
by Jeffrey McKinney via blackenterprise.com
African American real estate developers in Detroit will get financing and training opportunities to grow their businesses courtesy of a $5 million program being offered by Capital Impact Partners. JPMorgan Chase & Co. is investing $500,000 into Capital Impact Partner’s Equitable Development Initiative to increase the number of minority developers in Detroit.
The pilot program is part of a larger move to encourage small diverse developers to work on larger products and give them the resources to be successful. The two-year initiative will allow black developers to take part in Detroit’s economic recovery by providing them flexible capital, one-on-one mentorships with local experts, and formalized training to support real estate companies they own and operate.
Capital Impact Partners is an Arlington, Virginia-based nonprofit community development financial institution that offers loans, grants, and other financial services to underserved U.S. cities. It also has offices in Detroit and Oakland. The program is geared to spur the development of small-and mid-sized mixed-use, multifamily residential projects in the city’s mixed-use corridors.
Capital Impact Partners stated in a news release that of the $152 million loaned in Detroit between 2006 and 2015, projects led by minority developers received only 10% of the financing. Detroit has nearly 50,000 minority-owned small businesses, making it the nation’s fourth-largest city for minority entrepreneurship.
Melinda Clemons, Detroit Market Lead at Capital Impact Partners, says stumbling blocks for African American real estate developers are experience, knowledge of upcoming developments, and access to financing. She says Capital Impact Partners is in the process of raising $5 million to support the program. “We’re trying to remove the barriers that have hindered African American developers in Detroit from participating in the city’s revitalization.”
Officials hope the Detroit initiative will mirror successful efforts in other areas. “We’ve seen success in the implementation of similar type programs in other cities like Milwaukee and Los Angeles and are confident this new effort will ensure that the brick-and-mortar development component of Detroit’s economic growth continues to be inclusive,” Clemons said in a press release.
To be eligible, program participants must be developers of color from the Detroit area with some real estate development experience. Developers planning to build a 6 to 20 residential unit, multifamily or mixed-use development in Detroit’s targeted redevelopment areas will be given priority. Developers that don’t have a planned project will also be considered for the program. Participants will get help in several areas, including project budgeting, real estate finance, project and contractor management, legal services, and community engagement.Applications must be completed by the end of November.
For more details and where to apply visit: www.capitalimpact.org/focus/place-based-revitalization/detroit-program/equitable-development-initiative.
To read full article, go to: New $5 Million Program Helps Black Developers Rebuild Detroit – Black Enterprise
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For anyone who needs a pick-me-up, a hot beat and some fresh motivation today, watch the treat of a music video below!

Jon Pareles and William Grimes via nytimes.com
Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, has died in Louisiana. He was 89.
His death was confirmed by his brother-in-law and former road manager Reggie Hall, who said he had no other details. Mr. Domino lived in Harvey, La., across the Mississippi River from New Orleans. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,” “Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue Monday” and “Walkin’ to New Orleans.”
https://youtu.be/xbfMlk1PwGU
Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide.He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that.”

Rotund and standing 5 feet 5 inches — he would joke that he was as wide as he was tall — Mr. Domino had a big, infectious grin, a fondness for ornate, jewel-encrusted rings and an easygoing manner in performance; even in plaintive songs his voice had a smile in it. And he was a master of the wordless vocal, making hits out of songs full of “woo-woos” and “la-las.”Working with the songwriter, producer and arranger David Bartholomew, Mr. Domino and his band carried New Orleans parade rhythms into rock ’n’ roll and put a local stamp on nearly everything they touched, even country tunes like “Jambalaya” or big-band songs like “My Blue Heaven” and “When My Dreamboat Comes Home.”
Antoine Dominique Domino Jr. was born on Feb. 26, 1928, the youngest of eight children in a family with Creole roots. He grew up in the Ninth Ward of New Orleans, where he spent most of his life.Music filled his life from the age of 10, when his family inherited an old piano. After his brother-in-law Harrison Verrett, a traditional-jazz musician, wrote down the notes on the keys and taught him a few chords, Antoine threw himself at the instrument — so enthusiastically that his parents moved it to the garage.
He was almost entirely self-taught, picking up ideas from boogie-woogie masters like Meade Lux Lewis, Pinetop Smith and Amos Milburn. “Back then I used to play everybody’s records; everybody’s records who made records,” he told the New Orleans music magazine Offbeat in 2004. “I used to hear ’em, listen at ’em five, six, seven, eight times and I could play it just like the record because I had a good ear for catchin’ notes and different things.” He attended the Louis B. Macarty School but dropped out in the fourth grade to work as an iceman’s helper. “In the houses where people had a piano in their rooms, I’d stop and play,” he told USA Today in 2007. “That’s how I practiced.”
In his teens, he started working at a club called the Hideaway with a band led by the bassist Billy Diamond, who nicknamed him Fats. Mr. Domino soon became the band’s frontman and a local draw.“Fats was breaking up the place, man,” Mr. Bartholomew told The Cleveland Plain Dealer in 2010. “He was singing and playing the piano and carrying on. Everyone was having a good time. When you saw Fats Domino, it was ‘Let’s have a party!’ ”He added: “My first impression was a lasting impression. He was a great singer. He was a great artist. And whatever he was doing, nobody could beat him.”
In 1947 Mr. Domino married Rosemary Hall, and they had eight children, Antoine III, Anatole, Andre, Anonio, Antoinette, Andrea, Anola and Adonica. His wife died in 2008. A complete list of survivors was not immediately available.
To read more, go to: https://www.nytimes.com/2017/10/25/obituaries/fats-domino-89-one-of-rock-n-rolls-first-stars-is-dead.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=second-column-region®ion=top-news&WT.nav=top-news&_r=0

Richard Natale via variety.com
Emmy Award-winning actor Robert Guillaume, best known as the title character in the TV sitcom “Benson,” died Tuesday. He was 89.
His wife Donna Brown Guillaume told the Associated Press he died at their Los Angeles home of complications of prostate cancer. Guillaume often played acerbic, dry-witted, but ultimately lovable characters like the butler Benson Du Bois, which he created on the 1977 series “Soap,” before his character was spun off in 1979. Guillaume won Emmys both for “Soap” (as supporting actor) and “Benson” (as lead actor).
He was also known as the the voice of Rafiki in “The Lion King,” for which he also won a Grammy for a spoken word recording. “Benson” ran on ABC for seven years until 1986. The show brought Guillaume an Emmy in 1985 for lead actor in a comedy. In the late ’90s he took on the role of Isaac Jaffe, executive producer of a cable sports show on the ABC sitcom “Sports Night,” and continued to perform even after being felled by a stroke.
Guillaume also possessed a powerful, mellifluous voice, which he used most notably to play the title role in Andrew Lloyd Webber’s “Phantom of the Opera” onstage. After suffering through a period of unemployment during the ’70s, he was cast in an all-black revival of “Guys and Dolls” as Nathan Detroit, which debuted on Broadway in 1977 and secured him a Tony nomination. He also guested during this period on sitcoms such as “All in the Family,” “Good Times,” “Sanford and Son” and “The Jeffersons,” which led to the supporting role of Benson in “Soap.”
He tried another sitcom in 1989, “The Robert Guillaume Show,” playing a marriage counselor. The series lasted four months before ABC pulled the plug. He returned to singing in 1990 in the Los Angeles production of “Phantom of the Opera” and on Broadway in the lead role of “Cyrano — The Musical” for four months beginning in November 1993. He also performed regularly in concert.
Guillaume was featured in films such as “Meteor Man,” “First Kid” and “Spy Hard.” On television he appeared in the HBO family series “Happily Ever After” and TV movies and miniseries including “Children of the Dust,” “Run for the Dream” and “Pandora’s Clock.” He appeared in Tim Burton’s “Big Fish” in 2003, and then made more frequent bigscreen appearances later in the decade, appearing in the Christian film “The Secrets of Jonathan Sperry” in 2008; in the thriller “Columbus Circle,” starring Selma Blair, in 2010; and in the small musical dramedy “Satin” in 2011.
Robert Peter Williams was born in St. Louis, Mo., changing his name only after he decided on a career in acting. After completing his schooling he joined the Army in 1945 and was discharged 15 months later. He took on a number of menial jobs while studying nights at St. Louis U. He originally intended to study business but became interested in singing and transferred to Washington U. to study voice and theater. His performance at the 1957 Aspen Music Festival led to an apprenticeship at the Karamu Performing Arts Theater in Cleveland, where he appeared in operas and musical comedies.
After moving to New York, he made his Broadway debut in a 1960 revival of “Finian’s Rainbow” and found regular employment in the chorus of shows like “Fly, Blackbird,” “Golden Boy” and “Porgy and Bess.” In 1972 he took on the title role in the musical “Purlie” and also appeared in the revue “Jacques Brel Is Alive and Well and Living in Paris.”He is survived by his second wife, TV producer Donna Brown Guillaume; one son (another died in 1990); and three daughters.
Source: Robert Guillaume, Star of ‘Benson,’ Dies at 89 – Variety

by Joe Otterson via variety.com
ABC is developing a comedy about a Middle Eastern family with superpowers from Larry Wilmore and Bassem Youssef. The untitled series centers on the Sharif family, an ordinary Middle Eastern American family with two superhero parents at a time when it’s illegal to be a superhero, so they are forced to save the world in secret. The show will highlight some of the issues that immigrant families face when it comes to fitting into a society that at many times treats you like the enemy.
Wilmore and Youssef will serve as writers and executive producers on the single camera series. ABC Studios will produce. “To have ABC challenge the narrative and stereotypes that have long stuck to people in my region is something spectacular to say the least,” said Youssef. “To have only terrorist roles available for us one day, then get to play superheroes the next, is ground breaking. I am grateful to work with, Larry Wilmore, one of the most talented writers and producers in the market. SCH is unprecedented, culture-defining, and entertaining for the whole family.”
The sale of the project marks Wilmore’s first solo project under his overall deal with ABC Studios. He also serves as an executive producer on “Insecure” and “Black-ish.” Youssef is a writer and comedian who has made numerous appearances on “The Daily Show” as a commentator and also appeared on Wilmore’s former Comedy Central series, “The Nightly Show With Larry Wilmore.”
“I’m beyond thrilled to have the chance to put a family like this on television,” Wilmore said. “Plus, I’ve always wanted to do a show about superheroes and to work with a real life superhero in Bassem is a double bonus.”
Source: ABC Developing Middle Eastern Superhero Comedy From Bassem Youssef, Larry Wilmore – Variety

by Katie Rogers via nytimes.com
Few love stories resemble a fairy tale as much as the courtship and marriage of Ariana Austin and Joel Makonnen. Of course, it helped that the groom is an actual prince and the bride has a prominent lineage of her own. Mr. Makonnen, known as Prince Yoel, is the 35-year-old great-grandson of Haile Selassie, the last emperor of Ethiopia. And Ms. Austin, 33, is of African-American and Guyanese descent; her maternal grandfather was a lord mayor of Georgetown, the capital of Guyana.
As the couple noted on their wedding website, their union happened when “Old World aristocracy met New World charm.” The old and new combined on Sept. 9, in a marathon day of events that lasted from 11 a.m. until late in the evening, and took place within two states.
The festivities began with a ceremony at the Debre Genet Medhane Alem Ethiopian Orthodox Tewahedo Church in Temple Hills, Md. In an incense-filled sanctuary, guests in stockinged feet watched as at least 13 priests and clergymen helped officiate the Ethiopian Orthodox ceremony between Mr. Makonnen and Ms. Austin, who just days before had converted to the religion.
Hours after the ceremony, the pair celebrated with a formal reception at Foxchase Manor in Manassas, Va., with 307 guests, amid gold sequins, platters of Ethiopian food and preboxed slices of Guyanese black cake for people to take home. Their marriage had been more than a decade in the making. In the nearly 12 years since they first met on a dance floor at the Washington nightclub Pearl, in December 2005, Mr. Makonnen and Ms. Austin have pursued degrees, jobs and, at times, each other. Eventually, planning a wedding just became the next item on this ambitious couple’s to-do list. “I think we both had this feeling that this was our destiny,” Ms. Austin said. “But I felt like I had things that I had to do.”
When the two met, Mr. Makonnen didn’t tell Ms. Austin about his royal background, and Ms. Austin, who was 21 at the time, wasn’t necessarily looking to meet her future husband. She was in the middle of a time in her life she fondly referred to as “the summer that never ended.” Mr. Makonnen, himself in bachelor mode, approached Ms. Austin and her friend Jami Ramberan, and told the two women that they looked like models for a brand of alcohol. “I said, ‘You guys look like an ad for Bombay Sapphire,’ or whatever the gin was,” Mr. Makonnen recalled of the pickup line, one now infamous with Ms. Austin’s family. (At the wedding, even Ms. Ramberan, a bridesmaid, recalled the strangeness of that evening: “You don’t expect to meet the person you’re going to marry at Pearl.”) Mr. Makonnen quickly focused on Ms. Austin: “Not even five minutes later I said, ‘You’re going to be my girlfriend.’ ”
To read full article, go to: https://www.nytimes.com/2017/10/13/fashion/weddings/she-met-her-prince-the-great-grandson-of-haile-selassie.html

via jbhe.com
Lee C. Bollinger, president of Columbia University in New York, has announced a major new commitment to increase the diversity of the university’s faculty. Over the next five years, Columbia University will invest $100 million in the effort to support recruitment and career development for professors, doctoral, and postdoctoral students who have traditionally been underrepresented in higher education.
The new program comes on the heels of $85 million invested in similar initiatives since 2005. Some of the funds will be earmarked for faculty retention programs. Additional funding will provide for the recruitment of dual-career couple and for mid-career research grants.
President Bollinger stated that “the aim is to develop new leaders and expand scholarship, initiatives and programming to meet the needs of the University. This is a longstanding initiative inseparable from Columbia’s identity and core values.” Dennis Mitchell, vice provost for faculty diversity and inclusion at Columbia University, added that “diversity changes the climate and the culture of the university. We can’t have excellence without diversity, and the belief that they are separate things is a fallacy.”
Source: Columbia University to Invest $100 Million in Faculty Diversity Programs : The Journal of Blacks in Higher Education




