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Retired Mathematician Gladys West is One of the People to Thank for the Development of GPS

By goodblacknews on February 7, 2018
In a Jan. 19, 2018 photo, Gladys West and her husband Ira West stand in their home in King George, Va. West was part of the team that developed the Global Positioning System in the 1950s and 1960s. (Mike Morones/The Free Lance-Star via AP)

by Cathy Dyson, The (Fredericksburg, Va.) Free Lance-Star/AP via militarytimes.com

Gladys West was putting together a short bio about herself for a sorority function that recognized senior members of the group.

She noted her 42-year career at the Navy base at Dahlgren and devoted one short-and-sweet line to the fact she was part of the team that developed the Global Positioning System in the 1950s and 1960s.

Fellow Alpha Kappa Alpha Sorority member Gwen James was blown away by the statement. The two had known each other for more than 15 years, and James had no idea that the soft-spoken and sharp-minded West played such a “pivotal role” in a technology that’s become a household word.

“GPS has changed the lives of everyone forever,” James said. “There is not a segment of this global society — military, auto industry, cell phone industry, social media, parents, NASA, etc. — that does not utilize the Global Positioning System.”

The revelation that her 87-year-old sorority sister was one of the “Hidden Figures” behind GPS motivated James to share it with the world. “I think her story is amazing,” James added.

West, who lives in King George County, VA, admits she had no idea at the time — when she was recording satellite locations and doing accompanying calculations — that her work would affect so many. “When you’re working every day, you’re not thinking, ‘What impact is this going to have on the world?’ You’re thinking, ‘I’ve got to get this right.’ ”

 And get it right she did, according to those who worked with her or heard about her.

In a 2017 message about Black History Month, Capt. Godfrey Weekes, then-commanding officer at the Naval Surface Warfare Center Dahlgren Division, described the “integral role” played by West.

“She rose through the ranks, worked on the satellite geodesy (science that measures the size and shape of Earth) and contributed to the accuracy of GPS and the measurement of satellite data,” he wrote. “As Gladys West started her career as a mathematician at Dahlgren in 1956, she likely had no idea that her work would impact the world for decades to come.”

As a girl growing up in Dinwiddie County south of Richmond, all Gladys Mae Brown knew was that she didn’t want to work in the fields, picking tobacco, corn and cotton, or in a nearby factory, beating tobacco leaves into pieces small enough for cigarettes and pipes, as her parents did. “I realized I had to get an education to get out,” she said.

When she learned that the valedictorian and salutatorian from her high school would earn a scholarship to Virginia State College (now University), she studied hard and graduated at the top of her class. She got her free ticket to college, majored in math and taught two years in Sussex County before she went back to school for her master’s degree.

She sought jobs where she could apply her skills and eventually got a call from the Dahlgren base, then known as the Naval Proving Ground and now called Naval Support Facility Dahlgren. “That’s when life really started,” she said.

Baltimore Launches Office of African American Male Engagement to Keep Black Men Out of Prison

By goodblacknews on February 7, 2018

Photo of Philadelphia’s Mayor’s Office of Black Male Engagement Team from 2016, on which Baltimore’s new program is modeled. (via mayorsofficeofblackmaleengagement.wordpress.com)

by Nigel Roberts via newsone.com
Next week, Baltimore is expected to open the Office of African American Male Engagement to reduce the Black male incarceration rate, at a time when the city’s homicide rate is sky high–setting a record per capita rate in 2017. This program will hopefully save lives and end the cycle of incarceration.
“We want to save lives. The reason the office is important is because too many Black men are either the perpetrators of crime or victims of it. It is about saving lives,” said Andrey Bundley, who’s leaving his position as safety director for Baltimore City Public Schools to lead the new office, according to the Baltimore Sun.
Mayor Catherine Pugh opens the new office on Feb. 12. Modeled on a similar program in Philadelphia, the Baltimore initiative focuses on providing mentoring and a range of services for boys and men. It will connect to existing mentoring programs and includes a focus on men returning home from prison.
This effort is much needed. Baltimore was one of the most dangerous cities in America in 2017, setting a new per-capita homicide record of 343 killings. The police arrested tens of thousands of African-American males last year. And in many cases, once these young men were caught in the criminal justice system, many of them become repeat offenders. It was estimated in 2015 that 73 percent of former inmates in Baltimore City re-offend within three years.
The program seeks to create a support network, Bundley said. “We need that kind of space for individuals who don’t have a father or who have come out of prison or who are going through the process of getting a job,” he added, noting that scores of young Black men in the city lack families that can help them readjust and stay out of trouble after incarceration.
To read full article, go to: https://newsone.com/3772849/baltimores-mayor-launches-program-to-reduce-black-male-incarceration/

Essence Magazine to Honor ‘Game-Changers’ Haddish, Waithe, Among Others at Black Women in Hollywood Awards

By goodblacknews on February 6, 2018
Tiffany Haddish is one of four women being honored at the March 1, 2018 event in Beverly Hills, Calif. (Photo by Charles Sykes/Invision/AP, File) (Associated Press)
by Associated Press via washingtonpost.com
NEW YORK — “Girls Trip” changed the game for Tiffany Haddish, and now she’s being honored as one of Essence Magazine’s “game-changers” at its annual “Black Women in Hollywood” awards.
“Girls Trip” was one of last year’s big hits and made Haddish a breakout star. The comedian is one of four women being honored at the March 1 event in Beverly Hills, California.
“The Chi” creator and “Master of None” star Lena Waithe will also be celebrated; she became the first black woman to win an Emmy for comedy writing last year.
Danai Gurira of “The Walking Dead” stars in the upcoming “Black Panther.” Gurira also created the Tony-nominated “Eclipsed,” among other works. Tessa Thompson broke new ground in her role in last fall’s superhero hit “Thor.”
Essence magazine editor Vanessa De Luca says the honorees are “raising their voices to benefit all women.”
Source: https://www.washingtonpost.com/entertainment/celebrities/essence-honors-game-changers-haddish-waithe-among-others/2018/02/06/54083e84-0b46-11e8-998c-96deb18cca19_story.html?utm_term=.ad9ee8c26f95

Black Lives Matter Activist Hawk Newsome Calls Out 'White Privilege' of Post-Super Bowl Property Damage

By goodblacknews on February 6, 2018
White men and women in green and and black and white and grey clothing stand over grey and yellow traffic pole on grey sidewalk in front of grey buildings and black night sky
People break a traffic light while celebrating the Philadelphia Eagles’ victory in Super Bowl LII game against the New England Patriots on February 4, 2018 in Philadelphia, Pennsylvania. (Photo: Eduardo Munoz Alvarez/Getty Images)
by Sameer Rao via colorlines.com
Tens of thousands of Philadelphia sports fans flooded the city’s streets on February 4 to celebrate the hometown Eagles’ 41-33 win over the returning champion New England Patriots in Super Bowl LII. According to U.S. News and World Report, many fans’ belligerence led to various instances of property damage, including a collapsed Ritz-Carlton Hotel awning, an overturned car, destroyed traffic poles and two reportedly stolen police horses.
Photos detailing this destruction on Getty Images and Twitter largely show white male perpetrators. The Philadelphia Police Department has not yet released a final arrest tally for the vandalism, but Ajennah Amir, a spokesperson for the the mayor’s office, told CNN of just three arrests. Black Lives Matter of Greater New York president Hawk Newsome called out the department’s treatment of these people—as compared to the aggressive policing of Black protesters at actions against police violence—in an interview with Newsweek.
“Somehow, it seems there’s a line drawn in the sand where destruction of property because of a sports victory is okay and acceptable in America,” Newsome explained. “However, if you have people who are fighting for their most basic human right, the right to live, they will be condemned.”
Newsome pointed out city officials’ seeming reluctance to condemn the property damage, including police sergeant Brian Geer’s tweet telling people to simply “go home”:
Newsome told Newsweek that this response was “a glaring example of White privilege.”
“You can riot if you’re White and your team wins, but if you’re Black and being killed, you can’t speak out,” he added.
Newesome also contrasted the situation in Philadelphia with the Baltimore Uprising, when Black city residents demonstrated following the death of Freddie Gray in police custody. Newsweek says those actions led to 34 arrests. “I can’t condemn them and neither can anyone else, especially not the media, especially not politicians when they condone people who are just drunk and destroying property because their team won,” Newsome said.
Source: https://www.colorlines.com/articles/black-lives-matter-activist-calls-out-white-privilege-post-super-bowl-property-damage

Sandra Bland Exhibit Opens in Houston Museum of African American Culture Through February 28

By goodblacknews on February 5, 2018
Sandra bland thegrio.com
Sandra Bland (Photo/Facebook)

via thegrio.com
On Saturday, the Houston Museum of African American Culture opened an exhibit dedicated to the life and death of Sandra Bland.
The 28-year old was pulled over for a minor traffic violation, arrested, and found dead in her Waller County, Texas jail cell three days after in July 2015. Although her death was ruled a suicide, activists and others criticized the jail’s handling of Bland.
On opening night, visitors were able to walk through the exhibit featuring smiling images from Bland’s life before sitting in a makeshift car to watch footage from the traffic stop that ultimately led to her death.
For her mother, Geneva Reed-Veal, sitting in that car was the hardest part of the exhibit. “It felt like when that officer was walking, he was walking towards you,” she told local station KTRK.
Reed-Veal added that she felt like her daughter was telling her story even after her death. “People seeing this exhibit should say to themselves hold on, I’m going to think a little differently about the way I do things—with my interactions with everyone but more so police officers,” she said.

Touching the lives of those who visit

The artists who worked on the exhibit clearly did their homework. Many of the pieces give a glimpse into the type of woman Bland was at the time of her death. “I’m discovering we were very similar. She was a woman who took over 50 selfies, she had very healthy self-esteem, was in a sorority, educated, young had a future ahead of her,” said Lee Carrier, the designer behind the central mural in the exhibit.
Visitors have also been blown away by the emotion of the exhibit.
“The struggles that African American’s face, whether light, brown, or black as it’s called, our realities are sometimes different than our counterparts,” visitor Erinn Miller told the station. “It doesn’t matter if you’re educated or not educated, from the city or the country. Sandra Bland was a classic case.”
Visitors will be able to see the exhibit from now until Feb. 28.
Source: https://thegrio.com/2018/02/05/sandra-bland-exhibit-opens-houston-area-museum/

Chadwick Boseman and Ryan Coogler on How ‘Black Panther’ Makes History | Variety

By goodblacknews on February 5, 2018
Black Panther Variety Cover
CREDIT: ART STREIBER FOR VARIETY

by Ramin Satoodeh via Variety.com
Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”
The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.
“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.
The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”
“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.
Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.
Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.”

#MeToo Founder Tarana Burke to Publish Memoir "Where The Light Enters" via Simon & Schuster

By goodblacknews on February 3, 2018

National CARES Mentoring Movement's Third Annual For The Love Of Our Children Gala
Tarana Burke attends the National CARES Mentoring Movement’s third annual For The Love Of Our Children Gala on January 29, 2018 in New York City. (Photo: Bennett Raglin/Getty Images)

by Sameer Rao via colorlines.com
Tarana Burke first launched the #MeToo campaign in 2007 to build solidarity and healing power among Black girls and women who survived sexual assault. Nearly 11 years later, the organizer and activist will chronicle her and the movement’s journey in a memoir.
The Associated Press (The AP) reported today (February 2) that Burke is working with writer and fellow activist asha bandele on the upcoming book, titled “Where the Light Enters.” Simon & Schuster will publish it next year through 37 Ink, its imprint that previously released books by Issa Rae and Dr. Willie Parker.
Burke told The AP that the memoir will address her own “ordinary, extraordinary journey from victim to survivor to thriver,” as well as the evolution of the movement.
“The book will also help readers understand the often overlooked historical connections of the role sexual violence plays in communities of color, specifically Black communities, even today, while exploring ways the same communities have been both complicit and resilient,” Burke added. “More than anything, this memoir will provide survivors across the spectrum of sexual abuse a road map for healing that helps them understand that the ‘me too’ movement is more about triumph than trauma, and that our wounds, though they may never fully heal, can also be the key to our survival.”
via #MeToo Founder Tarana Burke Writes Memoir, ‘Where the Light Enters’ | Colorlines

Lena Horne, Legendary Performer and Civil Rights Activist, Honored with U.S. Forever Stamp

By goodblacknews on February 1, 2018

by Lori Lakin Hutcherson (@lakinhutcherson)

The U.S. Postal Service today celebrates the life and legacy of Lena Horne as the 41st honoree in the Black Heritage stamp series during a first-day-of-issue ceremony at Peter Norton Symphony Space.

“Today, we honor the 70-year career of a true American legend,” said Deputy Postmaster General Ronald Stroman, who dedicated the stamp. “With this Forever stamp, the Postal Service celebrates a woman who used her platform as a renowned entertainer to become a prolific voice for civil rights advancement and gender equality.”

Joining Stroman to unveil the stamp were Gail Lumet Buckley, an author and Horne’s daughter; Christian Steiner, photographer; and Amy Niles, president and chief executive officer, WBGO Radio.

The stamp art features a photograph of Lena Horne taken by Christian Steiner in the 1980s. Kristen Monthei colorized the original black-and-white photo using a royal blue for the dress, a color Horne frequently wore. Monthei also added a background reminiscent of Horne’s Stormy Weather album, with a few clouds to add texture and to subtly evoke the album title. Art director Ethel Kessler designed the stamp. Anyone can share the news of the stamp using the hashtags #LenaHorneForever and #BlackHeritageStamps.

Born in Brooklyn, NY, on June 30, 1917, Horne was a trailblazer in Hollywood for women of color and used her fame to inspire Americans as a dedicated activist for civil rights.

Horne began her career as a dancer at Harlem’s Cotton Club and later became a featured vocalist with touring orchestras. The rampant racial discrimination she encountered from audiences, hotel and venue managers and others was so disconcerting that she stopped touring, and in 1941, she made her move to Hollywood. A year later, she signed a contract with MGM — one of the first long-term contracts with a major Hollywood studio — with the stipulation that she would never be asked to take stereotypical roles then available to black actors. Her most famous movie roles were in Cabin in the Sky and Stormy Weather, both released in 1943.

https://www.youtube.com/watch?v=zJvYo5pZEfE

During World War II, Horne entertained at camps for black servicemen, and after the war worked on behalf of Japanese Americans who were facing discriminatory housing policies. She worked with Eleanor Roosevelt in pressing for anti-lynching legislation. In the 1960s, Horne continued her high-profile work for civil rights, performing at rallies in the South, supporting the work of the National Council for Negro Women, and participating in the 1963 March on Washington.

Horne’s awards and honors include a special Tony Award for her one-woman Broadway show, Lena Horne: The Lady and Her Music; three Grammy Awards; the NAACP Spingarn Medal; and the Actors Equity Paul Robeson Award. She was a Kennedy Center Honors recipient in 1984, and her name is among those on the International Civil Rights Walk of Fame at the Martin Luther King Jr. National Historic Site.

Customers may purchase the Lena Horne Forever stamp at The Postal Store at usps.com/shop, by calling 800-STAMP24 (800-782-6724) and at Post Office facilities nationwide. A variety of stamps and collectibles also are available at ebay.com/stamps.

BLACK HISTORY MONTH: Baltimore Hosts Series of Events to Commemorate Frederick Douglass' 200th Birthday

By goodblacknews on February 1, 2018
Image of Frederick Douglass (via baltimore.org)

by Lori Lakin Hutcherson (@lakinhutcherson)

Baltimore is celebrating a very special Black History Month this year in honor of Frederick Douglass’ 200th birthday. The city will host a series of events to share the abolitionist’s life and work. Though Baltimore is where Douglass spent his childhood as a slave until 1838, it is also where he learned to read and later returned to build his “Douglass Place” homes in Fell’s Point, a row of houses meant for African-American renters during the Civil War. While the Bicentennial of Frederick Douglass’ Birth is a year-long celebration, the month of February will see many events that celebrate the rich African-American heritage and culture of Baltimore:

  • The Maryland abolitionist’s birthday has become Frederick Douglass Day and its 200th Anniversary Celebration will be in full swing on February 10 from 12 – 4 p.m. at the Reginald F. Lewis Museum. With activities including readings of his speeches by living history re-enactors and a children’s art and story hour about his life, the event is perfect for people of all ages to engage and learn about Douglass’ impact on history.
  • The National Great Blacks In Wax Museum will hold lectures and seminars on Frederick Douglass, as well as host two special events on February 15 – the unveiling of a new wax figure of Frederick Douglass and a book signing with his great-great-grandson, Kenneth B. Morris, who recently published a Frederick Douglass biography.
  • Did you know that Frederick Douglass liked to quote Othello in his own writing? Chesapeake Shakespeare Theatre in downtown Baltimore hosts free monthly open houses, and this month, the discussions will center around Douglass and Ira Aldridge, an African-American actor who rose to fame performing as Othello in Douglass’ time. Bring your own lunch on February 13 from 12:30 – 1:30 p.m. and join the discussion on the commonality of these iconic figures.
  • Black History Month in Baltimore isn’t complete without Visit Baltimore’s annual Legends & Legacies Jubilee on February 17 from 12 – 4 p.m. Spend the afternoon with free and interactive activities for the whole family to experience Baltimore’s African-American culture at the Frederick Douglass-Isaac Myers Maritime Park.
  • Featuring a variety of literary works, publishers, and authors, the Frederick Douglass Bicentennial Literary Forum & Book Fair will take place onFebruary 24, from 12 – 4 p.m. at the Douglass-Myers Maritime Museum & Park. It’s free and open to the public, but don’t forget to RSVP at bbhtours@gmail.com.

Baltimore is filled with special opportunities to experience Black History Month and Frederick Douglass’ legacy, especially during this memorable anniversary.

For more information on the Legends & Legacies Jubilee or other Black History Month attractions, visit the website.

FEATURE: Gabrielle Bullock, Architect and International Interior Design Assn. President, Drew Lines and Then Crossed Them

FEATURE: Gabrielle Bullock, Architect and International Interior Design Assn. President, Drew Lines and Then Crossed Them

By goodblacknews on January 28, 2018
Architect Gabrielle Bullock, head of global diversity for Perkins+Will, is one of only 404 licensed African American women who are licensed architects in the U.S. (Maria Alejandra Cardona / Los Angeles Times)

by  via latimes.com

Gabrielle Bullock, 56, is the Los Angeles-based head of global diversity for the international architecture and design firm Perkins+Will, an 83-year-old company with a workforce of more than 2,000 professionals. Bullock is also something of a pioneer, one of only 404 African American women who are licensed architects in the U.S. In 2017, Bullock was appointed as president-elect of the International Interior Design Assn., which has more than 15,000 members in 58 countries.

“I’m an architect, so I lead projects 50% of my time,” Bullock said. “The other 50% of the time I’m the firm’s director of global diversity. I lead the strategy, monitor it, lead the diversity council that we have and try to build a more inclusive culture for the firm.”

Natural talent

Bullock said she discovered her natural artistic ability early on. “I always drew. I used to make my own stationery when I was 9 or 10 years old. I believe I had some talent from my mother, who was an artist. Art was my thing.” It was also what earned her a coveted spot at the Fiorello H. Laguardia High School of Music & Art and Performing Arts in her hometown of New York City.

Listening well, Part One

Mentors were few and far between, but Bullock was careful to listen intently when she heard someone give important information. One was a teacher named Mrs. Kravitz. Even though Bullock preferred drawing portraits and album covers, Mrs. Kravitz said, “‘You could be an architect.’ I only needed to hear that once. I went home and told my mom I was going to be an architect.” Bullock switched gears and began drawing buildings that she liked.

Painful inspiration

Bullock was a very observant child growing up, noting the differences when she traveled from the relative comfort of her family’s home in the Riverdale section of the Bronx through other parts of the borough that were stricken by poverty and blight.
“I had friends and family who lived in public housing,” Bullock said. “I saw how the black community was living, and it was an embarrassment. I wanted to change that. I thought about how I could redesign the housing environment for low-income people. If the windows were really small, I’d make great big windows. Everybody loves sunshine, right?”

Diversity driven

Bullock attended the prestigious Rhode Island School of Design, becoming only the second African American female graduate, in 1984. Not only did it help buttress her belief in more livable architecture, she got a reverse course in diversity when it became clear that the school’s professors didn’t know how to reach out to her. “Few seemed to know how to tailor their instructional approach to people of different cultures.”