article by Ryan Reed via rollingstone.com
Jamie Foxx will chronicle Marvin Gaye’s triumphant, tragic life story in a planned limited series about the soul icon. The actor is executive producing the project alongside Passe Jones Entertainment’s Suzanne de Passe and Madison Jones, who will shop the series to various linear and digital outlets, according to The Hollywood Reporter.
“I’ve been a huge fan my whole life. His brilliance in music is unparalleled,” Foxx said in a statement. “Marvin Gaye’s story has always fascinated me.”
Motown founder Berry Gordy Jr., who signed Gaye to the legendary Detroit label in 1961, offered his official blessing to the series: “Marvin was the truest artist I have ever known,” he told The Hollywood Reporter. “I am confident that this is the right team to bring his story to the audience in an authentic and compelling way.”
At Motown, Gaye found success with his romantic musical persona, partnering with duet partners like Mary Wells and Tammi Terrell. But he explored social issues and sexual subject matter on later LPs, including 1971 masterpiece What’s Going On and 1973’s Let’s Get It On, respectively. After a commercial decline later in the decade, he found a resurgence with 1982’s Midnight Love and hit single “Sexual Healing.” But his story ended tragically in 1984, when he was fatally shot at age 44 by his father in Los Angeles.
While numerous actors, musicians and filmmakers have attempted to produce Gaye biopics over the years, Foxx’s is the first authorized by the late singer’s family. “This project will be a powerful and definitive telling of Marvin Gaye’s life story,” said Gaye’s son, Marvin Gaye III, who will also executive produce the project.
To read more, go to: Marvin Gaye’s Family Approves Jamie Foxx-Produced Series – Rolling Stone
Posts published in “Pop/R&B/Dance”
article via eurweb.com
Ford Motor Company and UAW-Ford have announced a $6 million investment towards a planned expansion of the Motown Museum in Detroit, reports Billboard.
The figure makes the auto giant and union the lead donors in a recently announced $50 million upgrade that will create a new Ford-branded theater, space for interactive exhibits and a recording studio at the tourist attraction.
“We are thrilled to play a role in the next chapter of a global music icon,” said Joe Hinrichs, president, The Americas, Ford Motor Company. “The enhanced museum will not only upgrade the visitor experience, it also fits with our commitment to investing in the cultural heritage of Detroit and southeast Michigan.”
As part of the Ford/UAW investment, the expanded Motown Museum will include a new venue to be called the Ford Motor Company Theater, as well as a new interactive activity called the CARaoke Experience that will incorporate music with Ford vehicles. The donation will also fuel educational, music and other programming.
The Motown Museum is located in the Hitsville U.S.A. house where record company founder Berry Gordy launched his music empire in 1959. Scores of stars and hits were created there before the label moved to California in 1972.
To read original article, go to: http://www.eurweb.com/2016/11/ford-donates-6-million-toward-motown-museum-detroit/#
article by Pat Saperstein via Variety.com
Singer Sharon Jones, the lead singer of Sharon Jones & The Dap-Kings who found success after working for years as a prison guard, died Friday of pancreatic cancer, according to her Facebook page. She was 60.
The soul and funk singer was recently the subject of the documentary “Miss Sharon Jones!” directed by Barbara Kopple. Jones released her first album at the age of 40, and was nominated for her first Grammy in 2014 for best R&B album for “Give the People What They Want.”
Born in North Augusta, South Carolina, she moved to Brooklyn as a child. Though she worked sporadically as a session singer, she worked for many years as a corrections officer at Rikers Island and an armored car guard for Wells Fargo Bank.
In 1996, she appeared on a session backing soul singer Lee Fields, recording the song “Switchblade” which appeared on the Soul Providers’ album “Soul Tequila.”
To read more, go to: http://variety.com/2016/music/news/ssharon-jones-dead-dies-dap-kings-1201922559/
Singer Sharon Jones, the lead singer of Sharon Jones & The Dap-Kings who found success after working for years as a prison guard, died Friday of pancreatic cancer, according to her Facebook page. She was 60.
The soul and funk singer was recently the subject of the documentary “Miss Sharon Jones!” directed by Barbara Kopple. Jones released her first album at the age of 40, and was nominated for her first Grammy in 2014 for best R&B album for “Give the People What They Want.”
Born in North Augusta, South Carolina, she moved to Brooklyn as a child. Though she worked sporadically as a session singer, she worked for many years as a corrections officer at Rikers Island and an armored car guard for Wells Fargo Bank.
In 1996, she appeared on a session backing soul singer Lee Fields, recording the song “Switchblade” which appeared on the Soul Providers’ album “Soul Tequila.”
To read more, go to: http://variety.com/2016/music/news/ssharon-jones-dead-dies-dap-kings-1201922559/
article via eurweb.com
The Rock and Roll Hall of Fame announced the nominees for its 2017 induction ceremony today. This year’s nominees include Tupac Shakur, in his first year of eligibility, Chaka Khan, Janet Jackson, and 11-time nominee Chic.
Ballots to select the final 2017 inductees will be sent out to more than 800 artists, historians, and members of the music industry. The public will also get an opportunity to vote at rockhall.com. Public voting ends Dec. 5 at 11:59 p.m. ET.
To be considered for induction, an individual artist or band must have released its first single or album at least 25 years prior to the year of nomination.
In addition to Tupac, this year also marks the first year of eligibility for fellow 2017 nominees Pearl Jam, Bad Brains, Depeche Mode, Electric Light Orchestra, Jane’s Addiction, Joan Baez, Journey, and Steppenwolf.
The Rock and Roll Hall of Fame 2017 inductees will be announced at an unspecified date in December. The induction ceremony will be held at the Barclay’s Center in New York City in April 2017.
Read the full list of this year’s nominees include:
Bad Brains
Chaka Khan
Chic
Depeche Mode
Electric Light Orchestra
J. Geils Band
Jane’s Addiction
Janet Jackson
Joan Baez
Joe Tex
Journey
Kraftwerk
MC5
Pearl Jam
Steppenwolf
The Cars
The Zombies
Tupac Shakur
Yes
article via eurweb.com
Chaka Khan, Anita Baker, Stevie Wonder and Doug E. Fresh are among the artists who will honor Prince at his official tribute concert next month in St. Paul, Minnesota.
Billed as Prince: The Official Prince Tribute — A Celebration of Life and Music, the event is organized by the late musician’s family and estate, and will take place Oct. 13 at St. Paul’s Xcel Energy Center in his hometown.
The lineup also includes Christina Aguilera, John Mayer, Tori Kelly, Luke James, Bilal, Mint Condition, Morris Day & the Time, Judith Hill and Liv Warfield, the New Power Generation featuring Morris Hayes plus members of 3RDEYEGIRL.
The concert is expected to bring in more than $1 million to Prince’s estate, according to The Star Tribune.
Today I woke up to a Facebook post that my roommate from college shared on her feed. Her response to that tauntingly generic Facebook encouragement— “What’s on your mind?” seemed a little more perturbed, urgent and determined than usual: “This is a must read! #blacklivesmatter #takeaknee and if u don’t like my hashtags feel free to unfollow me.” Whoa… okay, she had my attention. I found my glasses and I was in. The share was an essay by Solange Knowles about her recent experience with racial discrimination at a Kraftwerk concert.
The essay is entitled “And Do You Belong? I Do…”, and the title is a pretty good indication of what follows. Here we go, I thought… I am about to read about how someone had caused Beyoncé’s sister to feel some type of way. I knew it would be a truthful expression of Solange having to deal with some, well… ignorant mess. I’ve certainly been there. This was going to be a level of discrimination probably more than the norm though, because why else make such an effort to share?
Solange’s essay is thought-provoking and definitely worth the read. She is insightful and honest about her past experiences with racial discrimination, as well as her recent encounter while trying to dance and enjoy music with her family.
Though the content of the post is not surprising – again, so many of us have been there – the trash throwing did surprise me. (Yes, someone throws trash at Solange and her family.) Really?? It was taken there??? But instead of responding in the moment in a way that likely would have brought negative attention to her and her family, I have to applaud Solange for instead turning to Twitter, then laying it out there again in writing, as well as covering the anticipated naysayers with intelligent responses.
Here is her essay in its entirety:
http://saintheron.com/featured/and-do-you-belong-i-do/
In light of GBN’s own essay on personal discrimination:
https://goodblacknews.org/2016/07/14/editorial-what-i-said-when-my- white-friend-asked-for-my-black-opinion-on-white-privilege/
We are reminded by her action that knowledge is power, well-chosen words are power, and speaking up in protest is power. I think it’s important that she bravely lays it out there for the world to hear.
Thank you, Solange.
Though the content of the post is not surprising – again, so many of us have been there – the trash throwing did surprise me. (Yes, someone throws trash at Solange and her family.) Really?? It was taken there??? But instead of responding in the moment in a way that likely would have brought negative attention to her and her family, I have to applaud Solange for instead turning to Twitter, then laying it out there again in writing, as well as covering the anticipated naysayers with intelligent responses.
Here is her essay in its entirety:
http://saintheron.com/featured/and-do-you-belong-i-do/
In light of GBN’s own essay on personal discrimination:
https://goodblacknews.org/2016/07/14/editorial-what-i-said-when-my- white-friend-asked-for-my-black-opinion-on-white-privilege/
We are reminded by her action that knowledge is power, well-chosen words are power, and speaking up in protest is power. I think it’s important that she bravely lays it out there for the world to hear.
Thank you, Solange.
This Labor Day (September 5, 2016) Working Californians will hold Los Angeles’ fifth annual Labor Day Music Festival featuring hip-hop legend Snoop Dogg, GRAMMY award-winning American Chicano Rock Band Los Lonely Boys; Latin- Jazz musician Poncho Sanchez; The New Orleans All-Star Band featuring Rock & Roll Hall of Fame Inductee Dr. John, James Andrews, Herlin Riley and Detroit Brooks; The Dennis Jones Band; The Victor Orlando Orchestra and Fun-Ja-La, and Cuban Funk.
More than 50 Southern California labor organizations will gather on Mondayto celebrate and commemorate both the history and future of Labor Day at Working Californians’ Labor Day Music Festival. This annual event not only benefits working men, women and their families, but also recognizes labor victories made this past year throughout Los Angeles and Southern California.
Concert performances will benefit Working Californians’ non-profit, which fosters social innovation and invests in improving low-income communities in Southern California.
2016 Labor Day Music Festival Featuring: Snoop Dogg
LA Memorial Coliseum’s Exposition Park
3911 S Figueroa Street
Los Angeles, CA
Monday Sep 5, 2016
Doors: 11:00 AM (ends at 8:30 PM)
$20 & $299
For tickets and more information: http://www.workingcalifornians.org/splash/
article by KC Orcutt via bet.com
Alicia Keys continues to speak her truth, sticking to her word that her days of feeling forced to wear make-up due to cultural pressures are long gone.
Most recently, the Grammy-award winning singer stopped by The Today Show and not too long after they all got to talking, co-host Tamron Hall was next to support the movement to rock a natural face by wiping off her make-up while on national television.
Alicia Keys continues to speak her truth, sticking to her word that her days of feeling forced to wear make-up due to cultural pressures are long gone.
Most recently, the Grammy-award winning singer stopped by The Today Show and not too long after they all got to talking, co-host Tamron Hall was next to support the movement to rock a natural face by wiping off her make-up while on national television.
Keys has been experiencing backlash recently for her decision to attend this year’s VMAs without make-up, with her supporting husband Swizz Beatz taking to social media to defend his wife’s choices.
With her movement continuing to gain momentum, along with Hall, co-hosts Billy Bush and Al Roker also joined in on the fun, with all agreeing to wipe their faces clean while broadcasting across the U.S. Keys also gushed at Hall’s fresh face, complimenting the co-host exclaiming, “You’re so beautiful, look at you!”
During the on-air conversation, Keys reminded everyone that her choices have nothing to do with her hating make-up, nor does she have anything against those who choose to wear make-up. For Keys, she no longer wants to feel forced to wear make-up and it’s as simple as that.
In the essay she penned earlier this summer explaining her decision to walk away from her make-up brushes, the singer wrote, “I don’t want to cover up anymore. Not my face, not my mind, not my soul, not my thoughts, not my dreams, not my struggles, not my emotional growth. Nothing.”
To check out some footage of Keys’ recent appearance on The Today Show, click here.
With her movement continuing to gain momentum, along with Hall, co-hosts Billy Bush and Al Roker also joined in on the fun, with all agreeing to wipe their faces clean while broadcasting across the U.S. Keys also gushed at Hall’s fresh face, complimenting the co-host exclaiming, “You’re so beautiful, look at you!”
During the on-air conversation, Keys reminded everyone that her choices have nothing to do with her hating make-up, nor does she have anything against those who choose to wear make-up. For Keys, she no longer wants to feel forced to wear make-up and it’s as simple as that.
In the essay she penned earlier this summer explaining her decision to walk away from her make-up brushes, the singer wrote, “I don’t want to cover up anymore. Not my face, not my mind, not my soul, not my thoughts, not my dreams, not my struggles, not my emotional growth. Nothing.”
To check out some footage of Keys’ recent appearance on The Today Show, click here.
article by Yohana Desta via vanityfair.com
In 1991, Julie Dash’s sumptuous film “Daughters of the Dust” broke ground as the first movie directed by a black woman to get a wide theatrical release. Since then, the gorgeous tone poem about a Gullah family in 1902 has continued to gather accolades. It was added to the National Film Registry by the Library of Congress in 2004, and recently served as a heavy inspiration for Beyoncé’s visual album Lemonade.
Now, the film is being re-introduced to the mainstream in a splashy new way—the Cohen Media Group has created a rich 2K restoration that will be screened at the Toronto International Film Festival, then released in theaters again this November. (Watch the exclusive new trailer above to see the film restored in all its fresh, new glory, and scroll down to see the glossy new poster.)
Dash calls the new release “exciting.”“I never imagined it would be released again,” she says. For the record, Dash is also a huge fan of Lemonade—and says that the visual album actually helped Daughters on the road to restoration. Read on to see her thoughts about Beyoncé, Hollywood, and whether she’d ever make a sequel to her classic film.
Vanity Fair: Were you paying attention at all to Lemonade, to the Beyoncé film?
Julie Dash: Yes. My phone blew up the night Lemonade came on and my Web site shut down . . . someone called me and said Daughters of the Dust is trending on Twitter. And I said, “No, it must be something else,” and they said, “No, it’s trending!” And I looked and it was, and it was so funny. It just tickled me to death. So I finally got a chance to see Lemonade and I was just very pleased. Lemonade is just—it breaks new ground. It’s a masterpiece.It’s a tone poem, a visual tone poem with various stories going on—vignettes. It’s just all visual, and it’s like yes.
To read full interview and see the “Daughters of the Dust” trailer, go to: How Beyoncé’s Lemonade Helped Bring a Groundbreaking Film Back to Thea | Vanity Fair
article via eurweb.com
Netflix has picked up an original animated children’s series that will feature contemporary artists performing hit songs from the Motown catalog that will serve as inspiration for each episode.
From writer/director Josh Wakely (“Beat Bugs”), the as-yet-untitled project will feature Motown icon Smokey Robinson as its executive music producer.
The series will include 52 classic Motown hits, including those made famous by all-time greats like Robinson, Marvin Gaye, The Jackson 5, Lionel Richie, The Supremes, The Temptations, Stevie Wonder and many more.
Per Netflix:
The series revolves around a lovable, funny and slightly shy eight-year-old boy named Ben, who discovers he has the extraordinary ability to bring street-art to life. Ben and his family live in the imaginary city of Motown, based on Detroit and its rich musical heritage. Inspired by the words and melodies of Motown’s classic songs, Ben and his friends Angie and Mickey, along with an amazing cast of enchanting street art characters, discover that creativity is magic as they revive vibrancy to their city and learn life lessons.