The Clinical Research Forum recognized the Cedars-Sinai’s Smidt Heart Institute with a 2019 Top Ten Clinical Research Achievement Award for its study aimed at developing a blood-pressure control program for African-American men in the comfortable and convenient environments of their barbershops.
In just six short months, the study – first published in the New England Journal of Medicine and led by the late hypertension expert Ronald G. Victor, MD – improved the outcomes and control of high blood pressure in more than 60 percent of participants.
The 12-month data published recently in the peer-reviewed journal Circulation backs up the results, proving that a pharmacist-led, barbershop-based medical intervention can successfully lower blood pressure in African-American men who face a higher risk of disability and premature death due to uncontrolled high blood pressure.
Not only are black men disproportionately affected by hypertension, they’re also the least likely population to seek treatment.
Nearly 64% of the study participants who worked with their barber and a pharmacist at the barbershop were able to lower their blood pressure.
Barber Eric Muhammad says that’s one reason he was so enthusiastic about the study. He’d hosted other single-day awareness events about hypertension, but Dr. Victor’s study aimed to find a long-term solution for treating high blood pressure.
“High blood pressure has cost the lives and health of a lot of good men,” Muhammad said. “What’s different about this study is it looks at bringing down blood pressure by using the men’s community—their friends, family, and support group.”
The collaboration between physicians, pharmacists and barbers showed that medical intervention in neighborhood settings can profoundly improve the health of hard-to-reach, underserved communities. Cedars-Sinai was nominated for the award by researchers at UCLA, the University of California, Los Angeles.
GBN just learned of dancer Shaheem Sanchez from the excellent post about him on inspirational website Ever Widening Circles. Sanchez, who is deaf, combines ASL (American sign language) with hip hop dancing. Read more about him here and watch his incredible story below:
According to jbhe.com, Warren Washington, Ph.D., a senior scientist at the National Center for Atmospheric Research, has received the 2019 Tyler Prize for environmental achievement.
The award, administered by the University of Southern California, recognizes passionate environmental science dedication across a spectrum of environmental research fields. It is the premiere international award for environmental science and is often referred to as the “Nobel for the Environment.” Dr. Washington will share the award’s $200,000 honorarium with this year’s other winner, Michael Mann.
Dr. Washington’s research focuses on creating atmospheric computer models that use fundamental laws of physics to predict future states of the atmosphere and help scientists understand climate change. His past research involved using general circulation models and the Parallel Climate Model.
Before computers, our understanding of Earth’s climate was based purely on observations and theory; scientists were simply unable to calculate the complex interactions within and between Earth’s land, ocean, and atmosphere.
Recognizing the potential of early 1960’s computers, Washington overcame extraordinary technical limitations to collaborate on the construction of one of the first-ever computer models of Earth’s climate. As computing power increased, Dr. Washington lead a cooperative effort to make additions to his atmospheric climate model, including oceans, sea ice, and rising CO2 levels.
These early models allowed scientists to predict the impact of increasing CO2, and were instrumental to the 2007 Intergovernmental Panel on Climate Change (IPCC) Assessment – for which Dr. Washington shared the 2007 Nobel Peace Prize. His current research involves using the Community Earth System Model to study the impacts of climate change in the 21st century.
Considered a global leader in climate modeling, Dr. Washington advised six U.S. Presidents on Climate Change: Carter, Reagan, Bush Sr., Clinton, Bush Jr., and Obama. Dr. Washington’s public service was recognized by President Obama, who awarded him the 2010 National Medal of Science.
“Dr. Washington literally wrote the earliest book on climate modeling,” said Shirley Malcom, Director of Education and Human Resources at the American Association for the Advancement of Science (AAAS), of his seminal work, An Introduction to Three-Dimensional Climate Modeling – co-written with Dr. Claire Parkinson.
“Dr. Washington has been a pioneering climate scientist for over 40 years and has been at the leading edge of climate model development,” said Prof. John Shepherd, former Deputy Director of the Tyndall Centre for Climate Change Research. “Much of what is known about the Earth’s climate system and climate modeling is directly traceable to the lifelong work of Dr. Washington.”
Dr. Washington has served on the National Science Board as a member from 1994 to 2006 and as its chair from 2002 to 2006. In 2010, he was awarded the National Medal of Science by President Obama.
Washington holds a bachelor’s degree in physics and a master’s degree in meteorology both from Oregon State University, as well as a Ph.D. in meteorology from Pennsylvania State University.
BET Networks recently announced its upcoming original docu-series “BET HER PRESENTS: EXCEPTIONAL BLACK WOMEN” will premiere tomorrow March 2, 2019 at 9pm ET on BET HER.
This season will document the lives of MC Lyte, Maxine Waters, Meagan Good, Terri J. Vaughn, and Regina Hall. “Exceptional Black Women” recognizes courageous, inspiring, and successful women who have overcome many of life’s obstacles, featuring never-before-seen photos, videos, intimate sit-down interviews and more.
On the premiere episode, legendary lyricist, DJ, author, actress, entertainer, philanthropist, and icon MC Lyte reveals her intimate stories of struggle, perseverance, and success in the music industry.
She also recounts her journey from growing up in a single-parent home in Brooklyn to being the first female solo rapper ever nominated for a Grammy and more. We also hear first-hand accounts from MC Lyte’s business partner Dr. Lynn Richardson and mother, Constance Moorer.
“BET HER PRESENTS: EXCEPTIONAL BLACK WOMEN” is Executive Produced by Keith Beauchamp, who also serves as series Director, and David Dessel for Till Freedom Come Production.
The episodes will air as follows:
MC LYTE (Premieres Saturday, March 2 at 9 pm ET/PT)
MAXINE WATERS (Premieres Saturday, March 9 at 9 pm ET/PT)
MEAGAN GOOD (Premieres Saturday, March 16 at 9 pm ET/PT)
TERRI J. VAUGHN (Premieres Saturday, March 23 at 9 pm ET/PT)
REGINA HALL (Premieres Saturday, March 30 at 9 pm ET/PT)
AT&T recently announced it is deepening its commitment to Brotherhood Crusade in Los Angeles – a 50-year old grassroots organization with a vision of improving quality of life and meeting the unmet needs of low-income, underserved, under-represented and disenfranchised individuals in South LA – through a $150,000 contribution to the organization’s new Media Collective.
The new program, called BELIEVE Los Angeles, is a grassroots campaign committed to supporting workforce development, career readiness programs, with a special emphasis on digital media and entertainment employment opportunities for underserved students in Los Angeles, especially diverse millennials who want to be filmmakers. The initiative is an extension of AT&T Believes℠, a larger company-wide initiative designed to create positive change in local communities.
Believe Los Angeles aims to increase the number of diverse storytellers in the entertainment industry, in front of and behind the camera. The semi-annual 11-week program will provide hands-on opportunities to 15-20 students to hone skills, form creative partnerships, create short films and gain industry access needed to be successful.
“We’re honored to join with Brotherhood Crusade to help support local emerging filmmakers succeed in the entertainment industry and give back to the South LA community,” said Rhonda Johnson, President of AT&T California. “The launch of this innovative program is perfectly aligned with African American History Month and Black Future Month, a time to celebrate the contributions of the people and organizations who strengthen our African-American and other diverse communities.”
“AT&T’s support of Brotherhood Crusade’s Media Collective will help aspiring artists within the local film industry grow their skills and network, as well as make a tremendous difference in their careers,” said Charisse Bremond-Weaver, President and CEO of Brotherhood Crusade.
2019 is arguably the year of #OscarsSoBlack. According to the Los Angeles Times, this year set the record for the most individual Black winners of Academy Awards, with seven victors in six categories.
Regina King kicked it all off by winning first award of the evening for Best Supporting Actress for her work in “If Beale Street Could Talk.” Already a recipient of a Golden Globe for the same role, King gave an emotional, touching acceptance speech.
“To be standing here, representing one of the greatest artists of our time, James Baldwin, is a little surreal,” King said. “James Baldwin birthed this baby, and Barry [Jenkins, the director], you nurtured her, you surrounded her with so much love and support. So it’s appropriate for me to be standing here because I am an example of what happens when support and love is poured into someone.”
“Black Panther” collaborators Ruth E. Carter and Hannah Beachler made history with their wins, becoming the first African Americans to take home Oscars for Best Costume Design and Best Production Design, respectively.
“Marvel may have created the first black superhero, but through costume design, we made him an African king,” Carter said. Among those she thanked was director Ryan Coogler, whom she called “a guiding force.”
Beachler also acknowledged Coogler in her acceptance speech. “I stand here with agency and self-worth because of [director] Ryan Coogler, who not only made me a better designer, a better storyteller, a better person. When you think things are impossible, remember ‘I did my best, and my best is good enough.’”
Spike Lee, along with writers Charlie Wachtel, David Rabinowitz and Kevin Willmott (who is black), won the Oscar for Best Adapted Screenplay for “Black KkKlansman.”
After full-body hugging presenter (and “Jungle Fever” alum) Samuel L. Jackson, in his acceptance speech Lee paid tribute to his grandmother, whose mother was a slave, who lived to be 100 years old and put him through Morehouse College and New York University film school.
Lee also made the first direct political comments of the night: “The 2020 presidential election is around the corner. Let’s all mobilize, let’s all be on the right side of history. Make the moral choice between love versus hate,” he said.
“Let’s do the right thing!” Lee added. “You know I had to get that in there.”
Additionally, Peter Ramsey, co-director of “Spider-Man: Into the Spider-Verse” won for Best Animated Feature.
Mahershala Ali won the Best Supporting Actor award for the second time in his career for his portrayal of pianist Don Shirley in “Green Book.” That movie also went on later in the evening to win the Best Original Screenplay and Best Picture categories.
Below is the full list of winners:
“The Favourite” “Green Book” (WINNER)
“A Star Is Born”
Spike Lee, “BlacKkKlansman”
Pawel Pawlikowski, “Cold War”
Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” (WINNER)
Adam McKay, “Vice”
Yalitza Aparicio, “Roma”
Glenn Close, “The Wife” Olivia Colman, “The Favourite” (WINNER)
Lady Gaga, “A Star Is Born”
Melissa McCarthy, “Can You Ever Forgive Me?”
Christian Bale, “Vice”
Bradley Cooper, “A Star Is Born”
Willem Dafoe, “At Eternity’s Gate” Rami Malek, “Bohemian Rhapsody” (WINNER)
Viggo Mortensen, “Green Book”
“All The Stars” from “Black Panther” by Kendrick Lamar, SZA
“I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson
“The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice (WINNER)
“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch
“BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson (WINNER)
“If Beale Street Could Talk,” Nicholas Britell
“Isle of Dogs,” Alexandre Desplat
“Mary Poppins Returns,” Marc Shaiman, Scott Wittman
According to washingtonpost.com, The Metropolitan Opera in New York plans to hire an all-Black outside chorus for its first presentation in nearly thirty years of ”Porgy and Bess,” which opens the Met’s season on September 23.
Performances of “Porgy and Bess,” which premiered in 1935, are licensed by the Gershwin family, which specifies an all-black cast. Written by George Gershwin and Ira Gershwin, and DuBose Heyward and Dorothy Heyward, “Porgy” depicts a man living in Catfish Row, a poor, Black community in Charleston, South Carolina.
When the Met originally presented “Porgy” in 1985, it hired an outside chorus then too. At that time, there were three only Black members of the Met’s regular chorus of 81. That number today is six Black members in a group of approximately the same total now, the Met said.
“I think the Met is regarded as an institution that is colorblind when it comes to casting,” Met general manager Peter Gelb said. “We have many African-Americans and other black artists who are appearing on our stage in major roles.”
The Hungarian State Opera created controversy last year when it presented an unauthorized production with a largely white cast.
Performers Eric Owens and Angel Blue (pictured above) head the opening-night cast, which will be conducted by David Robertson and includes Denyce Graves, Latonia Moore, Golda Schultz and Ryan Speedo Green.
To see video of Owens and Blue talking about the upcoming production, click here.
In honor of Black History Month, on February 23/24 at 12pm PST,The Paley Center for Media in Beverly Hills, CA is screening a FREE Queen Sugarmarathon. It’s a chance for Queen Sugar fans to come together and enjoy several of their favorite episodes from the OWN series.
Exclusive merchandise will be given out to fans on a first come, first served, while supplies last.
“First Things First”
In the series premiere, directed by award-winning filmmaker Ava DuVernay (Selma), Charley, a savvy wife and manager of a professional basketball star living an upscale Los Angeles lifestyle, returns to her family home—an 800-acre sugarcane farm in the heart of Louisiana—after her father suffers a stroke and she receives alarming news about her husband. There, she reunites with her estranged siblings Nova and Ralph Angel. Together, they must navigate the triumphs and struggles of their complicated lives in order to run an ailing farm in the New South. (2016; 44 minutes)
“Give Us This Day”
Charley continues to make calculated choices regarding Davis’s (Timon Kyle Durrett) basketball career and her desire to secure an investor. Nova and lover Calvin (Greg Vaughan) finally reunite, but their union causes controversy in the community. Davis attempts to repair his relationship with son Micah (Nicholas L. Ashe), but he faces resistance. Aunt Violet (Tina Lifford) learns of Hollywood’s (Omar J. Dorsey) departure and tries to make amends, and Ralph Angel makes a shocking discovery that changes everything. (2016; 43 minutes)
“After the Winter”
Charley and Davis remain entangled, Ralph Angel tries to find his footing on the family farm, and Aunt Violet confronts her feelings for Hollywood. Plus, Micah has a dangerous encounter with a police officer. (2017; 43 minutes)
Charley’s shocking plan to save her business puts her relationship with Remy in jeopardy. Hollywood proposes to Violet, and Nova and Remy share an unexpected moment. Finally, Ralph Angel decides if he can forgive Darla. (2017; 65 minutes)
“From on the Pulse of Morning”
Ralph Angel receives some unexpected news, the fate of the correctional facility is revealed, and Charley makes a proposal on behalf of the farmers. Plus, Violet and Hollywood celebrate their love. (2018; 60 minutes)
About The Paley Center for Media:
The Paley Center for Media is a nonprofit organization with locations in New York and Los Angeles which works to expand the conversation about the cultural, creative, and social significance of television, radio, and emerging platforms. Drawing upon its curatorial expertise, an international collection, and close relationships with the leaders of the media community, the Paley Center examines the intersections between media and society.
The general public can access the Paley Center’s permanent media collection, which contains over 160,000 television and radio programs and advertisements, including the expanded collection of African-American Achievements in Television, and participate in programs that explore and celebrate the creativity, the innovations, the personalities, and the leaders who are shaping media.
Additionally, plaques in his memory will be mounted on the campuses of four HBCUs where he served on the faculty: Fisk University, Tuskegee University, Howard University, and Tougaloo College.
Dr. Brady was born in Louisville, Kentucky in 1884. He earned a bachelor’s degree from Fisk in 1908. After graduating from Fisk, he taught for four years at Tuskegee before leaving to earn his Ph.D. at U. of Illinois. He returned to teach at Tuskegee once again, followed by positions at Tougaloo, Howard, and Fisk. He served as chair of the chemistry departments at both Howard and Fisk. Dr. Brady passed away on December 25, 1966.
“This landmark designation recognizes the outstanding accomplishments and leadership impact that Dr. Brady has had on the chemical profession,” says ACS Immediate Past President Peter K. Dorhout, who presented the plaque at the designation ceremony on February 5.
“I am proud to be an alumnus of the university that was part of his legacy — dreaming, designing and executing the creation of four outstanding and impactful chemistry programs that have each worked to ensure access to higher education and the chemical professions for so many young African-American men and women over the last century.”
If you are a medical professional (particularly a Black medical professional), or just an overall Black history buff, you likely have heard of Mary Eliza Mahoney.
For those who have been denied tales of Mahoney’s excellence, she is heralded as the first African-American licensed nurse.
Mahoney worked in nursing for almost 40 years before retiring, but during her time as a medical professional, as well as long after, she was a champion of women’s rights. A trailblazer, not just as a Black person, but also as a woman.
Even as a teenager, Mahoney knew she wanted to become a nurse, and she began working at the New England Hospital for Women and Children, which, as its name suggests, provided health care exclusively to women and their children. At the time, the hospital was also known for its all-women staff of doctors.
There, Mahoney worked from the ground up over the next 15 years, in jobs such as janitor, cook and washerwoman, while also seizing the opportunity to work as a nurse’s aide.
The hospital operated one of the first nursing schools in the United States, and as you can probably guess, in 1878 a then 33-year-old Mahoney was allowed to enter the hospital’s professional graduate school for nursing. During the intensive 16-month training program, students attended lectures and got hands-on experience in the hospital.
The program was rigorous, and according to the Women’s History Museum, of the 42 students who entered the program, only four, including Mahoney, completed the requirements in 1879. In the same breath, she became the first Black person in the U.S. to earn a professional nursing license.
Mahoney would go on to serve as a private-duty nurse for the remainder of her impeccable career (she decided against public nursing because of the rampant discrimination there) and became known across the East Coast for her “efficiency, patience and caring bedside manner,” according to the Women’s History Museum.
A staunch advocate of those within the profession, Mahoney became a member of the Nurses Associated Alumnae of the United States and Canada (NAAUSC, later known as the American Nurses Association) in 1896. But she faced discrimination at NAAUSC, which had a predominantly white membership, so Mahoney took it upon herself to co-found the National Association of Colored Graduate Nurses (NACGN) in 1908.