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Chance The Rapper Buys Media Outlet Chicagoist to Combat Racism and Promote Local Journalism

By goodblacknews on July 19, 2018
Chance the Rapper (photo by Santiago Bluguermann / Getty Images)

by Selena Hill via blackenterprise.com

Chance the Rapper dropped a new single on Wednesday boasting about his recent purchase of a news website in order to run “racists b—–s out of business.”

The 25-year-old Chicago native announced in a song titled “I Might Need Security” that he now owns the Chicagoist.com, a local news, food, and culture outlet, rapping:

“I got a hit-list so long I don’t know how to finish, I bought the Chicagoist just to run you racist b—-s out of business.”

In the politically charged song, Chance raps over a vocal loop of Jamie Foxx repeatedly singing “f–k you” and calls for the resignation of Chicago’s embattled mayor, Rahm Emanuel. The entertainer also accuses Emanuel of granting paid suspensions to police officers who’ve fatally shot unarmed black people.

According to the Chicagoist’s sister site the Gothamist, Chance’s newly formed company, Social Media LLC, purchased the site from New York Public Radio’s WNYC station, which acquired both the Chicagoist and the Gothmaist as well as the other -ist network of sites in February. Terms of the deal have not been disclosed.

“I’m extremely excited to be continuing the work of the Chicagoist, an integral local platform for Chicago news, events and entertainment,” said Chance in a statement. “WNYC’s commitment to finding homes for the -ist brands, including Chicagoist, was an essential part of continuing the legacy and integrity of the site. I look forward to relaunching it and bringing the people of Chicago an independent media outlet focused on amplifying diverse voices and content.”

Laura Walker, the president and CEO of New York Public Radio, also released a statement, saying:

“We are delighted that the Chicagoist assets are finding a new home in the hands of a proud Chicagoan. WNYC has a strong commitment to local journalism and building community, and we are pleased that these assets will be used to support local coverage in the great city of Chicago.”

In addition to combatting racism, Chance’s nonprofit SocialWorks has helped the homeless, empowered Chicago public school students learning how to code, and funded college-bound high school students. Now, with Social Media LLC, Chance promises to promote local investigative journalism, diversity, and representation for people of color in the media.

Source: http://www.blackenterprise.com/chance-the-rapper-media-racism/

Daniel Kaluuya to Star in Romantic Drama ‘Queen and Slim’ From Writer/Producer Lena Waithe and Director Melina Matsoukas

By goodblacknews on July 19, 2018

Daniel KaluuyaThe Metropolitan Museum of Art's Costume Institute Benefit celebrating the opening of Heavenly Bodies: Fashion and the Catholic Imagination, Arrivals, New York, USA - 07 May 2018
Daniel Kaluuya (CREDIT: BENJAMIN LOZOVSKY/BFA/REX/SHUTTERSTOCK)
by Dave McNary via Variety.com

“Get Out” star Daniel Kaluuya is set to lead the independent romance drama “Queen & Slim,” written by Lena Waithe.  “Insecure” and “Master of None” helmer Melina Matsoukas is making her feature directorial debut.

Waithe, known for her work on “Master of None” and “The Chi,” wrote the script based on an original idea and treatment from bestselling author James Frey (“A Million Little Pieces”) and a story by Frey and Waithe. “Queen & Slim” will go into pre-production this October with production commencing in January. Matsoukas and Waithe are still searching for a fresh face for the role of Queen.

“Queen & Slim” is an exploration of America’s social and political climate through the lens of a genre-defying love story. The film centers on a black man and black woman who go on a first date that goes awry after the two are pulled over by a police officer at a traffic stop. They kill the police officer in self-defense and rather than turn themselves in, they go on the run.

Waithe is producing the film through her company, Hillman Grad Productions, along with Matsoukas’ production company De La Revolución Films and Frey’s 3BlackDot. Andrew Coles and Michelle Knudsen are also producing. “To me, this is protest art,” said Waithe. “It’s about being black and trying to fall in love in a world that’s burning down around you.”

Matsoukas said, “It’s a film that defines black love as a revolutionary act. It shows that our union is the greatest weapon against the assault on black people in America.”

“Queen & Slim” will be distributed by Universal Pictures worldwide with eOne handling distribution in select territories including the U.K. and Canada. The film will be released in North America on Nov. 27, 2019.

This is the first film greenlit under Makeready’s recently announced distribution deal with Universal. eOne is Makeready’s lead investor. Brad Weston’s production company, Makeready, is financing the film, along with 3BlackDot.

Kaluuya, who received a best actor nomination at the Oscars for “Get Out,” most recently appeared as W’Kabi in “Black Panther.” In 2017, Lena Waithe became the first black woman to win a comedy writing Emmy for the “Thanksgiving” episode of “Master of None.”

Mastoukas is a two-time Grammy Award winner for her “We Found Love” and Beyonce’s “Formation” music videos.

To read more: https://variety.com/2018/film/news/daniel-kaluuya-romance-queen-and-slim-1202878861/

U.S. Navy Finally Joins Army, Air Force and Marines in Lifting Ban on Dreadlocks for Women

By goodblacknews on July 15, 2018
Petty Officer 1st Class Jacqualynn Leak hid her locs under a wig for years before fighting to lift the Navy’s dreadlocks ban. (PHOTO COURTESY OF JACQUALYNN LEAK)

by Kenya Downs via huffingtonpost.com

The United States Navy is joining the Marines, Army and Air Force in ending its ban on dreadlocks for female sailors. The naval branch announced the reversal Tuesday in a live broadcast on its Facebook page.

Chief of Naval Operations Adm. John Richardson says the change won’t just make the Navy more formidable, but also more inclusive.

The Navy enlisted a six-person working group to recommend changes to grooming standards, based on feedback from their peers. As part of the decision, ponytails, buns and other styles will also be permissible for women in uniform so long as they don’t interfere with a sailor’s operational or safety needs. Male sailors are still required to keep their hair short.

Petty Officer 1st Class Jacqualynn Leak, a member of the working group, has worn dreadlocks since 2014. She led efforts to reverse the ban and says her fight involved years of research on the cultural and health aspects of wearing locs. She also surveyed dozens of female sailors affected by the ban.

“I wanted to make an argument so compelling that every reason my chain of command could give me for why dreadlocks were banned could easily be rebutted with facts,” she said.

Before, Leak opted to cover her shoulder-length dreadlocks by wearing a wig, which she says became more difficult as her hair grew. Options were even more limited for other female sailors. Some were forced to choose between cutting off their dreadlocks in favor of chemically straightened hair, or facing harsh punishment.

In 2014, Petty Officer 2nd Class Jessica Sims, a hospital corpsman, was honorably discharged for refusing to cut off locs she’d worn in a tight-knit bun for over a decade.

While challenges to military rules on hairstyles aren’t new, controversy surrounding black hair reached a peak around the time of Sims’ discharge. As word spread, revisions to Army grooming regulations were leaked, revealing proposed changes to ban hairstyles common among women of color. The proposed policy, called AR 670-1, would have banned all natural hairstyles, including twists, braids, cornrows and Afros.

Many criticized the regulations as specifically targeting black women. Once it had been made public, the policy faced immediate backlash, culminating in an open letter from the Congressional Black Caucus and an official review ordered by the Pentagon. The decision was ultimately reversed.

But that reversal didn’t include dreadlocks. First Lt. Whennah Andrews of the U.S. Army National Guard has been fighting for servicewomen’s right to wear them ever since. Together with fellow soldiers, Andrews began a campaign to challenge misconceptions many within the military have about dreadlocks’ cleanliness, cultural relevance and ease of use.

Leak enlisted Andrews for guidance when deciding to take on the Navy. Andrews says the Navy’s announcement is the final triumph signaling a victory for military diversity.

“When news broke that the Army lifted the ban on locs, I thought to myself, ‘It’s not a complete win until all of the branches authorize them,’” she said. “The unique challenges African-American servicewomen faced with trying to adhere to grooming policies were universal across the Department of Defense.”

This week’s decision makes the Navy the last branch of the military to drop grooming regulations that prohibit dreadlocks. The Marines first approved locs for women in 2015, and the Air Force announced late last year that dreadlocks would become an approved hairstyle after a review by its uniform board. The Army authorized dreadlocks for women earlier this year after having previously banned them since 2005.

Read more: https://www.huffingtonpost.com/entry/navy-dreadlocks-ban_us_5b46299de4b048036ea4f8d0

Official Trailer for ‘Rest In Power: The Trayvon Martin Story,’ Released; Docuseries to Premiere July 30 on Spike

By goodblacknews on July 8, 2018
Trayvon Martin and father Tracy Martin (photo via mybrownbaby.com)

via shadowandact.com

The official trailer has been released for the docuseries Rest in Power: The Trayvon Martin Story. 

The docuseries, produced by Jay Z, has been in the works for about a year. The Trayvon Martin Story comes after the Jay Z-produced Time: The Kalief Browder Story, which debuted on Spike. This new docu-series will air on Paramount Network, the recently-rebranded Spike.

When the project was first announced, Jay-Z with the now-defunct The Weinstein Company, optioned the rights to two books,  Suspicion Nation: The Inside Story of the Trayvon Martin Injustice and Why We Continue to Repeat It by Lisa Bloom and Rest in Power: The Enduring Life of Trayvon Martin by Martin’s parents, Sybrina Fulton and Tracy Martin.

Rest in Power: The Trayvon Martin Story is based on the life and legacy of Trayvon Martin. The six-part non-scripted documentary series will be the definitive look at one of the most talked-about and controversial events in the last decade that spurred the impactful worldwide Black Lives Matter movement.

Executive producers for the series include Shawn Carter, Sybrina Fulton, Tracy Martin, Chachi Senior, Michael Gasparro, Jenner Furst, Julia Willoughby Nason and Nick Sandow. Furst and Nason will serve as co-directors on the project.

Watch the trailer below:

To read more: https://shadowandact.com/official-trailer-released-for-rest-in-power-the-trayvon-martin-story-produced-by-jay-z

#BBQBecky Called the Cops on Kenzie Smith and Now He’s Running for Oakland City Council

By goodblacknews on July 6, 2018
Oakland City Council hopeful Kenzie Smith (photo via Facebook)

by  via motherjones.com

Kenzie Smith, one of two men who had police called on him by the woman the internet dubbed #BBQBecky, is running for a City Council seat in Oakland, California.

Back in April, as you may recall, “Becky”—since identified as Jennifer Schulte—called the police to report that two African American men were barbecuing with a charcoal grill in a lakeside area designated for gas grilling only.

The #BBQBecky affair—which went viral thanks to a video posted by Smith’s wife—was part of a recent string of “doing X while black” incidents that lit up the internet. The Oakland encounter prompted memes and local protests, as well as #BBQingWhileBlack events—organized, in part, by Smith—in the very spot where Schulte sought to shoo the men away.

Not long after Smith’s run-in with Schulte, an Oakland council member nominated him to a position on Oakland’s Park and Recreation Advisory Committee. Smith, 37, now says he has also filed the paperwork to vie for council in District 2, where he’ll face an uphill battle against incumbent Abel Guillen and local housing activist Nikki Bas Fortunato.

But Smith, the brother of Bay Area rap legend Mistah F.A.B., has strong local connections. He and his wife, Michelle Snider, are the co-founders and co-owners of Dope Era Magazine, a local music and culture magazine. Through Dope Era and his work with other community groups, Smith, a lifelong East Bay resident, has helped organize a range of initiatives, including resource drives for the homeless, backpack drives for Oakland schoolkids, hygiene kit drives, and STI testing events. He recently helped raise more than $14,000 for a local homeless man targeted in another viral incident—a video showed a jogger throwing the man’s belongings into the trash and the lake. (Smith told Mother Jones he is now trying to help the man find an apartment.) He and his friend from the barbecue encounter, Smith says, also hope to launch a nonprofit that will focus on youth job and leadership training.

Since announcing his council ambitions in June, Smith has officially declared his candidacy, begun collecting the signatures he needs to accept campaign donations, and started building a campaign staff. His platform, he told Mother Jones, will focus on homelessness and renters’ rights—key Bay Area issues—as well as education and jobs for youth.

Smith campaigned publicly for the first time on Sunday at the most recent #BBQingWhileBlack event in Oakland, where he shook hands and mingled with residents in a T-shirt that read, “Kenzie Smith: City Council for District 2.”

Read more: https://www.motherjones.com/politics/2018/07/bbqbecky-called-cops-on-kenzie-smith-now-running-for-oakland-city-council/ 

Democratic National Committee Launches “Seat At The Table” Tour, a New Black Women Outreach Initiative

By goodblacknews on July 2, 2018
Two women hold signs reading “Vote Baby Vote” and “Voting is People Power,” c. 1970. (Photo by Gabriel Hackett /Getty Images)

by Ashley Alese Edwards via refinery29.com

The Democratic National Committee has launched a new initiative, the Seat At the Table Tour, a Black women outreach tour designed to “rebuild relationships, restore trust, and strengthen infrastructure within communities to champion Democratic values and build towards electoral victories,” Refinery29 has learned.

Black women have been the Democratic Party’s most reliable voting bloc since the 1990s. Doug Jones’ win over Roy Moore in the Alabama Senate special election in December especially highlighted Black women’s power; they were largely credited to lifting Jones to victory through on the ground organizing and voter registration efforts.

Despite this, however, the Democratic Party has been criticized for neglecting the needs of Black women and not adequately supporting Black women who are running for office. Many Black women candidates, particularly in Alabama, have been operating with little institutional support, as Refinery29 reported in June.

According to the DNC, the tour, in collaboration with the Congressional Black Caucus and Black women mayors, will consist of listening and training sessions for Black women.

“This is the Democratic Party’s opportunity to show that we want more than just Black Women’s votes. We also need and want Black Women’s input, ideas, and organizing power,” Waikinya Clanton, the DNC’s director of African American outreach, told Refinery29. “We want to hear from Black Women across this country about what keeps them up at night and what we can do to help fix it. Whether it’s training candidates on how to address certain issues, training organizers on how to advocate on issues locally or connecting Black women Democrat. We want to connect and work with Black women to help move this country forward in a real and meaningful way.”

The tour officially kicked off June 16 in Brooklyn, where the late Congresswoman Shirley Chisholm, the first Black woman elected to Congress, was honored.

According to Black Women In Politics, a database of Black women running for office, there are 603 Black women candidates this year.

“This is our chance to invest in more than just candidates and state parties but opportunity to invest in infrastructure and people who help sustain communities,” Clanton said.

Source: https://www.refinery29.com/dnc-seat-at-the-table-black-women-initiative

Congressman John Lewis Inspires #FamiliesBelongTogether Crowd: ‘It’s Time for Some of Us to Get in Good Trouble’

By goodblacknews on July 2, 2018
Congressman John Lewis at Families Belong Together rally (photo via nbcnews.com)

by Kia Morgan-Smith via thegrio.com

You can always count on Civil rights icon, Congressman John Lewis to be fired up and ready to fight the good fight and he’s stepping up to the frontlines of the immigration debate.

Hundreds of thousands of protesters gathered nationwide over the weekend to  share their determination to fight the Trump administrations heartless decision to separate families seeking asylum.

They demanded the government quickly reunite families, their calls repeated from Washington to Los Angeles, to Chicago, Atlanta, Milwaukee, San Francisco and beyond.
According to CNN, protesters also marched by the White House in Washington and the Trump International Hotel on Pennsylvania Avenue. They reportedly yelled, “shame, shame, shame” and “Hey, hey, ho, ho, Donald trump has got to go.”
And in Atlanta, John Lewis was ready to inspire protestors with a message honed over the years he marched alongside Dr. Martin Luther King Jr and others.

“Look, you know, I’ve been talking for some time and getting in trouble. It’s time for some of us to get in good trouble, necessary trouble,” the venerable Democrat told the crowd at the Families Belong Together rally in Atlanta.

“In the final analysis, we may have to turn America upside down to set it right side up, but whatever we do, do it in an orderly, peaceful and nonviolent fashion,” he said.

Lewis shared the sentiments of Rep. Maxine Waters who has energized her base with fiery speeches calling for disgruntled Americans to confront Trump administration officials after migrant children were snatched and separated from their mothers because of Trump’s harsh immigration policies.

Lewis also wrote a letter in June criticizing Trump’s immigration policy and calling it a “shame, a disgrace and an outrage.”

John Lewis urged the crowd to stay passionate, but peaceful. “Never, ever, ever hate.”

Source: https://thegrio.com/2018/07/02/congressman-john-lewis-inspires-immigration-crowd-its-time-for-some-of-us-to-get-in-good-trouble/

Activist and Educator Angela Davis' Papers Acquired by Harvard University's Schlesinger Library (VIDEO)

By goodblacknews on June 6, 2018

Detail photos show materials from the papers of Angela Davis that are now housed at the Schlesinger Library. (Kris Snibbe/Harvard Staff Photographer)

by Colleen Walsh via news.harvard.edu
For almost 60 years Angela Davis has been for many an iconic face of feminism and counterculture activism in America. Now her life in letters and images will be housed at Harvard University.
Radcliffe College‘s Schlesinger Library has acquired Davis’ archive, a trove of documents, letters, papers, photos, and more that trace her evolution as an activist, author, educator, and scholar. The papers were secured with support from Harvard’s Hutchins Center for African & African American Research.
The FBI wanted poster for Davis (Courtesy Schlesinger Library)

“My papers reflect 50 years of involvement in activist and scholarly collaborations seeking to expand the reach of justice in the world,” Davis said in a statement. “I am very happy that at the Schlesinger Library they will join those of June Jordan, Patricia Williams, Pat Parker, and so many other women who have been advocates of social transformation.”
Jane Kamensky, Carl and Lily Pforzheimer Foundation Director of the Schlesinger Library, sees the collection yielding “prize-winning books for decades as people reckon with this legacy and put [Davis] in conversation with other collections here and elsewhere.”
When looking for new material, Kamensky said the library seeks collections “that will change the way that fields know what they know,” adding that she expects the Davis archive to inspire and inform scholars across a range of disciplines.
Henry Louis Gates Jr. said that he’s followed Davis’ life and work ever since spotting a “Free Angela” poster on the wall at his Yale dorm. Gates, the Alphonse Fletcher Jr. University Professor, has worked to increase the archival presence of African-Americans who have made major contributions to U.S. society, politics, and culture. He called the Davis papers “a marvelous coup for Harvard.”
“She’s of enormous importance to the history of political thought and political activism of left-wing or progressive politics and the history of race and gender in the United States since the mid-’60s,” said Gates, who directs the Hutchins Center. “No one has a more important role, and now scholars will be able to study the arc of her thinking, the way it evolved and its depth, by having access to her papers.”
The acquisition is in keeping with the library’s efforts to ensure its collections represent a broad range of life experiences. In 2013 and 2014 an internal committee developed a diverse wish list, “and a foundational thinker and activist like Angela Davis was very naturally at the top,” said Kamensky.
Kenvi Phillips, hired as the library’s first curator for race and ethnicity in 2016, met with Davis in Oakland last year to collect the papers with help from two archivists. Together they packed 151 boxes of material gathered from a storage site, an office, and Davis’ home.

In the Justice System of South Fulton, GA, Black Women Hold Every Top Position

By goodblacknews on June 3, 2018
(Photo: Reginald Duncan / The Atlanta Voice)

by Marshall A. Latimore via theatlantavoice.com
As America waits to see if Georgia will make history by electing Stacey Abrams the first African American woman governor in the country this November, African American women in one of Georgia’s newest cities are already making U.S. history.
Only a year after the creation of the City of South Fulton, Georgia’s fifth largest city, is breaking American barriers.
In January 2018, the city’s Municipal Court began operating and in March 2018 the city’s police services officially began. The city is the first city in American history where every criminal justice department head is an African American woman.
Chief of Police Sheila Rogers is a career law enforcement professional with more than twenty-six years experience.  Chief Rogers is the city’s first police chief and one of a few women police chief around the country.
Chief Judge Tiffany Carter Sellers is a University of Georgia law school graduate and the City’s first chief judge.  Judge Sellers was selected through a panel of experienced judges from the surrounding community.
Judge Sellers hired and appointed the Court Administrator, Lakesiya Cofield, and the City’s first Chief Court Clerk, Ramona Howard.
Also appointed to represent the two equally important components of any criminal justice system were two attorneys, City Solicitor LaDawn “LBJ” Jones, who prosecutes the cases and City Public Defender Viveca Famber Powell, who defends those accused of crimes.
Together these African American women make up all the portions of the criminal justice system in the new city. No other time in American history have black women been appointed to the top position in every department in an entire city’s criminal justice system. This amazing first was not planned. However, it is a testament to the reason the city was founded in the first place – self-reliance and local control that properly represents the community in which they serve.
“Our goal is to ensure justice for everyone,” Sellers said. “However, as African American women we are sensitive to the history of criminal justice in our country.   We want to be an example of how to do things right.”
Under Sellers’s leadership, the demographics of the court are not the only progressive attributes. Incorporated in the foundation of the City of South Fulton’s municipal court policies are details not found in other systems that have existed for years, including guaranteed access to an attorney, a robust diversion program that is infused into the court process, and overall respect for victims and the accused alike.
Source: https://www.theatlantavoice.com/articles/in-the-city-of-south-fultons-justice-system-black-women-hold-all-the-reigns/

The Forgotten Girls Who Led the Movement for School Desegregation

By goodblacknews on June 2, 2018
Millicent Brown, left, 15, daughter of state NAACP President J. Arthur Brown, one of two black girls to enter Rivers High School in Charleston, S.C, chats with fellow students while awaiting a report from police and fireman concerning a bomb scare at the school on Sept. 3, 1963. (AP Photo)

by Melinda D. Anderson via theatlantic.com
There’s an enduring myth that the 1954 Brown v. Board of Education decision was “the first step” in the fight to desegregate schools. Rachel Devlin, an associate professor of history at Rutgers University, is looking to upend that myth. A Girl Stands At The Door, her new account of the black girls and teens who laid the groundwork for the historic ruling, draws from interviews and archival research to show that before Linda Brown, a 9-year-old, became the lead plaintiff in the Supreme Court case, a generation of black girls and young women from the Deep South to the Midwest fueled the grassroots crusade to strike down the “separate but equal” doctrine in America’s public schools and colleges.
Before Brown, some dozen lawsuits were filed on behalf of young black women attempting to enroll in all-white schools—and after Brown, black girls, almost exclusively, did the hard labor of walking through all-white mobs and sitting in previously all-white classrooms, with sometimes hostile classmates and teachers, in pursuit of school integration.
I spoke with Devlin about the black youth who led the effort to racially integrate schools and catalyzed the broader anti-segregation movement. The interview that follows has been condensed and edited for length and clarity.

Melinda D. Anderson: A disproportionate number of black girls were at the forefront of the school-desegregation movement from the late ’40s to the mid-’60s. Why were black girls continually chosen to break the color barrier?
Rachel Devlin: Interestingly, there are no written records about why girls were chosen over and over again in individual lawsuits. These choices were made on a level that was not always entirely conscious. Parents would explain why they should file a lawsuit, and girls agreed. Many of them said, “I was willing.” Other parents drafted their daughters, and the young women cooperated, yet most of the young women who participated were fully invested in school desegregation.
The other thing about girls is that they were good at it. To speak to principals and lawyers and the press you have to be poised, you have to be personable and diplomatic, and young black women had these attributes. They dealt with constant verbal and sexual harassment on the streets of southern cities, of northern cities, and they were acutely aware of their self-presentation in public. It was drilled into them as a way to protect their dignity. Also, very few African American girls and young women did not at some point in their lives work in a white home, and they had to learn how to navigate around white people.

But I want to be clear. This was not just about being accommodating—they knew how to stand their ground. Girls were good at combining different forms of bravery; they could be both stubborn and tough, but also project social openness. They had that sense of self-possession that was extremely useful in these situations.Anderson: You write that the language in the Brown v. Board of Education decision contains “the same moral conviction that inspired black girls to walk up to the doors of white schools and seek to cross the threshold.” In what way are these girls’ untold stories reflected in this landmark ruling?
Devlin: A black girl walking up the steps of a white school and announcing her intentions to go to school with white children was a radical act of social optimism.  Most white people—and a good many African Americans—in the late 1940s and early 1950s believed that white and black children would never be able to learn in an integrated setting. That racial hostility was intractable.
In fact, judges who ruled against these plaintiffs said just that in their decisions. By showing up at the schoolhouse door, these girls were asserting not only their right to attend historically white schools, but that they believed they were capable of sharing a classroom with white students. Their actions and moral clarity reflected their confidence that they and their white peers could coexist in the intimate setting of a school. The Supreme Court decision asserted this same presumption: that it was fitting, right, and possible for children of different races to attend school together in the United States.
Anderson: The battle for school integration sparked bitterness, anger, and even violence. Some of these black girls were elementary-school age. What was the physical and psychological cost of being first?Devlin: Tessie Prevost-Williams and Leona Tate integrated T.J. Semmes Elementary School in New Orleans, in third grade. Along with Gail Etienne, the three of them received the worst violence that I recorded in the book. Because they were so young and so little, people would punch them, trip them, spit in their food. They said they could hardly go to the bathroom because that was a very dangerous space. It was a war inside the school. Tessie, Leona, and Gail all said it was a living hell.
I think the resilience that these young women had is hard to imagine. One would think that it would have been a crippling experience, but they sensed from a very early age the weight and enormity of what they were doing. They came to understand the notion of sacrifice for social justice. The stamina that it took to survive was fed and reinforced by the magnitude of what they were accomplishing.
I think it’s very hard from a current-day perspective to imagine a child going through that. In some ways we just have to be astonished at what they did. America was effecting social change on the backs of young children, and we have to ask ourselves what this means about political change in this country, that we leaned on young children to do this work of racial reconciliation.
Anderson: You talked to some of these women in your research. How do they view the resegregation of schools today—what some have called the broken promises of Brown v. Board of Education?
Devlin: Of the nearly 30 people that I interviewed, to a person, they still very much believe in what they did. They tend to look at the broader changes that have happened as a result of Brown v. Board, the day-to-day interactions between white and black Americans in a society that is diverse and desegregated. They see a larger tableau that has been fundamentally altered because the schools desegregated—the ripple effects of the Brown decision.
They also understand that people within the black community question desegregation. Some of them have even been the object of complaints: If you hadn’t done this, we would still have all-black schools. But they say it had to be done. Millicent Brown, who was among the first to integrate schools in Charleston, South Carolina, in 1963, put it in a way that’s quite striking: “We could not have apartheid in the schools.”
Source: https://www.theatlantic.com/education/archive/2018/05/rachel-devlin-school-desegregation/561284/