article by Michael Fleming Jr. via deadline.com
In a remarkable pair of deals for a debut author who is just 23, Fox 2000 has just made a preemptive acquisition of Children of Blood and Bone, the first installment of a fantasy novel trilogy by Tomi Adeyemi that will spawn a trilogy.
Temple Hill’s Marty Bowen and Wyck Godfrey are producing with Karen Rosenfelt. Word is this deal landed at or near seven-figures, and so did a whopping publishing deal that just closed at Macmillan Children’s Publishing Group.
The novel is unusual in that the fantasy trilogies studios usually buy for big bucks are built around white characters. This one weaves in African culture and characters and mixes it with magic to create an intriguing mythology that is otherworldly but somehow familiar. It is being called a Black Lives Matter-inspired fantasy.
The protagonist is Zélie, who at six years old watched the king’s guards hang her mother on a tree outside her home. She never forgot it. In the beginning, every Orïshan was a magi: born with dark skin, stark white hair and the blessing of the god’s magic once they reached adulthood. Yet over time, their population dwindled and they became Orïsha’s minority. Magic became a thing to loathe, dark skin transformed into a thing to hate. Ten years after the raid that killed her mother and took away magic forever, Zélie Adebola has one chance to bring magic back. Through a fortuitous encounter with the Princess Amari, Zélie comes into possession of a sacred scroll necessary to restore a connection to the gods and secure magic for another hundred years. This sets the young women on a quest to end the senseless violence and oppression by the lighter-skinned royal class.
Danger lurks in this west-African inspired world, where lionnaires and cheetanaires roam, and the beautiful villages built over oceans, out of sand or forged in iron hide a dark underbelly of slavery and corruption. They find themselves pitted against a crown prince bent on wiping out magic for good.
Adeyemi is a Nigerian-American writer and creative writing coach based in San Diego, who graduated from Harvard before receiving a fellowship to study West African mythology and culture in Salvador, Brazil.
To read full article, go to: Fox 2000 Lands ‘Children Of Blood And Bone’ In Splashy Book Deal | Deadline
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article by Beth J. Harpaz, AP via washingtonpost.com
An opera about Negro Leagues baseball star Josh Gibson, whose power hitting rivaled Babe Ruth’s, will have its world premiere in Pittsburgh this April. “The Summer King,” presented by Pittsburgh Opera, premieres April 29. Gibson’s story also figured in “Fences,” the movie starring Denzel Washington that was originally a play by Pittsburgh native August Wilson.
Baseball and opera “don’t usually inhabit the same universe,” said Christopher Hahn, Pittsburgh Opera’s general director. But opera is the perfect medium for telling Gibson’s story because opera allows people “to sing about emotions and aspirations and fears.”
Gibson was one of the first three Negro Leagues players to be inducted into the National Baseball Hall of Fame, which lists his career batting average as .350. He was twice named Negro National League batting champ and led the league in home runs three times. He played for two Pittsburgh teams, the Homestead Grays and the Crawfords.
Gibson died at 35, probably from a brain aneurysm, a few months before Jackie Robinson integrated baseball in 1947. Gibson’s story is “the story that came before Jackie Robinson,” says Daniel Sonenberg, composer of “The Summer King.” ‘’Josh’s career made the advent of Jackie Robinson possible. It was Josh who played at this high level that caught the attention of white owners. It was Josh who demonstrated it was competitive suicide not to integrate.”
But baseball’s integration led to the Negro Leagues’ shutdown, ending careers for dozens of black athletes who were not among the few chosen for white teams. Both “Fences” and “The Summer King” honor “a whole generation of wonderful players whose livelihoods and social structures got up-ended,” Hahn said.
“Most people know the story of Josh Gibson as a baseball player, a home run hitter compared to Babe Ruth with outstanding statistics, in the Hall of Fame,” Sean Gibson said. “But behind the uniform was a great man who lived through tragedy outside of dealing with racism and playing baseball: His wife died giving birth to their twins.”
The opera also portrays Gibson’s career playing abroad in Cuba, Mexico and elsewhere. “Over there they didn’t have to deal with racism,” said Sean Gibson. “You’re going over to Latin countries, your skin color is the same color as theirs.” Nearly all 14 principal roles in “The Summer King” are played by African-Americans, a rarity in operas (”Porgy and Bess” notwithstanding). Renowned mezzo-soprano Denyce Graves plays Gibson’s lover. Bass-baritone Alfred Walker, who plays Gibson, told the New Pittsburgh Courier that playing “someone that looks like me” is “an amazing opportunity.”
A ballfield named for Gibson is located in Pittsburgh’s Hill District neighborhood, not far from the August Wilson House, the late playwright’s childhood home. The August Wilson House hosts a block party April 29, starting at noon, just a few hours before the opera premiere, to mark Wilson’s birthday.
The Michigan Opera Theatre in Detroit plans to stage “The Summer King” in March 2018.
To read full article, go to: Opera tells story of Negro Leagues baseball star Josh Gibson – The Washington Post
article by Tre’vell Anderson via latimes.com
On his way to winning a best picture Oscar for “Moonlight,” a film made for a minuscule $1.5 million, writer-director Barry Jenkins took time between awards-season red carpet appearances for a six-city European promotion tour. It was time well spent.
“Moonlight,” about a poor black boy living in the projects of Miami and struggling with his sexuality, wasn’t supposed to be the kind of movie that wins the best picture Oscar. Its modest coming-of-age narrative, unconventional story structure and outsider characters with no mega stars made it, as filmmaker Mark Duplass said recently with admiration, “a bit of a miracle” that it even reached U.S. theaters. Certainly, it’s not the kind of movie that was expected to make money overseas. After all, says a longstanding Hollywood myth, black films don’t travel.
Yet as of Tuesday, “Moonlight” has made $28.6 million at the international box office — more than its $27.5 million domestic take — for a worldwide total of $56.1 million. With the film still in theaters, even more is expected.“This black film is definitely selling overseas,” Jenkins said to The Times on the red carpet for the Screen Actors Guild Awards, just after he’d returned from Europe.
“Every time there’s a success, it gets swept under the rug,” says Jeff Clanagan, president of Lionsgate’s Codeblack Films, which primarily produces films with African American casts. “It’s almost like there’s an asterisk on it. They chalk it off as an anomaly.”
For 1988’s “Coming to America,” the anomaly was the comedic genius of Eddie Murphy, who “transcended race” when the film grossed $160.6 million internationally for a $288.8 million worldwide take. (Samuel L. Jackson, Morgan Freeman, Will Smith, Kevin Hart, Denzel Washington and Don Cheadle are other box office champs for whom the “transcended race” label has been applied.)
For 1995’s “Bad Boys” and its 2003 sequel — which together pulled in a combined $210.3 million internationally and $414.7 million worldwide — it was the fact that the film was an action flick, never mind leads Smith, Martin Lawrence and Gabrielle Union. For 2015’s “Straight Outta Compton,” a $40.4 million payoff internationally (and $201.6 million worldwide), it was the popular music of rap group N.W.A.
Even as three-time Oscar nominee “Hidden Figures,” with its predominantly black cast, has so far made $48.8 million internationally — helping to push its $166 million domestic sales to nearly $215 million worldwide and counting — the myth persists.
When asked about the myth, Octavia Spencer, Oscar-nominated for her “Hidden Figures” role, responded simply: “I have two words for you: Will Smith.”
“He was told the same thing [at the beginning of his career] — that he wasn’t going to be taken to promote his film,” she said at the annual pre-Oscars Sistahs Soiree honoring women of color in the industry. “Had he not paid for himself to fly all over the world that very first time, he would not be an international box office star. So they have to start investing and taking black actresses and actors across the world just like they do with unknown white actors. They need to do the same thing for black actors. If you don’t know ’em, why would you go support the film?”
To read full article, go to: Disproving the ‘black films don’t travel’ Hollywood myth – LA Times
article via thegrio.com
United States Senator Kamala D. Harris will be delivering the commencement address at Howard University on May 13, according to an announcement from the university.
“Throughout her trailblazing career, Senator Harris has demonstrated her commitment to youth in a variety of ways,” said Howard University President Dr. Wayne Frederick. “She is a leader in mentorship programs, has authored legislation to fight child exploitation and unashamedly shattered both racial and gender barriers. As we exclaim the necessity of Howard University’s legacy — now more than ever before — and focus our vision toward the future, I have no doubt that our graduates will find Senator Harris thought-provoking and inspiring.”
Harris, who graduated from Howard in 1986, was the first woman to serve as the Attorney General for the State of California and was the second ever African-American woman to be elected to the U.S. Senate. “Howard shaped, nurtured, and challenged me to soar on my chosen path, and I’m honored to speak to the class of 2017 to encourage them to pursue their own dreams and live up to the promise of Howard,” said Senator Harris.
To read more, go to: Sen. Kamala Harris to deliver Howard commencement address | theGrio
article by Joe Otterson via Variety.com
“Moonlight” director and Academy Award winner Barry Jenkins will write and direct a one-hour drama series about the Underground Railroad currently in development at Amazon. The series will be based on Colson Whitehead’s best-selling book, “The Underground Railroad.”
“Going back to ‘The Intuitionist,’ Colson’s writing has always defied convention, and ‘The Underground Railroad’ is no different,” Jenkins said. “It’s a groundbreaking work that pays respect to our nation’s history while using the form to explore it in a thoughtful and original way. Preserving the sweep and grandeur of a story like this requires bold, innovative thinking and in Amazon we’ve found a partner whose reverence for storytelling and freeness of form is wholly in line with our vision.”
Published by Doubleday, “The Underground Railroad” has sold over 825,000 copies in the United States across all formats. An Oprah’s Book Club 2016 selection, New York Times bestseller, and the winner of the 2016 National Book Award for Fiction, the book chronicles young Cora’s journey as she makes a desperate bid for freedom in the antebellum South. After escaping her Georgia plantation for the rumored Underground Railroad, Cora discovers no mere metaphor, but an actual railroad full of engineers and conductors, and a secret network of tracks and tunnels beneath the Southern soil.
This will be Johnson’s first attempt at directing a TV series in its entirety. He recently directed an episode of the upcoming Netflix adaptation of the film “Dear White People,” and previously directed one episode of the PBS series “Futurestates.” Jenkins’ Pastel Productions will executive produce along with Brad Pitt’s Plan B Entertainment. Pitt and Plan B also produced “Moonlight.”
To read full article, go to: ‘Moonlight’ Director to Write, Direct Underground Railroad Series | Variety
article via jbhe.com
The board of trustees of the University of Massachusetts has named Robert E. Johnson as chancellor of the University of Massachusetts at Dartmouth. The campus enrolls about 7,300 undergraduate students and 1,600 graduate students. African Americans make up 14 percent of the undergraduate student body.
When Dr. Johnson takes office, he will become the first African American to lead the UMass Dartmouth campus. Since 2010, he has been president of Becker College in Worcester, Massachusetts. Earlier in his career, Dr. Johnson has served in administrative roles at Sinclair Community College, the University of Dayton, Oakland University, and Central State University.
A native of Detroit, Dr. Johnson is a graduate of Morehouse College in Atlanta, where he majored in economics. He holds a master’s degree in education administration from the University of Cincinnati and a doctorate in higher education administration from Touro University International.
Source: The University of Massachusetts at Dartmouth Names Its Next Chancellor : The Journal of Blacks in Higher Education
article by Julie Compton via nbcnews.com
The term “slay” has important meaning to out director Sean Torrington. “To kill it, to be the best of the best, to always be on top,” he told NBC Out. It’s also the name of the 36-year-old’s new global media network for LGBTQ people of color.
SlayTV is the brainchild of Torrington and his husband, Terry Torrington, also a director. He said it gives a platform to black LGBTQ storytellers whose voices mainstream media often ignores. It also allows them to make money so they can “keep on creating the dope content they create,” he explained.
Torrington started his career as a Goldman Sachs project manager. After getting laid off in 2010, he took the opportunity to follow his passion for filmmaking and began creating web series on YouTube that centered on LGBTQ people of color. He said it’s a community that rarely sees itself reflected in gay or mainstream media.
According to a 2016 GLAAD report, cable and streaming platforms predominantly depict LGBTQ characters that are white (72 percent and 71 percent, respectively, in the most recent TV season).
“People would come up to us and be like ‘Oh, where can we see more content like this? This is really revolutionary, this is great,'” Torrington said. “I was like …’We need one central location for queer [and] trans people of color television.'”
Shortly after, Torrington created an app that collects selected content about LGBTQ people of color from YouTube into a single platform. “We literally within a month got 20,000 downloads,” he said.
Shaquille O'Neal Honored by Los Angeles Lakers with Statue in Front of Staples Center in Los Angeles
article by Chelsea Edwards and Rob Fukuzaki via abc7.com
A 9-foot, 1,200-pound bronze statue of Laker great Shaquille O’Neal was unveiled in the front of Staples Center in Friday. The statue, which is connected to Staples Center and suspended 10 feet off the ground, was brought to downtown Los Angeles on Thursday prior to the unveiling ceremony.
The ceremony at Star Plaza outside Staples Center included live music, a Ferris wheel, interactive games as well as speeches from O’Neal himself and his teammates, colleagues and friends. Kobe Bryant, Phil Jackson, Jerry West, and Kareem Abdul-Jabbar spoke at the event.
“I just want to say thank you. I’ve learned so much from you as a player. Everything you’ve done for this city, everything you’ve done for this franchise,” Bryant said. “Kids, your kids, you guys should know your dad was a bad man. Congratulations and much love to you, my brother.”
A few of O’Neal’s six children also spoke during the ceremony and helped him unveil the massive statue hanging above the ground. O’Neal thanked Jerry West, his former teammates and, of course, the fans for believing in him throughout his career. “This moment is very unexpected because I see two Lakers ahead of me that definitely deserve this statue,” he said. “To the fans, you know I love you, and I just wanted you to know that I heard you in the games when I was missing free throws.”
At the end of his speech, he chanted, “Can you dig it?” to a cheerful crowd. O’Neal played for the Lakers from 1996 to 2004, leading the team to three consecutive NBA championships and winning the NBA finals MVP award each time.
Source: Shaquille O’Neal honored with statue in front of Staples Center | abc7.com
article by Justin Kroll and Brent Lang via variety.com
Shawn “Jay Z” Carter and the Weinstein Company are partnering on an ambitious series of film and television projects about Trayvon Martin. The indie label and the rap icon won a heated bidding war for the rights to two books — “Suspicion Nation: The Inside Story of the Trayvon Martin Injustice and Why We Continue to Repeat It” and “Rest in Power: The Enduring Life of Trayvon Martin.” The 2012 shooting of the 17 year-old Martin sparked a national debate about racial profiling and inequities of the criminal justice system that brought about the Black Lives Matter movement.
The African-American high school student was killed by George Zimmerman, 28, who was a member of the neighborhood watch in his Florida community. He claimed he shot Martin, who was unarmed, in self defense after the two became involved in a physical altercation. Zimmerman’s acquittal on a second-degree murder charge inspired protests around the country.
“Suspicion Nation” is by Lisa Bloom and recounts her experience covering the trial for NBC. She looks at the mistakes made by prosecutors that caused them to lose what she describes as a “winnable case.” “Rest in Power” is by Martin’s parents, Sybrina Fulton and Tracy Martin. It tells a more personal story, looking at Martin’s childhood and the aftermath of his death.
The plan is to make a six-part docu-series with Jay Z producing as part of a first-look deal he signed with the studio last September. The indie studio will also develop a narrative feature film. The Weinstein Company earned critical raves for “Fruitvale Station,” another true story, about the death of Oscar Grant, an unarmed black man who was killed in 2009 by a BART police officer.
To read more: Jay Z to Make Trayvon Martin Film and Documentary Series | Variety
article by Kristyn Burtt via dancenetwork.tv
Choreographer Dave Scott is well known for his work on So You Think You Can Dance and in films like High Strung, Step Up 2: The Streets, Stomp The Yard and You Got Served. He’s now tackling a new venture that is sure to bring a fresh spin on a musical theatre classic. Under the direction of Will North, Scott will be reimagining the choreography from Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat.
The family-friendly show will run Oct. 13-22, 2017 at the Cabrillo Music Theatre in Thousand Oaks, California, and focuses on the trials and triumphs of Joseph, Israel’s favorite son and his “coat of many colors” from the Bible’s Book of Genesis. Although Joseph and the Amazing Technicolor Dreamcoat was first performed in 1968, it didn’t have its Broadway debut until January 1982.
North explained to Dance Network about his initial idea to collaborate with the hip-hop choreographer.
“I wanted to do a contemporary version of the show while bringing in different genres of hip-hop — including krumping. Dave is the perfect person to execute that vision,” he explains.
For Scott, taking on the project was a natural fit as he looks to diversify beyond his work in TV and film. The idea of live theatre not only adds an unexpected element, it’s giving him a new way to communicate through his artistry.
“I’ve always approached television and film with the mentality of the stage. To achieve the ‘wows’ and ‘splendor’ with no edits or cuts,” Scott shares. “I personally and creatively imagine my work in cartoon, like a superhero. I always aspire to go beyond the non-boundaries of dance, and this is a perfect platform.”
In addition to the upcoming production, Scott will also be back this summer choreographing on Season 14 of SYTYCD and he recently completed the film, Manifest Destiny Down: Spacetime, which will be out in 2018 with Broadway star Alexandra Winter.
Source: Exclusive: Why ’SYTYCD’ Choreographer Dave Scott Is Tackling A Reimagined Andrew Lloyd Webber Classic | Dance Network