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Posts published in “Playlists”

Playlists celebrating musical artists, genres and themes curated by GBN’s editors and contributors

MUSIC MONDAY: “All Day Music” – a War Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Along with the passing of hip-hop artist and actor DMX, whose distinctively gruff voice and raw and thoughtful messages made him an icon, last week also marked the passing of bassist B.B. Dickerson, one of the co-founders of War.

Few bass lines can be said to define an entire West Coast vibe, though on tracks like “Low Rider,” “Cisco Kid,” “Why Can’t We Be Friends,” “Slippin’ Into Darkness”, and so many others. he did just that.

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Arguably my favorite band, War freely melded soul, Latin, jazz, blues, reggae, and rock influences into a funky whole. War’s lyrics were often political in their music almost always had a sunny, laid-back vibe emblematic of their Southern California roots.

Starting as cover-band, this racially integrated collective scored their first hit, “Spill the Wine,” backing The Animals former frontman, Eric Burton. They would go on to become one of the most popular funk bands of all time.

Hope you enjoy this collection of their hits and deep cuts as well. Next week, I’ll celebrate “Jazz Appreciation Month” with a playlist of live jazz that I promised last week.

Until such time. Stay safe, sane, and kind.

-m-

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “I’ll Take You There” – A Collection of Live Concert Recordings (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday from your friend and selector, Marlon. Hope this playlist and missive finds you safe and well.

For most of this lockdown, I have not been able to listen to crowds enjoying great music. While I’m still months away from attending a live show myself, the vaccine rollout has me seeing light at the end of the proverbial tunnel.

To that end, I have made this collection to celebrate great live music performances. Live records aren’t nearly as plentiful as they once were. Though to many old-school music lovers, live albums were ubiquitous especially in the 1970s and ’80s, where live-recorded albums seemed to come out every week.

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That being said, there are recent offerings by The Black Pumas, Beyoncé, and Gary Clark Jr. Along with B.B. King at Cook County Jail, Jimi Hendrix at Woodstock, and Sam Cooke at The Harlem Square Club, there are “Unplugged” performances by Jill Scott, The Roots, Jay-Z, Erykah Badu, Maxwell, and Lauryn Hill.

At upwards of 12 hours, I am still sure to have missed some gems. Feel free to make suggestions in the comments so I may add them. This is another eclectic journey through hip-hop, R&B, reggae, and rock ‘n roll. I didn’t even touch on jazz.

Next week’s offering will be devoted to live jazz recordings.

Until then, stay safe, sane, and kind.*

Marlon West (photo courtesy Marlon West)

*A note to those listening to Spotify on a desktop or laptop. This is a good one to put your crossfade settings at the 12-second maximum. It will carry the crowd reactions across the tracks, making it feel like one long show. Kinda.

MUSIC MONDAY: “Twilight Time” – A Doo-Wop Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Doo-Wop is a style of rhythm-and-blues and rock-and-roll vocal music most popular in the 1950s and ’60s. The term “doo-wop” is derived from the sounds made by the group as they provided the harmonic background for the lead singer.

Doo-Wop music is before “the time” me and most followers of Good Black News and these weekly playlists. Though there isn’t a genre called “musically transportive to that time period,” Doo-Wop tracks have been used on many film and television scores for that very reason.

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It started in African-American neighborhoods all around the United States including New York, Los Angeles, Philadelphia, Chicago, Baltimore, Newark, Detroit, and Washington, DC.

Though its roots can be found as early as the records of the Mills Brothers and the Ink Spots in the 1930s and ’40s, Motown’s premier groups like The Shirelles and Temptations of the 1960s and ’70s were based in this classic doo-wop style.

Berry Gordy’s songwriting powerhouse, Smokey Robinson, had early hits with The Miracles that were straight Doo-Wop songs. Its influence has been felt on punk, alternative rock, and modern R&B artists.

I’ve gathered classics by The Platters, The Flamingos, Little Anthony and The Imperials, The Orions, The Moonglows, and many others for this playlist. Do enjoy.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

“How I Got Over”: Celebrating Aretha Franklin with Comprehensive Playlist of Her Cover Songs on Her Birthday (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

It’s always nice to have an excuse to celebrate the Queen of Soul and her music. Although this week in particular it’s been a somewhat fraught proposition, as the National Geographic Channel began airing its Genius: Aretha series starring Cynthia Erivo on Sunday, to which some of Franklin’s immediate family publicly objected.

But if, like me, you’re inclined to want to celebrate Aretha on what would have been her 79th birthday and can’t wait for the MGM feature Respect starring Jennifer Hudson (which, so far, the family does approve of) to come out, you can always rewatch the glorious Amazing Grace concert film released in 2019, or go right to the source and listen to all Aretha all day.

For my 2020 celebration, I compiled a collection of her original works in a Spotify playlist called  “Rock Steady”: Songs Aretha Franklin Wrotein honor of her ability to compose incredible music and lyrics that have stood the test of time, a talent which is often overshadowed by Aretha’s unparalleled singing mastery.

This year, I chose to celebrate Aretha Franklin’s lifelong love of all musical styles and her unmatched ability to turn any song from any genre from any time by anybody into her own unique moment. Below is the compilation playlist “How I Got Over”: Aretha Franklin’s Cover Songs

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In it, you’ll find the songs you already know were recorded by others that Aretha made her own signature songs (“Respect,” “Spanish Harlem,” “Until You Come Back to Me”), along with songs where her version became as famous as the original, if not more (“You’re All I Need To Get By,” “I Say A Little Prayer,” “Wholy Holy,” “Bridge Over Troubled Water,” “Don’t Play That Song,” “Son of A Preacher Man”).

Also included are songs you may not know she covered (many were deep cuts on LPs or only recently released) but as soon as you hear Aretha’s version you won’t be able to forget it (“At Last,” “A Change Is Gonna Come,” “A Song For You,” “What a Fool Believes,” “I Want to Be With You,” “My Kind of Town (Detroit Is)”).

Aretha also dips into her Detroit roots with her covers of Motown classics like “My Guy,” “Tracks of My Tears” and “You Keep Me Hangin’ On,” as well as her love of her British Invasion contemporaries with covers of The Beatles“Eleanor Rigby,” “Let It Be” and “The Long and Winding Road” and The Rolling Stones‘ “Satisfaction” and “Jumpin’ Jack Flash.”

Franklin effortlessly shows off her jazz chops on “Moody’s Mood,” “Skylark,” “How Glad I Am” and “Crazy He Calls Me” and her devastating blues acumen and feeling with “Today I Sing The Blues,” “The Thrill is Gone,” “Night Time Is The Right Time” and “Why I Sing The Blues.”

“Over The Rainbow,” “Somewhere” and “I Dreamed A Dream” let us all know a career on Broadway or movie musicals, should she have wanted it, would have been Aretha’s for the taking, and her takes on traditional gospel classics like “How I Got Over,” “What a Friend We Have In Jesus,” “Oh Happy Day” (with Mavis Staples), and, of course, “Amazing Grace” make it simple for anyone needing proof of God to listen and say, “Oh, okay. THAT.”

For those who love holiday fare, Aretha’s got that covered too, with undeniable versions of “Winter Wonderland,” “Silent Night” and “The Christmas Song.”

As late as 2014, at age 72, Aretha Franklin was still showing the world what she could do to a song she deigned to sing.

Franklin released an entire album of covers entitled Aretha Franklin Sings The Great Diva Classics, where she famously took on “Rolling In The Deep” by Adele, Alicia Keys“No One” and created must-listen mash-up versions of Chaka Khan’s “I’m Every Woman/Respect” where Aretha blends those two classics together, and Gloria Gaynor‘s “I Will Survive,” which she mixes with Destiny’s Child‘s “Survivor.” 

All the songs mentioned and more are on the 85-track playlist above. There are even more enticing covers in the Aretha Franklin catalogue worth exploring, but at five and a half hours, I definitely feel this playlist is a great place to start. 

Enjoy, and all hail the Queen!

MUSIC MONDAY: “Everyday People” – A Sly and the Family Stone Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sly Stone turned 78 years old on the 15th of this month. I thought it was a good time to spotlight him and The Family Stone with a playlist.

His work has had a potent effect on the course of modern music. Sly and The Family Stone served a dazzling fusion of psychedelic rock, soul, gospel, jazz, and Latin flavors.

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The trailblazing classic “Dance To the Music” has the distinction of being chosen for the Grammy Hall Of Fame, the Rock And Roll Hall Of Fame’s “500 Songs That Shaped Rock,” and Rolling Stone magazine’s “500 Greatest Songs Of All Time.”

This collection gathers many of his hits including “Everyday People,” “Thank You (Falletinme Be Mice Elf Again)” and “Family Affair,” “Stand!,” “Hot Fun in the Summertime,” “Runnin’ Away,” “If You Want Me To Stay,” “Time For Livin’,” and more.

From Miles Davis and Herbie Hancock to the halls of Motown and George Clinton’s P-Funk, from Michael Jackson and Curtis Mayfield, down the line to Bob Marley, the Isley Brothers, Prince, Public Enemy, Red Hot Chili Peppers, The Black Eyed Peas, Beastie Boys, The Roots, OutKast and on and on, Sly’s influence can be felt throughout popular music.

This is another one that comes with Rumpshaker Warning. Have a great week.

And always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Dream Land” – A Tribute Playlist to Bunny Wailer and the Wailers Legacy (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Bunny Wailer, born Neville O’Riley Livingston, died on March 2nd. He was an original member of The Wailers along with Bob Marley and Peter Tosh, and a lifelong standard-bearer of reggae music.

“The Wailers are to reggae what the Beatles are to rock ‘n roll and pop music,” according to Jamaican music-business veteran Copeland Forbes.

This collection is devoted to the work of The Wailers, and the solo work of Rita Marley, Peter Tosh, and of Bunny Wailer himself.

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In the 1960s The Wailers hit their initial stride with Coxsone Dodd’s Studio One label, often called Jamaica’s Motown. They recorded for several producers, including Leslie Kong and, most notably, Lee “Scratch” Perry.

I’ve included several of those songs, and ones The Wailers went on to release on their own Wail ‘N Soul ‘M and Tuff Gong labels.

By 1974, Tosh and Wailer both would leave the group for solo careers. Bob Marley would use The Wailers name for his backup band.

Hope you enjoy this collection of music by greats artist done together and separately.

Stay stay, sane, and kind, you all. Until such time.

Marlon West (photo courtesy Marlon West)

MUSIC: “Fire & Desire” – Celebrating the Ballads of Late Soul Singer Teena Marie on Her 65th (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

With today’s Good Black News Spotify playlist, we salute a true ally of the Black musical community, the late Christine Marie Brockert a/k/a the one and only Teena Marie, on what would have been her 65th birthday.

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Teena Marie is a singularly unique presence in music – a white female artist who, over the course of an entire successful career, always felt most at home in Black music.

In fact, when Motown Records released her first album Wild and Peaceful in 1979, the cover consisted simply of a photo of clouds over an ocean – completely avoiding showing her racial identity so as not to bias listeners towards her soulful singing. (Interestingly, this was the reverse of a trick they had previously employed in the early ’60s, using random graphics instead of artist photos on album covers for Mary Wells and The Marvelettes down South to avoid showing Black faces.)

Along with Rick James‘ production, just focusing on Marie’s voice and not her image worked – by the time Black listeners learned Teena Marie was white, she had already won them over with her songs and commitment to Black music, and classic soul fans embraced her fully.

Growing up in the late ’70s, I first remember Teena Marie for her uptempo funk/dance hits – “Square Biz,” “I Need Your Lovin’, “and my personal fave, “Behind the Groove.”

But over time, I realized that Teena’s truest connection to R&B was in her ballads – dramatic, long, lushly orchestrated, poetic, sensuous.  She wrote and sang many bedroom classics over the course of a 30+ years, before her untimely death at the young age of 54 back in 2010.

Today’s playlist is entitled “Fire & Desire: Teena Marie’s 40 Best Ballads”. This playlist consists of hits and album tracks from across her career. “Deju Vu,” “Casanova Brown,” “Portuguese Love,” “If I Were a Bell,” “Out on a Limb,” “Aladdin’s Lamp” “Dear Lover,” “Irons in the Fire” – we’ve got them all here, along with her Rick James duets.

But we’ve also got stripped-down ballads like ‘The Greatest Love of All Time.” Released on the collection First Class Love: Rare Teena Marie, this acoustic ballad was one of the demo tracks Teena created prior to her first Motown album – and it’s clear to see that her talent was fully formed even then.

And we’ve got tracks you may not have heard from her end-of-career resurgence with the albums La Dona, Congo Square, Sapphire, and posthumous effort, Beautiful.

We hope you’ll check out our one-woman Quiet Storm session, and, in the process remember a true groundbreaker, musical innovator, and truly unique singer – a woman like no other – Lady T.

Happy Birthday in Heaven, Teena Marie.

MUSIC MONDAY: “Chop Life” – An Afropop Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

African popular music (often called Afropop, Afro-pop or Afro pop), like African traditional music, is vast and varied.

This playlist centered contemporary genres of African music build the cross-pollination with western popular music like: rhythm & blues, hip-hop, jazz, salsa, and reggae.

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Afrobeats (not to be confused, as I was, with Afrobeat) and Afro-pop is less of a style and more of a descriptor for the fusion of sounds flowing out of Ghana and Nigeria.

Here’s a collection of mainly recent releases from a variety of artists. Hope you enjoy.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “If 6 Was 9” – a Comprehensive Playlist of Black Rock Music (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Black artists have long been associated with R&B, Hip-Hop, Jazz, Funk, and Reggae, but not Rock. This is ironic as Rock ‘n’ Roll was derived from African American Jazz and Blues.

Sister Rosetta Tharpe, Chuck Berry, Bo Diddley, Little Richard are all often counted among Rock music’s pioneers. Jimi Hendrix and Prince appear on any serious list of greatest guitarists.

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This collection gathers them all and features Black alternative rock, country, and heavy metal artists. It would not be a Marlon mix without the inclusion of folks that should be appreciated more for their rock and roll bonafides like The Isley Brothers and The Roots.

In addition to Living Color, TV On The Radio, Bad Brains and other established bands there are several emerging artists including Mint Green, Big Joanie, Baby Got Back Talk and others.

Do enjoy this eclectic and wide-ranging collection of Black Rock.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC: Celebrate Mardi Gras 2021 with a Collection of New Orleans Funk and Soul (LISTEN)

Today’s Mardi Gras is unlike practically any other in recent times. With the COVID 19 pandemic still rampant in the U.S. and most of the world, no parades are scheduled, public gatherings are prohibited, bars are shut down and most significantly, Bourbon Street in New Orleans, the epicenter of U.S. Mardi Gras celebrations, is closed.

For those who still want a way to celebrate safely as they enjoy king cake, Good Black News is happy to re-post a playlist by Marlon West entitled “Working in the Coal Mine: A Collection of New Orleans Funk and Soul”:

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As Marlon wrote in his original post:

This collection of New Orleans Funk features acknowledges masters next to some of the earlier artists who shaped the meaning of funk. It covers the period from the emergence of New Orleans Funk in the early 1960s through to the present day.

[This] mix offers The Meters, Queen Ida, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and many more.

New Orleans is a port town. Originally owned by the French. Many of the Africans who ended up there came from Haiti and brought with them the religion of Voodoo and its drums and music.

The Crescent City became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz.

This playlist offers the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries.

We hope this playlist helps you access the spirit of New Orleans and Mardi Gras. We also hope that in 2022, you can do so in a communal way as well.

Enjoy!