when it comes to expressing yourself freely,” she said, “and worshiping as you choose, and having open access to information — we believe those are universal rights that are the birthright of every person on this planet.”
The forthright exposition of the American belief in freedom of speech came against a backdrop of broad censorship of the Internet by the Chinese government. The government polices the Internet to prevent the nation’s 500 million users from seeing antigovernment sentiment, and blocks a variety of foreign websites, including Twitter, Facebook and YouTube. The authorities compel domestic Internet sites to censor themselves.

Growing up in the 1970s at opposite ends of New York State, two girls were immersed in all things cool, black and funky.
Saturday morning cartoons won their hearts. Loreen Williamson, in Rochester, and Pamela Thomas, in the Bronx, would park themselves in front of the The Jackson 5ive, featuring a tiny Michael sporting a big Afro, and Josie and the Pussycats, with the black tambourine-playing Valerie Brown performing in a hip girl band.
Eventually, the two met and bonded over their mutual interests. Not content to leave the funk (or their pasts) behind, Ms. Williamson, now 49, and Ms. Thomas, 51, have amassed more than 300 pieces of black animation art from the 1960s and ’70s, a collection that they believe is one of the world’s most extensive in that field. In 2007, they created the Museum of UnCut Funk, an online showcase for original animation cels, posters, storyboards and other objects celebrating black culture of the 1970s and its standard-bearers. Now, the two collectors have hit the road with a traveling museum exhibition, Funky Turns 40: Black Character Revolution, which represents 24 animated productions, including Saturday morning and after-school cartoons and animated feature films.

The revolution that it documents is from stereotype to superhero: Funky, which is currently at the Schomburg Center for Research in Black Culture in Harlem and will travel to museums in Chicago, Seattle and West Reading, Pa.honors the cartoons’ image-affirming black characters, including those of The Harlem Globetrotters, Kid Power, Schoolhouse Rock and Fat Albert and the Cosby Kids.
The programs are more than entertaining nostalgia, the two curators and some cultural historians say. They represent the fruits of a struggle for a say in the representation of blacks in television images, among other rights, and the newfound ability of popular black entertainers to get such programming on the air, based on their own appeal to a wide audience.
The shows offered a striking counterpoint to the previous stereotypical portrayals of blacks as buffoons in mainstream films, books, theater, advertising and cartoons. “It shows a time in American history when art and diversity and civil rights aspirations all came together,” said Christopher P. Lehman, a professor of ethnic studies at St. Cloud State University in Minnesota and the author of The Colored Cartoon: Black Representation in American Animated Short Films, 1907-1954 (University of Massachusetts Press). “Before 1970, African-Americans were not much on television at all, except as the domestic servants of Jack Benny and Danny Thomas or as guests on variety series.”
It was no accident that Hey, Hey, Hey, It’s Fat Albert, described by curators as the first “positive” black-cast cartoon on TV (and the basis of the later series), was an NBC prime-time special in 1969, or, in the same vein, The Jackson 5ive, the first Saturday morning cartoon series featuring black musicians, made its debut in 1971. Both were created by two entertainment powerhouses, Bill Cosby (Fat Albert and the gang were part of his stand-up comedy routine) and Berry Gordy Jr., the founder of Motown Records, who marketed the family music act to appeal to the broadest possible audience.
Recalling her generation’s response, Ms. Williamson, who works as an independent consultant for marketing and business, said, “We got to see Martin Luther King’s dream, at least in cartoon form.”
“There was a lot of cross-pollination with what was going on in black culture,” she said. “You could watch the cartoons, go to the concerts, see the stars on variety shows. And our white friends were watching, too.” Ms. Thomas, a preschool teacher, said: “It made me feel like, wow, I see myself on TV. I started feeling good about myself.”

Comedy Central duo Key and Peele are on a roll. After landing on the cover of New York Times Sunday Magazine last year, this week they are cover boys for national weekly news magazine Time. It’s the Ideas Issue, and Key and Peele offer an opinion piece about comedy that may or may not make you laugh, but at the very least will make you think. Check it out below:
Would you make fun of a burn victim? Well, we did. Sort of… We’re comics. In the most recent season of our TV show, in a sketch titled “Insult Comic,” a traditional stand-up comedian professes that he is “going to get everybody” in his set (the guy toward the front with big ears, the fat guy, the woman with comically large breasts). That’s the phrase, isn’t it, when a critic wants to praise a comedian for the fearless nature of his or her comedy? That he or she “gets everybody”? That “nobody is safe”? One of the club patrons in our sketch, however, is a wheelchair-bound burn victim. “You skipped me,” he calls from the audience, with a robotic-sounding artificial larynx. “Go for it,” he says, “I can take it.”
But can we, as a society, take it anymore?
Today it seems that we live in a world of extremes. On one end of the spectrum, we have anonymous Internet trolls looking for opportunities to dole out cruelty with impunity. But in mainstream culture, it often seems we’re drowning in a sea of political correctness that lapped up on our shores a couple of decades ago and has yet to recede.
It’s amazing to think how popular television shows like All in the Family and Good Times might fare today in a Hollywood pitch meeting. Films like Blazing Saddles and Silver Streak wouldn’t make it past the development stage at a studio. Too edgy.

WASHINGTON — President Barack Obama‘s healthcare law, despite a rocky rollout and determined opposition from critics, already has spurred the largest expansion in health coverage in America in half a century, national surveys and enrollment data show.
