by Tracy Swartz via chicagotribune.com
The ride-share service Lyft announced Tuesday that passengers can now round up their fare to the next dollar and donate the difference to Chance the Rapper’s fund to support Chicago Public Schools. The New Chance Arts and Literature Fund, devoted to creating and expanding Chicago arts education programs, is the first local organization Lyft is supporting through the “round up and donate” feature.
Lyft will automatically round up each fare for passengers who opt in via the “settings” tab on the Lyft app and choose their charity. The American Cancer Society, the American Red Cross and Habitat for Humanity are among the national organizations that have similar partnerships with Lyft, which is headquartered in San Francisco.
Chance the Rapper, born Chancelor Bennett and raised on the South Side of Chicago, announced the creation of the arts and literature fund in March. He said last month that his organization SocialWorks raised $2.2 million to help 20 Chicago public schools. And though his partnership with Lyft is new, the Grammy winner raps about ride-sharing in his song “All Night,” off last year’s “Coloring Book” project: “You should use your phone, call a Uber/ You a goofy if you think I don’t know you need a Lyft.”
To donate directly to the New Chance Arts and Literature Fund, click here.
Source: Lyft announces partnership with Chance the Rapper to support CPS – Chicago Tribune
Posts published in “U.S.”
via blackamericaweb.com
The HBCU Power Awards has announced that actress, singer-songwriter, director, and philanthropist Jada Pinkett Smith will receive the “Icon Award” on the evening of excellence on Friday, October 20, 7PM at Morehouse College in Atlanta.
Smith began her acting career as the feisty “Lena” from the 80s sitcom “A Different World,” a show that brought HBCU life to tv screens across the country 30 years ago. Since then, Smith has curated a successful career in film and music while giving back to the community through the Will and Jada Smith Family Foundation.
Actor/choreographer Derek “Fonzworth Bentley” Watkins (Morehouse c/o ’96) supermodel Jessica White and actor/comedian Deon Cole will co-host the show. Co-founded by Watkins along with event producer Jash’d Kambui Belcher (Morehouse c/o ’99) and Wall Street executive Roderick Hardamon (Morehouse c/o ’98), the HBCU Power Awards honors the achievements and accomplishments of HBCU alumni and supporters who are making innovative and leading-edge achievements in business, sports, philanthropy, media, music, technology, TV, film, politics, civil service and fashion.
“We created the HBCU Power Awards to serve as a platform to celebrate black excellence and to highlight the importance of HBCUs in our communities,” says Belcher. “Our honorees embody the spirit of success and commitment to community that HBCUs have instilled in students for decades.”Adds Watkins: “In a time when the existence of our HBCUs is being threatened, the Power Awards is a shining reminder of the genius and innovation that black colleges generate every year.”
Sponsors of the 2017 HBCU Power Awards include Morehouse College, the Atlanta Hawks, Radio One, Wells Fargo, Morgan Stanley, Experience Grands Rapids and the Lowman Group/ dba the Athletes Foot.
Ticket prices start at $20 and are available at HBCUPowerAwards.com.
To read more, go to: Jada Pinkett Smith To Be Honored At HBCU Power Awards | Black America Web
by Lori Lakin Hutcherson (@lakinhutcherson)
A landmark exhibition of abstract paintings, sculptures and works on paper by 21 black women artists will be on view at the National Museum of Women in the Arts (NMWA) from Oct. 13, 2017–Jan. 21, 2018. Magnetic Fields: Expanding American Abstraction, 1960s to Today places the visual vocabularies of these artists in context with one another and within the larger history of abstraction. This exhibition celebrates those under-recognized artists who have been marginalized, and argues for their continuing contribution to the history and iconography of abstraction in the United States. Magnetic Fields is the first exhibition dedicated exclusively to the formal and historical dialogue of abstraction by black women artists.
From the brilliant colors and energetic brushwork of Alma Woodsey Thomas’s paintings to shredded tire sculptures by Chakaia Booker, works featured in this exhibition testify to the enduring ability of abstraction to convey both personal iconography and universal themes. The exhibition underscores the diversity of abstract art, which lies in its material construction and conceptual underpinnings, as well as in its practitioners.
Magnetic Fields features a range of works, including early and later career examples, several exhibited for the first time, and the long-awaited reappearance of iconic works such as Mavis Pusey’s large-scale painting Dejyqea (1970), featured in the Whitney Museum of American Art’s landmark 1971 exhibition Contemporary Black Artists in America.
“By highlighting each artist’s individual approach to materials, composition, color and content, Magnetic Fields creates a context for a lively and visual conversation among these artists,” said NMWA Director Susan Fisher Sterling. “The project also vigorously expands the art-historical narrative on post-war American abstract art. This exhibition shifts our attention to key practitioners who have not received their due, fostering a deeper appreciation of their accomplishments and asserting a new parity of value for their work.”
Magnetic Fields also pays tribute to the lived experience of each of the featured artists who have come individually to pursue abstraction, disrupting the presumption that only figurative works can convey personal experience. Collectively, work by the select group of prolific creators, born between 1891 and 1981, represents a range of approaches rooted in Abstract Expressionism, Color Field painting and Minimalism, with emphasis on process, materiality, innovation and experimentation. The artists in the exhibition are:
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Alma Woodsey Thomas, Orion, 1973; Acrylic on canvas, 59 3/4 x 54 in.; Courtesy of the National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay (Photo by Lee Stalsworth)
Candida Alvarez (b. 1955) - Chakaia Booker (b. 1953)
- Betty Blayton (b. 1937, d. 2016)
- Lilian Thomas Burwell (b. 1927)
- Nanette Carter (b. 1954)
- Barbara Chase-Riboud (b. 1939)
- Deborah Dancy (b. 1949)
- Abigail DeVille (b. 1981)
- Maren Hassinger (b. 1947)
- Jennie C. Jones (b. 1968)
- Evangeline “EJ” Montgomery (b. 1930)
- Mary Lovelace O’Neal (b. 1942)
- Howardena Pindell (b. 1943)
- Mavis Pusey (b. 1928)
- Shinique Smith (b. 1971)
- Gilda Snowden (b. 1954, d. 2014)
- Sylvia Snowden (b. 1942)
- Kianja Strobert (b. 1980)
- Alma Woodsey Thomas (b. 1891, d. 1978)
- Mildred Thompson (b. 1936, d. 2003)
- Brenna Youngblood (b. 1979)
“As curators, we are honored to present this incredible, intergenerational group of artists,” stated co-curators Erin Dziedzic and Melissa Messina. “This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.”
by Brittany Wallman via miamiherald.com
FORT LAUDERDALE, FLA. A childhood in the black community of Memphis. A cruise line career that delivered him to a life in South Florida. And a lottery ticket he bought at a gas station. A winning lottery ticket. They are the factors in Miguel Pilgram‘s life that bring him now to Sistrunk Boulevard, a corridor the county calls the “historical heartbeat of Fort Lauderdale’s oldest black community.”
Pilgram, who won a $52 million jackpot using quick-pick numbers in 2010, is investing some of his winnings in Sistrunk in a way not seen in years. Pilgram said he wants to breathe new vibrancy into the boulevard, building on its rich history as a place that nurtured civil rights leaders and pioneers and attracted people to its lively nightlife and music. “I was raised in a similar environment,” Pilgram said. “There is a need, and in my mind, an obligation, to invest there.”
The 48-year-old Coral Springs resident and father of two is rolling out plans for a New York Subs and Wings restaurant with a Memphis Blues club upstairs, on one side of Sistrunk. On the other, his company, The Pilgram Group, plans a retail complex with a bank, Jamba Juice and other shops on the ground floor. On the second floor, a performing arts center will offer below-market rates for instructors of dance, arts, and music. “Do you know how impactful that is for a child from any of these areas, who is like me, to come out and see people actually painting in the window, or performing on a saxophone?” Pilgram said. “That creates a fire under most children. Now they say, wow, anything out there that’s creative, I can be. Whatever artist I want to be, I can be.”
Back in Memphis, Pilgram said he had role models who shaped him. His father was hard-working. His mother was a devout Seventh-day Adventist who had him in church several days a week. When he got older, he joined the Navy. Then he embarked on a career in the cruise line industry, climbing to a top position, and learning to work with large budgets like the one now under his own name.In his world travels, he said he visited cultures where people marveled at his “beautiful” brown skin. He said he wants children in Fort Lauderdale’s historic black community to experience that feeling of value as an African American. But he also saw what can happen when private investment is lacking, he said, and government comes in to rebuild.
In Memphis, he said, his grandmother’s apartment was razed, and the residents displaced. He feared it could happen here, and said that’s one thing that drew him to Sistrunk Boulevard. ‘It could be you’ Every week, Pilgram spent $20 on lottery tickets. But he wasn’t good about checking them. Then one night he ran to the Shell gas station in North Bay Village where he bought his tickets. He left chicken cacciatore and his girlfriend at home, and was in a hurry. He just needed a bottle of wine. David, the gas station employee, was insistent. Someone had bought the winning Florida Lotto ticket at that gas station, he told Pilgram, and “it could be you.” Pilgram got the tickets from his car, and one of them hit: 15-16-20-32-45-50. David started “jumping up and down,” Pilgram said.”$52,000?” Pilgram thought he heard through David’s Spanish accent. No, not thousand. 52 million.
Sistrunk Boulevard hasn’t had a nightclub with live music like Pilgram plans in at least 25 years, City Commissioner Robert McKinzie said. The boulevard was once vibrant. Now, vacant lots and empty buildings sit on many of the blocks. The city, a major landowner on Sistrunk, has worked for years to encourage private investment. McKinzie said the pieces are finally falling into place, and he’s “excited” about Pilgram’s role in it. “Now that we are reviving it,” McKinzie said of Sistrunk Boulevard, “his plan and concept fit right in.” Next to Pilgram’s planned performing arts center, on the north side of Sistrunk between Northwest 14th Way and 14th Terrace, the city recently agreed to spend $10 million building a new YMCA where the old Mizell Center is.
To read full article, go to: Lottery winner to use part of $52M to transform street | Miami Herald
by Latifah Muhammad via vibe.com
John Legend and Jesse Williams are working on a documentary that will look at the 1968 Black Power salute seen around the world. More than four decades before Colin Kaepernick took a knee in silent protest of police brutality and racial injustice, Olympians Tommie Smith and John Carlos made a statement with raised fists during the Summer Olympic games in Mexico City.
The documentary, With Drawn Arms, is executive produced by Williams and Legend, along with the Grammy and Oscar winning singer’s partners from his Get Lifted Film Co., Deadline reports. Smith is the focus of the documentary. The former sprinter and NFL wide received took home the gold medal at the 1968 games after completing the 200-meter dash, while Carlos earned the bronze medal. Both men were suspended for raising their fists during the medal ceremony, stripped of their credentials, and given 48 hours to leave Olympic Village.
With Drawn Arms is currently in production in Los Angeles and is co-directed by Glenn Kaino and Afshin Shahidi, who is the father of Black-ish actress Yara Shahidi, and worked as one of Prince’s personal photographers. “Tommie Smith is more than an iconic poster or risky act of defiance that inspires people the world over,” Williams said in a statement noting that Smith is a “living man, whose incredible journey is worthy of examination.” He added, “I couldn’t be more excited to join forces with this team of filmmakers, to share his reality and challenge our notions of heroism in the process.”
To read more, go to: John Legend, Jesse Williams Team For Film On Olympic Protest
by Brian Naquin via fox8live.com
A bloodstained shoe served as a reminder of just how dangerous the rescue near Xavier University‘s campus was Monday night. “Without us, he probably would have bled out and stayed in the car until the police got there,” Markevion Kennebrew said. Just before 10 p.m., Kennebrew, Moses Michael, Ronald Haroon, Demetrious Brown and another Xavier student selflessly sprung into action after a man smashed his sedan into a utility pole then crashed upside on the embankment of the drainage canal along Washington Avenue in New Orleans.
“I told my friend I think someone is there. We just got to help then I saw these two guys,” Michael said as he pointed at Brown and Haroon. “[The driver] was like ‘please help’ and I don’t know how you can turn you back away from that,” Haroon said. “We actually made a chain and one person was holding onto the wall because it’s really steep. Dom, that’s the guy who is not here right now, he gave me his jacket and we had to pull the door open and we helped [the driver] up.”
The rescue was not only daring because of the steep embankment and mangled car below them but also because a live-electric wire that sparked in the water just feet away. “The car could have slid down in the water. He could have gotten shocked,” Brown said. “But I feel like it’s our public duty to help people in need. We weren’t thinking (about the wire). We were just thinking to get him out and get him on the street and make sure whoever’s in the car is alright.”
“I know my mom is going to be like you could have been shocked as well,” Kennebrew said. “My mom will probably be mad that I went down there but she’s still going to be happy that I helped people out just being there.”The crash knocked out power to much of the area. Emergency crews rushed the driver to the hospital. The students said he was bleeding from his head and had a large gash on his arm but was able to speak.
Before the rescue, Kennebrew and Michael did not know Brown nor Haroon and vice versa. But after Monday, their bond formed along a dark canal is something that will never be swept away.”Once we heard someone was in there, I just think all four of us realized what we had to do,” Haroon said.
To see video of these young heroes, go to: Five Xavier students rush to save crash victim as a live wire sp – FOX 8 WVUE New Orleans News, Weather, Sports, Social
via thegrio.com
A man who was shot in the neck during the deadly Las Vegas shooting on Sunday helped to save at least 30 people.
Jonathan Smith, 30, had attended the concert with nine other members of his family when the shots rang out and his older brother, Louis Rust, told them all to run. Smith was focused on getting his nieces out, according to the Washington Post, but he turned back into the crowd after becoming separated.
He noticed that several people had been paralyzed by fear and started to push them to move, saying, “Active shooter, let’s go!” “I got a few people out of there,” he told the Post. However, while he was trying to get to a group of children, he was struck by a bullet in the neck. The bullet shattered his collarbone, fracture one of his ribs, and bruised one of his lungs.
Smith credits a police officer with saving his life after the police officer saw Smith bleeding and staunched the flow of blood before he was lifted to the hospital. For now, doctors have left the bullet in place.“I might have to live with this bullet for the rest of my life,” Smith said.
While Smith has been heralded as a hero for his actions, he doesn’t see himself that way, either.“I would want someone to do the same for me,” he said.
Source: Man shot during Las Vegas massacre helped save 30 people | theGrio
via espn.com
NEW YORK — Major League Baseball has named its World Series Most Valuable Player Award after Willie Mays. The decision was announced Friday, the 63rd anniversary of Mays’ over-the-shoulder catch in deep center field at the Polo Grounds for the New York Giants against Cleveland’s Vic Wertz in Game 1 of the World Series.
The Giants went on to sweep the Indians. The Series MVP award was given out for the first time the following year, when it was won by Brooklyn Dodgers pitcher Johnny Podres.”I’d like to thank Commissioner Rob Manfred and his team at Major League Baseball for honoring me with this recognition,” Mays said in a statement. “Baseball has always taken care of me, and for that I am grateful. I think it’s just a wonderful thing to know that at 86 years of age, I can still give something back to the game. I am proud to lend my name to this important award. What a day this has been!”
Now 86, Mays played in 24 All-Star Games during a 22-year career with the New York and San Francisco Giants and the New York Mets.”Once again, it’s going to remind people of who Willie is and how great a player he was,” Giants manager Bruce Bochy said.
Mays was also honored the same day in Harlem, where the corner of West 155th Street and Harlem River Drive was renamed Willie Mays Drive.
Source: Major League Baseball names World Series MVP award after Willie Mays
via jbhe.com
On June 11, 1963, Vivian Malone and James Hood, under the protection of federal marshals and the federalized Alabama National Guard, broke the racial barrier and enrolled as undergraduate students at the University of Alabama. That day, Alabama Governor George Wallace made a ceremonial stand in the schoolhouse door protesting the federal court order that called for the admittance of the Black students. But Malone and Hood were not the first Black students at the university.
In 1952, after graduating with an English degree from Miles College, Autherine Lucy Foster applied to the graduate program in education at the University of Alabama but was rejected because of her race. After a three-year legal battle, she was admitted to the university by court order. In 1956 Foster enrolled in a graduate program in education at the university. Angry protests by White students ensued. Foster was suspended three days later “for her own safety” and she was later expelled.
In 1988, the University officially annulled her expulsion. The next year she re-enrolled at the University of Alabama with her daughter, Grazia. Foster earned a master’s degree in elementary education in 1991 and participated in the graduation ceremony in May 1992 with her daughter, a corporate finance major. In 1998, the University of Alabama named an endowed fellowship in Foster’s honor and unveiled a portrait of her in the Student Union Building. She was recognized again in 2010 when the university dedicated the Autherine Lucy Clock Tower.
Recently, the Autherine Lucy Foster Historical Marker was unveiled on the Tuscaloosa campus near where the mob gathered to protest her presence at the university. A video of the dedication ceremony for the historical marker can be seen below.
Source: A Historical Marker at the University of Alabama Honors Autherine Lucy Foster : The Journal of Blacks in Higher Education
via jbhe.com
Natasha Trethewey, the Board of Trustees Professor of English at Northwestern University in Evanston, Illinois, has been selected to receive the Heinz Award in the Arts and Humanities. The award comes with an unrestricted $250,000 prize. Teresa Heinz, chair of the Heinz Family Foundation, stated that Professor Trethewey’s “writing captivates us with its power and its ability to personalize and fearlessly illuminate stories of our past as a people and a nation. We honor her not only for her body of work, but for her contributions as a teacher and mentor dedicated to inspiring the next generation of writers.”
Professor Trethewey is the author of the Pulitzer Prize-winning poetry collection, Native Guard (Houghton Mifflin, 2006) and three other poetry collections. She is also the author of Beyond Katrina: A Meditation on the Mississippi Gulf Coast (University of Georgia Press, 2010). Professor Trethewey served two terms as poet laureate of the United States. A native of Gulfport, Mississippi, Professor Trethewey is a graduate of the University of Georgia. She holds a master’s degree from Hollins University in Roanoke, Virginia, and a master of fine arts degree from the University of Massachusetts at Amherst.
Professor Trethewey will be honored with three other Heinz Award winners at a ceremony in Pittsburgh on October 18.
Source: Natasha Trethewey Wins the $250,000 Heinz Award in Arts and Humanities : The Journal of Blacks in Higher Education