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#AAMAM: “Black Parade” – Celebrating African-American Women Vocalists (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

This is the last week of African-American Music Appreciation Month. And what a month it has been. 2020 is shaping up to be Black History Year.

I am honored to offer one more playlist for this final week of June. I hope you enjoy this freewheeling and eclectic collection of Black woman vocalists.

Here is almost a century of recordings spanning Blues, Gospel, Jazz, Soul, and Hip-Hop. Yes. You’ll find Beyoncé, Missy Elliott, Mahaila Jackson, Tina Turner, Chaka Khan, Erykah Badu, Big Mama Thornton, Sister Rosetta Tharpe, Brittany Howard and more all on this playlist.

Coming in at over 9 hours, it is barely the tip of the iceberg of the musical offering and impact of African-American women.

We’ve been keeping it American musicians here in June, though next week I plan to sling some reggae music. Sistas and brothas from Jamaica, UK, and Africa have had a thing or two to say about protest and conscious music as well.

Until next time! Stay safe, sane, and kind.

#blacklivesmatter #goodblacknews #musicheals

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Marlon West (photo courtesy Marlon West)

#AAMAM: “Black and Proud” – Celebrating Black LGBT Musical Pioneers (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

As June is both African-American Music Appreciation Month and Pride Month, and today is the anniversary of the beginning of the landmark Stonewall Riots marking the unofficial launch of the gay rights movement, Good Black News today brings you a musical playlist celebrating some of the Black LGBT musical pioneers of the contemporary music era.

Just last year, rapper Lil Nas X made history in multiple ways when his genre-bending country/rap tune, the infectious ‘Old Town Road’ (which, in remixed form, included country star Billy Ray Cyrus), launched on TikTok and headed straight to #1, where it stayed for 19 weeks.

In the process, the 1:53 minute song (which was the shortest song to hit #1 since the mid-1960s), literally became the longest running #1 in chart history, outlasting the 16 week #1 runs of  Mariah  Carey & Boyz II Men’s ‘One Sweet Day’ and Luis Fonsi/Daddy Yankee/Justin Bieber’s ‘Despacito’.

One year ago during Pride Month, in the middle of the song’s #1 run on the charts, Lil Nas X revealed himself to be gay and joined what has become a burgeoning scene of LGBTQ artists among the Gen Z crowd, many of them African-American. Frank Ocean, Kehlani, Brittany Howard, Azealia Banks, Janelle Monae, and Big Freedia are just some of the other artists that have broken through the pack in recent years, publicly claiming their respective LGBTQ identities even as their careers were still on the rise. 

And musically-talented TV personalities such as one-time reality star Todrick Hall, the now notorious, but nevertheless pioneering ‘Empire’ star Jussie Smollett, ‘Glee’ co-star Alex Newell and ‘The Flash’ co-star Keiynan Lonsdale have also helped pave the way, bringing Black, openly LGBT faces into millions of homes.  

Hopping around Spotify in the search for Black LGBT artists now leads to not just these artists, but dozens of other openly LGBT independent artists making it happen in rap, dance, soul, and pop.

It wasn’t always this way, however. So in today’s playlist, we are celebrating 15 significant, pioneering LGBT artists who got their starts between the late 1950s (when the contemporary pop/rock music era began) and the end of the 20th century. The truth is that we’ve always been watching and listening to LGBT artists – the general public just may not have known it at the time.

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Some of these artists we’re celebrating in our list were loud and proud right from the start. With others, we didn’t publicly know they were part of the LGBT community until after they passed away.  

The goal with this list is not to stir up controversy, but rather celebration and re-interpretation – so we’re steering away from the numerous popular artists about whom there are simply rumors.  Perhaps time and the history books will reveal more about the stories of many other artists from an era of music in which most prominent artists remained in the closet.  

For now, it’s interesting to look back at these 15 Black artists and see the array of musical and personal journeys, and examine them anew. We present the artists in roughly chronological order of their career prominence, and feature five songs from each – trying to include early work, a big hit or two and something recent if they are still making music.  

We hope this playlist will both introduce you to some talented but unheralded artists, and help you re-evaluate some artists you may already know and love – and can now see in a new light.  

Mississippi’s State Legislature Passes Bill to Remove Confederate Emblem from Flag

The Mississippi state legislature — both House and Senate — passed a bill today to remove the Confederate battle emblem from its state flag.

According to cnn.com, the bill will now go to Mississippi Gov. Tate Reeves, who has said he would sign legislation that state lawmakers send him to remove the Confederate insignia.

To quote the cnn.com article:

“The legislation — which cleared the state House in a 91-23 vote and the state Senate with a 37-14 vote — comes as Mississippi lawmakers in recent weeks have been weighing a change to their flag amid the continued racial justice protests across the country.

Mississippi is the last state in the country whose flag features the Confederate emblem. The flag, first adopted in 1894, has red, white and blue stripes with the Confederate battle emblem in the corner.

The bill establishes a commission to develop a new flag design without the Confederate emblem that includes the phrase “In God, We Trust.” Mississippi state voters would then vote on the new design this November.”

NASA’s Headquarters to be Renamed in Honor of its 1st Black Woman Engineer, “Hidden Figure” Mary W. Jackson

NASA announced Wednesday the agency’s headquarters building in Washington, D.C., will be named after Mary W. Jackson, the first African American female engineer at NASA.

Jackson started her NASA career in the segregated West Area Computing Unit of the agency’s Langley Research Center in Hampton, Virginia.

Jackson, a mathematician and aerospace engineer, went on to lead programs influencing the hiring and promotion of women in NASA’s science, technology, engineering, and mathematics careers. In 2019, she was posthumously awarded the Congressional Gold Medal.

“Mary W. Jackson was part of a group of very important women who helped NASA succeed in getting American astronauts into space. Mary never accepted the status quo, she helped break barriers and open opportunities for African Americans and women in the field of engineering and technology,” said NASA Administrator Jim Bridenstine.

“Today, we proudly announce the Mary W. Jackson NASA Headquarters building. It appropriately sits on ‘Hidden Figures Way,’ a reminder that Mary is one of many incredible and talented professionals in NASA’s history who contributed to this agency’s success. Hidden no more, we will continue to recognize the contributions of women, African Americans, and people of all backgrounds who have made NASA’s successful history of exploration possible.”

Mary W. Jackson NASA Headquarters building in Washington, D.C (Credit: NASA)

The work of the West Area Computing Unit caught widespread national attention in the 2016 Margot Lee Shetterly book Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race. The book was made into a popular movie that same year and Jackson’s character was played by award-winning actress Janelle Monáe.

“We are honored that NASA continues to celebrate the legacy of our mother and grandmother Mary W. Jackson,” said, Carolyn Lewis, Mary’s daughter. “She was a scientist, humanitarian, wife, mother, and trailblazer who paved the way for thousands of others to succeed, not only at NASA, but throughout this nation.”

Billionaire Robert F. Smith Launches Student Freedom Initiative to Ease Student Debt at Historically Black Colleges

Robert F. Smith—the billionaire who pledged during a commencement speech last year to pay off the student debt of the Morehouse College class of 2019—is, according to time.com, launching a new initiative to help ease the burden of student loans at all HBCUs (Historically Black Colleges and Universities).

The Student Freedom Initiative, a nonprofit organization, will launch in 2021 at up to 11 HBCUS and will offer juniors and seniors who are science, technology, engineering and mathematics (STEM) majors a flexible, lower-risk alternative to high-interest private student loans.

The list of HBCUs participating in the initial rollout has not been finalized. SFI will target the disproportionate loan burden on Black students while creating more choices for students whose career options or further educational opportunities might be limited by heavy student debt.

The aims of the Initiative is to help 5,000 new students each year via a $50 million grant from Fund II Foundation, a charitable organization of which Smith is founding director and president.

Fund II has set a goal of raising at least $500 million by October to make the program “self-sustaining” through investments and graduates’ income-based repayments. Fund II will partner with Michael Lomax, CEO of the United Negro College Fund; Henry Louis Gates Jr., director of the Hutchins Center for African and African-American Research at Harvard; the Jain Family Institute and the Education Finance Institute.

To quote from Time:

“You think about these students graduating and then plowing so much of their wealth opportunity into supporting this student debt, that’s a travesty in and of itself,” Smith, chairman and CEO of Vista Equity Partners, said Tuesday during a TIME100 Talks discussion with Editor-in-Chief Edward Felsenthal.

[To see Robert Smith speak on the need for this initiative, watch here]

Smith—the wealthiest Black man in the United States, according to Forbes—donated $34 million last year that covered the student debt of about 400 Morehouse graduates, including the educational debt incurred by their families. He says his new initiative is an effort to create a more sustainable model for thousands more students.

“I think it’s important that we do these things at scale and en masse because that’s how you lift up entire communities,” he says. “Of course, we all like the great one story, but I want thousands of these stories. And I want thousands of Robert Smiths out there who are actually looking to do some things in fields that are exciting to them and are giving back.”

Read more: https://time.com/5857186/robert-f-smith-historically-black-colleges/

Toni Morrison “The Pieces I Am” American Masters Documentary Airs on PBS Tonight, June 23 (WATCH TRAILER)

Pulitzer Prize winner, prolific author and professor Toni Morrison leads an assembly of her peers and critics on an exploration of the powerful themes she confronted throughout her literary career in The Pieces I Am, an artful and intimate meditation that examines the life and work of the legendary storyteller.

This “American Masters” documentary airs today, Tuesday, June 23 at 8/7c as part of PBS’s summer-long celebration of women trailblazers.

Official website: https://to.pbs.org/2XUCcSc | #ToniMorrisonPBS

Rt. Rev Deon Kevin Johnson Ordained Bishop of Episcopal Diocese of Missouri, 1st Openly Black Gay Man to Hold Post

According to the Advocate, the Rt. Rev. Deon Kevin Johnson has become the 11th bishop of the Episcopal Diocese of Missouri, making him the first openly gay Black man to hold the post in the diocese’s 179-year history.

Johnson was ordained and consecrated last week in a ceremony at Christ Church Cathedral in St. Louis.

To quote from advocate.com:

“To find ourselves in this moment, the [descendant] of a slave, to be called to be the bishop of Missouri — God is good!” he said during his ordination service, according to the Episcopal News Service. “To the people of Missouri, we have a whole new story to tell and a whole new boldness to tell it with. So I look forward to the adventure.”

An immigrant from Barbados, Johnson has been an Episcopal priest since 2003. He was most recently rector of St. Paul’s Episcopal Church in Brighton, Mich.

In the week following the killing of George Floyd by police in Minneapolis, Johnson joined in peaceful protests in the St. Louis region. Days after the clearing of nonviolent protesters at St. John’s Church in Washington, D.C., so Donald Trump could have a photo op, Johnson spoke at a solidarity rally at St. John’s Episcopal Church in St. Louis.

“Fear would tell us that dignity belongs to some and not to others. As followers of Jesus, we must live and know that perfect love casts out fear,” he wrote in a statement following the rally. “We must, in the words of the Prophet Micah, ‘do justice, love mercy and walk humbly with our God.’”

Read more: https://www.advocate.com/religion/2020/6/16/openly-gay-black-bishop-ordained-missouri-episcopalians

#AAMAM: Celebrating New Orleans Funk and Soul (LISTEN)

As Good Black News continues to celebrate African-American Music Appreciation Month, today we get regional. In GBN contributor Marlon West‘s words:

“This collection of New Orleans Funk features acknowledged masters next to some of the earlier artists who shaped the meaning of funk. It covers the period from the emergence of New Orleans Funk in the early 1960s through to the present day.

My third #AAMAM mix offers The Meters, Queen Ida, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and many more.

New Orleans is a port town. Originally owned by the French. Many of the Africans who ended up there came from Haiti and brought with them the religion of Voodoo and its drums and music.

The Crescent City became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz.

This playlist offers the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries.

Enjoy. Stay safe, sane, and kind, you all.”

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(FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

#AAMAM: “Summer Breeze” – Celebrating Soulful Summer Songs (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

Through good years and bad, years of triumph and years of struggle, there are some things that remain steady.  Like the seasons (at least before climate change).

Today, June 20, is officially the first day of summer, the longest day of the year (for us folks in the Northern Hemisphere), and the welcoming of our warmest weather season.

Packed together this year with Juneteenth yesterday and Father’s Day tomorrow, this weekend can be a true kickoff to summer vacation. Even amid ongoing protests and social distancing rules, school is now over, the grill is now out, the pool is inflated, and maybe, just for a few days, the mood is a little lightened.

And with that, we offer this playlist of “summer” songs – and by that, we mean songs that literally tell you in the title they are about “summer.”

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From the swaying Isley Brothers cover of Seals & Croft‘s “Summer Breeze” to DJ Jazzy Jeff & Fresh Prince‘s rap anthem “Summertime” to Sly & The Family Stone‘s warm, feel good “Hot Fun in the Summertime'” to the contemporary mellow moods of Childish Gambino‘s “Summertime Magic” (with over 156M Spotify spins), our list is packed with summer classics.

In the process we’ve also hopefully rediscovered some “shoulda-been” classics, like the mostly forgotten Nat King Cole standard ‘This Morning It Was Summer” (with arrangements by Nelson Riddle), the breezy Larry Graham album track “I’m So Glad It’s Summer Again” (trying to capture a little of the “Hot Fun In the Summertime” mood) and the driving ’60s Joe Simon track “Long Hot Summer.”

In the last couple decades, music archivists have uncovered hundreds of previously unreleased Motown tracks – many that measure up to the hits from the ’60s we all know and love. In that vein, we’ve included two sunny Marvelettes tunes “I Can’t Wait Til Summer Comes” (co-written by Gladys Knight) and “So Glad It’s Summertime” that both remained unreleased in the Motown vaults until a 2011 rerelease.

Finally, no soulful “summer” playlist would be complete without the haunting “Summertime” from Gershwin’s Porgy & Bess,one of the most recorded songs in history.

We’ve sprinkled our playlist with musically different takes on this classic, ranging from the ’60s pop hit version by Billy Stewart to the disco instrumental from MFSB to the recent American Idol revival by Fantasia, also including versions by icons like James Brown, Sam Cooke, Ethel Waters, Miles Davis, opera legend Leontyne Price, world music star Angelique Kidjo, and a funky treatment by Bobby Womack with The Roots.

Enjoy!

National Museum of African American History and Culture Explains the Legacy of Juneteenth

Happy Juneteenth 2020!

Today Good Black News wants to share the excellent online resources the National Museum of African American History and Culture has that explain and explore the legacy of Juneteenth, which is now in its 155th year. Click here for more and read below for an historical overview of Juneteenth:

On “Freedom’s Eve,” or the eve of January 1, 1863, the first Watch Night services took place. On that night, enslaved and free African Americans gathered in churches and private homes all across the country awaiting news that the Emancipation Proclamation had taken effect.

At the stroke of midnight, prayers were answered as all enslaved people in Confederate States were declared legally free. Union soldiers, many of whom were black, marched onto plantations and across cities in the south reading small copies of the Emancipation Proclamation spreading the news of freedom in Confederate States. Only through the Thirteenth Amendment did emancipation end slavery throughout the United States.

But not everyone in Confederate territory would immediately be free. Even though the Emancipation Proclamation was made effective in 1863, it could not be implemented in places still under Confederate control.

As a result, in the westernmost Confederate state of Texas, enslaved people would not be free until much later. Freedom finally came on June 19, 1865, when some 2,000 Union troops arrived in Galveston Bay, Texas. The army announced that the more than 250,000 enslaved black people in the state, were free by executive decree. This day came to be known as “Juneteenth,” by the newly freed people in Texas.

The post-emancipation period known as Reconstruction (1865-1877) marked an era of great hope, uncertainty, and struggle for the nation as a whole. Formerly enslaved people immediately sought to reunify families, establish schools, run for political office, push radical legislation and even sue slaveholders for compensation. Given the 200+ years of enslavement, such changes were nothing short of amazing. Not even a generation out of slavery, African Americans were inspired and empowered to transform their lives and their country.

Juneteenth celebration in 1900 at Eastwoods Park. (Credit: Austin History Center)

Juneteenth marks our country’s second independence day. Although it has long celebrated in the African American community, this monumental event remains largely unknown to most Americans.

The historical legacy of Juneteenth shows the value of never giving up hope in uncertain times. The National Museum of African American History and Culture is a community space where this spirit of hope lives on. A place where historical events like Juneteenth are shared and new stories with equal urgency are told.

To learn more: https://nmaahc.si.edu/sites/default/files/images/juneteenthresources_final.pdf

For Juneteenth online events: https://nmaahc.si.edu/event/juneteenth-celebration-resilience