The revival of “Beverly Hills Cop,” which landed at CBS Tuesday with a pilot production order and hefty penalty if not picked up to series, started with talk last fall between Eddie Murphy and Brett Ratner of doing a fourth installment of Paramount’s action-comedy franchise.
Murphy and Ratner had finished working on “Tower Heist” earlier in the year and were preparing to team up for the Oscars (though that was not to be for either man). But even before “Tower Heist” opened to underwhelming B.O., Murphy had reservations about bringing his Axel Foley character back to the big screen. He did, however, think it could work as a TV series if the storyline centered around the character’s son, also on the Beverly Hills police beat.
As Murphy’s reps at WME helped him shape the concept, they suggested a range of comedy writers to execute the next-generation concept. But Murphy’s focus was very clear: He didn’t want a comedy writer, he wanted a seasoned cop writer. Enter Shawn Ryan, creator of “The Shield” and one of TV’s most sought-after showrunners.
Ryan pounced on the idea within minutes of being pitched the idea on the phone by his WME rep, and he and Murphy clicked at their first lunch meeting.
As Murphy’s reps at WME helped him shape the concept, they suggested a range of comedy writers to execute the next-generation concept. But Murphy’s focus was very clear: He didn’t want a comedy writer, he wanted a seasoned cop writer. Enter Shawn Ryan, creator of “The Shield” and one of TV’s most sought-after showrunners.
Ryan pounced on the idea within minutes of being pitched the idea on the phone by his WME rep, and he and Murphy clicked at their first lunch meeting.
Thomas Allen Harris is a film activist, leveraging the platform of documentary filmmaking as a tool to empower, educate, and shed light on many under-the-radar stories within our combined histories. Harris is now on a new threshold of activist filmmaking, one that aims to validate a community as authors of their own image. 
