
article by Cristie Leondis via blackenterprise.com
NEW YORK (AP) — He’s been a rapper, actor, singer, entrepreneur, record producer and clothing designer. Now Sean “Diddy” Combs has taken on a new job as the founder of a charter school in New York City’s Harlem neighborhood.
Combs announced Monday that the new school will be named Capital Preparatory Harlem Charter School and it will open in the fall, according to the Associated Press. The venture has been in the works for five years. The school will be overseen by Capital Prep leader and founder Dr. Steve Perry, who started Capital Prep Magnet School in Hartford, Connecticut, in 2005.

Combs and the board have hired Orlando, Florida-based educator Danita Jones as the principal of Capital Prep Harlem. Combs says creating the school is “a dream come true.” In addition, Combs and Perry have been meeting in secret with community leaders and experts in education to build the program.
The school’s board also includes author and spiritual life coach Dr. Iyanla Vanzant, who has worked with Oprah Winfrey in the past.
According to Capital Preparatory Harlem Charter School’s official website, the school is a free, public school for children grades 6-12. The extensive program will provide a “year-round, college preparatory education.” College courses will also be available to the students once they reach high school.
For the opening year, 160 students are to be enrolled in 6th and 7th grades. The deadline to apply for the upcoming school year is April 1st.
To read more, go to: http://www.blackenterprise.com/news/sean-diddy-combs-launches-charter-school-in-harlem/
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article by Sydney Scott via essence.com
Madame Tussauds unveiled a wax figure of living basketball legend Steph Curry, which a team of sculptors spent four months making.
Curry attended the unveiling with his wife, Ayesha, and their daughters, Riley and Ryan, along with his mother. The basketball star had fun posing for pictures with the wax figure and cracking jokes. He even revealed that one of his first dates with his wife was to a wax museum.
“One of our first dates in L.A., we went to the museum on Hollywood Boulevard. So, that was one of our first experiences together, walking through and taking pictures with all the wax figures in that museum, and now to have one of my own is pretty special,” he said.
To read more, go to: http://www.essence.com/2016/03/25/steph-curry-gets-wax-figure-madame-tussauds
article via jbhe.com
The Fund II Foundation of Austin, Texas, has the stated mission “to preserve the African-American experience; safeguard human rights; provide music education; preserve the environment while promoting the benefits of the outdoors; and sustain critical American values such as entrepreneurialism.”
To fulfill its first stated mission the philanthropic organization vows “to share the diverse and stirring stories of people of African descent, we support organizations that illuminate the richness of Black history and culture.”
Now the Fund II Foundation has teamed up with the United Negro College Fund to establish a new scholarship program to help African American students seeking careers in STEM fields. Over the next five years, The Fund II Foundation UNCF STEM Scholars Program will identify 500 African American high school students who are determined to pursue careers in STEM fields. These students will receive scholarships, internships, mentoring, and other tools to help them reach their goals. The Fund II Foundation is contributing $48 million for the STEM Scholars Program.

article by Breanna Edwards via theroot.com

article via eurweb.com
Microsoft Corp. has donated $1 million to the Smithsonian National Museum of African American History and Culture, which opens this fall after five years of construction.
“The stories, art and culture of African Americans are vibrant and important narratives in our nation’s history,” said Fred Humphries, corporate vice president of U.S. government affairs for Microsoft. “Microsoft is proud to support the museum and bring these perspectives to life in a powerful and enriching experience.”
Other recent donations include $1 million from the Alfred Street Baptist Church, a $10 million gift from David Rubenstein, $1 million from MGM Resorts International and $1 million from Altria Group.
The Museum of African American and History and Culture will be the Smithsonian’s 19th museum. It will open to the public Sept. 24 with 11 inaugural exhibitions covering major periods of African American history, including the slave trade, segregation, the civil rights movement, the Harlem Renaissance and the election of the nation’s first African American president.
To read more, go to: http://www.eurweb.com/2016/03/microsoft-donates-1m-to-new-museum-of-african-american-history-culture/

article by Andrew R. Chow via nytimes.com
John Coltrane’s “A Love Supreme” and The Supremes’ “Where Did Our Love Go,” are part of the incoming class added to the National Recording Registry of the Library of Congress this year. The diverse crop of new inductees also includes the Vienna Philharmonic’s 1938 recording of Mahler’s Ninth Symphony, Metallica’s “Master of Puppets” and live coverage from Wilt Chamberlain’s 100-point game.
The registry adds 25 recordings — deemed significant to American history and culture — each year. The field this year includes pop, (Billy Joel’s “Piano Man”), classic R&B (“Where Did Our Love Go,” The Impressions’ “People Get Ready”), field recordings (W.H. Stepp’s “Bonaparte’s Retreat,” captured by Alan and Elizabeth Lomax in 1937) and comedy (George Carlin’s “Class Clown”). Joining these performers is Secretary of State George C. Marshall proposing what became known as the Marshall Plan to aid Europe after World War II.
The National Recording Registry now totals 450 recordings, the library said. A full list can be found at www.loc.gov.
To read original article, go to: http://artsbeat.blogs.nytimes.com/2016/03/23/john-coltranes-a-love-supreme-and-billy-joels-piano-man-join-national-recording-registry/?partner=rss&emc=rss&_r=0

article by Joshua Barone via nytimes.com
Camille A. Brown, the socially conscious dancer and choreographer, is this year’s winner of the Jacob’s Pillow Dance Award, an honor that comes with a $25,000 cash prize and an engagement at the summer festival.
She was chosen by the incoming Jacob’s Pillow Director Pamela Tatge, who takes over on April 18. In an interview, she called Ms. Brown “hugely important,” and lauded her offstage work advocating for black female artists. “Someone who generates dialogue in communities is the kind of artist that really excites me,” Ms. Tatge said. She added that Ms. Brown is a “deep researcher” who tackles social issues through “extremely present, theatrical” choreography.

As part of the award, Ms. Brown will have a creative development residency at Jacob’s Pillow, where she will spend one or two weeks shaping her new work, “ink.” In addition, her dance “Black Girl: Linguistic Play,” which received favorable reviews when it appeared at the Joyce Theater in September, will be staged at Jacob’s Pillow in 2017. “When I started creating this work, I wanted there to be a duality, a culturally specific work with universal themes,” Ms. Brown said in a statement, referring to “Black Girl.” “This work speaks to the human condition, and because of that, I hope people are able to see themselves in the work, regardless of race or gender.”
Ms. Brown, who won a Bessie award for her 2014 work “Mr. TOL E. RAncE,” began dancing with Ronald K. Brown’s company in 2001. She also appeared with other troupes before founding Camille A. Brown & Dancers several years ago.
To read more, go to: http://www.nytimes.com/2016/03/23/arts/dance/jacobs-pillow-dance-to-honor-camille-a-brown.html?partner=rss&emc=rss&_r=0

article by Michael Cavna via washingtonpost.com
JUST LAST month, Akilah Johnson was “surprised and overwhelmed” when she learned that she was a national finalist in the “Doodle 4 Google” contest for grade-schoolers.
Akilah, a sophomore at Eastern Senior High School in Northeast Washington, has just been named Google’s big winner in the national contest, topping the 53 state and territory champions, whose work had been culled from about 100,000 student entries.
“It is really overwhelming,” Akilah tells The Post’s Comic Riffs, minutes after receiving the news Monday during a ceremony at Google headquarters in Mountain View, Calif. “I was so excited, I started crying,” Akilah says. “I didn’t even look at anybody — I was just looking at the framed copy [of the Doodle] they gave me.”
Akilah is the contest’s first winner from Washington, as D.C. was not eligible to enter the states-only competition in past years. (The Post’s Comic Riffs had joined the chorus of voices urging that the District be included.)
This year’s contest theme was: “What makes me…me.” Akilah drew a box-braided Doodle titled “My Afrocentric Life,” using color pencils, black crayons and Sharpie markers. The Doodle includes symbols of black heritage and signs representing the Black Lives Matter movement. “Although it felt like forever making this picture, it only took me about two weeks,” Akilah told Comic Riffs last month.


