via todaysdrum.com
via todaysdrum.com
JOCELYN NOVECK,AP National Writer
WASHINGTON (AP) — The stately White House East Room, home to many a bill signing and ceremonial gathering, became a stage Tuesday for pirouettes, jetes, gravity-defying leaps and a few bumps and grinds as Michelle Obama inaugurated a new dance series.
Dancers of all types — ballet, modern, hip hop and Broadway — took over the room, first for a series of workshops in which students from around the country had a chance to learn from the pros.
After a short break, the students were to return to see their mentors for the day perform in an hour-long, star-studded show. Even Broadway’s young “Billy Elliot” was there — well, four Billys actually, from the show’s rotating cast.
But the main attraction was the Alvin Ailey American Dance Theater, whose celebrated artistic director, Judith Jamison, soon to retire after two decades in the job, was the honoree of the event. At the afternoon workshops, young girls in leotards, their hair tightly wrapped in buns, sprawled on the shiny East Room floor, stretching their legs into splits as they warmed up. Jamison watched with a smile on her face as current Ailey dancers then taught the kids — about 100 boys and girls from across the country — excerpts from Ailey’s “Revelations,” one of the most beloved works in all of modern dance. “Slow! Slooooow,” intoned teacher Nasha Thomas-Schmitt, urging the kids at one point to take their time with a stretch.
“Wow,” said Damian Woetzel, director of the event and a former star of New York City Ballet, after the Ailey workshop. “Now you’ve danced in the White House!” he told the kids.
The 67-year-old Jamison is an icon of the dance world. She joined the Ailey company in 1965 and became the choreographer’s muse, her dramatic power as a dancer epitomized in the unforgettable 1971 solo piece “Cry.” In 1989, after Ailey’s death, she took over as artistic director. She is scheduled to step down in 2011.
“What a rare opportunity, to be invited by your country’s first lady to be honored like this,” Jamison said in a weekend interview. “I’ve been to the White House a couple of times before, but this event is totally unique. It’s so terribly important to recognize this art form and to understand how important it is to the fabric of this country.” “This will be another clarion call to people: Pay attention to your arts!” Jamison said. “My dancers are so excited.”
Woetzel, who is on the President’s Committee on the Arts and Humanities, had a dizzying array of choices from which to cull an hour of the country’s best dance. And he said it wasn’t exactly hard to find dancers, no matter that the event came just after a summer vacation weekend.
“Everyone was so excited to be a part of this,” Woetzel said in an interview. “It’s really an exciting opportunity to present the variety of dance in this country. And the student component makes it especially unique. It’s a great way to start the school year.”
Though the Obamas have spotlighted many varieties of music since they came to the White House — there have been events celebrating Latin music, rock, jazz, country, classical and Broadway show tunes — the dance world might have felt ignored, until now. But Michelle Obama seems to be a dance fan. Jamison noted proudly that the Obamas and their daughters spent one of their first nights out as first family taking in an Ailey performance at the John F. Kennedy Center for the Performing Arts.
“They came backstage, took pictures — the dancers were thrilled,” she said. Also on the program Tuesday: the Paul Taylor Dance Company, The Washington Ballet, Super Cr3w and the New York City Ballet. The students came from dance schools around the country: The Alvin Ailey School, Ballet Hispanico, Cab Calloway School of the Arts, Dance Theatre of Harlem, the Chicago Multicultural Dance Center and others.
Copyright 2010 The Associated Press.
The Brit actor who’s just signed to play maverick cop Alex Cross in David Twohy’s Cross, stars in the 6-part BBC mini-series Luther playing another maverick cop (think Cracker meets Prime Suspect meets Wallender). Luther uses the Columbo trick of letting the viewer discover early on who the murderer is – the suspense comes from watching how Luther will catch the murderer. Brit TV reviewers agreed Elba saved a tired formula “pitched somewhere in that territory between fantasy and cliché that commissioning editors find so irresistible,” humphed the Guardian, while the Daily Telegraph said: “Luther lets Elba down”. Poor early reviews impacted ratings. From an audience of 5.8 million (24%) for its first outing, ratings fell to 3.1 million (12.3%) by episode five. Despite falling ratings, the Beeb announced at the Edinburgh TV festival it was commissioning Luther for a couple more two-hour specials. Luther premieres October 17.
via deadline.com
A federal judge on Friday approved Eastman Kodak Co.’s $21.4 million offer to settle class-action lawsuits by black employees who maintained white counterparts were favored over them for pay and promotion.
http://www.thegrio.com/news/judge-oks-kodaks-settlement-of-race-based-lawsuit.php
(CBS) A few miles from the White House in southeast Washington sit some of the worst public schools in America. The students there are mostly poor, mostly black, and their test scores are low. Only one in three finish high school; of those who do go on to college, just five percent graduate.
But right in the middle of this same area is also one of the most successful and innovative public schools in the country. Started in 1998, the school is called SEED. It’s the nation’s first urban public boarding school.
Ninety one percent of the students finish high school, and 95 percent go on to college. It’s a charter school that’s getting national attention. Admission is by lottery, open to any family in the district willing to take a chance.
Riding the colt Aristides, Oliver Lewis won the inaugural Kentucky Derby on May 17, 1875. His time of two minutes 37.75 seconds also set an American record over the mile and a half distance (the Kentucky Derby became a 1.25 mile race in 1896). Lewis was one of 13 black jockeys in the 15-strong field. Early in the race, he joined a small group behind Volcano, who led the race from the start. Lewis had been instructed to force the pace to favor another horse owned by H.P. McGrath, Chesapeake. But as they entered the final stretch Aristides and Volcano were out in front and Chesapeake was trailing the pack. Lewis, riding Aristides, won the race in front of 10,000 spectators by two lengths ahead of Volcano. Chesapeake came home eighth. Later the same season, again riding Aristides, Lewis took second in the Belmont Stakes and won three races on Churchill Downs that season, but he never rode in the Kentucky Derby again. Very little biographical information is available, but it is known that Lewis later served as a supplier of information about horses for a bookmaker, which was then legal.
Oliver Lewis was born in 1856 in Fayette County, Kentucky; his parents were Goodson and Eleanor Lewis. Very little is known about Lewis’s life, but according to the Black Athlete Web site he was “A family man, a husband and father of six children.” Lewis was 19 years old in 1875 when he entered the inaugural Kentucky Derby riding Aristide, a colt owned by H. Price McGrath and trained by Ansel Williamson, who was also black. In fact blacks dominated racing in the late 1800s, winning 15 of the first 28 Derbies according to BlackAmericaWeb.com and training six of the first 17 winners. By the early 1900s, however, blacks had been pushed out of the business, which had also become wealthier and less accessible to the working classes. Black jockey James Winkfield won the Kentucky Derby in 1901 and 1902, but after 1921 there were no black riders in the race until Marlon St. Julien in 2000.
The 1875 race was held on May 17 at the newly-opened Louisville Jockey Club race track, now known as Churchill Downs. Lewis’s mount Aristides was one of two horses entered in the race by owner H. Price McGrath in hopes of netting the $2850 prize money. But it was the other horse—Chesapeake, ridden by William Henry—that was expected to win. Lewis’s role in the race was to force the pace so that Chesapeake could take the lead when the rest of the field tired. Aristides and Chesapeake started the race as favorites. Aristides’ reputation for powerful starts and Chesapeake’s strong finishing made them the two most likely contenders, but it was Volcano who took the lead from the start and pulled away, leaving Aristides, closely followed by Verdigris and McCreary just behind.
By the start of the home stretch the race was between Volcano and Aristides, with Chesapeake struggling in the pack. Wondering what was going on behind Lewis apparently eased up and looked back, but was waved on by owner McGrath, who was trackside on the home straight. Larry Muhammad, writing for BlackAthlete.net quotes the Courier-Journal‘s play-by-play, published the next day: “Right gallantly did [Aristides] the game and speedy son of Leamington and Sarong answer the call to his forces, for he held his own all down the stretch in spite of most determined rushes on the part of Volcano and Verdigris, and dashed under the wire the winner of one of the fastest and hardest run races ever seen on track.” Lewis and Aristides led Volcano home by two lengths, with Verdigris trailing in third and Chesapeake eighth. Lewis’s time for the mile and a half long course (reduced to a mile and a quarter in 1896) was two minutes 37.75, an American record for the distance.
Lewis’s achievement in the opening year of what has become America’s longest-running sporting event went almost unrecognized for over a century. He rode Aristides to second place in the Belmont Stakes, which later became one of the “Triple Crown” races, and won a total of three races at the Louisville Jockey Club that season. He never rode another Kentucky Derby, but it is known that he attended the 33rd race, in 1907. Lewis’s career as a jockey did not last long. After a spell working as a day laborer Lewis began providing notes on racing form to bookmakers and later became a bookmaker himself, a profession that was then legal in the United States. Lewis’s methods of collecting data and compiling detailed handicapping charts have been likened to the systems used by the Daily Racing Form. Lewis passed on his bookmaking skills and business to his son James.
Read more: Oliver Lewis Biography http://biography.jrank.org/pages/2969/Lewis-Oliver.html#ixzz0oEEKOlcU
Never Too Late For Justice: Syracuse University Law School Professor Paula Johnson and her team work with families to solve cold cases from the Civil Rights era! Watch the story on CNN by clicking here.