Happy Holidays, in this fifth day of Chanukah. I’ll keep it brief this time. Other contributors are also offering Christmastime collections.
Though as is my style, this one is pretty free-wheeling. This collection has Soul, Reggae, Gospel, Ska, and Jazz Christmas tracks. (I included a few Christmas songs by the late Charley Pride too.)
There are Yuletide classics from legendary artists like Donny Hathaway and Marvin Gaye, to recent cuts by Lil Nas X, Daveed Diggs and Sharon Jones.
I have again included tracks about food, cold weather, and songs like Love’s “Alone Again Or” that is particularly apt for Christmas 2020.
I hope these collections have been as sustaining for you to listen to as they have been for me to make them. Please enjoy this Afroclectic playlist selected for this holiday season.
There are a couple of funky Chanukah tracks include, not only because they are great, but this year in particular the Festival of Lights that celebrates a small victory in the midst of battle, has a lesson and meaning for us all.
Whatever lights you have in your window this year, it is a stalwart signal of joy and tenacity in these toughest of times.
One of my most indelible musical memories as a child is riding in the back of my mom’s silver Cadillac Seville, listening her harmonize with a singular, sophisticated voice asking and answering the compelling question: “What do you get when you fall in love? A guy with a pen to burst your bubble – that’s what you get for all your trouble.”
When Mom (and Dionne) sang these words with biting, philosophical wit and charm I’d learn in my teens was more succinctly known as irony, I was instantly intrigued and couldn’t wait to hear them again and again. Especially on that “get enough germs to catch pneumonia” line. That was the best.
When Ms. Warwick and Ms. Lakin told me to take a “Message to Michael” to “Walk on By” or would ask me “Do You Know The Way to San Jose?” — I was riveted by the evocative, worldly wisdom washing over me.
Nobody on the radio sang like this. Told stories like this. Skillfully navigated between grit and grandiosity, poise and pressure, emoted the expansive sound of je ne sais quois like this. I have been a Dionne Warwick fan ever since.
What I didn’t know then but learned later is most songs sung by that mesmerizing voice were singles from the 1960s and early ’70s written by legendary songwriters Burt Bacharach and Hal David, two men who grasped the women’s perspective on the pain and futility of many a romance.
George Clinton, along with James Brown and Sly Stone, is one of the foremost innovators of funk music. And the originator of P-Funk, “uncut funk, the bomb!”
The Parliament-Funkadelic collective he lead championed an influential and eclectic form of funk music drawing on science fiction, outlandish fashion, psychedelia, and surreal humor. This work, Clinton’s solo career, and artists he’s championed have impacted, been sampled, and covered by funk, rock, and hip-hop artists.
George Clinton officially retired from touring in 2019 and has shown up on recordings in 2020. He was inducted into the Rock and Roll Hall of Fame in 1997, with 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards.
Starting in the 1960s as a staff songwriter for Motown, Clinton eventually developed a sound once called “The Temptations on acid.” Just listen to Funkadelic’s “I”ll Bet You” and that comparison will be clear.
George Clinton has produced a diverse discography, with over 40 R&B hit singles (including three number ones) and three platinum albums.
Here are Clinton’s best songs and those of many of his protégés. I’ve also included covers of his tunes, tracks that sample his work, and tracks he has produced for other artists. Please enjoy.
Next week I’ll offer my Afroclectic Christmas collection. Until then, stay safe, sane and kind.
Happy Monday, you all. Hope you had a good and safe Thanksgiving. Time will tell though.
While most of these offerings are genre and theme-based, I do like to feature a favorite, and often underrated, artist from time to time. This week, it’s Bobby Womack.
While never a household name, Womack had a long and impactful career. He, like so many in his generation, started in a family gospel group with his brothers.
Womack became the protégé of gospel and R&B/pop star Sam Cooke, a session musician, a successful solo artist with decades of hits, a writer of his own and others’ songs, and along with Mos Def, and surviving members of The Clash, was a core member of Gorillaz.
Quincy Jones arguably stands alone in having a longer and more wide-ranging career. 10-year-old Bobby started touring with his brothers on the midwest gospel circuit as The Womack Brothers.
I spotted Christmas decorations in Costco by early October and Hallmark Channel has been airing non-stop holiday movies already for weeks, but like many, our family has always marked Thanksgiving to be the point where we officially kick off the holiday season, including breaking out the yuletide tunes.
With that in mind, Good Black News is happy to offer the “Ultimate Soul of the Season Christmas Soundtrack” as a playlist to guide you through the holidays with ease.
This is a mega-playlist – 25 hours of music in honor of the 25 days of Christmas leading up to the big day. It is not meant to be listened to all in one sitting – but rather to be just one-click away as your go-to soundtrack for the month. You can set it and forget it, or hit shuffle and mix it up.
Our inspiration was to capture the mood of those many radio stations around the country that turn to a festive Christmas musical format in the month of December – but with our own specific Good Black News twist.
In our playlist, ALL the songs are by or feature Black artists. Have it on in the background for decorating, cooking, wrapping presents, or just sitting in front of the fire sipping eggnog – and in the process you’ll be supporting Black artists through your streams.
This is certainly a trying and unique one. Most of us aren’t doing what we traditionally do. And many of us are missing people at the table in 2020.
As is my wont, here’s a Monday playlist to take you into this year’s day of thanks. This collection ranges from songs about food, to family, to longing, to of course giving thanks, and back again.
Soul, Hip-Hop, Jazz, Gospel, Reggae, and more are included in this playlist to celebrate this most special and taxing of Thanksgivings.
While this has been the worst year on record for many of us, it has not been without its bright spots and reasons to be thankful.
One such personal reason for the thanks of the request to contribute weekly playlists from my friend Lori Lakin Hutcherson. She is a sista that I have not seen in person in nearly decades, but has become a wonderful social media friend and the gig of making these collections for GOOD BLACK NEWS and been the brightest of Covid era silver linings.
I don’t know if these are enjoyed by dozens or thousands but it has been an honor and delight to compile them on the weekly.
Whether you are safely gathering or going it alone on Thursday, here’s hours of music to sustain and nourish your ears and soul.
Stay safe sane, and kind you all. “See” ya next week.
Today, Good Black News celebrates the milestone 60th birthday of gospel music icon Karen Clark-Sheard, famous as the youngest member of the legendary Clark Sisters, as well as for her dynamic solo recordings.
Amidst the craziness of the coronavirus pandemic, lockdowns and quarantines, 2020 has nevertheless been a milestone year for Karen and her sisters, as they issued the acclaimed The Return in March, their first group release in over a decade.
Following the album drop was the April broadcast of The Clark Sisters: First Ladies of Gospel, a Lifetime movie about their lives that was seen by millions of people across numerous airings in its first few weeks, becoming Lifetime’s highest original rated movie in 4 years – and one of the top cable telecasts of the year across all cable channels.
After 25 years recording with her sisters (since she was just an early teenager) as the group’s dedicated soprano, a break in the sisters’ group activities allowed Karen to release her debut solo album, appropriately titled Finally Karen in 1998.
She stepped out solo in a big way – on a major label (Island Records), with multiple producers and a guest appearance from Faith Evans. The results – a gospel bestseller that was nominated for a Grammy and won a Lady of Soul Award.
The album also included a duet with her daughter, Kierra ‘Kiki’ Sheard, ultimately kicking off the successful recording career for yet another generation of the Clark gospel dynasty (The Clark Sisters themselves are the daughters of gospel choir pioneer Dr. Mattie Moss Clark.)
Not long after the release and promotion of her first album, Clark-Sheard was hit with a major health crisis, when complications from a minor operation put her in a coma for multiple weeks.
We’re used to seeing Black musical artists honored regularly on the Grammy Awards, the American Music Awards, the MTV Awards, and, of course, the BET Awards. But this year, you can find several Black performers on the 54th annual CMA (Country Music Association) Awards, to be aired on ABC starting at 8P ETtonight.
Not that Black performers have never been on the CMAs before. Just last year rapper Lil Nas X won an award for his Billy Ray Cyrus collaboration “Old Town Road.” In 2016, the Chicks (fka The Dixie Chicks) shocked the audience with an incredible live performance with fellow Texan Beyoncé of her song “Daddy Lessons” (see it here at https://www.youtube.com/watch?v=85Ksi-uzuIg). But there have been many years where the closest the CMAs have gotten to Blackness was to give awards to Keith “Urban.”
CMA hosts Darius Rucker and Reba McEntire (photo courtesy CMA Awards)
Black country fans actually have three reasons to cheer during this year’s awards. First, newcomer Jimmie Allen is up for Best New Artist. Second, former Hootie & the Blowfish lead vocalist turned country singer Darius Rucker is co-hosting the show with Reba McEntire. Rucker is perhaps the most well-known Black performer in contemporary country music – and previously won the CMA for Best New Artist in 2009.
Most importantly, Rucker will be leading the tribute to this year’s recipient of the Willie Nelson Lifetime Achievement Award, the legendary Charley Pride.
The aptly named Pride was a symbol of Black pride back in the late ‘60s and early ‘70s when he was the first major Black country artist to hit the charts. Coming on the heels of the Civil Rights Movement, Pride won Male Vocalist of the Year two years running in 1971 and 1972, in addition to also picking up Entertainer of the Year in 1971.
Nominated for Entertainer of the Year six years in a row from 1968 through 1973, Pride, now 86 years old, is a singular figure in country music history, as no Black performer has been nominated even one time since then.
Pride also previously co-hosted the CMA Awards on TV with Glen Campbell in 1975, the only Black host prior to Rucker’s co-hosting duties this year. Pride had 30 #1 country hits and over 50 Top 10 performances, and is perhaps most known for the song “Kiss An Angel Good Mornin.”
Beyond Pride, Rucker and Allen, there are lots of other exciting things happening in country music these days for Black performers, including new female artist Mickey Guyton and recent chart-topper Kane Brown. Earlier this summer, Good Black News offered up “I Can’t Stop Loving You: A Collection of Black Country Music” as an overview of Black country music history.
[A child holds a billboard for Memorial Day shows at the Howard Theatre, featuring Trouble Funk and Experience Unlimited. Photograph by Thomas Sayers Ellis, used with permission.]
I can not imagine Washington D.C. was is not awash in its funnest export these days: Go-go. This subgenre of funk originated in and around D.C., during the late 1960s and remains popular to this day as a uniquely regional music style.
Singer-guitarist Chuck Brown and several bands are credited with having developed the style including Young Senators, Black Heat, and Trouble Funk.
Chuck Brown playing at a block party (photo via Flickr)
Go-go is primarily a dance hall music with an emphasis on live audience call and response. It has endured to include hip-hop influences recently and been around long enough to have retro adherents.
In February 2020, go-go was named the “official music” of Washington D.C. in a unanimous vote by the District’s city council. Please enjoy this dose of D.C. funky stuff.
Yesterday was a good day. As Joe Biden and Kamala Harris became President-Elect and Vice President-Elect of the United States of America, in several cities across the nation literal dancing broke out in the streets. So many people from all stripes of life — Black, Brown, white, Asian, Indigenous — were together exhibiting their joy at the victory.
The massive turnout — in the middle of a surging pandemic, no less — to celebrate the repudiation of the path towards division and exclusion in favor of the path towards inclusivity and diversity was the most patriotic thing I’ve witnessed on a national level in a long time. And so many were carrying and waving American flags.
It’s being acknowledged in the media – as well as in President Elect Biden’s speech – how vital the African American community was in saving this nation’s democracy. The visuals and the fireworks brought home for me just how much at heart Black people are patriots.
Even though from jump we have been treated unjustly, cruelly, unfairly — we have worked tirelessly to fight for the ideals America is supposed to stand for. Justice. Freedom. Equality. Perhaps we believe in democracy the most because we have always been the most vulnerable when it doesn’t exist.
Hearing Vice President-Elect Harris strut out to Mary J. Blige‘s “Work That” and President Elect Biden sprint out to Bruce Springsteen‘s “We Take Care of Our Own” before their respective speeches, then enjoy the crowd and fireworks to some Jackie Wilson, Coldplay, Hall & Oates and Tina Turner, made me think about some of my favorite takes on patriotic American songs by African American artists that could have been cool to play as well. (My most recent favorite from the past few years? Jon Batiste‘s inventive, unexpectedly moving version of “The Battle Hymn of the Republic.”)
When my sister Lesa texted me a song she’d been listening to all day — “This Land Is Our Land” by Sharon Jones and the Dap Kings — my thoughts turned to action and I started making the playlist below I call “Black Americana” for inspiration now and in the months to come:
