DaVita Vance-Cooks was just named the nation’s public printer, making her both the first female and the first African American to lead the Government Printing Office in the agency’s 152-year history. Vance-Cooks’ appointment was approved by unanimous vote in the U.S. Senate. President Barack Obama nominated her for the position earlier this year. DaVita Vance-Cooks is a graduate from Tufts University with an MBA from Columbia University.
It has been a mission of the new GPO head to re-brand the Government Printing Office and bring them up to speed in our digital society. She led the agency’s effort to partner with Google to sell federal publications in an eBook format, launched an award-winning government book blog, modernized GPO’s customer contact center, and led the renovation of the agency’s retail bookstore in Washington, D.C. Her work led to an appointment as Deputy Public Printer in 2011.
DaVita Vance-Cooks joined the Government Printing Office in 2004. She began as the Deputy Managing Director of Customer Services, with the responsibility of overseeing the office’s liaison with federal agencies for in-house print production and printing procurement services. Under Vance-Cooks, the GPO awarded approximately $500 million dollars annually in printing contracts to the private industry and oversaw the award of a $50 million contract for the production of 2010 census materials, which was one of the largest procurements in the government agency’s history.
For the first time since 2008, GPO completed its fiscal year 2012 with a positive net income and reduced overhead costs. Under Vance-Cooks, the GPO pioneered new mobile apps, expanded the scope of information made available through the federal digital system and opened a secure credential site.
article by Erica L. Taylor via blackamericaweb.com
Posts published in “Politics”
[youtube=http://www.youtube.com/watch?v=mgNJkq53l68&w=560&h=315]
On August 28, 1955, 14-year-old Emmett Till was savagely beaten and shot through the head in Money, Mississippi, all for the crime of speaking to a 21-year-old white woman. After a widely covered trial, his murderers were acquitted — leading to national indignation and helping to catalyze the civil rights movement.
Though the specifics of each case are vastly different, it’s easy to compare Till’s murder and its aftermath to the 2012 shooting of 17-year-old Trayvon Martin. Oprah Winfrey did that very thing during the Lee Daniels’ The Butler press junket, calling the killings “parallel” — and adding, “In my mind, [they’re the] same thing.”
At the same time, Winfrey — who stars in Lee Daniels’ The Butler, a film set partially during the height of the civil rights movement — was careful to say that those outraged by Martin’s death and George Zimmerman being found not guilty shouldn’t dwell in the past. “You can get stuck in that,” she said, “and not allow yourself to move forward and to see how far we’ve come.”
article by Hillary Busis via popwatch.ew.com
TALLAHASSEE — Florida House Speaker Will Weatherford announced Friday that he will order hearings this fall on the state’s “stand your ground” law, a victory for the young protesters known as the Dream Defenders who have spent the past two weeks protesting at the Capitol. “It’s a critical first step,” said Phillip Agnew, executive director of the Dream Defenders. “We’ve been here for three weeks. We know Democracy takes time. Progress takes time.”
They shouldn’t celebrate too hard. Weatherford assigned the task of chairing the hearings to a staunch supporter of the law, Rep. Matt Gaetz, R-Fort Walton Beach. “I don’t support changing one damn comma of the stand your ground law,” Gaetz said Friday. “It would be reactionary and dangerous to make Floridians less safe to pacify uninformed protesters.” Gaetz, the 31-year-old son of Senate President Don Gaetz, talks tough on crime. He passed a bill this year that expedited death row cases and has been known for pushing conservative causes popular in his Panhandle district. He expects the hearings to draw national attention, and he says he’s ready for the debate.
“I want to have hearings, it’s a good idea,” Gaetz said. “Right now, the only voices on stand your ground are coming from the radical left. I want an opportunity to give a full-throated defense of the law.” He said he’s not sure when he’ll hold the hearings, how long they’ll last, or how they’ll be structured. But he said his bias shouldn’t deter those holding out hope that hearings can lead to changes in the law. “Bills I don’t support occasionally pass my committee,” he said.
Weatherford agreed to the hearings in an op-ed published Friday. “Our evaluation of its effectiveness should be guided by objective information, not by political expediency,” he wrote. “Does the law keep the innocent safer? Is it being applied fairly? Are there ways we can make this law clearer and more understandable.”
Just in time for the upcoming academic year, the House of Representatives on Wednesday passed a bill to lower student loan interest rates by a vote of 392-31. The measure, now headed to President Obama for his signature, retroactively lowers the interest rate on loans that doubled from 3.4 percent to 6.8 percent on July 1.
Moving forward, Congress will no longer fix interest rates each year. Instead, they will be tied to the interest rate on money borrowed by the federal government. The bill does include caps so the interest rate won’t exceed 8.25 percent for undergraduates, 9.5 percent for graduate students and 10.5 percent for parents who secure loans for their children.
“This bipartisan compromise offers hardworking students and families critical protections, reduces rates on all new loans this year, and saves undergraduates $1,500 on average over the life of their loans. The plan caps market-based interest rates, ensuring students won’t bear the brunt of skyrocketing rates in the future,” said Rep. Sheila Jackson Lee (D-Texas). The nonpartisan Congressional Budget Office estimates the bill will reduce the federal deficit by $715 million over the next 10 years.
article by Joyce Jones via bet.com
Moving forward, Congress will no longer fix interest rates each year. Instead, they will be tied to the interest rate on money borrowed by the federal government. The bill does include caps so the interest rate won’t exceed 8.25 percent for undergraduates, 9.5 percent for graduate students and 10.5 percent for parents who secure loans for their children.
“This bipartisan compromise offers hardworking students and families critical protections, reduces rates on all new loans this year, and saves undergraduates $1,500 on average over the life of their loans. The plan caps market-based interest rates, ensuring students won’t bear the brunt of skyrocketing rates in the future,” said Rep. Sheila Jackson Lee (D-Texas). The nonpartisan Congressional Budget Office estimates the bill will reduce the federal deficit by $715 million over the next 10 years.
article by Joyce Jones via bet.com
“Here in New York City, we’ve institutionalized Mr. [George] Zimmerman’s suspicion with a policy that all but requires our police officers to treat young Black and Latino men with suspicion, to stop them and frisk them because of the color of their skin.” Though Thompson has largely avoided speaking about race on the campaign trail, he said he felt urged to do so after Zimmerman’s “not guilty” verdict.
“Trayvon Martin did die because he was Black. Of that there is no doubt,” he added. Thompson also says we must begin looking at how the government enables systemic racism. “I do not believe our government can fully stop racism, but I do believe we must constantly look to see how it may enable it, even unintentionally,” he said.
“So we must ask ourselves, when fear of young Black men ends in deadly violence against the innocent, has our government perpetuated that fear by targeting people of color with suspicion?”
Thompson is the only African-American candidate in the mayoral race.
article by Hannington Dia via newsone.com
FRUITVALE STATION Cast: Michael B. Jordan (Oscar Grant), Octavia Spencer (Wanda), Melonie Diaz (Sophina), Ariana Neal (Tatiana), Kevin Durand (Officer Caruso), Chad Michael Murray (Officer Ingram), Ahna O’Reilly (Katie) Written & Directed by: Ryan Coogler Rated: R The Weinstein Co.
I intended to write this review two weeks ago, when I saw Fruitvale Station in limited release. Two things occurred to prevent that – one ordinary: my babysitter cancelled, so bye bye writing time – and one extraordinary: George Zimmerman was found not guilty of killing Trayvon Martin the very next day.
In the wake of the national outrage and protests and vigils, I thought my review of Fruitvale Station couldn’t help but be greatly affected. But as the film goes into wide release on 1,064 screens today, I realize I feel exactly the same about the film as I did two Fridays ago. Put plainly, Fruitvale Station is the most riveting, artfully-told, written, directed and acted movie of the year, it should win 2013 Academy Awards for Best Picture, Best Actor, and Best Director, and every adult living should immediately make all efforts to see this movie and receive a mind-and-heart-altering reminder that every single person alive, no matter what sex, creed, color or age, has humanity that deserves recognition and respect.
The basics of the story are probably already known to most: Bay Area-based writer/director Ryan Coogler was deeply moved by the tragic shooting of fellow Bay Area native Oscar Grant, a 22 year-old black man who was killed at the Fruitvale BART Station by police on New Year’s Day 2009. Coogler wanted to show what Grant’s last day of life was like, so people would see not just a victim or a thug, but who and how Oscar really was. And not just the good or misunderstood parts of Oscar, but also the bad, the funny, the sweet and the ugly – and know he was a vibrant, complex being who in no way deserved the callous and all-too-common fate he received.
The movie opens stunningly with real cellphone footage of Oscar Grant’s murder. If you’ve never seen it before (which I hadn’t), it is gutting. I involuntarily burst into tears – I was just so sad and angry and shocked at the injustice – it took a lot to pull myself back into the movie and get to know Oscar in life as viscerally as I did in death. As much as it smarts, Coogler’s choice to start the film this way is brilliant, because it communicates powerfully the underlying truth of what’s to unfold – you may be watching a movie, but do not ever forget – THIS WAS REAL.
Fruitvale then segues into off-screen dialogue between Oscar (Michael B. Jordan) and his girlfriend Sophina (Melonie Diaz) much earlier that morning. She is upset with Oscar because of an infidelity he tries in vain to explain away. As they get their young daughter Tatiana (Ariana Neal) ready for school, we learn Oscar is a sweet, loving and permissive father (he sneaks his daughter the extra snack her mom said she couldn’t have) who sells dope sometimes to make ends meet.
As we continue with Oscar through the challenges and banality of his morning (stretching the gas in his tank before filling up, texting his Mom “Happy Birthday”, dropping his girlfriend off at work, picking up food for his mom’s party, worrying about rent) we learn he’s been in and out of prison several times and is struggling to get it together. Oscar, mind-blowingly portrayed and embodied by Jordan, comes off as equal parts charismatic, tough, caring and desperate. In one moment he is helping a customer in the deli where he worked figure out how to cook fish by putting her on the phone with his Grandma Bonnie; the next he is defiantly demanding/begging his ex-boss to rehire him. When he doesn’t get his job back, Oscar immediately plays it off with a co-worker, lies with a smile, and acts like it’s all good.
The code switching Oscar goes through in this one day – the subtly different-yet-specific ways he behaves and speaks with his daughter, his mom, his sister, girlfriend, his homies, his boss – is, I think, the key revelation of the film, and why this story is connecting with audiences everywhere. Oscar Grant, the young, black, ex-convict drug dealer is, surprisingly, an everyperson, dealing with the same contradictory bundle of human dynamics, dramas and relationships we all do.
When Oscar makes a pivotal choice to change his life mid-way through the film (after reflecting on time he spent in jail), he drops his tough-guy mask and confesses to Sophina that he lost his day job and has taken himself out of the dope game. When Sophina starts to go in on him (understandably – it’s clear she’s been through a lot with him), her strength and humanity shine through when a few beats later she forgives and supports him despite the immediate hardship his actions are creating. Diaz is perfect in this underplayed moment – Sophina, more than anybody, sees the vulnerable Oscar and whether or not she fully believes in his potential, she loves and respects him enough to support him on his stilted journey towards betterment.
A lot more happens in the movie before we get to the fateful moment on the BART platform at Fruitvale on New Year’s Eve 2008/New Year’s Day 2009, but truly, instead of reading a summary of it here, you should just go see it for yourself. Do let me say though that Octavia Spencer, who plays Oscar’s mother Wanda… well, what she does in the movie is beyond deserving another Oscar (which, of course, she does). She should open up acting clinics and teach other actors how real people actually behave in extreme circumstances. If the viewers I was in the theatre with weren’t crying before, the way Spencer reacts to the news of Oscar’s death and her subsequent viewing of his body in the hospital caused an all-out, audible sob fest.
From beginning to end, the whole movie feels authentic, without a shred of manipulation. Though there is definite filmmaking throughout Fruitvale Station and filmic choices being made, they are seamless and only enhance the raw power and poignancy of the story. Even at a relatively short running time of 1 hour 30 minutes, I came out of the theater feeling as if I’d lived another life. And I did. I lived Oscar Grant’s life and was deeply, sorely sad it was gone. And the great thing – I wasn’t alone. The whole audience felt it for 90 minutes – black, white, male, female, young, old – we all felt like we were Oscar Grant.
WASHINGTON — Attorney General Eric H. Holder Jr. announced on Thursday that the Justice Department would ask a court to require Texas to get permission from the federal government before making voting changes in that state. The move opens a new chapter in the political struggle over election rules after the Supreme Court struck down a portion of the Voting Rights Act last month. His statements come as states across the South, from Texas to North Carolina, have been rushing to enforce or enact new restrictions on voting eligibility after the Supreme Court’s ruling in Shelby County v. Holder.
“This is the department’s first action to protect voting rights following the Shelby County decision, but it will not be our last,” Mr. Holder said. “Even as Congress considers updates to the Voting Rights Act in light of the court’s ruling, we plan, in the meantime, to fully utilize the law’s remaining sections to subject states to preclearance as necessary. My colleagues and I are determined to use every tool at our disposal to stand against such discrimination wherever it is found.”
The move relies on a part of the Voting Rights Act that the Supreme Court left untouched in the Shelby County case. The court struck down the coverage formula in Section 4 of the law, which had subjected Texas and eight other mostly Southern states to federal oversight based on 40-year-old data. The court suggested that Congress remained free to enact a new coverage formula based on contemporary data, but most analysts say that is unlikely.
Striking down the law’s coverage formula effectively guts Section 5 of the law, which requires permission from federal authorities before covered jurisdictions may change voting procedures. The move by the Justice Department on Thursday relies on a different part of the law, Section 3, which allows the federal government to get to largely the same place by a different route, called “bail-in.” If the department can show that given jurisdictions have committed constitutional violations, federal courts may impose federal oversight on those places in piecemeal fashion.
State officials have celebrated the Shelby County ruling as lifting an obsolete relic of the civil rights era that unfairly treated their states differently from other parts of the country, while civil rights advocates have lamented it as removing a safeguard that is still necessary. Lawyers for minority groups have already asked a court in Texas to return the state to federal oversight. The Justice Department’s action — filing a “statement of interest” in that case — will bring the weight of the federal government behind those efforts.
On Friday, July 26th the Entertainers Basketball Classic (EBC) will suspend their summer tournament for one weekend to host the Trayvon Martin Invitational in memory of the slain Florida teen. In conjunction with Vibe Magazine and NYC radio station Hot 97, the tournament will host New York’s elite streetball teams (within the tri-state area), top NBA players and celebrities who will come together at the legendary Rucker Park. There will be 2 games every night at 6pm & 8pm with the winning teams of each game advancing toward the Invitational Championship game which takes place on Monday, July 29 at 8pm. Bringing young and old together, the EBC in conjunction with activist Kevin Powell will host community leaders at the park to speak to the Harlem fans and attendees.
CEO and founder of EBC, Greg Marius states “This is an extremely difficult time for many people, I can not begin to express my sympathy with Trayvon Martin’s family but only show my support by joining together as a community to make a difference. If we do not make a stand for all the injustices now, who will?”
Jay Z and Justin Timberlake took a moment out of their recent show at New York City’s Yankee Stadium to honor the late teenager Travyon Martin. The duo was in New York City this weekend for the latest stops on their co-headlining Legends of the Summer Tour.
Jay Z and Timberlake closed their Friday show with a performance of Jay Z’s “Forever Young,” dedicating the song to the 17-year-old Martin who died last year.Take a look at the duo’s dedication below.
[youtube=http://www.youtube.com/watch?v=CQqLhBGaV3o&w=560&h=315]
While in New York this weekend, Jay Z also attended a rally for Martin with his wife, Beyonce, joining a crowd speaking out against the recent ruling that aqcuited Florida man George Zimmerman in the case of the shooting death of Martin. Beyonce also recently made her own tribute to Martin, holding a moment of silence for the young man at her Nashville show after the ruling was announced.
Other celebrities who have spoken out on the case include singer Bruce Springsteen, who dedicated his song “American Skin (41 Shots)” to Martin at a show in Ireland, and Stevie Wonder, who announced that he will no longer perform in the state of Florida until it changes its Stand Your Ground laws.
article via huffingtonpost.com
Jay Z and Timberlake closed their Friday show with a performance of Jay Z’s “Forever Young,” dedicating the song to the 17-year-old Martin who died last year.Take a look at the duo’s dedication below.
[youtube=http://www.youtube.com/watch?v=CQqLhBGaV3o&w=560&h=315]
While in New York this weekend, Jay Z also attended a rally for Martin with his wife, Beyonce, joining a crowd speaking out against the recent ruling that aqcuited Florida man George Zimmerman in the case of the shooting death of Martin. Beyonce also recently made her own tribute to Martin, holding a moment of silence for the young man at her Nashville show after the ruling was announced.
Other celebrities who have spoken out on the case include singer Bruce Springsteen, who dedicated his song “American Skin (41 Shots)” to Martin at a show in Ireland, and Stevie Wonder, who announced that he will no longer perform in the state of Florida until it changes its Stand Your Ground laws.
article via huffingtonpost.com